1959’s The Bat is often lumped in with Vincent’s Price’s other mid-period, lower budget horror extravaganzas. But, unlike many of those efforts, Price actually takes on more of a supporting role here. His Dr. Malcolm Wells plays into the proceedings in an ancillary way and he ultimately emerges as more of a red herring, disappearing from the proceedings for major periods of time. Nicely, this means that the fourth adaptation of Mary Robert Rinehart’s The Circular Staircase, a popular mystery, finds the singular Agnes Moorehead in the foreground – resulting in a old school film with surprisingly feministic overtones.
Seemingly based on Rinehart herself, Moorehead plays world famous Gothic writer Cornelia van Gorder. As the show opens, van Gorder has just rented a summer home, known as The Oaks, in a small town. Long rumored to be the site of multiple horrors, The Oaks soon becomes a true crime spot. Money from a recent bank heist may be hidden in the house, with the notorious and blood thirsty Bat soon targeting the manse in his hunt for the fortune. Naturally, this puts the distinguished author and her devoted maid (and de facto personal assistant) Lizzie, portrayed by the divinely funny Lenita Lane, in his jagged crosshairs, as well. But as spooky nighttime invasions increase in frequency and bodies begin to pile up. Cornelia and Lizzie refuse to be frightened out of their temporary lodging.
Joining forces with two determined local women, Dale (Elaine Edwards) and Judy (Darla Hood), the quartet eventually smoke out the assailant. Willing and, perhaps, even eager to put themselves in danger, it is definitely the viewer’s joy to watch this firm foursome take control of the situation. In the decades to follow, other celluloid divas would add psychotic color to the proceedings with a variety of classics. But those projects would emphasize femme hysteria and unbalance. The Bat, thankfully and needfully, concentrates on Susan B. Anthony-style rabble rousing instead.
Long the dominion of public domain screenings, The Bat can be readily found for viewing, in various states of quality, online.
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Coming on like Jane Russell for the midnight set, Strain has well over 100 movie credits including such mainstream fare as 
Her most amusing work, on the other hand, may have occurred in 
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