Whether she was fully intriguing the demented Richard Burton in the silly Euro horror Bluebeard or hunting down a homicidal twin as a prize-winning writer in the USA Network’s scientifically gonzo Tainted Blood, the glorious Raquel Welch has always proven herself to be something of a primetime thriller.
Known for warbling a tune or two on Broadway (Woman of the Year) and television specials (including her own self-titled one), Welch also made a grab for pop stardom in 1987 with the gloriously fun single This Girl is Back in Town.
Seemingly only appreciated in the sticky back rooms of gay bars, this track ultimately didn’t do well enough to produce a full album. Thankfully, though, it’s glorious Paul Jabara assisted rhythms live on online and in dusty used record bins everywhere!
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As Mrs. Russo, the anguished mother of the film’s first victim, 
Granted, the world probably didn’t need another sleazy film about underage prostitutes being done in by sweaty superiors, but the sight of the exquisite 
What is, perhaps, most notable about this entry, though, is director Tonino Valerii’s hard boiled take. He provides a slightly more realistic edge to the film’s outrageous acts of violence and twisted turns of plot, setting 
Another ludicrously fun slab of cheap Euro horror, 
Full of obviously fake, but very bloody attacks (including several shots of beating hearts being ripped from chests) courtesy of Loreley’s alter-ego, a scaly green monster, this cheesy time capsule is enjoyable not only due to Line’s compelling attitude but because of its innate ludicrousness. While Kendall’s swarthy handsomeness is a plus, the character of Sirgurd has to be one of the densest Euro horror heroes ever. After being filled in by a local musician and a determined scientist about Loreley’s deadly origins, he still can’t figure out that she is the mysterious woman that he has encountered – even after she practically confesses to him during their initial seduction scene. Tortosa’s Elke is almost equally insipid. Despite the evidence of several brutal outdoor attacks, she is constantly sneaking out at night to confront Sigrud – often ending up being targeted by her slimy nemesis.
Missing out on the action for a good half of the film, Line also definitely makes up for lost time by showing off her glorious body (in often very chilly looking scenarios) with grand efficiency. In fact, her presence and professionalism here assure that she far outshines all of her feminine competition in the film – of which there is a great deal of – and makes one wish that she had been restituted for 
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