While, in reality, far too many women are still being sex shamed – I do believe if your nanny is a satan marrying, husband seducing bad-ass with a fake accent then maybe she deserves all the names that you can call her!
Sneaking on Marcy!
Such is the case when (former) soap opera diva Marcy Walker (playing Kate, a harried businesswoman) and the nubile Olivia D’Abo (as the pouty mouthed mistress of the devil) come face to face in 1992 television film Midnight’s Child. As D’Abo’s manipulative, murderous Anna lures Kate’s husband away from her while simultaneously making plans to turn her young daughter into the dark master’s newest conquest – Walker unleashes her verbal fury and is soon teaming with Anna’s distraught father in an attempt to bring the horn loving minx down.
Leaving the fire behind!
Of course, since this was made for the Lifetime Network, the more lurid aspects of the plot are played down here to concentrate on Kate’s guilt (as a woman having it all) and Anna’s sharp eyed plotting. Action sequences are, also, infrequent. Although, the opening moments efficiently portray a murder and an explosion at Anna’s Swedish convent school, helping to establish the sinister motives at play. Lovers of dark soap opera antics and devilishly infused plot lines should find that things move quite quickly and enjoyably despite the severe lack of bloodshed, though.
If anything, Midnight’s Child may even help raise social awareness- reminding employers to check the scalp lines of their potential in home employees to get the 666 on whether things are bound to have a distinctly fiery end.
The End?
Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!
Big Gay Horror Fan 