One of the most distinctive and skilled of the golden age performers, Barbara Stanwyck excelled in dramas (Stella Dallas, My Reputation), gritty noir classics (Double Indemnity, The File on Thelma Jordan) and comedy (Ball of Fire, Christmas in Connecticut). Several of the films that she embraced with her throaty presence in the ‘40s and ‘50s, including the tautly melodramatic Two Mrs. Carrolls and the chilling Sorry, Wrong Number, also featured significant elements of the horror canon.
Nicely, she fully embraced the genre in such latter day projects as William Castle’s The Night Walker and ‘70s television films like A Touch of Evil and The House That Would Not Die (above).
As with many silver screen damsels with numerous credits, a percentage of her saucy, hardened characters sang. Occasionally, she was dubbed by more skilled vocalists. But with projects such as the fun and frisky Lady of Burlesque, her own whisky tones were allowed to sell the tune.
Nicely, https://www.barbara-stanwyck.com/, a fan created site, plays eternal homage to this one of a kind icon and golden throat nominee.
Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!