How about a 60s anthem about romantic disappointment…with a possible sinister edge?
Sandie Shaw’s perky Girl Don’t Come gave a feminist ringtone to the being stood-up quandary, but looking at the lyrics through the eyes of an Alfred Hitchcock or a David Fincher gives this wistful tune a possibly dangerous connotation. Could the reason that the woman in question didn’t show be a bit darker than the simple whiff of whimsy implied?
Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!