Sexual Abuse

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Lou…and the Night…and the Music

Published February 15, 2023 by biggayhorrorfan

My first horror movie buddy was a priest named Lou Hendricks. Several years ago, Hendricks was named by the Western New York Catholic diocese as one of their most unrepentant predators in the ’70s and ’80s. Thus, I grew up watching monster movies with a monster – a man who was like an uncle to our family. Over the next few months, I will be sharing some of my stories from that period of time.


My father is away for the weekend and my mother and I are fighting again.

 This should come as no surprise, though. 

A tar dark country night swirls above us, an inky stain that seems to revel in feats of unprecedented madness. This atmospheric wonderland is made for home invasions, furious insults from the maternal line, domestic batteries. On a weekend much like this, many years ago, a distant neighbor ripped the growing baby out of his wife’s straining belly. The mother & child both survived, living on while the town whispered their sordid story behind cupped fingers for the many months that followed. The galaxies must have swirled, chaotically, that evening, peeling the stars, usually so fragrant above our fields, down to tiny pricks of light. Tonight, as it must have been then, I can only count one or two soft glowing spots far above us. Both dim orbs are culling the fervor from within our familial souls. Perhaps, though, this is only a magical exaggeration, and our violent arguing is, as my mother claims, truly the fault of my moony negligence. 

Admittedly, I live in my head…always making up stories, imagining the plot lines of the movies and plays that I will star in once I have escaped into my real life. 18 and a city nurtured existence can’t come soon enough for me. Until those deliriously blessed days arrive, I restlessly spend my weekend hours, wandering from room to room, moodily deciding where I might fit in, character wise, in my favorite soap operas. I even devise passionate and committed off screen love affairs between myself and the handsomest cast members. My head whirls, constantly, with these romantic notions…and this dreamy path only has room for one – any other participants would surely destroy the allure. A stranger, even a family member…let’s be honest, probably most especially a family member, would singly obliterate these illusions, would point out, emphatically, that this is all fantasy…all in my head. So, I fervently channel these possibilities alone…and my mother broods, cut off from my deepest thoughts, picking, critically, around my flight activated edges. Out of hurt, she points out my many faults, weighs out my unmanly preoccupations, arms outstretched as if they were the scales of justice, sentencing me to inferiority like some dirt stained, school yard bully.  

Frankly, I am not immune to jealous notions myself. When she isn’t preoccupied with anchoring down my un-abided affection, my mother murmurs consistently about the wayside kids at the home that she works at, the fever of social work warming her daily blood. Dinners are often focused around the trials & tribulations of these youths, many sent to this country facility, far away from their unfortunate families, with that hopes that our quaint, natural surroundings will protect them from the drug and gang addled lives that they have been subjected to. It seems to me that she is as obsessed with these crime stained wards as she is with me – sometimes even more so – and while I bristle at her clutching attentions, I defiantly do not want them focused elsewhere. It hurts that she so passionately worries about their grades and their meds and the faltering attentions of their own parents. More than that, their histories scare me…much more than the horror films that my family now, due to Lou’s quietly supportive intervention, have reluctantly conceded to be a major part of my life. 

Recently, my mother brought me a letter she received from Dolly, a former student. Dolly and another girl from the village sized reformatory that my mother spends her working hours at visited us once. Slaquered with make-up,  naturally curly hair teased high, her already womanly buttocks stretched tightly into stone washed jeans, Dolly commandeered my stereo that day – sorting through my records like a sassy Ronnie Spector-wired DJ. She and her friend danced throughout our living room, side stepping our curiously nonplussed dogs, discussing (as their arms swung rhythmically, hips clocking to the beat) which boys at the home were the best dancers. Their brash confidence scared me – I don’t think I could ever be that fluidly sure of myself. I was also annoyed at their dissection and momentarily yet propriety claim over my possessions, their dismissal of the artists that they deemed unworthy for some personally identified prime, grooving flow. Those were my albums – I had purchased that stereo with the last of the money saved from a paper route & it was my prized possession. I was able to dance just fine to Liza Minnelli AND John Cougar Mellencamp – no matter what they said. Of course, then I didn’t understand about the quivering insecurity that could flow like swirling streams beneath overt bravado. Soon after her visit, Dolly was reunited with her mother. She was thrilled to be returning to the home that she had been taken away from due to neglect and a supreme lack of supervision. That trend continued unabated upon her reintroduction to that environment— her mother’s boyfriend soon turned his attentions from her mother to Dolly, herself. She became, unsurprisingly, as the world seems to turn on the axis of a gothic beast’s shoulders, pregnant by him. Mere months after the child’s birth, he unleashed his unbounded fury upon her and murdered her in her crib because she wouldn’t stop crying one night. In the letter’s girlishly scrawled missive, Dolly wailed “He killed my baby, ma!!” – a chilling blue inked cry that haunted me beyond measure.

Now, though, the light from one of those solitary stars suddenly beats through the windows of our kitchen. It entrances my mother and, in the middle of her ongoing list of my ingratitudes, she calms, almost bewitched by the power of its flashy sentiment. She stands there, moments passing, watching so quietly that I am worried that she is having one of the mild seizures that overtake her on occasion. Finally, she stirs, utters a deep sigh and, as if forgetting our quarrel entirely, asks, “Would you like lasagna for dinner tonight?” She knows this is my favorite, the meal that she makes with ingenuity and zest. 

“Sure,” I, cautiously, utter.

Transformed, she beams. 

“How many fingers?” she suddenly asks. In our happier times, this is one of her favorite games, a silly testament to my devotion. Normally, I would hold up both hands, proudly, and wiggle my bony digits throughout the air, a physical representation of the 10 fingers that I supposedly have her wrapped around. But I feel too old for this game right now. I can’t let my anger go as completely as she has. I turn away from her and notice part of the letter from Dolly is still scattered across the tiled island in the center of the room – even though it was shown to me weeks ago. Our passions as a family seem to overflow into our sense of order, as well. Things are often cluttered, unattended here – books are battered, left coverless. My parents old Rolling Stones & Brenda Lee albums, all originals, are left out of their sleeves. Correspondence that I should have never been allowed to see is left about, important pages torn & missing.

So, instead of the expected boyish gesture,  I swivel towards her, flipping up the middle fingers on both hands, a defiant double bird. My mother reacts like a bride whose flowing trail has been stamped on, choking her, stopping her short.

She gasps, “I’m calling Lou. He’ll talk some sense into you.”

There is a part of me that wants to object. I have plays to write…my Lisa Hartman album awaits me in my bedroom – Nothing makes me happier than pretending I am her male counterpart – I dance around my private spaces, singing along with Letterock, pretending I am a rock star adored by millions with secret celebrity boyfriends lining the walls of my dressing room. But I know my mother will not be appeased until her orders have been met – until someone in the world, in this case Lou, bears witness to what a rotten child that I am. 

One summer, several years ago, my parents spent a long weekend away. As the oldest, I was sent to stay with my mom’s rigid, often emotionless parents. This was a much less desirable destination than the home of my affectionate, loving paternal grandparents (where my brother and sister were ensconced). Adding further grit to the fuzzy, life-sized lollipop that had been wedged into my mouth, I was instructed to tell my grandparents that I had to go to confession on Saturday, penance for talking back to my mother one too many times. My mother left it up to me to tell them – a nerve jangling experience as I was fully convinced that I would receive further punishment from my disapproving kin. Thankfully, my grandfather just laughed and dropped me off at the church that afternoon while he ran errands. 

Lou, the activated civil servant, reacts in mainly the same way after he quickly arrives. He makes pleasantries with my mother and then asks, “Do you want to go for a ride, Brian?” He winks at me, secretly. “We can talk about treating your mother with more kindness in private.”

 My mother looks at me with an insulting superiority in her eyes, as if I have been suitably chastised. My teenaged attitude executioner has arrived. 

“Sure”, I say.  I am cautious about being alone with him after that flirtatious gesture, but anything seems preferable to the blazing self righteous fury contained now in my mother’s eyes. 

In the vehicle, we roll on in silence for a moment. Lou quietly shifts onto Hoxie Hill Road. Even though I cannot see it through the gloom, I know farmland ripples all around us – pastures, hills, acres of woods that bloom with crisp, orchestral colors in the fall. Everything is round, lush, breathing widely before us, the seeming antithesis of the tightly wound, graffiti graced cities that I desperately long for. Always aware of cultural significance, I note that we are traveling on a byway named after the family of a former schoolmate of mine. Having a curving farm woods lane named after you in this area seems the equivalent of being born into royalty and I wonder what it must be like to feel like you are part of a dynasty – even if it is a backwoods one, unpasteurized milk staining the lips of every descendant – the family cows moaning in fields, a very vocal ancestral crest. I respect every kind of celebrityhood it seems…even the ones that I deem less than desirable. 

“My mother was loved by everyone, too,” Lou finally ventures. “And she loved everyone back. She truly cared about people – which can be hard. As the child, you want to come first. You don’t want to share.” 

I sigh. There is so much more to it. So many complicated strains of emotions bleed through my familial interactions, often on a daily basis. Everything about this life seems way too complicated to decipher in a simple evening’s jaunt. 

Slowly, I gather my thoughts. “I understand,” I begin, “that I have more than anyone at the Home does. & I love mom’s passion for helping them…”

“But…”

“It hurts.”

Lou nods. He rubs my leg with compassion, lingering there for a moment…and then stops, returning his hand to the steering wheel of the car. I tense, ready for some twist – he always finds a way to turn simple affection into something erotic. But moments pass and I realize, for once, he has read this situation compassionately and won’t try to negate it with humor or a winking offer of sexual relief.

And on this kind of night, a night where bloodshed and horror and death would not feel out of place, on this night where a parent’s love feels outlined with a dangerously poisonous intent, I take this respite as a true blessing and, for the first time in many hours, my breathing slows to a normal pace and I feel some kind of hope, no matter how distant, surround me at last.

Buddy Cole’s Gift

Published August 22, 2021 by biggayhorrorfan

Talking with a reporter for The Buffalo News last summer, I found myself navigating through some of the murkier dynamics of sexual abuse. I was 16 the first time an official from the Catholic Church touched me (This, of course, was after years of verbal grooming). That was the age when my hormones, like those of many other young men, were starting to blaze into perpetual existence. I remember watching, sometimes in sad disbelief. as the boys and the girls in my high school found their way to each other, often times in the most unlikely couplings. This left me eagerly vulnerable to any homosexual advances – even the passionately unwanted ones. Therefore, it felt like I was lifting a murkily illuminated rock off of one of my darkest secrets when I revealed during that conversation that, on occasion, I relented without protest and sometimes with the barest whiff of desire when one of those often corpulent officers of Christ beckoned to me, lustily. To my surprise, the journalist, who had been covering this type of subject matter for decades. seemed unfazed by this admission. “Even the youngest and straightest of male victims have often admitted to feeling pleasure of some sort during these encounters,” he admitted. “It’s one of the many realities that makes the whole issue so insidious.”

As influenced as we are by cultural suggestion, it seems that the dearth of this kind of complex representation in film might also contribute to our silence on such an emotionally complicated issue, as well. In fact, the only film that I have ever seen approach this psychological tragedy is 2000’s back woods gothic genre-piece The Gift. Written by Billy Bob Thornton & Tom Epperson, one of the plot points of Sam Raimi’s acclaimed film deals with the relationship of a small town psychic (Cate Blanchett’s sensitively rendered Annie Wilson) and one of her supremely damaged clients, a young garage mechanic (Giovanni Ribisi’s Buddy Cole).

Obsessed with his father and mentally unraveling, it is pretty obvious from the outset that Cole, as emphatically and almost beyond realistically played by Ribisi, has been sexually abused by his paterfamilias. But taking the circumstances to an interesting extreme, Thornton and Epperson reveal just how deviant the effects of this violation can be. Desperate and at the end of a rapidly eroding grip on his violent tendencies, Buddy finally confesses to Annie, “I’ve been thinking about my daddy and I’ve been touching myself. Why do I do that?” Naturally with the set-up of Cole’s fist pounding, explosive personality, when the truth ultimately reveals itself to him, it is met with a fiery, understandably criminal retribution.

Despite this distinctly celluloid resolution, as most real life victims actually take to therapy or the courtroom to deal with their damaged upbringings, the creatives here still need to be applauded. By digging deep into a seemingly never before acknowledged aspect of abuse – the recipient’s own conflicted carnality – they offer a representation that is meaningful to the many, including myself, who deal with the repercussions of such abuses on a daily basis.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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The Creeping

Published November 24, 2018 by biggayhorrorfan

Creeping 2.jpg

This fall I discovered, once again, how effectively the things that haunt you can be made into art.  The revelations of the predatory status of multiple priests in such areas as Western New York, Philadelphia and Indiana definitely triggered something deep within me – and with the help of the horror genre and my writing background, I was able to parlay these emotions into a creative project.

Thankfully, this exploration quickly found a home. My short play, The Creeping, debuted this October at the UWWFest at The Goodman Theatre in Chicago.  Thus, I was not only able to explore the ever tangled tendrils of my past, but I got to watch a small cast of actors grow, immeasurably, throughout the process. That the director of the event, Davette Franklin, is a young black woman was also an incredibly encouraging development. As I care, less and less, about the straight white male take on what haunts us, it was a beautiful feeling to be a part of an event curated by a young, strong female who chose pieces that spoke, in some way, to her experience in the world.

In gratitude, I present The Creeping here for anyone who may be interested in reading it.

(Marlene is sitting at the kitchen table, cutting articles out of a stack of newspapers. Christian enters, sleep bleared and hesitant. He stops and watches Marlene. She notices him and points to a plastic thermos on the table.)

Marlene: Orange juice mixed with a generic sports drink will not make one’s stomach erupt. Contrary to popular belief, that little kid from the cereal commercial is still alive and well and selling insurance in Minnesota.

Christian: I know. I slept with him when I was touring with those Tennessee Williams one acts. Remember?

Marlene: Hey, that’s right!

Christian: And that wasn’t meant for you.

Creeping 4.jpg(Christian grabs the thermos from the counter, walks to the sink and empties it.)

Marlene: I hope not. (She contemplates as she cuts and then she laughs out loud.) You always were such a little star fucker. Even as a teen you used to moon over all those daddy types on the soap operas. You’d rush in all sweaty and out of breath just to catch the last 15 minutes of Guiding Light or General Hospital or whatever the hell you were watching at the time.

Christian: Thanks…mom…for the memories. You do know I wasn’t sprinting home from school just to partake in Michael Swan’s abs. I was trying to avoid being slaughtered by Mick Finney and his gang.

(Christian eyes something outside the window. The Creeper slinks into view. The two look at each other and Christian gasps. The Creeper disappears.)

Marlene: What?

Christian: Nothing.

Marlene: Well, why are you looking around so nervously? (She starts to catch his nervous energy.) They’re not still out there…are they?

Christian: No

Marlene: Stop making me so anxious then. Hell, I don’t know why I’m worrying. Finney died in a motorcycle accident years ago…or was it testicular cancer that got him?

Christian: How could you confuse the two?

Marlene: They both have the same outcome.

(Christian moves closer to Marlene, pacing and keeping an eye out for movement outside the window. The Creeper emerges and disappears throughout their conversation, circling closer and closer to them.)

Christian: How many of those are you cutting up?

Marlene: 25…or 50! Hell, there may even be 100 here. We have been vindicated. Lou and 25 other priests were named in this newspaper. I’m just letting certain people know.

Christian: Facebook’s not good enough for you?

Marlene: There’s just something about the fucking stamp fairy that does my heart good, you know? Hey. Instead of just pacing back and forth, you could clean up some of that wax and glass in the spare bedroom. It’s just like you’re in high school again. What the hell were you doing in there, anyhow?

(She goes to put her breakfast plate away in the sink. She and Christian face each other, awkwardly.)

Christian: Why, Marlene?

Marlene: What?

Christian: Why did you have to pursue this? Why couldn’t you just let it stay in the past?

Marlene: The truth deserved to be told, Christian.

Christian: Sure. Names should be named. The villagers need to know about the monsters in their midst.

Marlene: C’mon! The church put those perverts back out into world without letting anyone know. They were living next to schools and dog parks and…

Christian: But sometimes the monsters aren’t just flesh and blood, mother. You know that.

Marlene: Oh, please. Unless you call on them, other monsters aren’t real. You haven’t called on them have you, Chris?Creeping 5.jpg

Christian: You know that I walked in on them – Dad and Father Lou. Before Lou started with… well, you know.

Marlene: Of course I knew. Then there was everyone who doubted you, me…for years.

Christian: I don’t care about them. I cared about you.

Marlene: Oh, I know you did, honey.

Christian: I cared that you wouldn’t listen to me, wouldn’t let this drop. So, I –

Marlene: What?

Christian: Oh, mom. You always say you understand.

Marlene: I do.

Christian: But you couldn’t possibly. The things you brought up again with this quest….the twisted memories. I couldn’t sleep at night. They warped my mind. I wanted to send them back to the dark place, that land of vaporous, slightly out of reach nightmares. I needed to.

Marlene: Chris? What the hell are you telling me?

Christian: All those years of avoiding sidewalk cracks, ignoring neighborhood taunts about your eccentricities…I didn’t want to hurt you…then. But after these past months of your insistent questioning… this invasive preoccupation of yours… You had to know exactly what went on in the rectory, detail by brain curdling detail.

Marlene: It was the only way to get the courts to believe us.

Christian: No.

Marlene: Please! Besides, it had happened so long ago. It shouldn’t have affected you like this. Always flittering off on some artistic journey…it was important for you to man up and stick around, make sure all the new charges would stick.

Christian:  Don’t you see? No matter what good you were trying to do, all I wanted to do was get away from you. Then, after awhile, all I wanted was for it to take you away from me…take away the past, everything you dredged up. I wanted to be free of you, finally free.

Marlene: No.

(The Creeper circles ever closer and closer to Christian. They become more and more aware of each other.)

Christian: So, I called to it again…bled myself…offered up that wine you got from Italy last year…the cheese from that Amish farm in Pennsylvania. I gave it gifts, chanted in chalk circles, for hours, while you canvassed the suburbs and led rallies on street corners.

Marlene: But that’s just a myth. It’s just a myth, a legend. And…what do you mean? Called to it again!?

Christian: Haven’t you wondered why there have been so many sudden disappearances over the years? What about the other members of Finney’s gang? They weren’t scholars. They didn’t scamper off to high paying jobs and distinguished tenures at heady, far off universities.

Marlene: I just thought they caroused themselves to death. Hell, I thought maybe even the sicko that had pestered you had gotten to them, as well. Made ‘em sink ship and drown…and good riddance!

Christian: You can’t blame every tragedy on organized religion. Some things you have to blame on me. You see that don’t you?

(Marlene begins to sense the presence of The Creeper and begins to buy into Christian’s story.)

Marlene: Looking at you, now I do. Yes.

Christian: They hurt me, mom. Even after I thought I escaped. So, I had to make them disappear. It helped.

Marlene: Now, I’ve hurt you, right?

Christian: Yes.

Marlene: Damn you. (She contemplates the situation for a moment.) Fine!

(Marlene begins to gather up the newspapers and paper scraps and begins to throw them away.)

Christian: So, what are you doing?

Marlene: Throwing these out, forgetting this madness. Get your things together. Pack just what you need. We’ll go to the lake house, escape for a few days. We’ll call your aunt. She’s always messing around with those tarot cards, metaphysical yoga techniques…all that crap. We’ll figure out a way. She’ll help us.

Christian: It’s too late. I’ve been feeling it get closer and closer for days.

Marlene: So, we run…far, far away.

Christian: That won’t work. Look. Look at me.  It’s like I’m fading away. It’s invading me…filling my pores. It’d find me anywhere we went.

Marlene: No. I’ll protect us. I’ll really protect you this time. I’ll…I’ll go clean up that room. If I destroy the evidence, wipe away its connection to us, it’ll disappear. It’ll find someone else to haunt.

Christian: No. (Christian grabs Marlene and stops her.)  I thought it’d be drawn to you…to your overwhelming energy…all that grasping, desperate need. But I didn’t realize how much despair lived on in me. Marlene, I discovered the truth about myself…and I’m lost.

Marlene: No, you’re not. Creeping 3

Christian: I am. You’re not. But I am. My soul is a yawning pit of quivering tar and it wants to wallow in all that misery, that dank fear. It’s here for me. Not for you. It tricked me. Can’t you feel it…there at the door!

(The Creeper draws closer and closer to the two of them.)

Marlene: Yes. Yes, I can.

Christian: But, mother…

Marlene: What?

(Christian and The Creeper lock eyes. They move towards each other.)

Christian: I think it’s going to be okay. Maybe…just maybe…in time, it’ll suck everything away…coat my synapses with its sticky webs of neediness…and maybe, just maybe…when I’m tucked somewhere in its yawning grasp, I will finally…finally be able to forget. Wouldn’t that be good?

Marlene: What? What, Chris?

Chris: To let all of this go – to be finally able to forget.

(The Creeper reaches his hands out to Christian, beckoning. Christian nods and moves toward him as Marlene, helplessly, watches. The lights go black.)

The Creeping by Brian Kirst premiered at The UWWFest at The Goodman Theatre, in Chicago, on October 27th, 2018. Director: Davette Franklin. Marlene: Kathryn Berghoff.  Christian: Shane Malecha. The Creeper: Jade Lun.

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Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan.

www.facebook.com/biggayhorrorfan

Viewing with Father Lou

Published August 20, 2016 by biggayhorrorfan

Priest

“Be faithful to me tonight,” he cooed, prettily, wrapping himself around my leg as I tried to retain my concentration on Traci Lords and her notoriously notable, legitimate acting debut in the remake of Not of This Earth.

It was the spring of 1988. I was home, on a quick break from college, and the “he” in question was my first horror movie buddy. He had a tendency to annoy me with such requests, over the years, as we watched such outrageous fare as Bloodsucking Freaks, Creepers and Friday the 13th, Part 4 together. I knew him as Father Lou and I think, despite our family’s closeness to him, that is what I always referred to him by. I can’t ever remember just calling him “Lou”. Due to my dad’s insistence, he gained a position as “favorite family uncle” during the latter part of my freshman year of high school. My father, a determined social achiever who was running a huge school district by the end of his career, was hot to make his way into the upper reaches of our local parish and a friendship with the new priest was a sure way to do it.

Father Lou endeared himself to us all, though, with his outrageous wit and sense of fun and cookie jars full of peanut M and M’s and red licorice. Most importantly, he embraced my love of all things terror related, something my parents thought made me a bit mentally unbalanced, and we were soon trading paperback novels with each other and, excitedly, rhapsodizing over our favorite films. While he made inappropriate comments, here or there, in my early teen years, it was once I hit 16 and he began to suspect that my friendships with other men in summer stock companies and various theater programs might be sexual in nature, that his efforts to seduce me tripled.

Once, I gave in.

Questionable teen hormones and pure frustration allowed me to grant him a quick rendezvous in which his smooth rotund stomach and firm yet stubby penis were the primary participants. Thankfully, he weakly ejaculated before I had to touch him much and then quickly pulled up his impossibly large tighty whities and ran upstairs to clean up before my parents arrived to indulge in church gossip with him. 

Honestly, I’ve never quite known where to place him on my personal sexual registry. Inappropriateness aside, I was already 17 and in my final year of high school by the time, worn down from repeated advances, I allowed him a first, furtive dalliance. In many ways, I suppose my experience with him is akin to the relations that I had with various men that I slept with, out of last call desperation, in my younger days in the city.  He’s just another example of bad, instantly regrettable sex – a bizarre and off color story of my youth. He haunts me only in these dusty nostalgic ramblings or in those midnight hours as I bike the city streets, worn out from a work shift at the rib joint, and recollections, distant at first and then furtively prying, such as this overtake me. Otherwise, therapy and distance have reduced his foothold in my life, long ago.CREEPERS

More than anything, as a fully fledged cine-maniac, what I am most thankful for, I realize as I devise this, is that these woeful encounters did not color my love for the films we viewed. Many of  them were indicative of the more sordid excesses of the genre – making the fact that my first viewing of them was with him all the more interesting, I suppose – and I still revel in that juicy freedom. Talk to an ardent fan of any type of media and oftentimes who they were with and the positivity that surrounded said creation are highly indicative of their devotion to it. Here, I am glad that sometimes celluloid itself is enough. That art, in whatever form it may arrive in, does indeed prevail.

I still adore Creepers (and Phenomena, its more legitimate rendering). It was my introduction to Italian horror cinema just as Bloodsucking Freaks was my first, very uncomfortable witnessing of an extreme form of grindhouse cinema. Both were bold and unconventional, aspects that I have wished for in my own life. These characteristics have, naturally, informed me more than anything else and I am fortified in the knowledge that they peek through at the most appropriate moments. Most especially, I hope, when recounting moments like this.

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

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