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The Creeping

Published November 24, 2018 by biggayhorrorfan

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This fall I discovered, once again, how effectively the things that haunt you can be made into art.  The revelations of the predatory status of multiple priests in such areas as Western New York, Philadelphia and Indiana definitely triggered something deep within me – and with the help of the horror genre and my writing background, I was able to parlay these emotions into a creative project.

Thankfully, this exploration quickly found a home. My short play, The Creeping, debuted this October at the UWWFest at The Goodman Theatre in Chicago.  Thus, I was not only able to explore the ever tangled tendrils of my past, but I got to watch a small cast of actors grow, immeasurably, throughout the process. That the director of the event, Davette Franklin, is a young black woman was also an incredibly encouraging development. As I care, less and less, about the straight white male take on what haunts us, it was a beautiful feeling to be a part of an event curated by a young, strong female who chose pieces that spoke, in some way, to her experience in the world.

In gratitude, I present The Creeping here for anyone who may be interested in reading it.

(Marlene is sitting at the kitchen table, cutting articles out of a stack of newspapers. Christian enters, sleep bleared and hesitant. He stops and watches Marlene. She notices him and points to a plastic thermos on the table.)

Marlene: Orange juice mixed with a generic sports drink will not make one’s stomach erupt. Contrary to popular belief, that little kid from the cereal commercial is still alive and well and selling insurance in Minnesota.

Christian: I know. I slept with him when I was touring with those Tennessee Williams one acts. Remember?

Marlene: Hey, that’s right!

Christian: And that wasn’t meant for you.

Creeping 4.jpg(Christian grabs the thermos from the counter, walks to the sink and empties it.)

Marlene: I hope not. (She contemplates as she cuts and then she laughs out loud.) You always were such a little star fucker. Even as a teen you used to moon over all those daddy types on the soap operas. You’d rush in all sweaty and out of breath just to catch the last 15 minutes of Guiding Light or General Hospital or whatever the hell you were watching at the time.

Christian: Thanks…mom…for the memories. You do know I wasn’t sprinting home from school just to partake in Michael Swan’s abs. I was trying to avoid being slaughtered by Mick Finney and his gang.

(Christian eyes something outside the window. The Creeper slinks into view. The two look at each other and Christian gasps. The Creeper disappears.)

Marlene: What?

Christian: Nothing.

Marlene: Well, why are you looking around so nervously? (She starts to catch his nervous energy.) They’re not still out there…are they?

Christian: No

Marlene: Stop making me so anxious then. Hell, I don’t know why I’m worrying. Finney died in a motorcycle accident years ago…or was it testicular cancer that got him?

Christian: How could you confuse the two?

Marlene: They both have the same outcome.

(Christian moves closer to Marlene, pacing and keeping an eye out for movement outside the window. The Creeper emerges and disappears throughout their conversation, circling closer and closer to them.)

Christian: How many of those are you cutting up?

Marlene: 25…or 50! Hell, there may even be 100 here. We have been vindicated. Lou and 25 other priests were named in this newspaper. I’m just letting certain people know.

Christian: Facebook’s not good enough for you?

Marlene: There’s just something about the fucking stamp fairy that does my heart good, you know? Hey. Instead of just pacing back and forth, you could clean up some of that wax and glass in the spare bedroom. It’s just like you’re in high school again. What the hell were you doing in there, anyhow?

(She goes to put her breakfast plate away in the sink. She and Christian face each other, awkwardly.)

Christian: Why, Marlene?

Marlene: What?

Christian: Why did you have to pursue this? Why couldn’t you just let it stay in the past?

Marlene: The truth deserved to be told, Christian.

Christian: Sure. Names should be named. The villagers need to know about the monsters in their midst.

Marlene: C’mon! The church put those perverts back out into world without letting anyone know. They were living next to schools and dog parks and…

Christian: But sometimes the monsters aren’t just flesh and blood, mother. You know that.

Marlene: Oh, please. Unless you call on them, other monsters aren’t real. You haven’t called on them have you, Chris?Creeping 5.jpg

Christian: You know that I walked in on them – Dad and Father Lou. Before Lou started with… well, you know.

Marlene: Of course I knew. Then there was everyone who doubted you, me…for years.

Christian: I don’t care about them. I cared about you.

Marlene: Oh, I know you did, honey.

Christian: I cared that you wouldn’t listen to me, wouldn’t let this drop. So, I –

Marlene: What?

Christian: Oh, mom. You always say you understand.

Marlene: I do.

Christian: But you couldn’t possibly. The things you brought up again with this quest….the twisted memories. I couldn’t sleep at night. They warped my mind. I wanted to send them back to the dark place, that land of vaporous, slightly out of reach nightmares. I needed to.

Marlene: Chris? What the hell are you telling me?

Christian: All those years of avoiding sidewalk cracks, ignoring neighborhood taunts about your eccentricities…I didn’t want to hurt you…then. But after these past months of your insistent questioning… this invasive preoccupation of yours… You had to know exactly what went on in the rectory, detail by brain curdling detail.

Marlene: It was the only way to get the courts to believe us.

Christian: No.

Marlene: Please! Besides, it had happened so long ago. It shouldn’t have affected you like this. Always flittering off on some artistic journey…it was important for you to man up and stick around, make sure all the new charges would stick.

Christian:  Don’t you see? No matter what good you were trying to do, all I wanted to do was get away from you. Then, after awhile, all I wanted was for it to take you away from me…take away the past, everything you dredged up. I wanted to be free of you, finally free.

Marlene: No.

(The Creeper circles ever closer and closer to Christian. They become more and more aware of each other.)

Christian: So, I called to it again…bled myself…offered up that wine you got from Italy last year…the cheese from that Amish farm in Pennsylvania. I gave it gifts, chanted in chalk circles, for hours, while you canvassed the suburbs and led rallies on street corners.

Marlene: But that’s just a myth. It’s just a myth, a legend. And…what do you mean? Called to it again!?

Christian: Haven’t you wondered why there have been so many sudden disappearances over the years? What about the other members of Finney’s gang? They weren’t scholars. They didn’t scamper off to high paying jobs and distinguished tenures at heady, far off universities.

Marlene: I just thought they caroused themselves to death. Hell, I thought maybe even the sicko that had pestered you had gotten to them, as well. Made ‘em sink ship and drown…and good riddance!

Christian: You can’t blame every tragedy on organized religion. Some things you have to blame on me. You see that don’t you?

(Marlene begins to sense the presence of The Creeper and begins to buy into Christian’s story.)

Marlene: Looking at you, now I do. Yes.

Christian: They hurt me, mom. Even after I thought I escaped. So, I had to make them disappear. It helped.

Marlene: Now, I’ve hurt you, right?

Christian: Yes.

Marlene: Damn you. (She contemplates the situation for a moment.) Fine!

(Marlene begins to gather up the newspapers and paper scraps and begins to throw them away.)

Christian: So, what are you doing?

Marlene: Throwing these out, forgetting this madness. Get your things together. Pack just what you need. We’ll go to the lake house, escape for a few days. We’ll call your aunt. She’s always messing around with those tarot cards, metaphysical yoga techniques…all that crap. We’ll figure out a way. She’ll help us.

Christian: It’s too late. I’ve been feeling it get closer and closer for days.

Marlene: So, we run…far, far away.

Christian: That won’t work. Look. Look at me.  It’s like I’m fading away. It’s invading me…filling my pores. It’d find me anywhere we went.

Marlene: No. I’ll protect us. I’ll really protect you this time. I’ll…I’ll go clean up that room. If I destroy the evidence, wipe away its connection to us, it’ll disappear. It’ll find someone else to haunt.

Christian: No. (Christian grabs Marlene and stops her.)  I thought it’d be drawn to you…to your overwhelming energy…all that grasping, desperate need. But I didn’t realize how much despair lived on in me. Marlene, I discovered the truth about myself…and I’m lost.

Marlene: No, you’re not. Creeping 3

Christian: I am. You’re not. But I am. My soul is a yawning pit of quivering tar and it wants to wallow in all that misery, that dank fear. It’s here for me. Not for you. It tricked me. Can’t you feel it…there at the door!

(The Creeper draws closer and closer to the two of them.)

Marlene: Yes. Yes, I can.

Christian: But, mother…

Marlene: What?

(Christian and The Creeper lock eyes. They move towards each other.)

Christian: I think it’s going to be okay. Maybe…just maybe…in time, it’ll suck everything away…coat my synapses with its sticky webs of neediness…and maybe, just maybe…when I’m tucked somewhere in its yawning grasp, I will finally…finally be able to forget. Wouldn’t that be good?

Marlene: What? What, Chris?

Chris: To let all of this go – to be finally able to forget.

(The Creeper reaches his hands out to Christian, beckoning. Christian nods and moves toward him as Marlene, helplessly, watches. The lights go black.)

The Creeping by Brian Kirst premiered at The UWWFest at The Goodman Theatre, in Chicago, on October 27th, 2018. Director: Davette Franklin. Marlene: Kathryn Berghoff.  Christian: Shane Malecha. The Creeper: Jade Lun.

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Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan.

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Judie Aronson in Desert Kickboxer

Published August 1, 2018 by biggayhorrorfan

 

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She may have succumbed to the icy depravity of Jason in Friday the 13th: The Final Chapter, but the always revivable Judie Aronson was, thankfully,  able to turn the tables on all conquering villainy with her appearance in 1992’s sandy action-fest Desert Kickboxer.

Here as the determined Claudia Valenti, Aronson is able to get the goods on her shady, drug dealing employer and live on until the movie’s romantic, sun streaked fadeout. While filled with the standard good cop-bad cop dynamics of such fare (IE: the chiseled yet damaged hero, the moustache twirling antagonist), Aronson is actually given a full range of emotions to play – feistiness, terror and remorse – and she makes the most of them. Judie 2

While most of her screen time is opposite John Haymes Newton’s troubled yet victorious Hawk, genre fans may be more specifically attuned to her scenes with genre veteran Paul L. Smith. Smith, who did acclaimed work as dark figures in such acclaimed/cult affairs as Midnight Express, Popeye and Pieces, barely has to lift a muscle here to project all the monstrous activities that his Santos is capable of. Aronson reacts to this deviousness with panache. She allows Claudia both a cautiousness and steel resolve that gives the early encounters between these skilled performers a fun sense of cat and mouse.

Thus, while her work on such projects as Friday, Weird Science and After Midnight may command focus, fans of her eclectic resume are sure to find much to enjoy in this less visible project, as well.

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Be sure to keep track of Aronson and her many other projects at https://www.facebook.com/JudieAronsonFanPage/.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

www.facebook.com/biggayhorrorfan

Hell of a Gal: Nightmare Castle

Published January 26, 2018 by biggayhorrorfan

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(Hell of a Gal explores the films of the powerful, ever luscious Euro Vixen Helga Liné.)

Jealous looks good on Helga Liné. Of course, it should be noted, that almost everything looks absolutely fabulous on this devilish wonder. But most fans would probably agree that her dual role in the classic Nightmare Castle shows her off best of all.

As Solange, the devoted companion to the crazed Dr. Stephen Arrowsmith (Paul Muller), Liné makes her first appearance in this black and white gothic adventure as a withered crone. But, when we see her next, this gorgeous creature’s true beauty is shining through. (Hmmm…I just had to work a Melanie Griffith title into the proceedings, didn’t I?) It seems that Arrowsmith’s experiments have given the aged Solange the glow of youth…and a bit of possessiveness, as well. Solange is definitely not happy with the arrival of Jenny, played by the irreplaceable Barbara Steele. Jenny is the exact replica of Arrowsmith’s late wife and although she may hold the key to their fortune, Solange would, from all appearances, like her dispatched as quickly as possible.helga 1

Of course, all does not go according to plan in the world of villainy and the arrival of Jenny’s handsome and kindly doctor (Marino Mase) and a couple of vengeful ghosts soon spell doom for Arrowsmith and Solange.

But despite the corrosiveness of her character, Steele and director Mario Caiano have nothing but praise for Line’s beauty and talent on the special features of Severin’s beautifully restored copy of the film. Indeed, Liné is, nicely, given more range to play here than is normally required of her and while Ms. Steele, rightfully, has claimed the top spot in my many terror lovers’ hearts, Line’s take on Solange here proves that, in a fair world, she would be right up there with her.

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Those interested in the restored version of this film should definitely check it out at https://severin-films.com.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan

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Review: I Said Yes to Everything

Published December 15, 2017 by biggayhorrorfan

lee grant bookDamien: Omen II. Visiting Hours. The Swarm. Airport 77. The Spell. The Cage. Academy award winning actress and acclaimed documentarian Lee Grant has appeared in more genre outings than even her most disciplined fans can often recall. Those interested in detailed accountings of such offerings, though, may be a bit disappointed by Grant’s emotionally complex, extremely well written 2014 memoir I Said Yes to Everything.

She gives only passing reference to many of these projects here – ignoring others outright – and sums up her experience working on them by saying that she eventually discovered that good acting work could be done in properties that often didn’t meet her qualifications of artistic merit.

Still, some glittering factoids do emerge. She, happily, recounts the tale of Michael Caine falling asleep, on camera, while filming The Swarm. Self deprecatingly, she also recalls consenting to do her own water stunts on the set of Airport 77 after witnessing the distinguished Olivia de Havilland, gleefully, taking a bath to make one of that film’s many scenes of destruction seem more realistic. Slasher Visiting Hours is also given a bit of notice as being the project that made the ever age conscious performer determine that her days as a leading lady were over and that it was time to devote her talents to behind the camera opportunities.lee grant damien

Nicely, Grant does major justice to the years she spent trying to regain her life after her complicated first marriage left her blacklisted by the House of Un-American Activities. The trauma of that relationship and her triumphant return to a career are definitely book highlights. Her honesty about her struggles to connect with an adopted daughter is also a revealing and intimate look at how hard parenthood and life, in general, can be.

Of course, all is not hardship and Grant’s tales of her loving, eccentric family and coming of age adventures lighten the atmosphere, giving readers a well rounded portrait of a woman who has successfully forged her own path despite all that life has thrown at her.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Violet Reflections: Tiffany Helm

Published September 23, 2017 by biggayhorrorfan

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Time moves along, as it likes to do, and sometimes you find your personality twisting from petulant victim to mysterious doomsayer. Such is the case with actress Tiffany Helm – or at least with the characters she portrays.

Beloved among terror hounds, worldwide, for playing Violet, the doomed punk in Friday the 13th: A New Beginning, Helm has recently returned to the acting scene with a spooky appearance in Come True, a new horror film directed by Anthony Scott Burns. Here, though, as the above on set photo indicts, she just might be the harbinger of nasty things to come instead of being the recipient of them.

Fans, of course, are thrilled about this return to celluloid roots and Helm has already booked a follow-up role in another horror project, as of this writing.

You can keep up with all of her upcoming projects, of which slasher acolytes hope there are many of, at https://www.facebook.com/tiffanyhelmfanpage/.

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…and until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

www.facebook.com/biggayhorrorfan