Horror, She Wrote explores the episodes of the ever-popular detective series Murder, She Wrote, featuring Angela Lansbury’s unstoppable Jessica Fletcher, that were highlighted by performances from genre film actors.
Show business is full of complications…professional jealousies, Napoleon complexes, cold blooded killers. The sweet Nina Cochran (Alice Krige) definitely discovers this to be true on Murder in the Afternoon, a second season episode of Murder, She Wrote.
The niece of the series’ stalwart Jessica Fletcher, a mystery writer who continuously finds herself solving real crimes, Cochran is accused of offing Joyce Holleran (Jessica Walter, Play Misty For Me), the evil head writer of the soap on which she appears. Of course, Cochran isn’t the only suspect for doing away with this callous doom bringer. Holleran has threatened the jobs of many of the show’s beloved cast, including the indulgent, adulterous Bibi Hartman (Tricia O’Neil, Piranha II: The Spawning).
Capped by a double red herring, this episode, nicely, allows Krige to display a full range of emotions. Fear and anger, naturally, figure prominently here. But true movie buffs may delight most to Krige’s sweet scenes with Lansbury and golden age character actress Lurene Tuttle (Psycho, Niagara, Don’t Bother to Knock), who plays Krige’s devoted grandmother with a daft charm.
Krige, who gave sophisticated and passionate performances in such horror offerings as Ghost Story, Sleepwalkers, Silent Hill and Stay Alive, also works well amongst the vindictive environs of Walter and O’Neill. She, wisely, plays off their characters’ inherent selfishness with a firm and determined resolve of her very own. …and while that surely doesn’t provide much love in the afternoon, as those daytime ads in the flashy ‘80s always proclaimed, it most certainly allows for plenty of delicious, lightweight fun!
Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!
Scripted by Lynne Kelsey, this storyline actually is one of the long running show’s most poignant. Graced with the series’ usual down home charms and lighthearted mystery, it also reflects, subtly, the emotional damage inflicted by parental misadventure. Runyon’s bruised portrayal aids greatly here, allowing the audience to feel, fully, for her character and proving that she would have been perfect to play tortured heroines in those gloomy noir epics of the 40s.
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