Small town life

All posts tagged Small town life

First Time I Ever Saw Your (True) Face

Published June 1, 2023 by biggayhorrorfan

From the moment that Father Lou asked me, at one of our post-Sunday mass family get-togethers, to do some odd jobs around the parish, I knew exactly how I was going to spend the money I would earn. For weeks I’d been excitedly eyeing an 8-track player at the family run True Value hardware store near the expressway…and now, Dana Kimmell willing, it would be mine. Dana Kimmell, for all those who are unusually uninspired, is the heroine of Friday the 13th Part 3. I look to her as a savior of some sorts. If Chris, her resilient yet emotionally awkward heroine, could survive the strain of judgmental friendships & the onslaught of an unstoppable killer, then I can endure the realities of existing in such an unglamorous, excitement-less town as East Randolph, NY.

To Illustrate – our town has no stoplights or movie theaters. There is no work out facility or any name brand department store, as well. But in seeming deference to the farmers and factory workers that comprised the bulk of its population, there are two hardware stores. McNally’s Hardware in the heart of town had been the local favorite for decades – its friendly, rumpled owner was always present there in a pair of faded gray bib overalls. He would wander among the never changing, dusky open-ended bins of nuts and bolts and practical tools, beaming whenever his assistance was requested. Famously always costumed in his downbeat attire of choice, he would pay cash for everything – keeping a wad of green tucked inside the front pocket of his never altering outfit. My dad loves to tell the story of how a shiny brute of a salesperson almost turned McNally away from purchasing a new vehicle – until he noticed the indentation of cash and realized the unaccomplished gent in front of him was actually going to pay in full…and not with a check. The shinier True Value was a newer addition to our manure strewn burg – appealing to younger families and the truckers who veered off the highway for food and supplies. And while McNally would have never dreamed of carrying frivolous accessories, rows of comic and colorful lawn ornaments greeted you when entered the bright confines of this rivaled counterpart. And there, on a table towards the front, sat the greatly reduced item of my fascination. No surprise there. It is 1983 and the era of the cassette Walkman. Bins of sale priced 8-track tapes reside in hidden corners of any department store that you wander into. While most of my contemporaries would have properly scoffed at this totally uncool, completely uninvestigated bounty, to me it seemed like a cornucopia of undiscovered music that I could commander on the cheap – if only I had the necessary equipment. I longed to dive into the riches of the titles that I had already purchased for seeming pennies – Cher and Greg Allman’s Two the Hard Way, the critically reviled recorded culmination of this famous duo’s short and combustible cohabitation, Joan Armatrading’s Show Some Emotion and the film soundtrack recordings to Grease and Sgt Pepper’s Lonely Hearts Club Band – a perfect stew of funky, pre-teen sonic bedevilment. And now the time was at hand.

Finally the assigned day arrived. We don’t have many muggy days in our miniature municipality. Surrounded by shaded hills and rolling meadows, we are in the heart of ski country-and a good hour or two away from the moist atmospheres brought on by Lake Erie. But as I set out to clean out Lou’s garage and straighten out the parish lawn, it is bursting with warm heat. I walk down Main Street, the primary boulevard, past the Children’s Home, the town’s modest gas station, the high school and McNally’s Hardware. The winding strip also contains the rectory and St. Patrick’s Church, buildings that reside shoulder to shoulder, at one of its’ furthest tips. I arrive sweaty and Lou forces water on me. Like any 14-year-old, I would much prefer a glass of soda, even something of the generic variety, but that seems out of the question at this venture, especially considering his visibly parental concern over my well-being. So, I settle for the H20 and try to ingratiate myself to its restorative effects. When he is finally convinced that he has helped me avoid the degenerative effects of heat stroke, Lou gives me a cursory description of what he would like done. He then excuses himself for a nap, telling me to come wake him when I am through. He will drive me home. He decisively informs me, mama lion style, that am not walking back in this heat!

Labor-wise, it seems like I am through with the bulk of the chores before a half hour has even passed. Worrying that Lou will think I have rushed through things or that I perhaps have skipped over some important detail of the proceedings, I linger, moistly, over some minor activities – washing the windows of the garage, collecting the garbage strewn about the parking lot – I want it to appear that I have thoroughly committed myself to the tasks at hand.

Finally, it feels as if I can dawdle no longer and I enter the rectory through the kitchen door, make my way through the dimly lit living room and up the stairs to the bedroom. As I advance up the steps, it dawns on me how unusual this scenario is and a slow bead of fright starts to drip slowly into my consciousness. I am entering the bedroom of a man who has swiftly become like an uncle to me, a revered agent of god. In our simple familial theology there is not much difference between our local clergy and the president of the united states and something feels off about this. Perhaps, this is merely reality bursting forth, the oddness of his chosen vocation finally seeping through the walls of my budding sub consciousness. That spring I was shepherded together with a bunch of other teens to listen to a group of nuns talk about their lives, in the ever-springing hope that some of us would examine ourselves and perhaps, one day, join them in their calling. This career day for the sacramental arts seemed to misfire for all of us attending, though. We itched uncomfortably in our seats, mentally begging to be released from the unrelentingly suggested assault of such a life denying profession. For days afterward, I feared that, as they suggested, some spirit of devotion would overcome me and I would be compelled to join them on their religious journeys. Therefore, thoroughly embracing the muse of counter-activeness, I fearfully found myself masturbating every spare second that I could, sure that such willfully enforced horniness would turn sour any benevolent urges to pursue priesthood that suddenly might consume me. The fear of such entrapment still lingered with me that day – along with a tiny distrust, a worry for the strange path that could lead anyone, including our family’s beloved Father Lou, toward such a strict and solitary vocation. How sexless they must be.

Still, I enter his bedroom, rosy hued with the dimming afternoon sun. He lays crumpled on his right side, breathing heavily. Sheets and blankets are swirled around his heavy form, moving up and down to the sluggish atomic force of his jagged breathing.

“Father Lou,” I called out, hesitantly.

He stirs…wakes. Slowly rising and facing me, like a vine less Dick Durock emerging from the Swamp Thing‘s cinematic quagmire, he remains laying on his side – his torso arched towards me while his legs are still curled into the depths of his queen size mattress. He breaths deeply for a moment and takes me in, frozen in the doorway, unable to step further into what now feels like dangerous territory. He laughs lightly as he genre-hops, stylistically. Pouting his lips out now, like a heavily made-up nightclub chanteuse, he stretches out his lower leg, a rotund Marlene Dietrich lounging his body across some imaginary piano top. “Have you come to ravage me in my bed?” he sings out, girlishly.

The room shifts and I feel my body leave itself. It’s as if god himself has smacked me in the face. If anything, I was expecting him to brusquely rush me from his quarters…even thought I may have misunderstood his instructions and that he would scold me for invading his privacy…but not this. Seeing my shock, he rolls onto his back and wraps the blankets that have fallen away tightly around him. He laughs dismissively and tells me to meet him down in the kitchen. I should grab some licorice from the jar and a can of root beer from the fridge. Minutes later, he emerges into the bright light of the pantry – a check for me in one hand and his keys dangling from the fingers of the other.

He chatters, brightly, as he drives. I know that I will walk back this way later this afternoon. I will not be able to stop myself from collecting my bounty – I have 8 tracks to listen to, after all. I try to think of all the fun I will have tucked away in my room, my new toy spinning out sounds that I have waited months to hear. It is easier to concentrate on that hopeful future than to focus on what has just happened. It was a joke I tell myself, ignoring the salacious intent…the truth of perversion I had seen glinting in his eyes. It will, I assure myself, never happen again…


Note: (My first horror movie buddy was a priest named Lou Hendricks. Several years ago, Hendricks was named by the Western New York Catholic diocese as one of their most unrepentant predators in the ’70s and ’80s. Thus, I grew up watching monster movies with a monster – a man who was like an uncle to our family. Over the next few months, I will be sharing some of my stories from that period of time.)

I Fall to Pieces

Published February 22, 2023 by biggayhorrorfan

“I can’t say much about his performance, but that Kendall…wow!”

“Yeah?”

“What a cock!!!”

Thus, was Father Lou’s nuanced, all-encompassing assessment of Pieces, the Euro-trash epic I had, gleefully, discovered in the video section at the mini-mart in East Randolph, NY. This store had sprung up, seemingly overnight, at the corner of Main & Williams during my freshman year at college, a rumored tax write-off for a group of enterprising parents hoping to gather funds to pay for the college educations of their small town fleeing offspring. I definitely appreciated that notion of escape and the fact that the walls of the tiny rental area in the bodega sized pop-up were filled with such offerings as the Friday the 13th films, Dario Argento’s Creepers and Blood Sucking Freaks.

The lurid red of the Pieces’ VHS box had practically called out to me upon entering the space one evening, while the film itself had delighted me with its decidedly weird energy. The actors seemed unconnected not only to each other, but to the material as a whole. The violence was over-the-top, but ultra-unrealistic, as well. The unexpected supernatural twist at the film’s end also reminded me of the out-of-the-grave hand reach from Carrie and I was proud of myself for beginning to recognize influences and repeat behaviors from film to film.

Most importantly, as a collector of actresses, Lynda Day George’s name beneath the advertising artwork had definitely drawn me in, as well. I adored her from her performances in such environmental horror epics as Ants and Day of the Animals. Despite her almost artificially stunning Hollywood beauty, she always seemed ready to throw herself into the muddiness that the roles she played required.  In particular, the plotline of Ants required her to breathe through a tube, remaining perfectly still, while a quadruple baker’s dozen of insects crawled wildly over her impossibly porcelain skin. In Pieces, she almost one upped this dynamic in a sequence that found her paralyzed by a drug injection while enduring the threats of the recently revealed serial killer culprit of the film.

Savoring the multi-day rental period, I brought the tape over to Lou’s rectory on a heat strewn Wednesday evening. Occasionally, I would share my cinematic discoveries with the teen residents at the home for troubled kids, where I was employment-summering, but I felt this one may be too extreme even for their street savvy senses.  Thus, I was dying to get Lou’s reaction. The orgiastic energy of the film even seemed akin to the slaughter strewn graphics of Joyride, one of our favorite cheapie horror paperback novels. But unfortunately, Lou’s Vatican-Latin didn’t translate well to the subcontinental fare on (severed) hand…or, despite my assessment, Ian Sera’s member in those final celluloid driven moments really was of review-banning magnitude.

More than likely, though, it was just another case of those universal lessons that life metes out to you slowly- never meet your heroes and never ask the pervert local priest his true opinion of your latest, greatest horror film.


Note: (My first horror movie buddy was a priest named Lou Hendricks. Several years ago, Hendricks was named by the Western New York Catholic diocese as one of their most unrepentant predators in the ’70s and ’80s. Thus, I grew up watching monster movies with a monster – a man who was like an uncle to our family. Over the next few months, I will be sharing some of my stories from that period of time.)

Lou…and the Night…and the Music

Published February 15, 2023 by biggayhorrorfan

My first horror movie buddy was a priest named Lou Hendricks. Several years ago, Hendricks was named by the Western New York Catholic diocese as one of their most unrepentant predators in the ’70s and ’80s. Thus, I grew up watching monster movies with a monster – a man who was like an uncle to our family. Over the next few months, I will be sharing some of my stories from that period of time.


My father is away for the weekend and my mother and I are fighting again.

 This should come as no surprise, though. 

A tar dark country night swirls above us, an inky stain that seems to revel in feats of unprecedented madness. This atmospheric wonderland is made for home invasions, furious insults from the maternal line, domestic batteries. On a weekend much like this, many years ago, a distant neighbor ripped the growing baby out of his wife’s straining belly. The mother & child both survived, living on while the town whispered their sordid story behind cupped fingers for the many months that followed. The galaxies must have swirled, chaotically, that evening, peeling the stars, usually so fragrant above our fields, down to tiny pricks of light. Tonight, as it must have been then, I can only count one or two soft glowing spots far above us. Both dim orbs are culling the fervor from within our familial souls. Perhaps, though, this is only a magical exaggeration, and our violent arguing is, as my mother claims, truly the fault of my moony negligence. 

Admittedly, I live in my head…always making up stories, imagining the plot lines of the movies and plays that I will star in once I have escaped into my real life. 18 and a city nurtured existence can’t come soon enough for me. Until those deliriously blessed days arrive, I restlessly spend my weekend hours, wandering from room to room, moodily deciding where I might fit in, character wise, in my favorite soap operas. I even devise passionate and committed off screen love affairs between myself and the handsomest cast members. My head whirls, constantly, with these romantic notions…and this dreamy path only has room for one – any other participants would surely destroy the allure. A stranger, even a family member…let’s be honest, probably most especially a family member, would singly obliterate these illusions, would point out, emphatically, that this is all fantasy…all in my head. So, I fervently channel these possibilities alone…and my mother broods, cut off from my deepest thoughts, picking, critically, around my flight activated edges. Out of hurt, she points out my many faults, weighs out my unmanly preoccupations, arms outstretched as if they were the scales of justice, sentencing me to inferiority like some dirt stained, school yard bully.  

Frankly, I am not immune to jealous notions myself. When she isn’t preoccupied with anchoring down my un-abided affection, my mother murmurs consistently about the wayside kids at the home that she works at, the fever of social work warming her daily blood. Dinners are often focused around the trials & tribulations of these youths, many sent to this country facility, far away from their unfortunate families, with that hopes that our quaint, natural surroundings will protect them from the drug and gang addled lives that they have been subjected to. It seems to me that she is as obsessed with these crime stained wards as she is with me – sometimes even more so – and while I bristle at her clutching attentions, I defiantly do not want them focused elsewhere. It hurts that she so passionately worries about their grades and their meds and the faltering attentions of their own parents. More than that, their histories scare me…much more than the horror films that my family now, due to Lou’s quietly supportive intervention, have reluctantly conceded to be a major part of my life. 

Recently, my mother brought me a letter she received from Dolly, a former student. Dolly and another girl from the village sized reformatory that my mother spends her working hours at visited us once. Slaquered with make-up,  naturally curly hair teased high, her already womanly buttocks stretched tightly into stone washed jeans, Dolly commandeered my stereo that day – sorting through my records like a sassy Ronnie Spector-wired DJ. She and her friend danced throughout our living room, side stepping our curiously nonplussed dogs, discussing (as their arms swung rhythmically, hips clocking to the beat) which boys at the home were the best dancers. Their brash confidence scared me – I don’t think I could ever be that fluidly sure of myself. I was also annoyed at their dissection and momentarily yet propriety claim over my possessions, their dismissal of the artists that they deemed unworthy for some personally identified prime, grooving flow. Those were my albums – I had purchased that stereo with the last of the money saved from a paper route & it was my prized possession. I was able to dance just fine to Liza Minnelli AND John Cougar Mellencamp – no matter what they said. Of course, then I didn’t understand about the quivering insecurity that could flow like swirling streams beneath overt bravado. Soon after her visit, Dolly was reunited with her mother. She was thrilled to be returning to the home that she had been taken away from due to neglect and a supreme lack of supervision. That trend continued unabated upon her reintroduction to that environment— her mother’s boyfriend soon turned his attentions from her mother to Dolly, herself. She became, unsurprisingly, as the world seems to turn on the axis of a gothic beast’s shoulders, pregnant by him. Mere months after the child’s birth, he unleashed his unbounded fury upon her and murdered her in her crib because she wouldn’t stop crying one night. In the letter’s girlishly scrawled missive, Dolly wailed “He killed my baby, ma!!” – a chilling blue inked cry that haunted me beyond measure.

Now, though, the light from one of those solitary stars suddenly beats through the windows of our kitchen. It entrances my mother and, in the middle of her ongoing list of my ingratitudes, she calms, almost bewitched by the power of its flashy sentiment. She stands there, moments passing, watching so quietly that I am worried that she is having one of the mild seizures that overtake her on occasion. Finally, she stirs, utters a deep sigh and, as if forgetting our quarrel entirely, asks, “Would you like lasagna for dinner tonight?” She knows this is my favorite, the meal that she makes with ingenuity and zest. 

“Sure,” I, cautiously, utter.

Transformed, she beams. 

“How many fingers?” she suddenly asks. In our happier times, this is one of her favorite games, a silly testament to my devotion. Normally, I would hold up both hands, proudly, and wiggle my bony digits throughout the air, a physical representation of the 10 fingers that I supposedly have her wrapped around. But I feel too old for this game right now. I can’t let my anger go as completely as she has. I turn away from her and notice part of the letter from Dolly is still scattered across the tiled island in the center of the room – even though it was shown to me weeks ago. Our passions as a family seem to overflow into our sense of order, as well. Things are often cluttered, unattended here – books are battered, left coverless. My parents old Rolling Stones & Brenda Lee albums, all originals, are left out of their sleeves. Correspondence that I should have never been allowed to see is left about, important pages torn & missing.

So, instead of the expected boyish gesture,  I swivel towards her, flipping up the middle fingers on both hands, a defiant double bird. My mother reacts like a bride whose flowing trail has been stamped on, choking her, stopping her short.

She gasps, “I’m calling Lou. He’ll talk some sense into you.”

There is a part of me that wants to object. I have plays to write…my Lisa Hartman album awaits me in my bedroom – Nothing makes me happier than pretending I am her male counterpart – I dance around my private spaces, singing along with Letterock, pretending I am a rock star adored by millions with secret celebrity boyfriends lining the walls of my dressing room. But I know my mother will not be appeased until her orders have been met – until someone in the world, in this case Lou, bears witness to what a rotten child that I am. 

One summer, several years ago, my parents spent a long weekend away. As the oldest, I was sent to stay with my mom’s rigid, often emotionless parents. This was a much less desirable destination than the home of my affectionate, loving paternal grandparents (where my brother and sister were ensconced). Adding further grit to the fuzzy, life-sized lollipop that had been wedged into my mouth, I was instructed to tell my grandparents that I had to go to confession on Saturday, penance for talking back to my mother one too many times. My mother left it up to me to tell them – a nerve jangling experience as I was fully convinced that I would receive further punishment from my disapproving kin. Thankfully, my grandfather just laughed and dropped me off at the church that afternoon while he ran errands. 

Lou, the activated civil servant, reacts in mainly the same way after he quickly arrives. He makes pleasantries with my mother and then asks, “Do you want to go for a ride, Brian?” He winks at me, secretly. “We can talk about treating your mother with more kindness in private.”

 My mother looks at me with an insulting superiority in her eyes, as if I have been suitably chastised. My teenaged attitude executioner has arrived. 

“Sure”, I say.  I am cautious about being alone with him after that flirtatious gesture, but anything seems preferable to the blazing self righteous fury contained now in my mother’s eyes. 

In the vehicle, we roll on in silence for a moment. Lou quietly shifts onto Hoxie Hill Road. Even though I cannot see it through the gloom, I know farmland ripples all around us – pastures, hills, acres of woods that bloom with crisp, orchestral colors in the fall. Everything is round, lush, breathing widely before us, the seeming antithesis of the tightly wound, graffiti graced cities that I desperately long for. Always aware of cultural significance, I note that we are traveling on a byway named after the family of a former schoolmate of mine. Having a curving farm woods lane named after you in this area seems the equivalent of being born into royalty and I wonder what it must be like to feel like you are part of a dynasty – even if it is a backwoods one, unpasteurized milk staining the lips of every descendant – the family cows moaning in fields, a very vocal ancestral crest. I respect every kind of celebrityhood it seems…even the ones that I deem less than desirable. 

“My mother was loved by everyone, too,” Lou finally ventures. “And she loved everyone back. She truly cared about people – which can be hard. As the child, you want to come first. You don’t want to share.” 

I sigh. There is so much more to it. So many complicated strains of emotions bleed through my familial interactions, often on a daily basis. Everything about this life seems way too complicated to decipher in a simple evening’s jaunt. 

Slowly, I gather my thoughts. “I understand,” I begin, “that I have more than anyone at the Home does. & I love mom’s passion for helping them…”

“But…”

“It hurts.”

Lou nods. He rubs my leg with compassion, lingering there for a moment…and then stops, returning his hand to the steering wheel of the car. I tense, ready for some twist – he always finds a way to turn simple affection into something erotic. But moments pass and I realize, for once, he has read this situation compassionately and won’t try to negate it with humor or a winking offer of sexual relief.

And on this kind of night, a night where bloodshed and horror and death would not feel out of place, on this night where a parent’s love feels outlined with a dangerously poisonous intent, I take this respite as a true blessing and, for the first time in many hours, my breathing slows to a normal pace and I feel some kind of hope, no matter how distant, surround me at last.

Review: Gray Matter

Published December 14, 2018 by biggayhorrorfan

Gray

What signifies a great horror project is its emotional relatability. Therefore, anyone who has been mystified by the behavior of their parents as a child is sure to find true connectivity to Red Clark’s Gray Matter.

Here a small town boy seeks asylum from his home life by approaching a motley group of pub regulars. His alcoholic father (finely played by indie wonder kind Larry Fessenden) has begun acting strangely and the kid has begun to fear for his life. His rescuers get more than they bargained for, though, as their worlds soon dissolve into gooey mayhem.

Based on a Stephen King story, this short film is filled with impressive natural effects. But what is most significant is the atmosphere that Clark creates. He and his believable cast, including Chicago theater actor Aaron Christensen, honestly capture the rhythms of rural life and its grizzled inhabitants. Everyone who grew up, awestruck, in such circumstances will find a piece of their past magnified, wisely, onscreen for them here.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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On Friday the 13th: A New Beginning

Published August 4, 2016 by biggayhorrorfan

 

violet 1

Like most siblings, my brother and I had very different interests and likes. I still have trouble admitting I enjoy any Madonna songs because of his slavish preteen devotion to her. He, meanwhile, simply couldn’t stand horror films. He was totally unnerved by them. Something I found funny, at the time.

We had two farm kid friends, brothers, as well.  One was exactly my age and the other was exactly my brother’s. We had grown up with them, but they had moved away sometime during our grade school years and, afterwards, we only saw them when they came to visit relatives on the holidays. The spring break of my junior year, Friday the 13th: A New Beginning opened and I was determined to go. The other brothers were, as well. So one evening, despite my younger sibling’s protests, we set out to the local mall, a half hour car ride away, to see it. My diminutive but fierce mother had to safe guard us in, past the protests of the concerned, middle aged ticket takers and through the emotional struggles of my baby bro, who was totally and completely distressed about what he was about to witness.Friday-the-13th-A-New-Beginning-Joey-Death

Of course, once inside, we others had a blast tormenting him – telling him to remove his hands from his eyes before the violent sequences had finished and egging on his tension during the more quiet scenes. Ultimately, three of us left the theater very happy. One did not.

My brother and I were very different from a lot of the kids that we grew up around. It was a small town where athleticism was highly praised and mechanical and factory work was the norm. Meanwhile, my brother was an artist who loved digging through fashion magazines to discover his latest inspirations and I had already had a season or two of summer stock under my belt and had attended a couple of fancy theater programs when school was out of session. The next morning, as I was bumming through the house, half watching soap operas as I piddled around in my bare feet, I discovered an open letter that my mother had started in a notebook. She had left it on the kitchen counter. Whether it was an accident or subconsciously purposeful, I’ve never determined. It was a journal entry (of sorts) to God. She was thanking him for our cinema outing the night before. She blessed him for allowing her boys to actually act normal for once (by hanging out with regular kids) and recounted how proud she was that we actually were, at least on some level, like other teenage guys. And…thanks!

Friday-the-13th-A-New-Beginning-friday-the-13th-20998880-900-506Funny…It actually, it hurts me more writing this now, thirty years later, than when I discovered it then. Somehow, thankfully, at 17, I scoffed it off, realizing how ridiculous her missive was. Despite my uncaring frivolity the previous evening, I always was aware that we were cruelly scarring my brother through our actions. She was the one who forced him to attend the film despite his obvious despair, yet now she seemed to feel there was something almost holy in her intent. Psychologically, in retrospect, I’m sure she realized that we were gay and was simply try to forestall, in action and word, the troubling realities that she would have to face head on, in later years. But in that silly and shameful moment, she could breathe for a minute, believing that we were of the stereotypically sane and proud junior members of the small town status quo.

But, what she didn’t realize, and what I probably couldn’t have articulated fully at the time, was that I never wanted to be considered normal. I wanted to live in cities and know poets and playwrights and alt rockers. I wanted to act in plays and film and television. I wanted to be, in my own way, mythical and above the ordinary and the last thing I wanted to be like were these two very common friends of mine (who I planned to leave behind as soon as I could) – or anyone that I knew at the time, for that matter. And while my insecurities and self-doubts have been major stumbling blocks on more than one occasion – that is the life, to one degree or another, that I’ve led.pam

Which leads me back to Friday the 13th: A New Beginning. More than pure nostalgia, I love it because, unlike other slasher films of the day, its victims weren’t jock assholes or pretty socialites that you couldn’t wait to see get the crossbow. The film took place in a halfway house for kids and no one there was…say it together, now…normal.

Who can forget Debisue Voorhees’ giddy, uncontrollable laughter as the carefree Tina or Dominick Brasca’s sweet pout and eager energy as the eternally friendless, socially awkward Joey? For many others, this may be the Halloween III of the series with its fake Jason, but for me it features John Shepard’s method work as the tortured, barely sane Tommy and the brash hope provided by Shavar Ross’ young and practically abandoned Reggie. Nicely, the film is even anchored by a more sophisticated final girl, Melanie Kinnaman’s very effective and concerned counselor, Pam.  Most significantly, though, the film features the beyond awesome, punkish Violet, arguably one of the series’ best remembered characters. She is enacted passionately by the divine Tiffany Helm, who even helped clothe the character Siouxsie-style and provided the iconic robot dance moves for her memorable death scene.

violet 3

Yes, like me and so many other horror fans, this film features characters that weren’t of the straight laced vanguard and didn’t want to be. They, like us, were brilliant outsiders and I can’t imagine any misguided, sorrowful note from their mother’s ever bringing them down, as well. Hell, anyone with half (a stabbed out) brain knows only fake Jason could do that! 

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

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Book Review: Town & Train

Published February 17, 2015 by biggayhorrorfan

town and train
When I was a kid, I loved Liza Minnelli, Marilyn Monroe, soap operas and horror films. Let’s just say that I didn’t fit in the small farm town of 600 that I grew up in…and all I dreamed of, at the time, was escape. Therefore, I can definitely relate to the beating pulse behind Town & Train, James K. Moran’s debut novel.

Taking place in a small, financially strapped Canadian town in the early 90s, Moran captures the wanderlust of both his teen and adult characters while simultaneously adding elements of Peter Straub and Stephen King into the mix. His invention of a supernaturally clouded locomotive, helmed by an evil shape shifting conductor is, also, certainly unique.

Unfortunately, while Moran definitely has talent, he lacks certain cohesive skills as an author, at this point in time. Much of the narrative here brims with awkwardness. This result is that, while he seems to know them well, his characters, ultimately, never truly come alive on the page. His ways of parlaying information about the town are odd, as well. Deep historical facts are planted in passages about both longtime residents and teen members of the community, giving off the vibe that everyone in this narrative is a historian, something which hardly seems possible.

While, Moran, nicely, tries to tackle issues of homophobia here, exploring the struggles of a bisexual police officer, this intent, also, falls a bit flat. It is not just the town’s hoods who use words like “fag” and “faggy”, but the narrative’s young hero, John, is often prone to use those terms, as well. This lessens the effect of Moran’s seeming point of ignorance, and, also, renders John’s toughened stance at the end of the novel a bit moot.

Still, Moran fares better as the novel gains steam and he creates some tense, nicely accomplished scenes of horror as he races towards the conclusion. It does seem odd that the death of one major character is kept almost entirely off the page during the interesting climax, especially considering the amount of attention that Moran pays to other details.

Thus, in the state it’s in now, Town & Train reads more like a noble failure than a truly successful excursion into social anthropology and fright. But, thankfully, there is enough of interest here to make one long to read a revised version of this tale. Moran, also, seems to be someone worth reading more of, whatever the project may be, once the kinks in his style are finally worked out.

Town & Train is published by Lethe Press, a publisher with a variety of very interesting queer genre books among their offerings. Dive into their impressive catalog at http://www.lethepressbooks.com.

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

http://www.facebook.com/biggayhorrorfan