Perhaps only rivalled, credit-wise, by Yvonne De Carlo, her luscious raven haired cinematic counterpart, the delicious Virginia Mayo spent the moonlight years of her career occupying space in a number of horror projects. Granted, with major roles in projects like Silent Scream, Cellar Dweller, American Gothic and Play Dead (along with her overpowering The Munsters cache), De Carlo was certainly the Queen Bee of the Former Technicolor Starlets set. But Mayo definitely gave her a run for her money.
While the ’60s and ’70s found Mayo decorating such cinematic fare as Castle of Evil (1966) and Haunted (1977) (with 1990 cheapie Evil Spirits providing her employment during the VHS invasion), she is perhaps at her most effective (and eternally beautiful) as the sympathetic Carrie Crane in The Diary (1971), a second season episode of Rod Serling’s early ’70s spook show Night Gallery. As Crane, a faded, scandal plagued actress, Mayo radiates with a bruised and tender strength of purpose here. Digging her shiny yet well-trod heels into her scenes with Patty Duke’s venomous Holly Schaeffer, a gossip journalist who is out to destroy her, Mayo’s years in the Hollywood trenches are given a resourceful workout during the various character beats in this revenge fueled tale.
Indeed, Crane’s gifting of a mysterious journal to Schaeffer soon sends that pesky muckracker into a gothic downward spiral full of death and despair – proving what many diva-worshipping fellas already know, that Mayo will forever be a prominent force in every style of cinema – terror fueled and otherwise.
Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!