Va-Va-Villainess: Rhonda Fleming

Published January 18, 2020 by biggayhorrorfan

Rhonda Inferno

She played feisty yet loyal lovers in a series of ‘50s action and adventure pieces like Yankee Pasha and Gunfight at O.K. Corral. Bob Hope also called upon her extravagant sense of humor in such projects as The Great Lover and Alias Jesse James. Her lush looks and rare beauty worked for her in other ways as well, giving the glorious Rhonda Fleming a delightfully tangible way to embody perfect visions of calculating evil.

InfernoLobbyEschewing her initial naivete – she and her mother had to look up what a nymphomaniac was when she was cast in Alfred Hitchcock’s Spellbound – Fleming brought vivid life to a number of noir vixens. 1953’s Inferno capitalized on the 3D phase while also giving her the excuse to bring what was possibly her most evil character to the celluloid universe. As Geraldine Carson, this red headed goddess viciously plots to murder her husband, played with gruff humanity by eternally sympathetic tough guy Robert Ryan. Thus, her dry and dusty downfall here was relished by movie lovers everywhere.

rhonda-fleming-the-crowded-skyThe suave Efrem Zimbalist Jr. also was dealt a calculating blow when dealing with Fleming’s adulterous Cheryl Heath in The Crowded Sky. As a pilot facing a deadly incident, as this film is a precursor to the all star disaster films of the ‘70s, Zimbalist’s character also must deal with the emotional fallout of Cheryl’s heartless manipulations. Viewers, therefore, are not surprised when the film’s fadeout reveals his intents to leave her behind, no matter Fleming’s seemingly irresistible devious lusciousness.

Rhonda Gunfight


Horror Hall of Fame:


Besides her compelling work with Hitchcock in Spellbound, Fleming brought a steady heart and calm demeanor to her portrayal of the loyal yet doomed Blanche in 1946’s gothic horror The Spiral Staircase.

www.rhondafleming.com

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

www.facebook.com/biggayhorrorfan

 

Suddenly Last Summer

Published March 22, 2023 by biggayhorrorfan

My father is hanging from the ladder off the side of the house, a common sight. He tinkers constantly, blind hope filling in where carpentry skills fail, with our 200-year old residence, trying, hopelessly, to navigate the creaks and pains that come with its accelerated aging.

“Hi, Brian. How was rehearsal?” His fingertips hooked around a rotting rain gutter, this question is eagerly, almost hopefully, asked- even before the woman who is directing the small community production that I have joined as a time killer this summer has the chance to pull out of the driveway. 

“Fine,” I reply.

“Good.” Then before I have a chance to expound any further about the process, to snootily remark that I will be happy to be back among the future professionals at the famous theater school that I have been attending in the fall, he gallops as if atop a through-bred, to a newly reconfigured finish. “Before you go inside, I just wanted to let you know that I’ve rented a house in Alfred for the coming year and…I’ve filed for a temporary separation from your mother. I think it’s for the best.”

Almost working in accomplice with his forced ease, I take this news with breezy relief, as if this new juncture was a long foreseen conclusion. And it has been. My parents’ marriage has been teetering towards oblivion since the day I was conceived. This feels like the first smart move that my father has made towards that increasingly acidic partnership in a while.

“I think that’s a wise move, dad.” He almost blushes with relief. Then. as if the dissolution of an almost 20-year old marriage is everyday news, I quickly ask “Can I borrow the car?” 

“Sure, Brian, sure,” he happily sputters. “And thanks!”

Touched by his childlike alleviation, I expand a bit. “The commute has been rough on you and the kids. & a break will do you and mom good. Things have only gotten worse lately.”

Comrades now… equals, he solemnly nods his head in agreement with me. “I knew that you kids could feel that. I decided to do this for everyone. Not just your mom and me.”

I nod and he swings back to his patchwork repairing – a whistled tune soon escaping from his recently loosened lips.

Later, after I have returned from the store with my frozen pizzas and 2 liter bottles of pineapple soda, my mother approaches me, teary eyed. 

“Did your father talk to you?”

“Yes.”

“I – I just can’t believe it!” Tears begin to pour forth from eyes as her body hiccups with the intensity of her sobs. 

I am shocked. Her every waking moment has been colored with derision towards my father since my late teens. How could this not come as some sort of relief to her? I look on at her as she weeps… bewildered and judgmental, a photocopy of the whispered glances that I am sure she is consumed with worry that are soon to come – frowns from family members and the well wrapped parishioners of St. Patrick’s Church, scowls filled with disapproving inferences. She is a failure. She could not make it work. 

Thus, the summer unfolds in degrees. Lou and I watch Alice, Sweet Alice and Blood Sucking Freaks during late night get-togethers. He has been counseling both of my parents and the extremity of being twisted between two sides weighs on us both. Inducted, fully, into the creative activities of a big city life, I desperately clutch at any culture I can imbue myself with. My parents take turns accompanying me to events. The concerts I attend with my mom are a mixed bag of practices – Marie Osmond at Chautauqua Institute contrasted with a huge homecoming bash at JCC for hometown heroes 10,000 Maniacs. I excitedly procure Natalie Merchant’s autograph on a flyer before she skittles quickly, skirt flowingly away. Ever in competition, my mother decides that my father has fared better with me – shows with Judy Collins and Emmylou Harris (who I also get to meet) seem much more relevant to her. More disturbingly in her spreadsheet of wins to losses, while out with my father at the Little Valley County Fair, I am called up onto stage to perform with Louise Mandrell – an event that is captured by one of my mother’s co-workers on camera. This provides hard photographic proof that my paternal regiment is there for the significant artistic occurrences in my life – a fact that provokes wearying conversations – especially as my brother and sister disappear more completely into their new lives several townships away. 

So these movie nights provide relief – for both Lou and myself. Almost ineptly pornographic, I can’t quite decipher what Bloodsucking Freaks is, cinematically.  It’s the only film that I watch with Lou that makes me feel a bit awkward. With its brain milkshakes, head vice tortures and elements of WIP slavery, however ineptly rendered, it’s not exactly a film you watch with the equivalent of a family member. (Years later, I would have the same reaction when watching the opening moments of Leaving Las Vegas with my father’s second wife, Judy. “Why, he should be arrested,” she sputtered during Nicholas Cage’s first drunken diatribe as I, cringingly, held my breath until she, soon thereafter, joined my father in their bedroom, a whole thankful flight of sound proofed stairs away from the TV room, where I continued to watch.) Still, it feels like a film, much like The Toolbox Murders and Texas Chainsaw Massacre 2, that as a well-rounded horror aficionado that I should have in my viewer’s canon. Ever looking for connective tissue between my celluloid obsessions, I am also thrilled to find that the film features former soap opera actor Niles McMasters as the avenging, crime solving hero. While almost silly here, McMasters gives a much more well-rounded portrayal in Alice, Sweet Alice, a film that I adoringly play on repeat throughout the summer. Not only do I watch it first by myself, but I also share it with the older group of kids that I watch over at the local children’s home, my summer job. I excitedly purchased it – my first VHS tape – with my inaugural paycheck – picking it out from other desired offerings such as Sleepaway Camp and Empire of the Ants in the budget K-Mart movie bin – although the $10 price tag does not seem like much of a bargain to me, to be truthful. I had first read about the film in a scholastic style biography of Brooke Shields which described, in judgmentally lurid detail, her character’s violent murder at a first communion ceremony in the film. While the author’s intent was to seemingly make the readers avoid the movie – it had the opposite effect for me and I had been, dreamily, searching for it ever since. Slightly influenced by that writer’s assessment, I was not expecting the rich atmosphere, twisted dramatics and stylized violence that, markedly, colors the film. The exact opposite of the cheap horror outing that I was expecting, I adored it and wanted everyone to revel in its hysterical beauty along with me.

Lou was surprisingly silent about these offerings, though. Blood Sucking Freaks was understandably hard to, conversationally, qualify. Although, I, at least, expected him to comment on McMaster’s handsomeness. But I fully expected to discuss the wonders of Alice, Sweet Alice with him. I could, instinctively, hint at the things that the film was trying to say about power and those devoted to it. It seemed emblematic of the world around me. It seemed there, as in real life, no official could be trusted.

But perhaps it hit too close to home. “You watched this with, Lou?” my mother asks me, looking up from the magazine that she has been half- heartedly picking through, during one of my repeat watches. Now that my father and siblings are in absentia, she often spends her evening hours cuddled near me as I view my favorite programs. “Yeah.” Her eyes flicker with a questioning note. “What?” “This just feels a bit…anti-Catholic. I’d be offended, maybe, if I was a priest or a nun.”  For a moment, I also consider the character of Mr. Alphonso, the corpulent landlord in the film. This character defiantly accosts the film’s pre-teen lead at one point early in the plot’s gestation. I realize I have seen myself in all the awkward final girls that I have grown to love – from Dorothy in The Wizard of Oz to Laurie in Halloween to Chris in Friday the 13th, Part 3. I connect fully with their otherworldly apartness. Perhaps Lou saw himself in the well portioned vastly skinned Alphonso and he did not like what he saw. 

\

I do not dwell on this thought for long, though. My mother’s birthday is fast approaching and I want to ease some of her sense of loss by throwing her a party. Lou agrees to offer up the rectory as the gathering place if I provide all the necessary drinks and food stuffs. I begin inviting folks and buy packs of cold cuts and bags of potato chips and pretzels from the Quality Market. Lou assesses what I have purchased and suggests I buy more. 

The night of the event I am in heaven, greeting the invitees as they arrive and playing DJ. I think my mother even realizes she is wrong about the events I’ve attended with my father being the more significant. I happily show off the Marie Osmond album (with its silky atmosphere and leggy pose) I’ve been playing to Marsha Hinman, one of the soft spoken elegant church ladies I’ve invited. My mother overhears me rhapsodically speaking about Osmond’s act with her and beams. We’ve needed this. Just the week before, I spent the weekend with my father. My brother who had been attending a movie with a friend got in a small car accident and was taken to the hospital. When I call my mother to let her know from the payphone in the visitor’s lobby, she has a fevered breakdown on me. She screams, inconsolably, blaming me somehow for her physical and emotional distance from her other son during this minor tragedy. Unable to reason with her, I finally hang up the phone. After he is fitted with one or two stitches on his forehead, I convince my brother to call her – and though no apologies leak forth when she asks to speak to me again, I can tell just hearing his voice and his assurances that he would have called her immediately himself if he had been able to, has calmed her. 

Tonight, all has been forgiven, though. And it even seems, that days away from my return to college, all is as it once was. She clasps my waist and happily squeezes me moments before Lou gooses my backside proudly. “You did a good job,” he tells me, a paternal note of proudness leaking into his voice. But I can see. due to the winking brightness behind his bifocals, that he longs to go further, to stroke my buttocks softly, as well.

But reveling, for once, in the deterrent of my mother’s closeness, I quickly remove myself from his over grasping attempts at affection and begin the clean-up that gatherings such as this always justify.


Note: (My first horror movie buddy was a priest named Lou Hendricks. Several years ago, Hendricks was named by the Western New York Catholic diocese as one of their most unrepentant predators in the ’70s and ’80s. Thus, I grew up watching monster movies with a monster – a man who was like an uncle to our family. Over the next few months, I will be sharing some of my stories from that period of time.)

Music to Make Horror Movies By: The Angels

Published March 12, 2023 by biggayhorrorfan

Since I can’t unwrap Tom Conti (circa 1977) as a present on my birthday this year, I’m going to settle for the next best thing – a video of the iconic The Angels singing My Boyfriend’s Back.

A long sought after title, The Haunting of Julia has recently undergone a 4K restoration and will soon be available in a variety of media offerings – all the better to appreciate that Farrow specialty -the woman on the verge in terror filled circumstances – and the youthful Conti’s every man appeal. Oh, yeah…and the soundtrack, including Colin Towns’ Tangerine Dream-like score, is pretty boss, as well.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

http://www.facebook.com/biggayhorrorfan

Why Can’t I Be You?

Published March 8, 2023 by biggayhorrorfan

“William likes horror films, too,” Lou informs me, one Sunday afternoon in August after mass.

“Really?”

“Yeah!”

“Nice! We should hang out!”

William, who has the soft, handsome looks of some teen sex comedy hero, is visiting Lou for a few days before beginning college at SUNY Buffalo. In fact, he is just one of many attractive young men who have visited Lou, ever the youth loving pied piper, over the years since he has arrived at St Patrick’s. I never question this virile form of loyalty, though. More than anything, I feel a familial sense of pride. Lou, who is so popular, is like our family uncle & he, seemingly, loves us more than any of these affection hungry intruders from parishes long past. So, I always provide the guys who arrive for quick intervals of time with a bit of brotherly compassion. A benediction, as it were, from the one who is truly favored.

Almost by accident, we pick the perfect evening to gather. Fright Night, which I saw in theaters the summer before, is debuting on HBO and I am eager to revisit it. William hasn’t seen it, so I happily recount to him, while drinking our pre-movie fest sodas in the rectory kitchen, about watching it with a small group of kids from a theater troupe I had joined the year previously. Every time Jonathan Stark’s Billy, the vampire-villain’s slavishly devoted sidekick appeared, we would gleefully shout out “Gay! Gay!” at the screen! Since that evening, though, I have secretly wondered about the authenticity of those outbursts. What if the Billy character wasn’t gay? He could have just been extremely devoted to his master. I had seen the slavish way the nuns had reacted around priests all my life…some almost trembling with devotion when they walked into room…and there was surely nothing sexual there…or so I hoped. The thought of a shaven headed, wrinkle skinned ghoul flagellating herself over love for an unreachable colleague a la Vanessa Redgrave in The Devils, one bizarre cult film that my father actually heartily encouraged me to watch (in Lou’s living room, nonetheless, as it came on during one of their late night talk-a-thons) due to its literary and historical references, was simply too much for me to imagine.

Besides, if there was going to be homosexuality portrayed on the screen, why couldn’t it be straightforward? The Billy-Jerry relationship was cloistered in secrecy and innuendo and sadistic power plays – another coupling, if that was even what it was, that made something secret and shameful out of being gay. I would have actually much preferred Charley, the tentative, moonstruck hero, and Ed, his socially awkward best buddy, being the leading couple as opposed to Charley and Amy, the no bullshit lass who, ultimately, became the object of desire for both central male characters. As if to make up for this affront, Ricky, a member of the acting group, and I parked in the alley behind that movie theater, post-viewing, and passionately made out. Once or twice, we had to duck below the swinging orb-like glow of police lights – an adventurous thrill. My grandfather was the postmaster of Dunkirk, the small town where we would gather to rehearse and often perform for civic groups, and the thought of his reputation taking a hit due to the discovery of my deviant midnight lip locking seemed both horrifying and recklessly thrilling all at once. The fact that the handsome, raven haired Ricky, a confirmed bisexual who was already the father of two-year-old twin boys, exuded a devil-may-care, new wave James Dean vibe only heightened the power of those moments. 

But that all seemed very long ago and despite my outward enthusiasms, I pulsed with the nervous energy that accompanies one leaving home for the very first time. College was just days away and I was distracted, seemingly filing that long ago sexual energy away for some true love that I knew was just waiting around the corner in Chicago. I could picture him now – some rippling, dexterous athlete running down the corridors of my dorm, tossing a football, thoughtlessly, in the air…our eyes would latch…and… Or maybe we would even meet cute like Frannie and Kirk on As The World Turns, an accidental collision turning from a rude and caustic energy to an undeniable connection. 

Back in the present, though, I am curious about William’s decision to commute to college from home. “Don’t you want to escape from your parents a bit?” I ask as Jerry whirls the dazed Amy around the dance floor, attempting to seduce her away from the frenzied, (wrongfully) love struck Charlie. 

“Maybe by my junior year. This is more convenient now…and with my job and school, it seems like I’ll barely see my parents.”

This reasoning baffles me. My every aching, straining move since middle school has been to escape my present circumstances. I have been keen to cut through the strangling vines of my familial cords with a vibrant incisiveness and establish myself someplace, far away, in a world of freedom and creativity. The lure of this imagined plane has been so compelling that even the thought of failing my Regents Exams – which would have put a definitive damper on my aspirations – couldn’t interrupt my dreamy, cobble stoned wanderings. Even when studying in those last days of high school, I could barely concentrate, preferring to listen to the haunting strains of Suzanne Vega’s debut album…imagining the lyrical processes that went into writing a song like Marlene on the Wall. Which of Ms. Dietrich’s films had inspired Vega, I wondered.

Maybe William was questioning his choices, as well, and that was the reason he has come to visit Lou…to get advice and support. I can’t comprehend why anyone would really want to remain at home when the whole world glistened with adventure, with opportunities almost too precious to behold.

The credits roll and the next movie is announced. Ninja 3: The Domination. I am a little disappointed. I have no interest in some chop ‘em, sock ‘em Bruce Lee rip-off.

“Oh, wow. This one is really awesome. Have you seen it?”

“No. Have you?”

“Yeah. It’s this crazy demonic possession horror flick meets action-karate mish-mash. It’s wild. You’re going to love it!”

I have a feeling I will. I am also slightly jealous. It bothers me that I have never even heard of this movie while William has had full knowledge of its sure to be never fading awesomeness. Lucinda Dickey, who I’ve also never heard of for some reason – another sorrowful occurrence, plays a telephone line woman-aerobics instructor, bringing all the wonders of the multi-hyphenate to life in one role. She, indeed, is also possessed by the evil spirit of a ninja warrior – leading to floating, wind machine influenced, Linda Blair circa Exorcist 2 light shows. As the mayhem enfolds, William and I settle back into the comfortable space of two acquaintances connected by one powerful force. It’s as if the rhythm of Lou’s slumber-built breathing, coming from somewhere up in the rafters of the second floor, binds us. We will, surely, never see each other again, but both on the cusp of new beginnings and bound by the patronage of such an unusual force, we seem united and a brotherly contentment washes over us. We hug, with hearty back slaps, after the credits roll and I drive home, dreamily imagining, that in mere weeks I will no longer be this shimmering, barely formed mortal gliding, dreamily, down country roads. I will no longer be this person who merely passes the time away with a stranger, waiting for the revolution to begin. It will have already started —- in Chicago!

Impulsively, I drive back to the rectory the next morning. I want to drop off a couple magazines featuring coverage on Fright Night for William. I am possession hungry, but feeling the weight of my upcoming departure, I decided, after settling into bed last night, that I would shed some of the fat of my media works in commemoration of one of my final evenings in my hometown. It’s a hit and run moment. I pass the magazines quickly off to William, wish him well and start to head for the door. As I turn to go, though, I sense the flicker of Lou’s hand moving under the table… and I see a tension enter William’s frame as he flips through an article in a year-old issue of Fangoria. I am stunned into immobility for a moment. In a reverse sense of egoism, I had always assumed that I was the only one that Lou fondled in such a manner. For the first time, I consider that might not be the case. It’s a haunting thought. 

But I am on a forward rushing trajectory, ultimately. I have no time to ruminate on the unknown, on relationships other than my own. I have college boyfriends to obtain and future stardom to initiate. The door to the rectory, with that oasis of wonder gleaming far beyond it, is looming before me. I regain my momentum. Without a glance back, I move on. 


Note: (My first horror movie buddy was a priest named Lou Hendricks. Several years ago, Hendricks was named by the Western New York Catholic diocese as one of their most unrepentant predators in the ’70s and ’80s. Thus, I grew up watching monster movies with a monster – a man who was like an uncle to our family. Over the next few months, I will be sharing some of my stories from that period of time.)

Peek-A-Boo

Published March 1, 2023 by biggayhorrorfan

I had made up my mind that it was never going to happen.

But Channel 59 was playing a Saturday October afternoon marathon of neutered horror flicks – Halloween 2, A Nightmare on Elm Street and Carrie – all interrupted, periodically, with brightly announced ads for local car dealerships along with speaker exploding reminders about the playtimes of long cancelled network shows and newly produced syndicated sitcoms. “See Mama’s Family every Saturday night at 7:30!” and – “Go back to a simpler time every afternoon from 3 to 4 with the Ingalls Family and Little House on the Prairie! Unsurprisingly, that Little House time slot was a favorite at Eden Heights, the old folk’s home that I volunteered at every Wednesday afternoon with several other eager, socially minded classmates. One of the beleaguered yet incredibly feisty residents – she once spat at a visiting Bishop and threw the rosary that he offered her back into his mighty, quickly reddening face – was a particular fan of the show. Every time that I entered the home with my fellow ambassadors of conscientiousness, I could hear her bellowing from her bed, “1,2,3, 4! The kids are here! The kids are here! I’m gonna kiss ‘em then I’m going kill ‘em. I’m gonna kiss ‘em then I’m gonna kill ‘em. Then, 1-2-3-4, I am gonna make ‘em sit ‘n watch Little House on the Prair-r-r-ie!” She, quite simply, was my heroine. 

Her outrageousness seemed on the same Zen-like plane as Patti Smith, a squawky voiced punk priestess whose LPs I had begun discovering in cut out bins, after school, at mid-range department stores like Fisher’s Big Wheel. Most recently, I had found her 1976 recording Radio Ethiopia shoved into a tightly packed, impulse buy side rack at a grocery store checkout lane in Salamanca, New York.  I loved the incongruity of finding an LP that featured a song called Pissing in a River, which I was surprised to discover was a fairly mournful ballad about the fading embers of youth, in a supermarket that catered to grade school moms and the hopeful, soon to be tenured teachers at the nearby academy of higher learning. 

That afternoon, unsurprisingly, Lou also had his own ideas about further education- in this case, my own. Gathered together in his living room to watch the previously described, mostly bloodless terror-thon, he nestled against me, leaning his head on my shoulder, breathing words of hysterically inept seduction. 

“You can take me like Rod takes Tina, stud,” he whispered in my ear, referencing A Nightmare on Elm Street’s doomed couple.

I chuckle nervously.

“That didn’t end so well, Lou.”

“True.” Beat.  “You’re no fun,” he purrs with a cattish pout. He’s a round, bald bastardization of Ann Margret in Bye, Bye Birdie, a film that my brother and sister and I have recently watched in this very room while my parents were visiting, gossiping about church business into the long hours of a small town Saturday night. Now, on a kittenish roll, he begins rubbing at my crotch in long, incredibly cloying circles. I shift away from him, decidedly uncomfortable, a fact that he just as decidedly ignores. 

“Take me now, Brian, and I’ll buy you a flower and bring you to the prom like Tommy did with Carrie.” His eyes twinkle, a comic counterpoint to a statement that is not only desperately silly, but almost unknowingly cruel. It hits too closely upon desires that I have long harbored in secret. I would love for some handsome young athlete to proudly escort me to a school dance. Often I have longingly stared at schoolmates driving off from Homecoming mixers in cars with their college age sweethearts. How, I wonder each time, did they pull off such a seeming impossible, totally desirable coup? Even my dreams at night are filled with images of me on dinner dates with ripped n ready soap opera studs…and the fact that Lou so assuredly crowns himself as being superior to them in desirability pushes at me with a fiery force. 

“Fine,” I say. “Let’s do it!!”

“What?”

“Show me what you got!”

For the first time ever, I grab at his pants. Leering my fingers at his belt, I jerk at it with awkward revulsion…pawing at him, almost claw-like, the way my mother must do with certain objects. I have watched her make the motions I am now making 1000s of times. Her right hand withered by a childhood bout with polio, I have had to help her open cans, latch the buttons of her girdle, reach for out of place objects since the early days of my childhood. Now, I am, momentarily, afflicted like her, the physical cause of my distress not some relentless virus, but the seemingly unstoppable sexual overtures of Lou. 

For the first time, Lou seems a bit nervous, if agreeable.

“Let me do it,” he squeaks. Then, in what is probably mere seconds, but feels like a film-roll eternity, his black tweed pants are down and bunched at his thighs. I almost laugh at what their unbuttoning reveals. Lou’s underwear is luminously grandfatherly – large, white cotton briefs with majestic give. Standing there, momentarily knock-kneed, he hardly represents the “underflair” highlighted in actor-model Jack Scalia’s highly provocative ads for Eminence briefs. 

Still, pent up annoyance rallying me forth, I reach for their elastic band below Lou’s smooth, rounded gut. Maybe he has an amazing cock? It almost might make this worth it, but…

No.

It is stubby and short – a thin 4 and a half inches. But I’ve started this and, as with the other awkward encounters I’ve had with older summer stock actors, I believe I’ve begun this, so I have to see it through. I don’t want to suck it, though, so I cup my palm around it – squeeze it once, twice, three times. Lou gasps as tiny drools of ejaculate start to leak from the tip.

Suddenly, a car door slams and the sound of crunching gravel echoes closer and closer to the back entrance of the rectory. It is my father coming to pick me up. 

Lou’s eyes flare with mortified adrenaline. He hikes forward, dragging his pants up his nearly hairless legs, hitching his fingers into his underwear and pulling them towards his belly almost simultaneously. Boisterously calling out “Hello,” my father enters through the kitchen, as Lou scatters up the stairs to change. 

I wipe my thankfully clean hands down the sides of my jeans as I turn towards the television. Jamie Lee Curtis, clad only in a hospital nightgown & what I can only assume is a very bad wig, hobbles down a long & winding corridor – a dankly lit path that does not seem to end. I sigh, as my father swings his head into the room and waves at me. I nod, my thoughts elsewhere. I am concentrating on Jamie and the path she jaggedly weaves down. I think that if she can make it out alive, maybe so can I.


Note: (My first horror movie buddy was a priest named Lou Hendricks. Several years ago, Hendricks was named by the Western New York Catholic diocese as one of their most unrepentant predators in the ’70s and ’80s. Thus, I grew up watching monster movies with a monster – a man who was like an uncle to our family. Over the next few months, I will be sharing some of my stories from that period of time.)

I Fall to Pieces

Published February 22, 2023 by biggayhorrorfan

“I can’t say much about his performance, but that Kendall…wow!”

“Yeah?”

“What a cock!!!”

Thus, was Father Lou’s nuanced, all-encompassing assessment of Pieces, the Euro-trash epic I had, gleefully, discovered in the video section at the mini-mart in East Randolph, NY. This store had sprung up, seemingly overnight, at the corner of Main & Williams during my freshman year at college, a rumored tax write-off for a group of enterprising parents hoping to gather funds to pay for the college educations of their small town fleeing offspring. I definitely appreciated that notion of escape and the fact that the walls of the tiny rental area in the bodega sized pop-up were filled with such offerings as the Friday the 13th films, Dario Argento’s Creepers and Blood Sucking Freaks.

The lurid red of the Pieces’ VHS box had practically called out to me upon entering the space one evening, while the film itself had delighted me with its decidedly weird energy. The actors seemed unconnected not only to each other, but to the material as a whole. The violence was over-the-top, but ultra-unrealistic, as well. The unexpected supernatural twist at the film’s end also reminded me of the out-of-the-grave hand reach from Carrie and I was proud of myself for beginning to recognize influences and repeat behaviors from film to film.

Most importantly, as a collector of actresses, Lynda Day George’s name beneath the advertising artwork had definitely drawn me in, as well. I adored her from her performances in such environmental horror epics as Ants and Day of the Animals. Despite her almost artificially stunning Hollywood beauty, she always seemed ready to throw herself into the muddiness that the roles she played required.  In particular, the plotline of Ants required her to breathe through a tube, remaining perfectly still, while a quadruple baker’s dozen of insects crawled wildly over her impossibly porcelain skin. In Pieces, she almost one upped this dynamic in a sequence that found her paralyzed by a drug injection while enduring the threats of the recently revealed serial killer culprit of the film.

Savoring the multi-day rental period, I brought the tape over to Lou’s rectory on a heat strewn Wednesday evening. Occasionally, I would share my cinematic discoveries with the teen residents at the home for troubled kids, where I was employment-summering, but I felt this one may be too extreme even for their street savvy senses.  Thus, I was dying to get Lou’s reaction. The orgiastic energy of the film even seemed akin to the slaughter strewn graphics of Joyride, one of our favorite cheapie horror paperback novels. But unfortunately, Lou’s Vatican-Latin didn’t translate well to the subcontinental fare on (severed) hand…or, despite my assessment, Ian Sera’s member in those final celluloid driven moments really was of review-banning magnitude.

More than likely, though, it was just another case of those universal lessons that life metes out to you slowly- never meet your heroes and never ask the pervert local priest his true opinion of your latest, greatest horror film.


Note: (My first horror movie buddy was a priest named Lou Hendricks. Several years ago, Hendricks was named by the Western New York Catholic diocese as one of their most unrepentant predators in the ’70s and ’80s. Thus, I grew up watching monster movies with a monster – a man who was like an uncle to our family. Over the next few months, I will be sharing some of my stories from that period of time.)

Lou…and the Night…and the Music

Published February 15, 2023 by biggayhorrorfan

My first horror movie buddy was a priest named Lou Hendricks. Several years ago, Hendricks was named by the Western New York Catholic diocese as one of their most unrepentant predators in the ’70s and ’80s. Thus, I grew up watching monster movies with a monster – a man who was like an uncle to our family. Over the next few months, I will be sharing some of my stories from that period of time.


My father is away for the weekend and my mother and I are fighting again.

 This should come as no surprise, though. 

A tar dark country night swirls above us, an inky stain that seems to revel in feats of unprecedented madness. This atmospheric wonderland is made for home invasions, furious insults from the maternal line, domestic batteries. On a weekend much like this, many years ago, a distant neighbor ripped the growing baby out of his wife’s straining belly. The mother & child both survived, living on while the town whispered their sordid story behind cupped fingers for the many months that followed. The galaxies must have swirled, chaotically, that evening, peeling the stars, usually so fragrant above our fields, down to tiny pricks of light. Tonight, as it must have been then, I can only count one or two soft glowing spots far above us. Both dim orbs are culling the fervor from within our familial souls. Perhaps, though, this is only a magical exaggeration, and our violent arguing is, as my mother claims, truly the fault of my moony negligence. 

Admittedly, I live in my head…always making up stories, imagining the plot lines of the movies and plays that I will star in once I have escaped into my real life. 18 and a city nurtured existence can’t come soon enough for me. Until those deliriously blessed days arrive, I restlessly spend my weekend hours, wandering from room to room, moodily deciding where I might fit in, character wise, in my favorite soap operas. I even devise passionate and committed off screen love affairs between myself and the handsomest cast members. My head whirls, constantly, with these romantic notions…and this dreamy path only has room for one – any other participants would surely destroy the allure. A stranger, even a family member…let’s be honest, probably most especially a family member, would singly obliterate these illusions, would point out, emphatically, that this is all fantasy…all in my head. So, I fervently channel these possibilities alone…and my mother broods, cut off from my deepest thoughts, picking, critically, around my flight activated edges. Out of hurt, she points out my many faults, weighs out my unmanly preoccupations, arms outstretched as if they were the scales of justice, sentencing me to inferiority like some dirt stained, school yard bully.  

Frankly, I am not immune to jealous notions myself. When she isn’t preoccupied with anchoring down my un-abided affection, my mother murmurs consistently about the wayside kids at the home that she works at, the fever of social work warming her daily blood. Dinners are often focused around the trials & tribulations of these youths, many sent to this country facility, far away from their unfortunate families, with that hopes that our quaint, natural surroundings will protect them from the drug and gang addled lives that they have been subjected to. It seems to me that she is as obsessed with these crime stained wards as she is with me – sometimes even more so – and while I bristle at her clutching attentions, I defiantly do not want them focused elsewhere. It hurts that she so passionately worries about their grades and their meds and the faltering attentions of their own parents. More than that, their histories scare me…much more than the horror films that my family now, due to Lou’s quietly supportive intervention, have reluctantly conceded to be a major part of my life. 

Recently, my mother brought me a letter she received from Dolly, a former student. Dolly and another girl from the village sized reformatory that my mother spends her working hours at visited us once. Slaquered with make-up,  naturally curly hair teased high, her already womanly buttocks stretched tightly into stone washed jeans, Dolly commandeered my stereo that day – sorting through my records like a sassy Ronnie Spector-wired DJ. She and her friend danced throughout our living room, side stepping our curiously nonplussed dogs, discussing (as their arms swung rhythmically, hips clocking to the beat) which boys at the home were the best dancers. Their brash confidence scared me – I don’t think I could ever be that fluidly sure of myself. I was also annoyed at their dissection and momentarily yet propriety claim over my possessions, their dismissal of the artists that they deemed unworthy for some personally identified prime, grooving flow. Those were my albums – I had purchased that stereo with the last of the money saved from a paper route & it was my prized possession. I was able to dance just fine to Liza Minnelli AND John Cougar Mellencamp – no matter what they said. Of course, then I didn’t understand about the quivering insecurity that could flow like swirling streams beneath overt bravado. Soon after her visit, Dolly was reunited with her mother. She was thrilled to be returning to the home that she had been taken away from due to neglect and a supreme lack of supervision. That trend continued unabated upon her reintroduction to that environment— her mother’s boyfriend soon turned his attentions from her mother to Dolly, herself. She became, unsurprisingly, as the world seems to turn on the axis of a gothic beast’s shoulders, pregnant by him. Mere months after the child’s birth, he unleashed his unbounded fury upon her and murdered her in her crib because she wouldn’t stop crying one night. In the letter’s girlishly scrawled missive, Dolly wailed “He killed my baby, ma!!” – a chilling blue inked cry that haunted me beyond measure.

Now, though, the light from one of those solitary stars suddenly beats through the windows of our kitchen. It entrances my mother and, in the middle of her ongoing list of my ingratitudes, she calms, almost bewitched by the power of its flashy sentiment. She stands there, moments passing, watching so quietly that I am worried that she is having one of the mild seizures that overtake her on occasion. Finally, she stirs, utters a deep sigh and, as if forgetting our quarrel entirely, asks, “Would you like lasagna for dinner tonight?” She knows this is my favorite, the meal that she makes with ingenuity and zest. 

“Sure,” I, cautiously, utter.

Transformed, she beams. 

“How many fingers?” she suddenly asks. In our happier times, this is one of her favorite games, a silly testament to my devotion. Normally, I would hold up both hands, proudly, and wiggle my bony digits throughout the air, a physical representation of the 10 fingers that I supposedly have her wrapped around. But I feel too old for this game right now. I can’t let my anger go as completely as she has. I turn away from her and notice part of the letter from Dolly is still scattered across the tiled island in the center of the room – even though it was shown to me weeks ago. Our passions as a family seem to overflow into our sense of order, as well. Things are often cluttered, unattended here – books are battered, left coverless. My parents old Rolling Stones & Brenda Lee albums, all originals, are left out of their sleeves. Correspondence that I should have never been allowed to see is left about, important pages torn & missing.

So, instead of the expected boyish gesture,  I swivel towards her, flipping up the middle fingers on both hands, a defiant double bird. My mother reacts like a bride whose flowing trail has been stamped on, choking her, stopping her short.

She gasps, “I’m calling Lou. He’ll talk some sense into you.”

There is a part of me that wants to object. I have plays to write…my Lisa Hartman album awaits me in my bedroom – Nothing makes me happier than pretending I am her male counterpart – I dance around my private spaces, singing along with Letterock, pretending I am a rock star adored by millions with secret celebrity boyfriends lining the walls of my dressing room. But I know my mother will not be appeased until her orders have been met – until someone in the world, in this case Lou, bears witness to what a rotten child that I am. 

One summer, several years ago, my parents spent a long weekend away. As the oldest, I was sent to stay with my mom’s rigid, often emotionless parents. This was a much less desirable destination than the home of my affectionate, loving paternal grandparents (where my brother and sister were ensconced). Adding further grit to the fuzzy, life-sized lollipop that had been wedged into my mouth, I was instructed to tell my grandparents that I had to go to confession on Saturday, penance for talking back to my mother one too many times. My mother left it up to me to tell them – a nerve jangling experience as I was fully convinced that I would receive further punishment from my disapproving kin. Thankfully, my grandfather just laughed and dropped me off at the church that afternoon while he ran errands. 

Lou, the activated civil servant, reacts in mainly the same way after he quickly arrives. He makes pleasantries with my mother and then asks, “Do you want to go for a ride, Brian?” He winks at me, secretly. “We can talk about treating your mother with more kindness in private.”

 My mother looks at me with an insulting superiority in her eyes, as if I have been suitably chastised. My teenaged attitude executioner has arrived. 

“Sure”, I say.  I am cautious about being alone with him after that flirtatious gesture, but anything seems preferable to the blazing self righteous fury contained now in my mother’s eyes. 

In the vehicle, we roll on in silence for a moment. Lou quietly shifts onto Hoxie Hill Road. Even though I cannot see it through the gloom, I know farmland ripples all around us – pastures, hills, acres of woods that bloom with crisp, orchestral colors in the fall. Everything is round, lush, breathing widely before us, the seeming antithesis of the tightly wound, graffiti graced cities that I desperately long for. Always aware of cultural significance, I note that we are traveling on a byway named after the family of a former schoolmate of mine. Having a curving farm woods lane named after you in this area seems the equivalent of being born into royalty and I wonder what it must be like to feel like you are part of a dynasty – even if it is a backwoods one, unpasteurized milk staining the lips of every descendant – the family cows moaning in fields, a very vocal ancestral crest. I respect every kind of celebrityhood it seems…even the ones that I deem less than desirable. 

“My mother was loved by everyone, too,” Lou finally ventures. “And she loved everyone back. She truly cared about people – which can be hard. As the child, you want to come first. You don’t want to share.” 

I sigh. There is so much more to it. So many complicated strains of emotions bleed through my familial interactions, often on a daily basis. Everything about this life seems way too complicated to decipher in a simple evening’s jaunt. 

Slowly, I gather my thoughts. “I understand,” I begin, “that I have more than anyone at the Home does. & I love mom’s passion for helping them…”

“But…”

“It hurts.”

Lou nods. He rubs my leg with compassion, lingering there for a moment…and then stops, returning his hand to the steering wheel of the car. I tense, ready for some twist – he always finds a way to turn simple affection into something erotic. But moments pass and I realize, for once, he has read this situation compassionately and won’t try to negate it with humor or a winking offer of sexual relief.

And on this kind of night, a night where bloodshed and horror and death would not feel out of place, on this night where a parent’s love feels outlined with a dangerously poisonous intent, I take this respite as a true blessing and, for the first time in many hours, my breathing slows to a normal pace and I feel some kind of hope, no matter how distant, surround me at last.

Unsung Heroines of Horror: Margo

Published February 8, 2023 by biggayhorrorfan

I am forever diving into the cheap bins of LPs at my local record & thrift shops, searching for vinyl treasures to make their way into my ever-expanding collection. Try as I might to resist the lure of overwhelming my domicile with tuneful aluminum-based creations, I truthfully admit that I spend far too much time in these pursuits of rampant purchase. A couple of Sundays ago, with minutes to spare ‘til closing, I hit up the Brown Elephant in the Andersonville neighborhood of Chicago for some late afternoon perusing. There I found an old, old school Kapp recording of film & television star Eddie Albert & his singing companion, a glamorous creation named, singly, Margo. 

Low and behold, it turned out this was the very Margo who, starred with coquettish precision, in the moody Val Lewton produced horror The Leopard Man (1943). Further research revealed that Margo & Albert we’re married for decades. Albert’s continued fame, with projects ranging from comedy sensations like Green Acres and kiddie favorites like Escape to Witch Mountain, compared to Margo’s relative obscurity reveals an all to common tale of masculine privilege, though.  

Politically progressive, the couple both faced ostracism and backlash for their liberal viewpoints during the McCarthy era and often lost work because of it. A war record and his Caucasian background ultimately freed Albert from this witch-hunt, but the very feminine, very Mexican Margo never regained her momentum. She was relegated to sporadic television appearances, with a 1965 episode of Perry Mason marking her last acting credit. Albert’s career, meanwhile, continued for decades after that. 

Thankfully, we can still appreciate her magnetic presence in the well regarded Lewton film while gratefully acknowledging the sacrifices that this one of a kind woman made for truth & justice in society.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

http://www.facebook.com/biggayhorrorfan

Hopelessly Devoted to: Jeanne Crain

Published February 1, 2023 by biggayhorrorfan

Jeanne Crain spent her primary Hollywood years portraying cinematic sweethearts. She was everyone’s faithful sister (Leave Her to Heaven) or the ingénue who bloomed when romance arrived, fully collared, at her door (The Model and the Marriage Broker). Nicely aging into roles in a series of mild noir films like Vicki and Dangerous Crossing, wherein she played elegant, frightened women facing deadly circumstances with trembling aplomb, she wound up her career, as many movie queens before her, in genre films.

She had to do little but look pretty in the midrange disaster epic Skyjacked. Her primary function there, in her final screen role, being to serve up devoted energy as a proud doctor’s spouse. Immediately before that less showy part, though, she proudly enacted a heavily utilized terror stereotype – the woman on the verge of emotional collapse. As the headliner of the cast of The Night God Screamed, playing a preacher’s wife stalked by a Manson-like cult, she fully committed to the disheveled, wide-eyed histrionics necessary for the undertaking.

Sure gold as the melodramatic heroine, a duo of guest shots on Burke’s Law in 1964 nicely confirmed her eclectic talents to the world. There she played against type as egocentric ladies of leisure and highly emotional murderesses. Despite these feats, she retired from the screen thirty years before her death. (She passed away in 2003 at the age of 76.) Thankfully, as night bleeds regularly into dusk, celluloid insomniacs can still discover her work on various media platforms, experiencing her never-ending magic as if anew.

Fun Fact:  Crain had the less-than enviable task of replacing Marilyn Monroe opposite Jane Russell in Gentlemen Marry Brunettes, the cinematic quasi-sequel to Gentlemen Prefer Blondes. Even Russell was rumored to have felt that her very quiet, dignified costar was miscast. Still, Crain, whose vocals were mainly handled by the oft utilized Anita Ellis, proves that she was in on the fun via her enjoyable take on I Want To Be Loved By You on the film’s soundtrack LP.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

http://www.facebook.com/biggayhorrorfan

Music to Make Horror Movies By: Nik Kershaw

Published January 4, 2023 by biggayhorrorfan

Growing up in a small town, I often had to rely on acquaintances from bigger cities to introduce me to interesting music. One of the girls I met at a theater audition was from a nearby metropolis and, while I tried to emotionally navigate around the crush she had on me – compounded by my own mild confusion as to whether I was ever going to wake up one morning and discover that I liked both girls and boys, she filled me in on some of her favorite artists. Nik Kershaw was one of them – and within a year or two, I figured out that there was a reason why I would so often longingly gaze at his profile on his second LP, The Riddle. I wasn’t ever going to like any Becky…or, as in this particular case, any Camilla, as well. 

Cheekbones aside, I also really dug Wouldn’t It Be Good, perhaps Kershaw’s biggest hit. Driving that point home, it was included on both his first and second album, and has also been featured in many film & television projects. One of the more interesting uses was in a Body Snatchers style television film called The Annihilator. Featuring Catherine Mary Stewart as a flesh and blood reporter turned into a mindless, assassinating robot, Kershaw’s tune was definitely in good company in this project. The other featured song was David Bowie’s Ashes to Ashes.

Nicely, Kershaw, who is now working some silver daddy magic, is still creating music and performing live. More information is able at https://www.nikkershaw.net.

Va-Va-Villainess: Janice Rule

Published December 26, 2022 by biggayhorrorfan

I once had a boss who I referred to, not so fondly, as The Dragon Lady. Dripping with privilege and obsessed with status, she was quick to cut down anyone who didn’t fit within her narrow definitions of societal importance. She reminded me, then and now, of a real-life Merle Kittridge. Kittridge, of course, was the well-to-do cold fish featured in 1958’s Bell, Book and Candle, the charmingly glossy look at the touching heartaches of a modern witch, perfectly played by the ever-enchanting Kim Novak.

Thankfully, the fictional Kittridge was eventually given some comic pathos by the film’s denouement via her majestic portrayer, Janice Rule. This turnabout is further emphasized by the subtle restraint this consummate performer gives to even her most cutting observations of Novak’s Gillian, ever an outsider due to her peculiar talents. That being said, as rivals for the affections of Jimmy Stewart’s quiet Shepard, the two actresses convincingly play up the polar opposites of their characters. Thus, Merle emerges as a classic example of a woman that you love to hate.

Nicely, in real life, Rule, who died in 2003 at the age of 72, seemed to be the exact opposite of her very popular creation. Earning her degree as a psychoanalyst, she spent the majority of her life helping others between her frequent acting gigs.

Fun Fact: Both Rule and Novak played the heroine in Picnic, William Inge’s classic look at the subtle torments and soft joys of smalltown life. Rule appeared in the original Broadway production while Novak took over in the popular film adaptation.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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