Va-Va-Villainess: Rhonda Fleming

Published January 18, 2020 by biggayhorrorfan

Rhonda Inferno

She played feisty yet loyal lovers in a series of ‘50s action and adventure pieces like Yankee Pasha and Gunfight at O.K. Corral. Bob Hope also called upon her extravagant sense of humor in such projects as The Great Lover and Alias Jesse James. Her lush looks and rare beauty worked for her in other ways as well, giving the glorious Rhonda Fleming a delightfully tangible way to embody perfect visions of calculating evil.

InfernoLobbyEschewing her initial naivete – she and her mother had to look up what a nymphomaniac was when she was cast in Alfred Hitchcock’s Spellbound – Fleming brought vivid life to a number of noir vixens. 1953’s Inferno capitalized on the 3D phase while also giving her the excuse to bring what was possibly her most evil character to the celluloid universe. As Geraldine Carson, this red headed goddess viciously plots to murder her husband, played with gruff humanity by eternally sympathetic tough guy Robert Ryan. Thus, her dry and dusty downfall here was relished by movie lovers everywhere.

rhonda-fleming-the-crowded-skyThe suave Efrem Zimbalist Jr. also was dealt a calculating blow when dealing with Fleming’s adulterous Cheryl Heath in The Crowded Sky. As a pilot facing a deadly incident, as this film is a precursor to the all star disaster films of the ‘70s, Zimbalist’s character also must deal with the emotional fallout of Cheryl’s heartless manipulations. Viewers, therefore, are not surprised when the film’s fadeout reveals his intents to leave her behind, no matter Fleming’s seemingly irresistible devious lusciousness.

Rhonda Gunfight


Horror Hall of Fame:


Besides her compelling work with Hitchcock in Spellbound, Fleming brought a steady heart and calm demeanor to her portrayal of the loyal yet doomed Blanche in 1946’s gothic horror The Spiral Staircase.

www.rhondafleming.com

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Review: Shady Grove

Published December 7, 2022 by biggayhorrorfan

I never really gave being a parent much thought…except for the year or two directly following my father’s unexpected death in his mid-fifties. As with many males before me, I felt the need to carry on my dad’s lineage, to produce a bloodline namesake for our rapidly diminishing family tree. That notion, thankfully, quickly passed as my romantic status remained unchanged. (Who wants to raise a kid alone?!?) But that kind of patriarchal methodology, while never mentioned outright, definitely inspires the reactionary DNA of Shady Grove, a horror feature co-written by & starring the talented Niki McElroy. The societies represented here, for both better and for (far, far) worse, definitely seek the antithesis of that testosterone driven narrative. 

With both parties rattled by her recent affair with a woman, longtime couple Shauna (McElroy) and Mark (Todd Anthony) rent a quiet country cabin for the weekend in an isolated area. (First mistake, right?!?) Despite the over-the-top antics of their traveling companion, Eli (Juhahn Jones), the two try to tenderly navigate the newness of their rekindled relationship & the unexpected emotions brought on by Shauna’s surprise pregnancy. The mysterious smells emanating from a locked room in their vacation home soon take on a different meaning, though, when Eli disappears after a night of partying with two local women. The sheriff, authoritatively played by hearing impaired actress Becki Hayes, reads as concerned, but there appears to be little that she can do about the strange presences that are now seeming to stalk the very frightened couple. Thus, as the night wears on, it appears that one of them may not make it alive come morning while the other’s life may be irreversibly altered in a very deep seated way.

Ultimately emerging into something that resembles The Wicker Man mixed with more current fare like Vacancy & The Strangers, this well acted production is definitely a slow burn and a nice alternative to the neo-slasher route that many independent creators take. More importantly, the diversity displayed, onscreen and off, makes this a golden viewing experience and one that any woman living in this post #MeToo, nauseatingly right wing era can relate to on multiple levels. 

For more information, please check out https://www.facebook.com/profile.php?id=100086453926442 and

https://instagram.com/shadygrovemovie?igshid=YmMyMTA2M2Y=.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Dawn Rollo & the Winter of My Discontent

Published December 2, 2022 by biggayhorrorfan

Soap operas saved my life this past winter. I lived and worked in a solitary tundra, often alone almost 24/7, as friends and co-workers fell prey to COVID and flu bugs or just kept their distance for safety’s sake. I was still in high school when the AIDS crisis began and was somewhat shielded from the devastating losses that era of gay men (and women) reeled from. Still, I felt a keening commonality with those spiritual brothers & sisters as I faced the disease devastated landscape of this past January & February. Thankfully, the people I knew were vaccinated and thus not lost to the world, but the impact felt somewhat similar.

Consistently facing the quiet at work, I would throw on YouTube to keep me company throughout the day. Gladly, I discovered numerous fans had downloaded months of episodes from various long cancelled daytime dramas to their channels. I soon got swept into the over-the-top circumstances their favored shows had presented and, as so often happens, the fictional people in those often-ridiculous circumstances soon became like old friends to me.

Ultimately, the plot line that I connected with the most was the more realistic late ‘80s saga of Another World’s Dawn Rollo (Barbara Tyson). Her plight rang in with a keening similarity as it seemed to have a significant parallel to the world I was then inhabiting. A quietly intense musical student, Rollo was the first long term soap character to be diagnosed with HIV and as her disease became full blown, the show dealt with her day-to-day struggles and sensitively chronicled her romance with Scott (Hank Cheyne), one of the show’s charming heroes. Most impact-fully, she also successfully sued her school for discrimination, an arc that tied in many of the shows heavy hitters, including (soap legend) Denise Alexander’s long suffering Mary, who was Scott’s mother. 

A bit more fantastically, Dawn’s brother, played by future soap hopper Richard Burgi, also ultimately of Days of our Lives, General Hospital & The Young and the Restless, had to be one of the youngest, handsomest ex-pimps ever. His arrival on the scene was precipitated by his desire to reconnect with M.J. McKinnon (Sally Spencer), a respected police officer who had once been an important part of his stable of workers. With that kind of background, it was unsurprising when it was revealed that the duo’s mother was a prostitute who had infected Dawn through a blood transfusion. (As if only criminals, gays & their innocent bystanders got the disease back then!) Still, the writers got the heart of the story down correctly and I shed many a work shift tear as Dawn eventually lost her battle with the illness. 

Months later, I still feel a heart filled connection with Tyson, who has gone onto appear as a guest on such horror themed shows as Poltergeist: The Legacy & Fear Itself, Cheyne, the macho gym-jack ass in Death Spa & Burgi, known as well for such projects as Hostel 2, Harper’s Island & Friday the 13th (2009). Of all our worldly cures, art is still the one, I find, that illuminates & heals the most.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Anne Murray

Published November 17, 2022 by biggayhorrorfan

I sometimes create imaginary cabaret shows in my head as I bike around the city of Chicago. Often, I will choose to wrap-up these dream acts with Anne Murray’s mellow classic I Just Fall in Love Again, utilizing it not as romantic ballad but as a peon of thanks to my nonexistent yet totally enthusiastic audience.  You see, I grew up in Murray country. ABBA, for example, means nothing to me. But Anne, the queen of soft rock and ultra-sophisticated country, was often crooning softly in the AM decorated background of my extremely formative years. 

Thus, the inclusion of her classic Could I Have This Dance in last fall’s Halloween Ends felt like a coming home moment for me. The fact that this song was used to emphatically capture the death scenes of the movie’s gay couple, Big John and Little John, made it even more impactive – the roots of my closeted youth and my loud ‘n proud adulthood finally shaking firm hands.

Bittersweetly for her long-term fans, Murray, who runs a charity outfit – https://annemurraycentre.com – has been retired from music for a while now. But her smokey tones & smooth delivery eternally live on – in Haddonfield and beyond!

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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In Remembrance: Leslie Jordan

Published November 9, 2022 by biggayhorrorfan

At one point in his one man show Like a Dog on Linoleum, LGBTQIA icon Leslie Jordan recalled his desperate, unreturned affection for a young Romanian hustler. The two had met while Jordan was on location for a low budget horror film called Madhouse. As the actor, open heartedly and honestly, poured out his sorrow about never having been really loved, I felt my soul reach out in a true connection with him.

The year was 2006 and I was in my late 30s. My one long term relationship had ultimately turned out to be more of an intense friendship on my end…and even that confusing partnership had ended almost 12 years previously. It seemed that, much like Jordan, I, too, was to remain luckless when it came to love. I couldn’t have fully admitted that then, of course. Indeed, it has taken well over a decade for me to reach that kind of honesty with myself. Still, Jordan’s brave reflection has stayed with me over the years.

That sense of truth, poignantly peeking out from beneath the floorboards of his often-flamboyant comic energy, is what ultimately endeared this diminutive performer to the public over the years. Thus, his unexpected death at the age of 67 this past October hit the world harder than many other celebrity passings. The horror community, in particular, felt this loss. While his most loved role was probably that of Shelby in Jason Goes to Hell, one of the Friday the 13th universe’s many sequels, he also added his singular spark to such projects as American Horror Story, Frankenstein General Hospital, Undead or Alive and Fear Inc.

Interestingly, his work in the Friday film, which was released in 1993, hinted at the more openly specific work that he would, passionately, do in the future. There, romantically paired against Rusty Schwimmer’s towering Joey, he seemed to be helping act out the small town reality of many gay folks. This unusual couple registered, caringly, as two people performing a lifetime commitment to each other as beards for each other’s true sexual identities. It was a loving relationship, for sure, but one that reeked of mutual assistance in a world that wasn’t quite ready to accept people for who they actually were. I know I felt a spark of recognition watching them onscreen. I am sure I was not alone in that fact.

30 years ahead of his time, Jordan left this world far too quickly. I can only hope that towards the end of his life he felt some of the romantic love that he so richly deserved. Ever open minded, I wish the same for myself in the days and years ahead. as well.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

Review: Bride of the Killer Piñata

Published November 2, 2022 by biggayhorrorfan

At the end of the premiere screening of Bride of the Killer Piñata, Angry Mule Films’ latest homegrown horror movie sensation, I got stopped in the aisles by an acquaintance. When you’re gay, people assume you always want to talk about penis and, latching onto that thought spectrum, this fellow film buff was immediately chuckling about one of the film’s very outrageous, totally fun dick jokes. I’m almost 100% certain that his reasons for finding that sequence humorous were totally different than mine, though. I can almost guarantee you that, as a straight man, he was hooked by that presented hi-jink via the imagined embarrassment, if not outright humiliation, that would envelop him if he were to find himself being attacked by a very dangerous, evil-minded phallus. I, on the other hand, a veteran of the consequences of the mid-thrust, caught completely unawares gag reflex, know that a hard cock can do some serious damage to the body. Thus, that moment’s silliness rang out for me with a different sense of hilarity. I know the cock can kill!

Thankfully, the makers of Bride seem squarely, unintentionally or not, in the camp of making films for those of us in the killer cock crowd. Honoring both the past works of John Waters & modern society’s ever burgeoning fluidity, this fun sequel to 2015’s Killer Piñata, is not only highlighted by its a leading characters, a charismatically flawed lesbian couple, but by the introduction of puppet sex-body domination as a prime erotic expression and a possibly bi-sexual co-lead villain. (See that dick joke for that final thought.)

Plot line-wise, the film finds Lindsay (Eliza-Jane Morris), the first film’s plucky heroine, with a baby daughter and a very disinterested wife (Nat Younger). But when the killer piñata is not only roused from terror flick slumber, but also joined by a female counterpart, this duo, with the engagement of various members of their neighborhood, bands together to defeat them. With outrageous killings, nefarious subplots and the return of beloved characters, with a heartfelt shout-out to Joette Waters’ fabulously arch The Shopkeeper, screenwriters Megan Macmanus & Stephen Tremontana, gleefully, throw everything they can at the audience here. If it feels a bit too much at times, director Tremontana & his cast always amaze with a professionalism and sense of over-the-top style that is miles above and beyond most indie horror film productions. Thus, this whole outing, insightfully produced by Jennifer Kunkel, a proud member of the LGBTQIA community, is highly, highly recommended, guaranteeing audience members of every bent & inclination a truly enjoyable time.

https://www.facebook.com/angrymulefilms

https://www.facebook.com/KillerPinataMovie

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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John Schuck: Inside Herman’s Head

Published October 27, 2022 by biggayhorrorfan

This past April, I was lucky enough to have a moment to sit down with versatile, journey man actor John Schuck. Schuck was, very happily, in town (at the Navy Pier) for Thank You For Being a Fan, the first (and hopefully not the last) Golden Girls convention. During our quick time together, he shared wonderful memories of his time working with Rock Hudson, ruminated about his fun relationship with Elizabeth Taylor and, forthrightly, detailed his troubled time portraying one of horror’s most iconic characters, Herman Munster, on the syndicated series The Munsters Today.

B: I’m feeling a bit like Julie Andrews this morning, John, so let’s start at the very beginning! How did your journey towards performing start?

JS: Well, I’ve told this story many times before, so forgive me if you’ve already heard it. When I was 5, I knew all the words and music to Oklahoma. We lived near NY, so for my 6th birthday, my parents took me to see it. That night I left wanting to be an actor. (laughing) Well, maybe a cowboy more than anything else then…but an actor, too.

Why limit yourself? Be both!

But from that time on, that’s what I really wanted to do. I had a couple little side steps, but anytime I applied myself, that is where fate and fortune seemed to lead me. So I assume I did the right thing.

I think audiences around the world can, happily, concur with you on that statement. One of your best-known roles, among the many that you’ve done, has been Sgt. Enright on McMillan & Wife. Can you talk a little about your experiences with Rock Hudson on that project?

He was fantastic. He was one of those people without an ego. We were peers from the first day. We spent 6 years laughing a lot – sometimes too much. He was so easy to work with. Like me, he was always looking for something to make him better. So, during that period of time, he went out and did a tour of John Brown’s Body. He did I Do, I Do with Carol Burnett and he came through Chicago with On the Twentieth Century. So, he was taking on major theatrical parts that not only required speaking but singing…and they weren’t always necessarily commercial pieces either. It turns out I had fly here (to Chicago) to do a Mike Douglas Show. Do you remember that?

Of course! I loved those kinds of shows as a star-struck kid!

For those who don’t know, Mike Douglas had a daily talk show – sometimes it was an hour, sometimes it was an hour and a half. They came to Chicago and produced a show, coincidentally enough, at the end of Navy Pier. They were featuring things like log rolling and crazy stuff like that. But that night, I went to see Roy do On the Twentieth Century here in Chicago and that was just a lovely day.

I would have loved to have seen him perform in that.

So, it was a great six years and we stayed very much in-touch for the next couple of years. I did notice the last time that I had lunch with him that he was a little peaked. I couldn’t quite put my finger on what that was about. Then I went off to England to do a play with Charlton Heston, The Caine Mutiny Court-Martial on the West End. After 4 or 5 months, Heston was going to leave. The producer came to me and said, “Who do you know that might be good to replace him at the star level?’ I said, “Rock Hudson. He would be wonderful playing this giant man crumbling in front you. That would be fantastic!” The producer went to L.A. and came back the following week. I asked, “Did you see Rock?” He said, “No. He’s dying.” That’s how I found out that he had AIDS, Fortunately, he lived until I got home, so I could say goodbye and all that. He was just a wonderful guy. He did not deserve that ending at all.

I’ve been catching up on old TV shows and films, lately. It is just amazing the amount of talent that was lost to that disease. Behind the scenes, there were multitudes of casualties, as well. The similarities between that era and COViD have brought so many lingering memories amongst so many of us in the LGBTQIA community.

Of course. Except this time there is a commonality. There is no shunning now.

Yeah, it’s not just the other now – drug addicts and queers. Its everyone. Speaking of a great every man, as a way to transition the conversation forward, you played a version of a character that has been embraced, heartily, by the horror community. Can we talk about your Herman Munster in The Munsters Today? He’s such a sweet, kind character.

He was. Of course, I couldn’t do the job that Fred Gwynne did. And our show was not really The Munsters. It was shot in front of an audience. It was in color, and it was set in a different time. …and in many ways, it was the worst job I ever had.

Wow. Interesting.

I couldn’t get out of it! It kept getting renewed.

For three years, right?

I think it was 5!

I noticed there was 70 some episodes.

We did a lot! I also think there might have been 80 some filmed. And out of all those shows there might have been 4 or 5 that I was proud of. So, that was something. But the rest was torture. I loved the cast. I loved the people that I worked with.

Well, there was Lee Meriwether as Lily, of course, who is also such a sweet person.

Yes! But that aside, it was the writing. They wrote it like it was a sitcom, but a sitcom for other characters. So every week there were these battles and conflicts…and I’m an easy going guy. I’m not into that. But I was a warrior. They’ve just aged horribly, as well. So, I vowed I would never do a job again just for the money.

Have you held true to that?

Yes!

Good for you!

Out of your epic career – and let me interrupt myself to say congratulations on that, because show business is such a tough road.

It is! It is tough.

Well, I hope you’re proud of yourself that you stayed true and preserved.

Thank you. You know what instills that?

What?

Its shows like this. The Star Trek conventions, The Hollywood Autograph shows… I’ve had people come all the way from France to meet me and tell me how much I meant to them growing up. It really validates you, extraordinarily. And it’s not like I’m some egocentric running around, thinking that I’m incredibly famous. It just makes you feel worthwhile.

Well, those shows you appeared on really mean something. Even a sore point like The Munsters Today must have affected some sick child, helped get them through their day. That is so valuable to society as a whole. Entertainment does save lives!

Right! In fact, I can’t wait to see this audience. (The Golden Girls) is an all-ages phenomenon! My wife and I sat and watched 3 episodes the other night. We were having a ball. It was a lot better than anything else that was on.

Truly! Of your other projects, is there a role that you feel deserves to be explored more by the public?

No. I always felt that I was given proper attention. (Thinking for a moment.)  I was not prepared when Brewster McCloud, the Robert Altman movie, came out. Brewster was the movie that came directly after his version of MASH, which was huge. I remember the day it came out. I went to a theater in Westwood and sat down. There were maybe 15 people there. That was a bit of a disappointment. It’s now become a cult film, so it’s sort of reversed itself. It’s on television all the time now.

Give it a little time and it’ll come back around.

I also did another movie called Hammersmith is Out. It starred Richard Burton, Elizabeth Taylor, Beau Bridges, George Raft, Leon Askin, me… I had this love scene on a bed with Elizabeth. (Shaking his head in disbelief.) There I was, right?!? Peter Ustinov directed it. Although, when I say he directed it…He was behind the camera. (Laughing.) But you’d get ready to do a scene and he was doing an imitation of a 1952 Chevy having a nervous breakdown.

Oh, no!

But, anyhow, he was great. And I thought just on sheer star power alone, people were going to go see it. It didn’t happen!

You’ve got to hand it to Elizabeth Taylor, too.  She did some really strange stuff in the ‘70’s – Boom, The Driver’s Seat

Boom! Oh, I forgot about that!

Just some strange, strange stuff.

Yes! Yes! Well, I got a friendship out of Hammersmith with her. So, that was great! I was at a dinner at their house. I arrived. Richard served me a cocktail. Then Elizabeth made an appearance. She said, “Would you like to come into the dining room? Dinner is ready!” We go into this rather large room with this very long table there. The three of us sat at one end. There was a line of chairs along the length of the table, up against the wall. That’s where the kids and the servants sat. They all sat independently, in order to be seen and not heard. My back was to them. On the walls, there were 7 or 8 paintings by Manet and Monet. By this time, Richard was in his cups…he was high and he began to get hostile with Elizabeth. He, first of all, started bitching about the quality of the paintings. These are not the good paintings! Then he started complaining about his birthday present. It had been a rather expensive golf cart which she had bought to be used on their yacht. He was upset because he had asked for a real car. Finally, she turned to me and said, “Is this not the silliest thing that you’ve ever heard? It’s ridiculous to have a yacht…and then to have a car on the yacht!?!” She just kind of fluffed it off. Oh, ha, ha, ha! She was like that. & when Roy got sick, man, she was there in a nanosecond! She repeated the same thing that she had done with Montgomery Clift. A fascinating woman. I loved her. She was great. The last years of her life were not the best either. It was sad. She and Martha Raye, so many others. I don’t know what happens.

You just never know, right? You’ve got to embrace every moment.

True.

Just like I am embracing this one! I know you’ve got to get going soon, so I just want thank you so much for your time. It’s been such a pleasure.

(Humbly.) Well, thank you for letting me babble on.

It was such a pleasure.

It was a pleasure. And I’m here all weekend, so if you need anything else from me – any clarifications or what have you, please let me know.

Will do! Enjoy yourself!

I will!

Be sure to keep on eye out for Schuck’s future work – he, frequently, travels across the country in stage projects…and check out the Thank You for Being a Fan website for information on future events: https://thankyouforbeingafan.com/.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

http://www.facebook.com/biggayhorrorfan

Va-Va-Villainess: Ann Williams

Published October 20, 2022 by biggayhorrorfan

Often operating with a silken haughtiness, the late, lamented Ann Williams imbued The Edge of Night’s conniving Margo Huntington with a convincing maternal instinct, as well. This quality definitely humanized the character as she, impulsively, tried to broker a baby for her temporarily barren daughter or manipulated an old acquaintance into hindering her son-in-law’s chances at receiving a job located far away from her watchful grasp.

Of course, like many a glamorous shrew before her, Huntington also was the paramour of a handsome, yet deceitful younger man named Elliot. Suavely played by Lee Godart, Elliot was also, unsurprisingly, the ticket to her downfall – if in a roundabout way. After their disastrous union ended in a hostile separation, Dorn took up with a possessive movie goddess named Nola Madison (Kim Hunter). Eventually, Madison, in a fit of jealous pique, bludgeoned Margo to death, unleashing one of the show’s most popular mysteries of the late ‘70s. (Margo’s angry son-in-law, played by the popular Tony Craig, would be convicted of the misdeed, at least initially.) 

Interestingly, this was not the first time that Williams, who had decades of experience in daytime, met her end onscreen. Eunice, the popular character that she played for 10 years on the legendary Search for Tomorrow, was eliminated in the mid-70s by Morgan Fairchild’s increasingly unbalanced Jennifer. (This move allowed Fairchild some career latitude and supposedly gave the show’s matriarch, Mary Stuart, a sense of relief, as well. Williams’ popularity was rivaling her own.)

Sadly, Williams, whose Broadway credits included a supporting stint opposite Lauren Bacall in the musical Applause, lost her real-life battle with cancer in 1985 at the incredibly young age of 50. Her 4 children have written a beautiful account of that time entitled The Kids Are Alright, a memoir that highlights the distinguished actress’ sense of humor and resilience in the face of uncertainty. Their memories about her soap stints, which also included runs on The Doctors and Loving, also leave readers with the correct impression that Williams was a prime example of the sophisticated thespians that populated New York City’s casting halls & premium television studios in that almost hallowed period of time. 

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Horror Hall of Fame:

According to IMDB, Williams starred in an episode of 1961’s Great Ghost Stories, a television show. The entry, entitled A Phantom of Detail, is described, plot line-wise, as being about the adventures that ensue when the protagonist discovers that his friend’s fiancé is a ghost. An all-too-common occurrence, right?!?

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Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Freda Payne

Published October 9, 2022 by biggayhorrorfan

Surely inspiring the romantic fantasies of many a young lad throughout the ‘70s, the divine Freda Payne was just as dream worthy in the late ‘90s. That was when the singer-actress played the very kittenish Gran, a voodoo practicing conjurer, in Ragdoll, one of Full Moon’s popular puppet-based terror epics.  Ever dedicated, Payne even composed & sang the film’s fun theme song.

Of course, Payne, whose 1971 album Contact featured a gorgeous gatefold poster of her at her slinky dress wearing prime, is best known for the smash hit Band of Gold. She reprised this 1970 stomper, sixteen years later, as a fun duet with the equally chart worthy Belinda Carlisle. 

Unsurprisingly unstoppable, the still popular Payne is, happily, continuing to give her very glittery best at https://www.fredapayne.com

Until the next time, SWEET love & pink GRUE, Big Gay Horror Fan!

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Sapphic Angels

Published September 28, 2022 by biggayhorrorfan

The Angels in Chains episode of the eternally fresh Charlie’s Angels gave mid-70s television viewers a mild taste of lesbian subculture.  There the energy was all jail-yard female power plays & aggressive correction officers, one even emphatically played by cult goddess Mary Woronov, the cinema’s supreme manipulator of androgynous tension! Two years later, the production team upped the femme-on-femme ante even more. Drenched in pink, Angels in Springtime, which takes place at the beginning of this glamorous detective outing’s third season, is perhaps the most Sapphic entry in that original Angels oeuvre. 

Taking place at an exclusive health spa for well-to-do women and guest starring the magnificent Mercedes McCambridge during her coarsest prison matron years, this episode finds the plucky trio menaced not only by McCambridge’s ego-soaked Norma, an ex-actress, but by a needle wielding psychiatrist (Joan Hotchkis) & a sumo wrestling masseuse (Nancy Parsons), as well. That the psychiatrist’s interest in the romantic adventures of Jaclyn Smith’s Kelly seems more profound than just the plot line’s blackmail purposes Is due, almost exclusively, to the silkily seductive way that Hotchkis operates as an actress. The way she expresses the character’s interest in Smith, posing as a well-to-do mistress here, definitely seems more than just casually criminal. Meanwhile, Parsons’ Zora might try to kill Cheryl Ladd’s perkily masquerading Chris through wet towel mummification…but this is seemingly only because she didn’t have a sweaty dildo and a gag ball nearby to help her perform that duty instead.

Of course, McCambridge, the diabolical heart of the episode, is definitely frightening the horses here, as well. Despite her character’s humorous mention of many ex-husbands, you know what two options she would choose in the kill-fuck-marry categories when dealing with any of Charlie’s finest, frilliest best. 

Indeed, from a casting standpoint alone, it could easily be surmised that one of the show’s producers was a closeted, gay movie buff. Joining McCambridge & Parsons, best known for her dementedly villainous actions in (cult classic) Motel Hell, are film noir diva Marie Windsor and future horror queen Bobbie Bresee (Mausoleum, Evil Spawn). That Windsor, regally hoisting a cigarette holder as a prop, plays Eve La Deux, a board treading rival of McCambridge’s, is almost worth the price of admission alone for the show’s many queer fans. Her dramatic performance in the opening scene is, indeed, the starting point of an evening filled with both subtle and emphatic alternative delights.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Dagger Cast: Jaime Adrian

Published September 21, 2022 by biggayhorrorfan

Madonna was Into the Groove. Ariana Grande, meanwhile, was only Into You…while The Psychedelic Furs were, dramatically, Into You Like A Train. Now Dagger Cast, happily, gets Into the Mix with amazing gay dance music artist Jaime Adrian. Jaime’s latest song What Were You Drinking? has reached close to 80,000 streams…but more importantly, on this latest episode, Jaime focuses on the screams! He fills listeners in on his favorite horror film queens (including Buffy) & describes how a childhood with a genre loving father has shaped his world. So, save up all your tears for Charisma and dive into the show at:

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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