Cabaret

All posts in the Cabaret category

Music to Make Horror Movies By: Sue Raney

Published January 17, 2021 by biggayhorrorfan

Produced by (then husband) Mel Ferrer to allow her to show a maturity in her characterizations, Wait Until Dark gained Audrey Hepburn an Academy Award nomination and eternally imbued her with a classy final girl sheen. As a determined blind woman who fights off a trio of off-kilter assailants, Hepburn definitively glows with strength and determination here.

Nicely, the film’s theme song by Henry Mancini, who composed Moon River, the tune made famous by Hepburn in Breakfast at Tiffany’s, is also sensitively and powerfully rendered by acclaimed jazz and pop artist Sue Raney.

Raney, one of Frank Sinatra’s favorite vocalists, made a number of acclaimed albums prior to working on the film, and his retained a placement as one of the most respected singers of professional musicians and sharp eared music fans alike, as well. She was obviously beloved by the rest of Sinatra’s Rat Pack, too, as witnessed by this fun featured segment on Dean Martin’s variety show.

http://www.sueraneysro.com/

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Va-Va-Villainess: Janis Paige

Published December 12, 2020 by biggayhorrorfan

Whether it’s a glossy MGM musical like Silk Stockings or a detective show where she plays a bedraggled housing project alcoholic, the divine Janis Paige always gives her all. This eclectic nature has brought her to Broadway, where she was in the original cast of the beloved Pajama Game, variety shows, where she excelled in dozens of intricately choreographed production numbers, and eventually to the ecstatic criminal bounties of Charlie’s Angels.

Here as part of the ensemble of the third season Angels Ahoy episode, Paige vibrantly enacts Joan Sayers, a personable widow who catches the eye of David Doyle. Doyle, as series’ regular Bosley, is busy helping his beautiful cohorts investigate a shipboard murder, but he gladly takes a little time out for romance with this beautiful stranger.

Of course, warning signals go off for audience members when it is casually revealed that Sayers has buried four husbands. Indeed, a late-night costume party ultimately reveals that this friendly cruise goer is the most accomplished of black widow murderers. Ever the pro though, Paige believably connects with Doyle’s congenial creation here and the sorrow she feels upon the revelation of her dirty (and very dangerous) secret allows a bit of sympathy to register on her behalf.

Nicely, decades after this episode first aired, Paige is still allowing her charms to be appreciated by the world. At 98, she performs occasionally at cabarets across the country and has recently released her very highly praised memoir, Reading Between the Lines.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Chris Connor

Published November 22, 2020 by biggayhorrorfan

With her dusky warble and effortless sense of restraint, jazz icon Chris Connors is the height of nighttime cool. Of course, as chill evening turns to desolate midnight, danger often lurks. Sometimes, that hazard even comes from within.

Connors’ take on Margo Guryan’s somber Lonely Woman truly embodies that notion. With a foreboding shriek, this number perfectly highlights the haunted reality of an all too solitary type with too many vanquished dreams.

Sharply atmospheric, this meeting between two femme wunderkinds* would fit perfectly in the background of a number of women-on-the-verge horror pieces – whether it be a modern take on Rosemary’s Baby or simply played on repeat while watching Let’s Scare Jessica to Death with that film’s sound pulled down to zero.

*Guryan is a highly regarded cult figure who wrote a number of successful ‘60s singles. Her oft reissued recording Take a Picture is loftily regarded by many music connoisseurs, as well.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Hanna Schygulla

Published October 18, 2020 by biggayhorrorfan

Hanna Schygulla is so bad-ass. As one of the ultra-femme inspirations of German filmmaker (and all-around wunderkind) Rainer Werner Fassbinder and as one of the co-stars of Cannon Film’s batshit-loco action opus Delta Force, her pedigree cannot be denied!

Although, her penultimate moment onscreen may be as Karen, her lusciously manipulative lesbian, in Fassbinder’s Sirk-like The Bitter Tears of Petra von Kant. Nicely, she also lent great mystery, years later, to Kenneth Branagh’s gothic reincarnation thriller Dead Again.

But…perhaps, her moments as a chanteuse in the last decade or so, have provided the world with her ultimate performances.

Whatever your personal preference may be, without a doubt, her singular majesty will, rightfully, live on forever!

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Nichelle Nichols

Published October 4, 2020 by biggayhorrorfan

The physical materialization of an iconic figure, Nichelle Nichols will forever reign over all spatial frequencies with a Vogue cover coolness and a steely strength of purpose. Sacrificing her musical theater ambitions to continue giving the Black community a powerful presence on ’60s network television via her work on the original Star Trek television series, she eventually made it to the recording studios, giving some standards (and an original or two) a sassy makeover.

Thankfully for horror fans, she also brought a commanding energy to the ‘80s offering The Supernaturals, as well. As Sgt. Leona Hawkins, Nichols mixes toughness with compassion – traits that are especially useful when a group of undead confederate soldiers begin to pick off her charges. Why don’t you do right, indeed!!!

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Style Icons of Horror: Kaye Stevens

Published August 8, 2020 by biggayhorrorfan

Kaye Main

“Show any cheek and you’ll be back shoveling French fries!!” – Mrs. Kallender, Jaws 3

Whether opening for The Temptations or enacting a broken-hearted breakdown on Days of Our Lives, eclectic wonder Kaye Stevens always presented herself with passion and a grand sense of pizzazz.

Nicely, this scene stealer brought a little flair to the Jaws kingdom as well with her appearance in the highly anticipated, ‘80s personifying Jaws 3-D! As her Mrs. Kallender instructed some eager femme charges on how to conduct themselves as employees in this toothy version of Sea World, it seems like the producers took a liking to Stevens’ personal style. Flourishes of red abound in the production design, making Kaye’s bright locks a visual precursor for all that is to come in this aquatic, bloody celluloid nightmare.

In my (skin free) book, there can be no bigger compliment or sincere indication of Stevens’ immense visual (and otherwise) talents than that!

Kaye Mashup

Kaye leading the Jaws 3 color charge!

Until the next time, Big Gay Horror Fan!

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Kaye Collage

Further evidence of Kaye bringing flair to soap operas, variety shows and album covers, worldwide!

Music to Make Horror Movies By: Della Reese

Published June 28, 2020 by biggayhorrorfan

Della Reese

Much grittier than her Touched By An Angel persona may have suggested, the amazingly eclectic Della Reese had a vast, multi-leveled career. Her extensive credits even include an appearance in Psychic Killer, a horror effort directed by B-movie stalwart Ray Danton, the one time husband of Creature from the Black Lagoon’s Julie Adams.

Audiophiles meanwhile have embraced One More Time, a mid-60s recording effort that finds Reese at the peek of her performing powers.

A more sensual Reese is discovered on her interesting cover of Bob Dylan’s Lay, Lady, Lay, as well.

Proving herself to be a performer of many moods and textures, Reese is eternally honored at https://dellareese.com/.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

Psychic-Killer-Neville-Brand-Della-Reese

Reese with Neville Brand in Psychic Killer

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Music to Make Horror Movies By: Ethel Ennis

Published May 17, 2020 by biggayhorrorfan

Ethel Ennis

Her take on The Star-Spangled Banner may have helped heal the nation during the Viet Nam War, but joyful terror tykes across the continents are probably most aware of the smooth tones of the divine Ethel Ennis due to her singing the theme song of the stop motion classic Mad Monster Party.

Credited as being a jazz icon, Ennis did not like to be sonically labeled, preferring to add her lilting personality and unique presence into whatever genre of music that she chose to sing.

But she was proud to be claimed by her native Baltimore as one of their prime attractions, dying at the age of 86 in 2019 after dedicating nearly 70 years of her life to the arts.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Ethel Ennis Mad Monster Party

Music to Make Horror Movies By: Ella Fitzgerald

Published May 3, 2020 by biggayhorrorfan

ella-fitzgerald-1940

Supernaturally talented, the divine Ella Fitzgerald shunned the more ostentatious aspects of show business, putting her complete concentration on the music. Known for her historic jazz stylings, she also added shades of other genres into her repertoire, including pop and country. In particular, her late ‘60s Capital LP Misty Blue featured her upbeat take on the Nashville sound.

Appropriately, Evil On Your Mind, a track off that offering, explores the horrors of love gone on the prowl, earning her a spot on every sympathetic terror freak’s playlist forever.

Naturally, they’re in good company.  Even the musically eclectic Melissa Manchester is a fan!

http://www.ellafitzgerald.com/

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Ella

Music to Make Horror Movies By: I Don’t Stand a Ghost of a Chance

Published March 8, 2020 by biggayhorrorfan

Alfred Hitchcock Music to be Murdered By

Just before my sophomore year of high school, I finally got my hair styled and my parents allowed me to get contact lenses. It felt like the whole world was opening up for me. Soon after that, I got the lead in the winter play, proof (I felt at the time) that change indeed was happening. As I was driven back and forth from rehearsals that late fall, Linda Ronstadt was continually, creamily crooning What’s New, the title track from her upcoming album of standards, on the car’s steadfast AM radio. I asked for the LP for Christmas that year.

MildredI lovingly remember playing that recording in my grandparents’ living room as the family sat around listening to it and chatting. In an often turbulent youth, filled with familial misunderstandings and the wisps of angst seemingly floating around the surface of many of my first tentative interactions, this is one of my favorite memories. Ronstadt’s version of I Don’t Stand a Ghost of a Chance was song that probably stood out the most for me then and now. Besides the supernatural element of the title, I always had the sneaking suspicion that romance would be elusive to me, that connecting with someone would perhaps be an awkward, unrealized proposition. It was also one of the tracks included on Jeff Alexander’s creepily arranged Alfred Hitchcock Presents album, Music to Be Murdered By.

While I adore Ronstadt’s moody treatment of the number, one of my favorite versions is a jazzier, breezier take by the incomparable Mildred Bailey. One of Bing Crosby’s favored colleagues, Bailey was a Native American jazz singer who made a stunning impression on the music industry. I wish she was more publicly acknowledged.

Of course,  I’ve heard ignoring your first could prove to have disastrous consequences, so…

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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