
Frankie Goes to Hollywood, fronted by the irrevocable Holly Johnson, was perhaps the first New Wave-style band with a decidedly homosexual attitude to make it to the big time. In the early to mid-80s, you couldn’t escape their sexually charged hit Relax. It was even memorably used in Brian DePalma’s kinky, Vertigo-like Body Double.
While their second album, Liverpool, couldn’t compete, commercially, with Welcome to the Pleasuredome, their debut, it still produced a number of singles and beloved songs. The first track off of that LP, Warriors of the Wasteland, was even used in the latter-day giallo Too Beautiful to Die in a fashion shoot sequence worthy of The Eyes of Laura Mars.
While that initial two-fer marked the extent of that pertinent band’s output, Johnson has continued to record on his own. More importantly, having lived with HIV for decades, he is a true symbol of the power and beauty of the queer community.
A legendary fighter and a LGBTQIA icon, you can keep up with his upcoming activities at http://www.hollyjohnson.com.






What is, perhaps, most notable about this entry, though, is director Tonino Valerii’s hard boiled take. He provides a slightly more realistic edge to the film’s outrageous acts of violence and twisted turns of plot, setting 
Full of obviously fake, but very bloody attacks (including several shots of beating hearts being ripped from chests) courtesy of Loreley’s alter-ego, a scaly green monster, this cheesy time capsule is enjoyable not only due to Line’s compelling attitude but because of its innate ludicrousness. While Kendall’s swarthy handsomeness is a plus, the character of Sirgurd has to be one of the densest Euro horror heroes ever. After being filled in by a local musician and a determined scientist about Loreley’s deadly origins, he still can’t figure out that she is the mysterious woman that he has encountered – even after she practically confesses to him during their initial seduction scene. Tortosa’s Elke is almost equally insipid. Despite the evidence of several brutal outdoor attacks, she is constantly sneaking out at night to confront Sigrud – often ending up being targeted by her slimy nemesis.


