Haunts

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Who Ya’ Gonna Call?

Published September 6, 2023 by biggayhorrorfan

Sherry is coming back for a visit. There is another Clint Eastwood in the movie theaters and, as is their ritual, she and Lou have planned a weekend around attending it. I do suspect, though, that they are both upset that this is a western – Pale Rider – and not another sleazy Dirty Harry shoot ‘em up adventure. Lou’s enthusiasm for the visit is definitely not a potent as it has been for previous cinematic outings. He sighs a bit when he reminds me of the fact that, as usual, I will be required that Saturday. Still, despite any disappointment, like clockwork, she is here before I know it, with Stevie and Sammy, properly, in tow. These boys, her sons, have been my charges on nights like these for a few years now, and my best way to describe their behavior, over my past few babysitting stints, is a rambunctious if timid obsessiveness.

Two years apart, age wise, they clung to each other, steadfastly, as they learned a series of ghost stories at Camp Turner, the Catholic boys summer program, last July. These tales have seemingly filled their minds every waking moment since then. Their tandem brown heads skittle back and forth, bursting with the gory details of campfires past, all ripe for re-expression. But, as eager as they have been to share these learned audible horrors, each previous visit has brought a compulsive reason not to indulge in a ghastly re-telling – a good movie on TV, tiredness…even, on occasion, admitted fear. Indeed, they’ve definitely been much too frightened the last few times I have sat with them to get more than a couple sentences out. But, as it is June now…the beckoning summer temperatures seem to calm their fears.

Though, in some cruel, cosmic twist of fate, the weather contrarily belies such expected, warm forecasts. This whole weekend has had the air of chill about it. Wind whips through the dried husks of neighboring corn fields. The tarred roads shine from the intermittent rains and lonely branches skitter against the windows of all this lonely lane’s houses. It’s like Halloween has arrived six months ahead of time and I have to laugh that my already nervous puppies, through some weird emotional miscalculation. have decided they are finally ready to share their long-held grotesqueries, picking the perfect night for the macabre.

The house itself seems to swirl with squiggly energy as we go from room to room, leaving most of the lights we find there on. At each outlet, they debate for long moments about whether to turn all illumination off or if it is better, rather, to leave things slightly dimmed. Often, the switches remain untouched. We leave the dazzling orbs as we find them, at the full height of their dazzling luminescence. We finally settle into chairs in the living room, still ablaze with artificial sunshine. They are so jittery that they will not let me adjust the mood one bit more. Born into drama, I suggest turning off a lamp or two. I’d love to create a theatrical shadow for our creative outpourings. Their nerves, already shot, will not even allow me that simple cinematic virtue. I give up, deciding that the damp and dark evening, visible, if barely, through the windows in the kitchen, far off to the left, will have to do. Even before we begin, though, they are stalling, asking me about my school friend, Mary Ellen. They are consumed with gathering details about her as she is the girl that I took to the Homecoming dance. Somehow, in their minds, this has become a grand romance. In reality, Mary Ellen and I are probably much more like chums, sharing an easy relatability – a true joy in each other’s presence. I find this another one of their amusing quirks. The thought of having a girlfriend makes their faces scrunch in a sour squint pucker, but they are endlessly curious about relationships with the opposite sex and are always full of questions about the girls I claim, with a touch of elaborate fiction, to like. Finally, they allow me to begin a story – my earlier suggestion that they begin with one of the favorites having been shrugged aside with quick and firm protestations.

I start my take on The Furry Collar, the much-told urban legend about an escaped maniac & the resourceful roommate-narrator who goes to check on a late-night noise and who, ultimately, discovers that her housemate is missing her head after touching the ruff of her housecoat. I choose this one because its content is the closest to the slasher movies that I love and I can almost imagine myself in the place of the surprised friend, my final girl fantasies brought to some sort of verbally literary life. Unfortunately for all, such imaginings are quickly interrupted.

In the living room of the rectory, there is a pair of mini doors. They are firmly shut, closing off the way to the second floor where the bedrooms are located. Their tiny knobs are secured, tightly, with a shiny latch. When I am barely a minute or two into my story, a chill wind somehow gusts around our feet and the lights in the room suddenly let out a quick spasm. As if in response to these cosmic intrusions, the latch holding the two doors tautly, moves slowly, from its resting place. It dangles upwards, almost whimsically, in the air and then falls to the side. The doors then open at a deliberate pace, all by themselves, pausing to give us a good look at the stairwell contained beyond them. They then, determinedly, slam close once again. The boys have become one with the scratchy fabric of the couch that they are occupying. They chortle out gasps as the latch lifts itself, precisely and determinedly, into the air again and then re-attaches itself over the knobs. As if purposely building suspense, it waits a beat…then, once more, releases itself up into the atmosphere, eventually falling, limp, to the side of the door. The doors swing forth once more, again giving us another look at the flight of steps beckoning upwards. They then close once again. Almost immediately, the latch, as if held by ghostly hands, soars back into the air, hovers a predetermined second and then refastens itself one last time. The lights give off a hearty burp and then all is deafeningly still.

Moments, thick with wavy strands of shock, pass us by. My charges are pure white, their chins jut downward, swinging parallel to their tiny chests. I hop up, shouting loudly, “Who’s there?!?” – knowing, immediately, how nonsensical that question really was. No one is there. At least not physically. Still, I feel like I should check the upper level. If an intruder was really there…if anything was done to hurt these boys, I knew my guilty conscience would never let me sleep again. “Stay here,” I command them, as I jump up and head towards the doors, still vibrating with some sort of ghostly presence. “No!” they wail, clutching for my arms as I make my way forward. “Fine, fine,” I mutter, fright and curiosity mingling equally, “we’ll go up together.”

to be continued

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Note: (My first horror movie buddy was a priest named Lou Hendricks. Several years ago, Hendricks was named by the Western New York Catholic diocese as one of their most unrepentant predators in the ’70s and ’80s. Thus, I grew up watching monster movies with a monster – a man who was like an uncle to our family. Over the next few months, I will be sharing some of my stories from that period of time.)


Ghosts – Winter Romance

Published December 24, 2020 by biggayhorrorfan

It is a time of despair and worry. The man at the socially distanced break room table is energetically talking with a female supervisor. Until recently he was an international sales director for a 5 Star Hotel, a position he frankly admits will never exist again. After decades of rising through the ranks, he now wipes down self-serve checkout counters and is grateful to her for the extra hours that she has allowed him to stay tonight. His dogs will miss him he jokes, but the security of another shift or two assures them of receiving the name brand kibble and chewy treats that they so expectantly crave. In the face of such inoperable, life altering changes, he is surprising resolute, upbeat…and I try to take my cues from him in the days that follow.

For despite it all, people are still celebrating. Our first pandemic dictated Christmas is coming soon and the lights and twinkly stars are disappearing from the shelves in the store’s seasonal boutique. I restock those aisles often, growing less and less surprised at everyone’s insistence on clinging to the predictable joys. I, too, start to take a distant comfort in the comical Santa’s and cheery cartoon elves that are popping up in window displays of the storefronts that I pass on my daily neighborhood jog. All those bright and glorious neon shades of red and green are comforting – but I can still feel something else lurking. Flickering shadows. Hazy specters. Seasonal ghosts.

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I am 19 and I am waiting for my boyfriend at his place. He gave me the keys to his apartment earlier and I bustled through the February frost to his one bedroom loft. Now, I am feeling suspiciously adult, like a big city mistress of some high-ranking business exec – although, I do legitimately belong here. I am not a secret. Everyone at work knows about us. They are aware that I am happily anticipating his presence as he finishes up his bartending shift. Anxious for our romantic evening to begin, I pore through his box of VHS tapes, trying to find something to distract myself. It is all porn videos. Well, porn videos and a bootleg copy of The Color Purple. But we have just recently watched that sterling Spielberg-ian example of Oscar bait…and I know better than to throw in a sex tape. I did that last week, and while I tried to resist jerking off to Jeff Stryker pounding some smooth curly haired model-type in an alley, I eventually couldn’t help myself. Thus, making for a less than receptive offering when AJ finally arrived home. I don’t want that to happen again. So, I turn on the television and settle on Saturday Night Live, already in progress. Just after the cast bow, he arrives. I greet him, happily. He receives my kisses mutely, situates himself on the couch, telling me that we have to talk. Valentine’s Day is a week and a half away and I am sure that he wants to make plans. This is the first year in what seems like an incredibly long life that I will have someone to celebrate with and I am thrilled. But instead, after a deep sigh, a Dear John monologue softly peters out of his lips.  Murmuring something about needing space and the strange curves of life and time, he breaks up with me. I am shocked, unexpectedly thrust from one extreme, anticipation…happiness. to a totally different one, shock…despair.

Of course, as I write this now, it dawns on me that this was an incredibly heartless way to break up with someone. There had been no clues, no warning shots fired before this moment. Everything had been kept close to the wrist. Therefore, he certainly could have told me in some other space…at some other time. Set a kinder rhythm, bought me coffee and a gourmet cookie as consolation prizes, taken me to some park, dark with leafless trees. The mood should fit the occasion, I believe. Obliterating a weekend dream state seems particularly cruel to me, especially in my secluded COVID state of mind now. Still, I find myself feeling a wispy sorrow for him, somehow, these days. In fact, it almost feels like maybe it is his sad face that wavers down alleys and across those amber corners as I wait for the light to change, walking to work.

I, honestly, don’t blame him for breaking up with me. I was silly, a devastatingly insecure child whose only concept for relationships was my parents frustrated, frequently violent union and soap opera romances. Once during our short time together, I “seductively” ignored him when I saw him unexpectedly at a bar. Our eyes met and I sharply turned away, dancing quickly into the arms of the female friend I was club hopping with. Purposefully calling him the next day, I innocently and insistently claimed that I hadn’t seen him the night before, a classic missed connection turned amusingly wrong. Another time, I pretended the managers at work were horribly upset about our dating, throwing him off balance for a moment until I confessed my senseless, idiotic ruse. Like my favorite daytime divas, I thought I always had to keep him slightly out of tune. To maintain his interest, I had to create drama…intrigue…social unrest.

Of course, I didn’t need to manufacture such moments. Tension was beating there, sharply, all along. There was an ex…another young, blue eyed blonde. We could have been brothers I ascertained, the one time that I saw him picking up his remaining belongings from AJ’s closet. It was unnerving. Months later, I would catch AJ in the restaurant’s staff bathroom, crying…not over me, but him. The other one. The original angel. The truly loved. My twin.

But there was one day. One gloriously perfect day. Its ectoplasmic embers float around me as I move throughout this month. January 1st, 1988. My roommates were still away on their holiday adventures. AJ and I lay in bed, recovering from a joyous night of public reveling, ignoring any burgeoning breakfast hunger pains. Instead, we pawed through my vinyl collection, taking turns deciding what to play. We talked and cuddled…slept…eventually heading down to the neighborhood greasy spoon. Returning with burgers that tasted inordinately of grease and that venue’s overused grill, we watched The Young and the Restless and The Bold and the Beautiful on someone’s tiny TV. Later, we trekked across town to catch The Running Man at one of the city’s notoriously chilly, ill kept second run theaters. We held hands as Richard Dawson taunted Arnold Schwarzenegger and Maria Conchita Alonso bravely plotted an escape.  We brought in that new year with fries and sex and Stephen King and it felt like a miracle, like the life I had dreamed about for so long was finally beginning. It was the first ideal afternoon I had ever experienced and it seemed to finally confirm my worth to the world. My importance to the universe seemed completely sure. In that moment. I would have never recognized myself as that soon-to-be tremulous lover who needed emotional games to feel in control. And for a moment, perhaps he too, thought his sorrow was over. My doppelganger banished from his mind in that still glittery seasonal glow as the world reset itself…bringing not only a new year, but a new sense of hope…a heart completely reborn.

So, maybe it is not only just his silvery outline that whispers to me slightly out of frame, as of late – but my own, as well. For that momentarily confident version of me belongs to this year, somehow, just as much as that unburdened version of him – though I have not regarded this past self seriously for decades. This year of hopes dashed so unreservedly, a year where light’s dearth has blinded us all, if only for smaller pockets of time, most assuredly would be the one to bring his essence back, unchecked – that past, very wishful, soon to be obliterated self. He worries me again beneath the piped-in carols…besieges me bittersweetly upon restlessly waking.

But perhaps he also teaches me that all this current sorrow, much like that old, old hurt, is survivable. He fills me with understanding, and most beautifully I think, compassion. Compassion for the person that I once was and, perhaps most importantly now, for the person that I am soon about to become.

Music to Make Horror Movies By: Mary Lou Lord

Published April 26, 2020 by biggayhorrorfan

MLLMain

In the name of diversity, it is always nice to find musical efforts with genre themes that aren’t overwhelmed by heavy metal antics or thoroughly seared by moody gothic rhythms.

Indeed, Mary Lou Lord, one of alt-pop’s brightest lights, released an amazing 1996 Kill Rock Stars EP called Martian Saints!

Besides the obvious themes of science fiction and emerald streaked creatures from beyond, Lord embraces the concepts of Halloween and the devil while also exploring the tyranny against witchcraft here. Her bright cover of Elliot Smith’s I Figured You Out is also a highpoint, signifying the emotional horrors that one must endure, as well. Thus, the work as a whole is a sonic delight from start to finish and well worth checking out.

Indeed, all of Lord’s output, highlighted by her frequent collaborations with Bevis Frond’s Nick Saloman, should be a part of every smart music lover’s vocabulary.

MLL2

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Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Sabrina Wagner: Walking the Dead with Make-Up’s Finest!

Published February 5, 2013 by biggayhorrorfan

Big Gay Horror Fan has been touched by a angel! Well, maybe one with a bit of demon thrown in for good measure! Yep, I have been made up by miraculous make-up artist Sabrina Wagner and I am still feeling the glow!

Below, as a work-in-progress, I chat with the amazing Wagner, who has worked on the first season of The Walking Dead and such independent horror epics as Motor Home Massacre.

You can find out more about her work at world famous haunt Netherworld at www.fearworld.com.