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Creature’s Julie Adams Wins Book Award!

Published October 25, 2012 by biggayhorrorfan


Discovering Stacy Q performed songs on the Return of the Living Dead soundtrack – Finding out that there is such a thing as strawberry lemonade ice cream – Noticing the latest issue of Fangoria on the magazine shelf at Alley Cat Comics! Yes, yes, yes! And the good news keeps pouring in at Big Gay Horror Fan Central for —

On Thursday, October 18th, 2012, Julie Adams’ book The Lucky Southern Star won an Irwin Award from the Book Publicists of Southern California for “Best Biographical Campaign.” Adams was honored for her heartfelt memoir and her seemingly inexhaustible efforts to promote it.

The gracious Adams is truly a grand dame of the cinema and certainly deserves this distinguished honor.

To keep up with her and the tour to support The Lucky Southern Star, be sure to check out www.julieadams.biz and http://www.facebook.com/#!/pages/Official-Julie-Adams/176569845764947.

Big Gay Horror Fan is always taking on distinguished and glamorous book lovers at http://www.facebook.com/#!/BigGayHorrorFan, as well!

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

Red Reaper Reaps Distribution Deal!

Published October 24, 2012 by biggayhorrorfan


The only luck that Big Gay Horror Fan has ever had is in his knack for getting thrown out of jagged car windows on his quest for more delicious horror goodies. Perserverance is where it is at – proof positive of that comes from awesome genre goddess, Tara Cardinal (Delivery, Wrath of the Crows, Zombie Massacre) for —

“After almost two years of extensive post production, CGI and special effects, sword and sorcery movie Legend of the Red Reaper will be selling at AFM under Uwe Boll’s Banner “Boll World Sales”.”

Congratulations, Madame Cardinal! You are an inspiration!

More information on the project can be found on the film’s facebook page: www.facebook.com/legendoftheredreaper

Meanwhile, Big Gay Horror Fan is always slicing through the air at http://www.facebook.com/#!/BigGayHorrorFan, as well!

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!!!

The Cheddar Nightmare of Tiffany Shepis and Cory J. Udler!

Published October 23, 2012 by biggayhorrorfan


Ever since her crunchy, body folding death in 2006’s snow monster epic Abominable, Big Gay Horror Fan has been in awe of genre goddess Tiffany Shepis’ contortionist abilities. From the above ad, it’s obvious her culinary devouring skills are pretty prime, as well.

Yes, our reigning goddess of fright is taking on exploitation master Cory J. Udler (IDS Rising and ilk) in a cheese curd off on November 4th, 2012 at the Madison Horror Film Festival to benefit the Dane County Humane Society! So, if you’re attending and feeling especially “Krafty” – check it out!

More information on the Madison Horror Film Festival 2012 is available at http://www.madisonhorror.net/.

Big Gay Horror Fan is always welcoming lovers of bloody cheese at http://www.facebook.com/#!/BigGayHorrorFan, as well.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

‘Justine’ Time: An Interview with Frankenstein’s Potent Catherine Gillespie!

Published October 22, 2012 by biggayhorrorfan


The number of things that Big Gay Horror Fan has done to convince the fickle goddesses of fate to turn him into the divine Elsa Lanchester would blow even the minds of hardened criminals. So, it is with delighted envy that I present this giddy interview with acclaimed Chicago theater actress, Catherine Gillespie! In City Lit’s emotional stage adaptation of Mary Shelley’s classic Frankenstein, the beguiling Gillespie brings potent energy to the role of doomed Justine – the character whom eventually becomes the obvious inspiration for Lanchester’s delightfully demented bride. Below, Gillespie talks about the joys of performing in Frankenstein, and in general, and about the still potent message that Shelley’s seminal work provides for modern audiences.

BGHF: So, Catherine, what were your first performance inspirations – A ukulele playing grandma – A drunken Shakespearian professor – WHAT?!?

Catherine: One evening when I was ten or so, I complained to my Dad that I didn’t have any books to read. So he marched me downstairs, took a big fat book off the shelf, and sat me on his lap. We read the first part of MacBeth together, and I’ve never forgotten it. I remember that the words were oddly scary and very satisfying, and the characters were big and intense. And of course, I loved the witches. I didn’t audition for my first play until a couple of years after that experience, but reading The Scottish Play that evening with my Dad helped me begin to understand that words are alive, and that they have power just like swords do. I’ve drawn much inspiration from that evening with my Dad.

BGHF: Lovely story! Tell us a little about the technical and emotional complications of enacting a death by noose on stage in Frankenstein.

Catherine: I could tell you how we do the hanging, but then I’d have to…well, you know.

BGHF: Yikes! Continue…I think.

Catherine: This is my first experience with a stunt like this, and I’m so grateful to all the people who have helped make it simple and safe, especially our fight choreographer David Yondorf and director Terry McCabe. We scheduled literally hours of time during tech rehearsals to make sure every aspect of it will run smoothly for each performance. Still, after making sure the logistics were taken care of, I had to force myself to just do it twenty times or so to get used to the feeling of dropping and hanging there. It’s quite startling! I’m still a bit nervous every evening before we do the stunt – after all, there’s a noose around my neck – but it’s fun to hear the audience’s reaction when it happens!


BGHF: Awesome! You, also, have the amazing task of portraying a character that has risen from the dead. What has that process been like for you as a performer?

Catherine: It’s been such fun to explore this play and imagine the physical and emotional aspects of being brought back to life. Victor uses electricity, with other ingredients, to force the Creature and the Female to come back from the dead. Physically, I think this experience must be awful. During our conversations in rehearsal, Mark, Terry and I decided that the Creature’s reanimation is probably far more painful than the Female’s, simply because he’s a patchwork of different people and he’s been dead for longer. Still, the process is startling and very uncomfortable. Breathing is difficult initially. She needs the Creature’s help to remember how to walk. She is startled at being touched, though the memory of human contact seems to return to her quite quickly. I think the Female’s emotional journey is similar. When she wakes up, it’s as if her slate has been wiped clean. She has the innocence of a child, but something of her former life – the memory of Victor’s face, perhaps, remains. She responds, as a child would, to the Creature’s encouragement and kind words. As a performer, exploring the process of reanimation has been a lovely return to the most basic elements of acting: observation and listening.

BGHF: What? — Oh, listening! I do that…sometimes! I know all theatrical experience become like children, but have you had a most memorable moment on stage, thus far?

Catherine: Moments on stage do indeed become like children to me; I love them all! Of course, now that you ask, the moments popping into my head are those where something unexpected happened. There was the time, during The Wind in the Willows, where a chair broke onstage – with an actor in it! Thankfully, no one was injured and the moment got a laugh before we moved on. There was the time I got a terrible case of the hiccups in the middle of a Sondheim musical, and the very tender song I had to sing was punctuated with gasps and grunts. Then there was the time an actress I was working with got a torrential bloody nose just before coming onstage, and we had to cover her absence for several minutes while watching her in the wings, trying to get the bleeding to stop! In all of these very silly cases, the loveliest thing happened – the actors on stage all banded together and went back to the most basic aspects of our training: listening and responding to the moment. Live theatre is rich and unpredictable, and that’s what I love most about it.


BGHF: Truly! Mary Shelley’s work, from centuries ago, still has such pertinence today. What would you say strikes you as the most vital thing that Frankenstein has to say to the modern audience?

Catherine: I’m fascinated by the conversation this story has about compassion, kindness and the essence of being human. The Creature is born in a very violent way, and one of the first things he does is reach out to Victor, to seek comfort and understanding from his creator. Victor spurns him because he is imperfect, and when the Creature goes out into the world, the only kindness he receives is from a man who can’t see his flaws. We empathize with the Creature’s journey; it’s understandable that he would want revenge for the misery he’s suffered. Somehow, though, the Creature still has the capacity for compassion and tenderness: during the Female’s reanimation, he is kinder and gentler than anyone else has been in the entire play. In spite what he is and all he has suffered, the Creature is more human than Victor is.

BGHF: Exactly! Lastly, any future projects or current obsessions that you’d like to tell us about? And thanks, this has been better than being revived by electricity or dancing with a mad scientist – any day of the week!

Catherine: Thanks so much for asking! I’ll be appearing in City Lit Theatre’s winter production of Peyton Place, adapted and directed by Paul Edwards. I’m also the Managing Director of The Viola Project, an educational organization dedicated to empowering young women through the study and performance of Shakespeare’s plays. You can find out more about our workshops and summer camps at www.violaproject.org. Additionally, I’m a new ensemble member at Promethean Theatre Ensemble, and we’re getting ready to start rehearsals for our winter show, Caucasian Chalk Circle. Life is busy and lovely!
___________________________________________________________________________________________________________
City Lit’s Frankenstein runs through November 4th in Chicago. Information on the show is available at www.citylit.org.

Big Gay Horror Fan is always accepting those of the green skinned, scientifically revived set at http://www.facebook.com/#!/BigGayHorrorFan, as well.

Until next time – SWEET love and pink GRUE, Big Gay Horror Fan!

“With Blonde Zest, Linnea Signs the Sweater Vest!”

Published October 22, 2012 by biggayhorrorfan

Worshipful Gap shoppers, as promised in the exclusive Big Gay Horror Fan interview with Linnea Quigley (https://biggayhorrorfan.wordpress.com/2012/10/16/a-conversation-with-genre-goddess-linnea-quigley/), here, everyone’s favorite goddess of gore signs the tan wonder that graced my frame while filming Larry Cohen’s Delusion in Chicago. BGHF now FINALLY rests in flashily dressed peace!!!

Big Gay Horror Fan Bares (it all) for Fango Online with Linnea Quigley!

Published October 18, 2012 by biggayhorrorfan

As a teen, Big Gay Horror Fan used to get into trouble for bringing Fangoria magazine into the house. A rebel heart, all the way, he now ekes out an online interview for them, from time to time.

Nostalgia rules with this one because the tenderhearted subject is genre legend, Linnea Quigley!

So, dig out the punk hair dye and leg warmers, and burrow into Quigley’s remembrances of Return of the Living Dead and her iconic role of “Trash”!

http://www.fangoria.com/index.php/moviestv/fearful-features/7996-linnea-quigley-returns-with-the-living-dead-to-chicago.

Big Gay Horror Fan is IDS Rising!

Published October 18, 2012 by biggayhorrorfan

Big Gay Horror Fan finally knows what it means to be sexy, courtesy of being surrounded by the pure magnificence of Melissa Murphy, Greg Johnson and Cory J. Udler of IDS Rising. Keep up with this sweet crew at www.incestdeathsquad.com and the Oshkosh horror community at www.oshkoshhorror.com/ohff.

Big Gay Horror Fan is always shaking it for the twisted brothers and sisters at http://www.facebook.com/BigGayHorrorFan, as well!

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

A Conversation with Genre Goddess, Linnea Quigley!

Published October 16, 2012 by biggayhorrorfan


Of all the glorious things Big Gay Horror Fan has achieved in his life – escaping from the convent at 12 (with nothing but a copy of Blatty’s The Exorcist and a hot pink camisole, stolen from the leather sporting mother superior, to my name); having a drink named after him at Manny’s Electric Worm Farm – nothing could have prepared him for the glorious rapture of talking to horror legend, Linnea Quigley, on the phone! Promoting her upcoming appearance at The Massacre in Chicago on October 20th, 2012, (http://www.facebook.com/#!/events/424860900883911/?fref=ts), the Goddess Quigley humbly acknowledges the many creative blessings in her life and expresses her extreme honor over the recent, excellent documentary Screaming in High Heels (which profiles the amazing 80’s output of Quigley and fellow scream queen icons, Michelle Bauer and Brinke Stevens). Here, talk of classics (Night of the Demons, Savage Streets) and exciting new projects (Girls Gone Dead, Disciples) blends together to create a one of a kind conversation. So, dig that lipstick in – and enjoy!

BGHF: Well, Linnea, I’m going to try to ask you about some different stuff.

Linnea: Oh, Cool.

BGHF: I’m sure you must get asked the same things, time and time again.

Linnea: It’s okay. It’s okay. Don’t worry about it. At least, I’m asked questions.

BGHF: True. So, let’s just fling ourselves out there – right into the bizarre world of cult god Jess Franco. You’ve worked with him on a number of things (Mari-Cookie and the Killer Tarantula, Blind Target).

Linnea: Oh, he was amazing. Passionate about filmmaking! Even though the films weren’t very good, he was totally passionate about it.

BGHF: Another frequent collaborator has been David DeCoteau (Nightmare Sisters, Creepozoids, and Sorority Babes). How would you describe him?

Linnea: Just a real professional. He can do a movie in his sleep. Bam, bam, bam. He can do it!


BGHF: I just watched 1313: Cougar Cult.

Linnea: Uh oh! Yeah…

BGHF: You are so good in it. Granted as the leader of the cult, you’re given the most to do. But what you did was a lot of fun.

Linnea: Oh, god. Thank you.

BGHF: You’re sassy – you took it and ran with it. You really are the movie, I think.

Linnea: Oh, my god. Thank you. I got food poisoning, so they had to do it without the guys.

BGHF: Really?

Linnea: If you notice, I’m not with any of the guys in the scene. I had gotten food poisoning and almost died. I was in the hospital for four days. I was out of the hospital, five days, and I came out and filmed my parts in one day.

BGHF: Wow!

Linnea: That was a crazy story. I was cleaning out my refrigerator and I ate this pineapple that was bad. For six days, I lay in bed, just deathly ill, and David kept calling me, everyday, saying you’ve got to get to the hospital. I was like – “I’ll try, I’ll try”, you know, and I finally just drove myself. They started pumping me with potassium and stuff and put in a bed in the hospital and I was like “Oh my God”!

BGHF: You went through that and yet you gave a really fun, committed performance.

Linnea: Oh, thanks! My legs were a little shaky from going through all that. But, thank you so much.

BGHF: Oh, you’re welcome and it’s fascinating to hear the other end of it, because it really isn’t visible.

Linnea Oh, Thank god! I was just trying to remember my lines and go through them and everything!

BGHF: Wow. So, you had no interaction with the young men whatsoever?

Linnea None, not at all. David, he’s brilliant at being able to do that.

BGHF: That’s amazing. A great behind the scenes story! Too bad you had to go through all of that to get it! But, there you!

Linnea: (laughs) Yeah!


BGHF: Let’s talk about Dan Golden (Burial of the Rats, Linnea’s Skin book).

Linnea: He is a perfectionist. To the max! He’s really good to work with, but he takes his time. If your nail polish doesn’t match your lipstick, it will by the time that you’re shooting with him.

BGHF: Awesome. So, he’s very detail oriented.

Linnea VERY detail oriented.

BGHF: You know, I’m gay, but that is the one thing I’m not good at. I just throw stuff on and go. I have no fashion or coordination sense.

Linnea: (Laughs) Oh, good.

BGHF: Yep, it skipped me.

Linnea: Yeah, all that! It’s like you don’t dress, like, in one of those sweater vests or something.

BGHF: No, no, no…Although, I did just do a short bit in a film where I wore a tan sweater vest. There was debate about whether it worked or not.

Linnea: So, you wore a sweater vest?!?

BGHF: I played a host in a fancy restaurant.

Linnea: So funny. You stuck to your guns! I love it when you see an actor with a sweater vest on – you just have to watch them, you know!

BGHF: Well, if this ever comes out, I’ll make sure I’ll send you the clip, so you can see my sweater vest acting!

Linnea: Okay! Yeah!

BGHF: So, Kevin S. Tenney. Can we talk a little about him?

Linnea: He’s a sweetheart. He’s really great to work with. A true director and a friend, too! He’s funny. And – I got to work with him twice! He usually says that he never works with the same actress. So, I was lucky enough to work with him twice. Witchtrap and Night of the Demons!

BGHF: I met him, once, and had him sign my VHS copy of Witchtrap. (laughs) He wasn’t too thrilled. He was kind of like – “Oh man, this one!”

Linnea: I know, I know. It’s kind of a lame one. But, he tried!


BGHF: That’s all you can do! But, you look great in it and your death scene is awesome. Night of the Demons, though, is such a legacy film for you. You’ve gone full circle with that and made a fun appearance in its recent re-imagining.

Linnea: Yes and I haven’t watched it, yet. I am going to, though.

BGHF: Was that nostalgic or fun for you to re-visit?

Linnea: It was weird to come into the full spectrum of being an ingénue to being the mom.

BGHF: It happens! That vicious bastard, time! But, once again, you look great and it’s a great little bit.

LQ: Oh, thank you!


BGHF: What was it like working with Jeff Burr on Pumpkinhead II? He’s one of my favorites from the stuff he did in the 80’s and 90’s.

LQ: Jeff’s a lot like Kevin. He’s funny on set, but very focused. He’s great to work with. I love him.

BGHF: And you had a great freak-out scene in that one. You are so committed. I think it is one of my favorite onscreen moments involving you. Is it hard for you to get to that level of intensity?

Linnea: Not anymore. But, it used to be. Oh god, I used to just really freak out about it. But, now it’s a lot easier. But, just like anything, if you take any time off, then you get rusty. But, if you keep doing it, you don’t. At first, having to react to nothing and having to scream and run was so embarrassing. I felt awkward. But, now, it’s just like walking.

BGHF: Awesome. It’s a part of your breath mechanism, now.

Linnea: Yeah, Yeah.


BGHF: Now, for some of the more recent stuff – say Spring Break Massacre, which is a great title, do you have any memories about that?

Linnea: (laughing) Well, the guy from Spring Break Massacre just did a thing on YouTube, where you could win my hat from the movie that’s out now, which is leaps and bounds better than Spring Break Massacre, which is called Girls Gone Dead.

BGHF: That’s cool.

Linnea: I got to play a crazy Australian girl in Girls Gone Dead. That is really a good film.

BGHF: Oh, great

Linnea: Spring Break Massacre was him starting out, him getting his feet wet. It was fun to work with Reggie Bannister and everything like that. But, I would definitely recommend watching Girls Gone Dead. And try to win the hat and DVD!


BGHF: Duly noted. That has to be saying something about you, though. There is this legion of directors and writers and creators who keep on coming back and using you in their projects. It’s an amazing tribute to you.

Linnea: It’s nice.

BGHF: You’ve just promoted Girls Gone Dead. Are there any other projects that you’ve done that you feel have been neglected or are worthy of a second look?


Linnea: I’m proud of Death Mask and the work I did in that with James Best.

BGHF Yes! I love you in that.

Linnea: I don’t know where that went. I really don’t. Savage Streets is making a comeback, now. In a big way! It’s been playing on a lot of big screens. I was proud of that one. And David is re-releasing Deadly Embrace, Murder Weapon and, oh god, I can’t think of the third one. Maybe it’s The Girl I Want. (Ed note: The third film is Nightmare Sisters.)

BGHF: I just saw the ad for that. The Linnea Quigley Grindhouse Triple Feature! That’s awesome! And you produced Murder Weapon, correct?

Linnea: Yes. I just did another one that’s not out yet. It’ll probably take 8 months: Disciples. I co-produced that. It’s got Angus Scrimm in it and Tony Todd, Bill Moseley and Barbara Magnolfi.

BGHF: Wow!

Linnea: A huge cast.

BGHF: Amazing. I love Barbara Magnolfi! So exotic and mysterious! I’m glad she’s working again.

Linnea: Yes! And – she’s great in this!

BGHF: Do you like producing, having that kind of control?


Linnea: Oh, yes! I really like it. Because you can really have a part in the decision making and you’re not just looked upon as an actor. You’re more involved when you co-produce. A lot of times on the smaller films, I feel like I wanna say something, but I don’t want to step on the director’s toes. But, if I’m co-producing, I can say something.

BGHF: It gives you a little backbone, position-wise. That way they can’t say you are being a diva.

Linnea: Exactly!

BGHF: Animal rights activism has, also, taken up a lot of your time.

Linnea: Yeah! In fact, right after this, I have to call my vet because my one dog has gone lame. And he’s crying all the time, so I have to get him to the vet. He’s about 200 lbs, too.

BGHF: Well, there’s your work-out for the day!

Linnea: (laughs) Yes, oh yes! So, I am still involved with that. I always do the causes. In LA, I rescued a lot more, hands on. And I did do that in Florida, but not as much, right now, because one of the rescue dogs isn’t as friendly to other dogs. As a pack they get a little bit aggressive, so I’ve had to watch it. But, I am still in there, doing whatever I can and talking about it.

BGHF: Great. Back on the performance front, you’ve done some comedy. Do you feel that is a forte of yours?

Linnea: I love comedy! In Girls Gone Dead, my part is comedy. I just love doing it. At first, it was really hard. It was harder than just regular acting. But, then you get a rhythm to it. And the way it’s written, also, has a lot to do with it! I just did The Trouble with Barry which is a comedy. It was Brinke, Michelle and I. I saw some of it, the little bit they sent me, and it really looks good.

BGHF: So, has there been resurgence for you three since the documentary?


Linnea: Yeah. It’s amazing. It’s played on Chiller and everything. Oh, my God. High Heels: the Rise and Fall of the Scream Queen Era. It took me forever to remember that name!

BGHF: It’s a bit of a handle!

Linnea: It’s a hard one. I would get High Heels. Scream Queen. Everything but what the true name was! But, it’s really a good documentary.

BGHF: It awesome! I really think it’s an amazing time.

Linnea: It’s very informative, too. It’s not dry. It’s got happy parts, sad parts.

BGHF: It’s well rounded and you three are so deserving of it!

Linnea: Oh, thanks! We were pretty honored to have that happen.

BGHF: Well, I think that humility is probably what keeps you three going. It’s not like you’re going out there and expecting it. You seem very humbled by it.

Linnea: Oh, god. It’s amazing!

BGHF: That’s what endears you to people. That it’s not a diva trip.

Linnea: No, no, no.

BGHF: Which is so cool.

Linnea: Michelle is so down to earth. On The Trouble with Barry, she brought her own chainsaw to the set. She’d just have it on the car seat next to her. She was so fun!

BGHF: I directed theater for a long time in Chicago. I worked with a woman who came to rehearsals in furs with perfect hair and make-up and nails. Yet, she’d grab a broom and start sweeping the floors, if they needed it. Some of the other actors would moan about the cold in the room and she’d chastise them for not realizing how lucky they were. It was such an interesting dichotomy.

Linnea: That’s really interesting. You think she would be complaining.

BGHF: I know. But she was a very sophisticated trooper. It was probably one of the most interesting experiences I had in professional theater.

Linnea: It’s weird, the different actresses, now. On a movie I just did, the DP was talking to me and he said how he noticed when these girls threw a diva fit that he could just see me looking like “oh, my god, not this!” Because, we knew were really just lucky that we were acting, back then. And now these girls think they are just it! They would call each other the ‘c’ name and walk off set and start crying. It was just dramatic and holds up production. It’s awful.

BGHF: And, as the documentary brilliantly points out, the heyday is over. So, I can’t imagine these girls are really making any or very much $.

Linnea: No. But, if they have a little picture somewhere or somebody mentions them. It’s like “Oh!” all over the place.

BGHF: Wow.

Linnea: You know if their picture is put up. It’s all talked about. “Oh, look at my picture, look at my pictures!” Especially, with the advent of Face book!

BGHF: Everyone’s a star on Facebook!

Linnea: Exactly. It’s funny.

BGHF: You’ve got to know you’re place in the scheme of things.

Linnea: Yeah, definitely.

BGHF: So, speaking of which, any crazy words of advice – Don’t mess with zombies in a graveyard when it’s raining?

Linnea: Yeah, don’t mess with zombies in a graveyard when it’s raining. And be kind to animals or I’ll come and get you with my chainsaw!

BGHF: Awesome. I think that’s a threat we can live by!

Linnea: Yeah. And it won’t be fun! It’ll be painful with that chainsaw.

BGHF: It won’t be cinematic blood.

Linnea: No, no!

BGHF: It‘ll be the real thing. Well, Linnea, I don’t want to keep you much longer. So, thanks so much!

Linnea: No problem. Keep that sweater vest cause it might go for a lot on EBay, soon!

BGHF: (laughs) Yeah, right! I definitely know my place! I know that’s not happening.

Linnea: You never know, you never know!

BGHF: Tell you what, I’ll bring the sweater vest on the 20th, here in Chicago, and have you sign it!


Linnea: Oh, great. Okay! I’d love to!

BGHF: Awesome! Thanks so much, again, Linnea!

Linnea: Okay, great! Talk to you soon! Bye!

Once again, if you’re in the Midwest, be sure to meet Linnea on October 20th, 2012 at The Massacre (see link, above.)

Big Gay Horror Fan, meanwhile, profiles a gorgeously deserving lady of scare, every other Monday, here.

And he is always greeting lovers of the bloody sweater vest at http://www.facebook.com/#!/BigGayHorrorFan, as well.

Review: IDS Rising

Published October 13, 2012 by biggayhorrorfan


Every nightmare Big Gay Horror Fan has involves the loud, college age couple, next door, rampaging through his apartment as he shrivels, naked in the corner, listening to them pontificate about his – um-m – inadequacies.

Therefore, I can truly relate to the dilemma the comatose Amber faces in Cory J. Udler’s manic and inventive IDS Rising. Here, in the third of Udler’s controversial Incest Death Squad series and, easily, the best offering from this demented genius yet, IDS mainstay Amber finds herself confronted by her previous victims and dead family members in a dream-like purgatory, while she hovers between life and death.

Udler utilizes inventive cinematography, cheesy orchestrated arrangements of such songs as “You Light Up My Life” and plenty of sophisticated perversion to delve into Amber’s back story as the angered ghosts of her past force her to confront herself. Firmly rooted in the independent exploitation scene, Udler, also, has amazing art house sensibilities that give even his more gruesome notions a poetic poignancy and depth. He does tend to throw everything at the screen. Hence, the third act revelation about Amber’s origins may or may not work in your favor, but his joyously demented artistry often leads to, both, legitimate admiration and jaw dropping respect.


Granted, your pleasure with IDS Rising may hinge on your familiarity with the series, but even the uninitiated can be find much to admire in the twisted focus of its primary cast members. In particular, Carmela Wiese has grown with much purpose in the role of Amber. Her sensitive, shell shocked portrayal will have you rooting for her despite the devilish acts she has been a party to. Greg Johnson’s continued commitment to his role as Amber’s older sibling, also, deserves many positive nods. The sequence in which his Jeb shaves his body hair in order to take over as the family matriarch (makes you really, really wanna see this, now, no?) is perversely beautiful and contains his (and Udler’s) best work, as of yet.

To check out the trailer for IDS Rising, visit:

More importantly, to learn more about (or to purchase) this film or any other of Udler’s massacre-pieces, take a dive into the filth at www.incestdeathsquad.com.

BGHF is, always welcoming more brothers and sisters in blood at http://www.facebook.com/#!/BigGayHorrorFan, as well!

Until the next time, Sweet love and pink GRUE, Big Gay Horror Fan!!

Big Gay Horror Fan Interviews Demon Haunt’s Cory J. Udler

Published October 12, 2012 by biggayhorrorfan

Be sure to keep up with Ted V. Mikel’s best friend, writer-director Cory J. Udler and his multiple projects at wwww.incestdeathsquad.com.

Info on Wisconsin horror and the Oshkosh Horror Film Festival can be found at http://oshkoshhorror.com/ohff/

Big Gay Horror Fan is always taking on new friends at http://www.facebook.com/#!/BigGayHorrorFan, as well!

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!