Cole Porter

All posts tagged Cole Porter

Music to Make Horror Movies By: Peter Lorre

Published December 13, 2020 by biggayhorrorfan

I have mad love for all those quirky character actors from the ‘30s and ‘40s. Often cast as ne’er do wells and sophisticated villains, their talents were often broader than they were given credit for.

For example, even though he was best known for his sinister turns in M, The Stranger on the Third Floor, The Beast with Five Fingers and The Raven, the unforgettable Peter Lorre truly shone as a comic impresario. In particular, he excelled in the glorious MGM musical Silk Stockings, a reworking of Greta Garbo’s famed comedy Ninotchka.

Here, Lorre gamely attacked clever lyrics by Cole Porter…

…and even engaged in a dance specialty or two!

Now, one has to wonder what Boris Karloff and Vincent Price might have added to the mix here.

Ponder that…and until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

Music to Make Horror Movies By: Elisabeth Welch

Published November 15, 2020 by biggayhorrorfan

The stunning Elisabeth Welch is a major part of the success of the classic 1945 anthology Dead of Night. As the fun and vibrant Beulah in the film’s most popular segment, The Ventriloquist’s Dummy, she is one of the first characters to react to the fact that something is off with Michael Redgrave’s Maxwell and his devious puppet partner Hugo.

Welch was much more than a sympathetic terror conspirator, though. One of the most sophisticated stars of the British theater and Broadway, she often introduced songs that went on to be classics.

Cementing her status as a cult icon, Welch also fabulously worked with auteur Derek Jarman in the late ‘70s.

More can, but need not be said!

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

Music to Make Horror Movies By: Virginia Bruce

Published February 17, 2020 by biggayhorrorfan

VB Invisible Woman

If I had been an old Hollywood diva, I would have wanted the career of Virginia Bruce. An important figure in the world of Universal Horror due to her pert and powerful essaying of the leading role in The Invisible Woman, Bruce also worked with such notables as Jimmy Stewart, William Powell, James Cagney and Abbott and Costello.

Significantly, while trying to earnestly woo Stewart in Born to Dance, she also introduced the Cole Porter classic I’ve Got You Under My Skin.

Pretty much fading from the screen by the late ‘40s, this silver streaked celluloid wonder still left behind a legacy of dreamy magnificence, permanently drifting beneath the fantasies of old school movie lovers worldwide.

Virigina Bruce

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!



Va-Va-Villainess: Virginia Bruce

Published January 24, 2020 by biggayhorrorfan

Virginia Bruce Born to Dance cigarette

As Broadway diva Lucy James in 1936’s Born to Dance, smoldering pixie Virginia Bruce causes much havoc between enthusiastic hoofer Nora Paige (Eleanor Powell) and her shy, devoted sailor beau Ted Barker (Jimmy Stewart).

bruce-stewart-born-to-danceInitially using him as a publicity ploy, James soon grows serious about Barker. This, nicely, gives Bruce a chance to add layers of soft pain to her characterization. This humanity doesn’t stop this character’s out of control anger issues, though. After destroying a hotel suite and getting Paige fired from her understudy job, James is decidedly left on the outskirts of the film’s grand and happy finish. Virgina BTD2

Not surprisingly, the talented Bruce still comes out the winner, though. Born to Dance’s score was composed by none other than Cole Porter and, with sweet elegance, she introduced his classic I’ve Got You Under My Skin, which was nominated for an Academy Award, here.

Horror Hall of Fame:

Bruce filled the title role of 1940’s The Invisible Woman, a more comic take for the classic Universal horror series. This natural celluloid wonder also tangled with eternal mad scientist Lionel Atwill in the Abbott and Costello comedy Pardon My Sarong.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

Music to Make Horror Movies By: Robert Goulet

Published June 30, 2019 by biggayhorrorfan

Robert Goulet Beefcake

Best known for his exquisite musical performances, the handsome Robert Goulet enlivened Tim Burton’s horror fueled comedy Beetlejuice with his majestic smoothness.

Thus, as Pride Month jogs healthily to a close, a melody of Cole Porter tunes done in Goulet’s impressive style seems like the perfect way to lower the curtain on June’s rainbow fueled activities.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

Robertgoulet beetlejuice

Music to Make Horror Movies By: Fred Astaire

Published June 24, 2018 by biggayhorrorfan


fred astaire

The essence of cool suave in an every man’s persona, Fred Astaire lit up dozens of enjoyable musicals for a stretch of over twenty years.

His final role in the film adaptation of Peter Straub’s powerful Ghost Story, meanwhile, saw him adding a nice helping of contemplative sorrow to the spooky proceedings.

Of course, this celluloid ease was put to grand display in The Gay Divorcee, one of the classics that he made with Ginger Rogers, his most notable dancing partner. Cole Porter’s Night and Day may have been sung better by others, but it never looked more grandly elegant.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!



Music to Make Horror Movies By: Gloria Swanson

Published March 19, 2017 by biggayhorrorfan

Sunset Boulevard

Was there ever anything as haunting as Gloria Swanson’s deliciously deluded Norma Desmond in Billy Wilder’s classic, emotional noir Sunset Boulevard? Many refined and enthusiastic film buffs will probably, unanimously, agree that there isn’t.

Thankfully, almost 25 years after this macabre venture, Swanson returned to play another demanding diva in Curtis Harrington’s fondly remembered television horror Killer Bees. As the queenly Maria von Bohlen, Swanson ruled her fictional family with a tart grip even as the matriarch’s fuzzy flying pets began to draw the life out of members of the frightened local community.gloria killer bees

Meanwhile, although she was never known as a singer, the always game legend tackled a couple of tunes in the early 80s on a variety of star studded specials.

Here, the Paul Whiteman Orchestra’s well regarded Wonderful One gets the nostalgic treatment.


Next, Swanson is joined by Brooke Shields (Alice, Sweet, Alice, The Midnight Meat Train) and Barbara Eden (A Howling in the Woods, The Stranger Within) for a surprising version of Cole Porter’s What Do You Think About Men?

For those interested, the adventures of this singular entertainer are explored in deeper detail at

gloria 3

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

Music to Make Horror Movies By: Jessica Walter, “Why Can’t You Behave?”

Published December 15, 2013 by biggayhorrorfan

Oh, the double standards! Its okay for the 95 year old with the elk tattoo on her stomach to parade around the lobby of our building in a Dracula string bikini- but not me!!! What??!!??

Walter, going crazy, in Misty!

Walter, going crazy, in Misty!

Similarly, it seems its perfectly acceptable for the divine Jessica Walter, perhaps best known to some as Arrested Development ‘s caustic Lucille Bluth, to cause massive amounts of mayhem in genre projects like Play Misty for Me (1971), TV Christmas slasher Home for the Holidays (1972), Doctor Strange (1978) and Ghost in the Machine (1993) – but introduce her to one wayward gentleman and she wonders why he can’t behave!

Yes, in the “She Can Do It All” sweepstakes, the eclectic Walter sang the role of Bianca/Lois Lane in a 1968 television production of Cole Porter’s classic Kiss Me Kate, which was also released as a limited edition LP. This proves, at long last, that Belinda Carlisle’s theory is true. Heaven is a place on earth!!! (Bloody Jessica Walter walking earth!!!)

Delicious Walter as the delicious Morgan LeFay! Doctor Strange

Delicious Walter as the delicious Morgan LeFay! Doctor Strange

So, worship that red dress and — Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

Be sure to follow me at, as well!

Patricia Morison: B Movies’ Regal Queen

Published March 18, 2013 by biggayhorrorfan

As pink studded buildings collapse and the twisted spirals of despair clutch at his nightmare ridden feet, Big Gay Horror Fan reaches out, desperately, and always the ebony Rapunzel-like hair of stage goddess Patricia Morison comes floating past. Clutching at it, he is once again, pulled from his hideous dreams, waking up to a new morning.

calling%20dr%20deathRegal to the point of otherworldliness and always exquisitely beautiful, exotic Patricia Morison gained eternal fame as Cole Porter’s muse for his classic 1948 musical Kiss Me Kate. For many, this artistic opportunity saved her from appearances in a variety of low budget Hollywood programmers. But, for cinematic fetishists in the know, these cheap wonders always highlighted Morison’s eclectic grace.

In 1943’s Calling Dr. Death, Morison radiates with concern as Stella Madden, Dr. Mark Steel’s (Lon Chaney, Jr.) prized assistant. But Morison always allows a tone of mystery to pervade her actions – a grand move as Stella soon appears to know more about the death of Steel’s wife than she is letting on. Indeed, during a nightmarish sequence Morison finds herself running between shadowy, toppling set pieces in a brilliantly conceived dance of guilt. The presence of Chaney and J. Carrol Naish (The Monster Maker, House of Frankenstein) along with the moody direction of Reginald Le Borg (The Mummy’s Ghost, Weird Woman) makes this among Morison’s more fright based efforts. But, the dedicated Morison always gave up the exploitation gold in a number of other genre projects, as well.patriciabuilding

dressed-to-kill-1946-jj As Mrs. Hilda Courtney in the 1946 Sherlock Holmes adventure Dressed to Kill, Morison truly gives distinguished Basil Rathbone (Tales of Terror, Queen of Blood, The Black Cat, The Mad Doctor, Tower of London) a run for his money. She excels at sophisticated villainy here, but she is obviously having the most fun when duplicitously disguised as a homely working class matron. But whether grand or downtrodden, Morison shows all her fabulous colors here making one marvel at the fact that the studio system never figured out a grand scheme for her.

In 1947’s Queen of the Amazons, Morison shows much spunk and zeal as Jean Preston. Determined to find her missing fiancé in the wilds of the jungle, Morison sparks immediately with Robert Lowery as experienced guide, Gary Lambert. The two are destined for romance in the Hepburn-Tracy variety, but only after it is discovered that Preston’s fiancé has fallen in love with the vicious and vengeful Zita, the queen of the jungle. Morison’s gritty elegance here is in direct contrast to the extremely awkward (thus thoroughly enjoyable) performance of Amira Moustafa as Zita.
Be sure to check back often as Big Gay Horror Fan ( ) frequently exposes the wondrous exploitation foibles of the most glorious femmes of entertainment.

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

Gregg Marx: From the Strangler’s Favorite Son to Cole Porter!

Published February 14, 2013 by biggayhorrorfan

gregg color
Big Gay Horror Fan spent his youth imagining he was a male version of The Young and the Restless’ Nikki, pursued by slobbering, wild eyed psychopaths with swarthy, rescue minded studs in hot pursuit. Then he was attacked by that Shakespeare quoting, green armed arsonist his freshmen year of college and being the dude in distress no longer seemed like such fun!

Meanwhile, multi-talented performer Gregg Marx spent his young adulthood enacting terror stricken plotlines as David Banning on Days of Our Lives (1981-1983). With its Salem Strangler, Salem Slasher and devil possession plotlines, Days proved, without a doubt, the correlation between daytime dramas and horror films.

Now, though, Marx has found success with his true love – singing. On the eve of bringing his tribute to Cole Porter to the Midwest, this genial entertainer agreed to chat about Porter (and his horrific struggles with pain) and his muse, 40’s genre icon Patricia Morison (Calling Dr. Death, Dressed to Kill). Of course, we also engaged in some chatter about his days in Salem when David Banning was the #1 most wanted, for more reasons than one!

BGHF: Hey, Gregg! I know we’re gonna talk about sophisticated stuff, so I’m hoping its okay that I’m not dressed in a tux or what-have-you.

Gregg: You’re not?!?

BGHF: No. I guess I’m a bit too punk rock for that.

Gregg: (laughs) You’re punk rock and we’re talking about Cole Porter!?

BGHF: C’mon! Cole Porter was totally punk! Just like Kurt Weill, Noel Coward and Lorenz Hart – all those guys! Besides, everybody loves Cole Porter!

Cole+Porter+pngGregg: I know! I’ll say I’m doing a Cole Porter show and everybody says, “Oh, I love Cole Porter!” I think it’s obviously an individual thing for everybody. But for me I think, musically, he was brilliant. But, also no one wrote songs the way he wrote songs. The lyric and music together – he was just unique. And I think you’re right – he was a little bit punk for his time. He was breaking boundaries. He was definitely saying things in ways that I’m sure polite society was a little bit taken aback by. So maybe I like that –

BGHF: -The naughtiness?

Gregg: Well, the well dressed renegade, you know. – And the naughtiness, too, yeah. He did it with such class -and panache. This is a digression, but it was really fun for me. I live in LA and a friend of mine is also a singer who has a friend who is very good friends with a woman named Patricia Morison.

BGHF: I love her!

Gregg: You know her?

BGHF: She did tons of genre films in Hollywood in the 30’s and 40’s. Inner Sanctum, Sherlock Holmes, jungle flicks – she’s amazing! From what I gather, Hollywood didn’t quite know what to do with her and Porter kind of gave her a foundation.calling-dr-death-patricia-morison-j-everett

Gregg: I knew that she had been Cole Porter’s pick to play on Broadway when they had done Kiss Me Kate. My friend said she’s 97 years old and she is still very vital and asked me if I wanted to meet her. So, we went over for an afternoon. We brought her cookies, which she loved, and we had tea with Patricia Morison! She lives in this high rise in a beautiful building. But I don’t think I looked out the window once because on this table is a picture from Cole Porter autographed to her – and here’s another letter from Cole Porter over there! She brought out these two photo albums when she was with Alfred Drake in Kiss Me Kate and with so and so and this person or that one. She was still stunningly beautiful and it was just literally like opening up a history book. I’ve always thought it would be such fun to hang with Cole Porter and this way I got the next best thing. It was quite extraordinary. I felt like I was literally with a living piece of history! Because she was there, man! It was great.

BGHF: Totally! One thing I found interesting was that due to a tragic accident, Porter lived much of his adult life in immense pain, but he created so much.

Gregg: He wrote over 1000 songs!

BGHF: Of course, they finally amputated the problem leg, later on in his life. I read that Noel Coward saw Porter’s physical relief and thought he would enter into his greatest period of writing. But he never really wrote again. One theory is that his sense of vanity was so crushed that he was unable to create.

photo (5)Gregg: Who knows what was in his heart? I remember reading when he had that horseback riding accident, the doctors wanted to amputate then – this was a lot earlier in his life – and Linda (his wife) and his friends said absolutely not! It will kill him. It’ll kill his writing. So, they forestalled that and he went through all those years and years of pain and suffering. But, when they actually did, he apparently became literally so depressed – and I think Linda was gone at that point, as well, or no – close, she died after. But, still, I wouldn’t call it vanity. Maybe it was. It certainly seems that the life was taken out of him. Although, I think he kind of rallied, but I don’t think he wrote much at all afterwards – certainly nothing of note after that. The book that I read, a wonderful biography of him, described how people would come over for dinner and he just kind-of retreated into himself, I think. So, who knows? But try to put yourself in that position. Especially for someone who was very vital and — (laughs) who liked having young men to party with! It seems like it was a huge shift in his life that took a lot out of him – including his desire to write.

BGHF: Interesting. So, I know this is probably an impossible question – do you have a song or songs that you like to sing the most by Porter?

Gregg: Wow. There are a number of them. The very first song by Cole Porter that I learned was “Night and Day”. I have a very soft spot for that. Actually, it was a song that I made some breakthroughs as a singer just by tackling the material. So that one is very close to my heart. I, also, love “Just One of Those Things”. I love what he does with it, and so many songs. It’s this combination of wit and beauty and pathos. Also, I’d have to say “In the Still of the Night”. It’s far less jaunty than the others, but is stunningly beautiful – and simple. And deep, in a way, too. Those are three. There’s not one. I always dread it when someone says what’s your favorite —-. Who’s your favorite singer, you know. Well – God! If I were on a desert island who would I want serenading me? Well, okay. I’ll try figuring that one.

BGHF: Maybe you could have Susan Seaforth and Bill Hayes serenading you!

Gregg: (Laughs) Oh, I miss them. I haven’t talked to them in so long.

dayscastJan1982BGHF: Well, that was my none too subtle way of bringing us into your Days of Our Lives era! In an interview last year Barbara Crampton (Chopping Mall, ReAnimator, From Beyond), who has done tons of soaps and horror films including Days, noted that there was a huge crossover audience between the two genres. I think the time you spent on Days is a perfect example why. David Banning was accused of murder every other month it seems like!

Gregg: (laughs) Yeah, really.

BGHF: So many of the plotlines had horror angles, as well. The Salem Strangler, whom your character was accused of being at one point, especially.

Gregg: Oh, my god, that’s right.

BGHF: So what are your memories of that time? Is there anything that stands out?

Gregg: For me, other than a couple little commercial things I had done, that was my very first job. So, I was learning as I went. That was training on the job! I had not planned to be an actor at all. I had planned to be a lawyer. I sort of shifted gears right out of college. And it all happened relatively quickly. So, I was really soaking up things – hitting my mark, where is the light, where is my camera, what are my lines…It was a great experience, but it was really consuming. And the storylines on soap operas – especially at that time – were pretty preposterous. So, you just kind of had to go with it and learn how to justify it in your character’s and in your own heart and soul and brain. It was also a lot of fun because it certainly wasn’t boring, you know, like you mentioned the Salem Strangler. Also, I remember that not that long before I joined the show Bill and Susan were on the cover of Time Magazine. So, they were really soap opera royalty in a time when soap operas were huge! So, to be swept into that family and that world was really kind of heady. It was very exciting for me – and a little overwhelming at times, too. gregg marx

BGHF: You worked with some amazing woman on that show, as well: Patty Weaver (Twisted Sister’s “We’re Not Gonna Take It!”), Philece Sampler (The Incredible Hulk, live and animated) and poor Brenda Benet (The Terror at 37,000 Feet, countless classic television shows like The Girl From U.N.C.L.E. and I Dream Of Jeannie).

Gregg: So, you really know that time. When Brenda committed suicide that really rocked the world of our show. I don’t know if we ever really totally recovered from it. It was pretty intense. And Philece and I remain friends to this day. I see her every once in awhile. We have a really great friendship. I haven’t seen Patty Weaver in a long time. But we were really, really tight. When you think about it, it was a great time. I ended up enjoying my time on As The World Turns more as an actor because I had the experience of Days and I was more mature as an actor. I was able to work on a level that I hadn’t been able to when I was on Days – just by virtue of experience and time. But, both of them were very extraordinary experiences that I don’t take for granted.

BGHF: Just like we don’t take all the joy you’ve given us for granted, either!

Gregg: Why – thanks!

BGHF: Although, I don’t know if Alex Marshall would agree!

Check out a clip from Day’s Salem Strangler escapades (featuring Marx, Benet and Sampler) here:

Marx, meanwhile, will be in Chicago on February 14th and 15th, 2013 doing his amazing cabaret show at Davenports (, 1383 N. Milwaukee. Tickets are $20 with a two drink minimum – with a 2 for 1 being offered on the 14th for Valentine’s Day revelers.

Big Gay Horror is always welcoming handsome accused murderers at!/BigGayHorrorFan, as well.

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!