abusive priests

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Why Can’t I Be You?

Published March 8, 2023 by biggayhorrorfan

“William likes horror films, too,” Lou informs me, one Sunday afternoon in August after mass.

“Really?”

“Yeah!”

“Nice! We should hang out!”

William, who has the soft, handsome looks of some teen sex comedy hero, is visiting Lou for a few days before beginning college at SUNY Buffalo. In fact, he is just one of many attractive young men who have visited Lou, ever the youth loving pied piper, over the years since he has arrived at St Patrick’s. I never question this virile form of loyalty, though. More than anything, I feel a familial sense of pride. Lou, who is so popular, is like our family uncle & he, seemingly, loves us more than any of these affection hungry intruders from parishes long past. So, I always provide the guys who arrive for quick intervals of time with a bit of brotherly compassion. A benediction, as it were, from the one who is truly favored.

Almost by accident, we pick the perfect evening to gather. Fright Night, which I saw in theaters the summer before, is debuting on HBO and I am eager to revisit it. William hasn’t seen it, so I happily recount to him, while drinking our pre-movie fest sodas in the rectory kitchen, about watching it with a small group of kids from a theater troupe I had joined the year previously. Every time Jonathan Stark’s Billy, the vampire-villain’s slavishly devoted sidekick appeared, we would gleefully shout out “Gay! Gay!” at the screen! Since that evening, though, I have secretly wondered about the authenticity of those outbursts. What if the Billy character wasn’t gay? He could have just been extremely devoted to his master. I had seen the slavish way the nuns had reacted around priests all my life…some almost trembling with devotion when they walked into room…and there was surely nothing sexual there…or so I hoped. The thought of a shaven headed, wrinkle skinned ghoul flagellating herself over love for an unreachable colleague a la Vanessa Redgrave in The Devils, one bizarre cult film that my father actually heartily encouraged me to watch (in Lou’s living room, nonetheless, as it came on during one of their late night talk-a-thons) due to its literary and historical references, was simply too much for me to imagine.

Besides, if there was going to be homosexuality portrayed on the screen, why couldn’t it be straightforward? The Billy-Jerry relationship was cloistered in secrecy and innuendo and sadistic power plays – another coupling, if that was even what it was, that made something secret and shameful out of being gay. I would have actually much preferred Charley, the tentative, moonstruck hero, and Ed, his socially awkward best buddy, being the leading couple as opposed to Charley and Amy, the no bullshit lass who, ultimately, became the object of desire for both central male characters. As if to make up for this affront, Ricky, a member of the acting group, and I parked in the alley behind that movie theater, post-viewing, and passionately made out. Once or twice, we had to duck below the swinging orb-like glow of police lights – an adventurous thrill. My grandfather was the postmaster of Dunkirk, the small town where we would gather to rehearse and often perform for civic groups, and the thought of his reputation taking a hit due to the discovery of my deviant midnight lip locking seemed both horrifying and recklessly thrilling all at once. The fact that the handsome, raven haired Ricky, a confirmed bisexual who was already the father of two-year-old twin boys, exuded a devil-may-care, new wave James Dean vibe only heightened the power of those moments. 

But that all seemed very long ago and despite my outward enthusiasms, I pulsed with the nervous energy that accompanies one leaving home for the very first time. College was just days away and I was distracted, seemingly filing that long ago sexual energy away for some true love that I knew was just waiting around the corner in Chicago. I could picture him now – some rippling, dexterous athlete running down the corridors of my dorm, tossing a football, thoughtlessly, in the air…our eyes would latch…and… Or maybe we would even meet cute like Frannie and Kirk on As The World Turns, an accidental collision turning from a rude and caustic energy to an undeniable connection. 

Back in the present, though, I am curious about William’s decision to commute to college from home. “Don’t you want to escape from your parents a bit?” I ask as Jerry whirls the dazed Amy around the dance floor, attempting to seduce her away from the frenzied, (wrongfully) love struck Charlie. 

“Maybe by my junior year. This is more convenient now…and with my job and school, it seems like I’ll barely see my parents.”

This reasoning baffles me. My every aching, straining move since middle school has been to escape my present circumstances. I have been keen to cut through the strangling vines of my familial cords with a vibrant incisiveness and establish myself someplace, far away, in a world of freedom and creativity. The lure of this imagined plane has been so compelling that even the thought of failing my Regents Exams – which would have put a definitive damper on my aspirations – couldn’t interrupt my dreamy, cobble stoned wanderings. Even when studying in those last days of high school, I could barely concentrate, preferring to listen to the haunting strains of Suzanne Vega’s debut album…imagining the lyrical processes that went into writing a song like Marlene on the Wall. Which of Ms. Dietrich’s films had inspired Vega, I wondered.

Maybe William was questioning his choices, as well, and that was the reason he has come to visit Lou…to get advice and support. I can’t comprehend why anyone would really want to remain at home when the whole world glistened with adventure, with opportunities almost too precious to behold.

The credits roll and the next movie is announced. Ninja 3: The Domination. I am a little disappointed. I have no interest in some chop ‘em, sock ‘em Bruce Lee rip-off.

“Oh, wow. This one is really awesome. Have you seen it?”

“No. Have you?”

“Yeah. It’s this crazy demonic possession horror flick meets action-karate mish-mash. It’s wild. You’re going to love it!”

I have a feeling I will. I am also slightly jealous. It bothers me that I have never even heard of this movie while William has had full knowledge of its sure to be never fading awesomeness. Lucinda Dickey, who I’ve also never heard of for some reason – another sorrowful occurrence, plays a telephone line woman-aerobics instructor, bringing all the wonders of the multi-hyphenate to life in one role. She, indeed, is also possessed by the evil spirit of a ninja warrior – leading to floating, wind machine influenced, Linda Blair circa Exorcist 2 light shows. As the mayhem enfolds, William and I settle back into the comfortable space of two acquaintances connected by one powerful force. It’s as if the rhythm of Lou’s slumber-built breathing, coming from somewhere up in the rafters of the second floor, binds us. We will, surely, never see each other again, but both on the cusp of new beginnings and bound by the patronage of such an unusual force, we seem united and a brotherly contentment washes over us. We hug, with hearty back slaps, after the credits roll and I drive home, dreamily imagining, that in mere weeks I will no longer be this shimmering, barely formed mortal gliding, dreamily, down country roads. I will no longer be this person who merely passes the time away with a stranger, waiting for the revolution to begin. It will have already started —- in Chicago!

Impulsively, I drive back to the rectory the next morning. I want to drop off a couple magazines featuring coverage on Fright Night for William. I am possession hungry, but feeling the weight of my upcoming departure, I decided, after settling into bed last night, that I would shed some of the fat of my media works in commemoration of one of my final evenings in my hometown. It’s a hit and run moment. I pass the magazines quickly off to William, wish him well and start to head for the door. As I turn to go, though, I sense the flicker of Lou’s hand moving under the table… and I see a tension enter William’s frame as he flips through an article in a year-old issue of Fangoria. I am stunned into immobility for a moment. In a reverse sense of egoism, I had always assumed that I was the only one that Lou fondled in such a manner. For the first time, I consider that might not be the case. It’s a haunting thought. 

But I am on a forward rushing trajectory, ultimately. I have no time to ruminate on the unknown, on relationships other than my own. I have college boyfriends to obtain and future stardom to initiate. The door to the rectory, with that oasis of wonder gleaming far beyond it, is looming before me. I regain my momentum. Without a glance back, I move on. 


Note: (My first horror movie buddy was a priest named Lou Hendricks. Several years ago, Hendricks was named by the Western New York Catholic diocese as one of their most unrepentant predators in the ’70s and ’80s. Thus, I grew up watching monster movies with a monster – a man who was like an uncle to our family. Over the next few months, I will be sharing some of my stories from that period of time.)

Buddy Cole’s Gift

Published August 22, 2021 by biggayhorrorfan

Talking with a reporter for The Buffalo News last summer, I found myself navigating through some of the murkier dynamics of sexual abuse. I was 16 the first time an official from the Catholic Church touched me (This, of course, was after years of verbal grooming). That was the age when my hormones, like those of many other young men, were starting to blaze into perpetual existence. I remember watching, sometimes in sad disbelief. as the boys and the girls in my high school found their way to each other, often times in the most unlikely couplings. This left me eagerly vulnerable to any homosexual advances – even the passionately unwanted ones. Therefore, it felt like I was lifting a murkily illuminated rock off of one of my darkest secrets when I revealed during that conversation that, on occasion, I relented without protest and sometimes with the barest whiff of desire when one of those often corpulent officers of Christ beckoned to me, lustily. To my surprise, the journalist, who had been covering this type of subject matter for decades. seemed unfazed by this admission. “Even the youngest and straightest of male victims have often admitted to feeling pleasure of some sort during these encounters,” he admitted. “It’s one of the many realities that makes the whole issue so insidious.”

As influenced as we are by cultural suggestion, it seems that the dearth of this kind of complex representation in film might also contribute to our silence on such an emotionally complicated issue, as well. In fact, the only film that I have ever seen approach this psychological tragedy is 2000’s back woods gothic genre-piece The Gift. Written by Billy Bob Thornton & Tom Epperson, one of the plot points of Sam Raimi’s acclaimed film deals with the relationship of a small town psychic (Cate Blanchett’s sensitively rendered Annie Wilson) and one of her supremely damaged clients, a young garage mechanic (Giovanni Ribisi’s Buddy Cole).

Obsessed with his father and mentally unraveling, it is pretty obvious from the outset that Cole, as emphatically and almost beyond realistically played by Ribisi, has been sexually abused by his paterfamilias. But taking the circumstances to an interesting extreme, Thornton and Epperson reveal just how deviant the effects of this violation can be. Desperate and at the end of a rapidly eroding grip on his violent tendencies, Buddy finally confesses to Annie, “I’ve been thinking about my daddy and I’ve been touching myself. Why do I do that?” Naturally with the set-up of Cole’s fist pounding, explosive personality, when the truth ultimately reveals itself to him, it is met with a fiery, understandably criminal retribution.

Despite this distinctly celluloid resolution, as most real life victims actually take to therapy or the courtroom to deal with their damaged upbringings, the creatives here still need to be applauded. By digging deep into a seemingly never before acknowledged aspect of abuse – the recipient’s own conflicted carnality – they offer a representation that is meaningful to the many, including myself, who deal with the repercussions of such abuses on a daily basis.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

www.facebook.com/biggayhorrorfan

The Creeping

Published November 24, 2018 by biggayhorrorfan

Creeping 2.jpg

This fall I discovered, once again, how effectively the things that haunt you can be made into art.  The revelations of the predatory status of multiple priests in such areas as Western New York, Philadelphia and Indiana definitely triggered something deep within me – and with the help of the horror genre and my writing background, I was able to parlay these emotions into a creative project.

Thankfully, this exploration quickly found a home. My short play, The Creeping, debuted this October at the UWWFest at The Goodman Theatre in Chicago.  Thus, I was not only able to explore the ever tangled tendrils of my past, but I got to watch a small cast of actors grow, immeasurably, throughout the process. That the director of the event, Davette Franklin, is a young black woman was also an incredibly encouraging development. As I care, less and less, about the straight white male take on what haunts us, it was a beautiful feeling to be a part of an event curated by a young, strong female who chose pieces that spoke, in some way, to her experience in the world.

In gratitude, I present The Creeping here for anyone who may be interested in reading it.

(Marlene is sitting at the kitchen table, cutting articles out of a stack of newspapers. Christian enters, sleep bleared and hesitant. He stops and watches Marlene. She notices him and points to a plastic thermos on the table.)

Marlene: Orange juice mixed with a generic sports drink will not make one’s stomach erupt. Contrary to popular belief, that little kid from the cereal commercial is still alive and well and selling insurance in Minnesota.

Christian: I know. I slept with him when I was touring with those Tennessee Williams one acts. Remember?

Marlene: Hey, that’s right!

Christian: And that wasn’t meant for you.

Creeping 4.jpg(Christian grabs the thermos from the counter, walks to the sink and empties it.)

Marlene: I hope not. (She contemplates as she cuts and then she laughs out loud.) You always were such a little star fucker. Even as a teen you used to moon over all those daddy types on the soap operas. You’d rush in all sweaty and out of breath just to catch the last 15 minutes of Guiding Light or General Hospital or whatever the hell you were watching at the time.

Christian: Thanks…mom…for the memories. You do know I wasn’t sprinting home from school just to partake in Michael Swan’s abs. I was trying to avoid being slaughtered by Mick Finney and his gang.

(Christian eyes something outside the window. The Creeper slinks into view. The two look at each other and Christian gasps. The Creeper disappears.)

Marlene: What?

Christian: Nothing.

Marlene: Well, why are you looking around so nervously? (She starts to catch his nervous energy.) They’re not still out there…are they?

Christian: No

Marlene: Stop making me so anxious then. Hell, I don’t know why I’m worrying. Finney died in a motorcycle accident years ago…or was it testicular cancer that got him?

Christian: How could you confuse the two?

Marlene: They both have the same outcome.

(Christian moves closer to Marlene, pacing and keeping an eye out for movement outside the window. The Creeper emerges and disappears throughout their conversation, circling closer and closer to them.)

Christian: How many of those are you cutting up?

Marlene: 25…or 50! Hell, there may even be 100 here. We have been vindicated. Lou and 25 other priests were named in this newspaper. I’m just letting certain people know.

Christian: Facebook’s not good enough for you?

Marlene: There’s just something about the fucking stamp fairy that does my heart good, you know? Hey. Instead of just pacing back and forth, you could clean up some of that wax and glass in the spare bedroom. It’s just like you’re in high school again. What the hell were you doing in there, anyhow?

(She goes to put her breakfast plate away in the sink. She and Christian face each other, awkwardly.)

Christian: Why, Marlene?

Marlene: What?

Christian: Why did you have to pursue this? Why couldn’t you just let it stay in the past?

Marlene: The truth deserved to be told, Christian.

Christian: Sure. Names should be named. The villagers need to know about the monsters in their midst.

Marlene: C’mon! The church put those perverts back out into world without letting anyone know. They were living next to schools and dog parks and…

Christian: But sometimes the monsters aren’t just flesh and blood, mother. You know that.

Marlene: Oh, please. Unless you call on them, other monsters aren’t real. You haven’t called on them have you, Chris?Creeping 5.jpg

Christian: You know that I walked in on them – Dad and Father Lou. Before Lou started with… well, you know.

Marlene: Of course I knew. Then there was everyone who doubted you, me…for years.

Christian: I don’t care about them. I cared about you.

Marlene: Oh, I know you did, honey.

Christian: I cared that you wouldn’t listen to me, wouldn’t let this drop. So, I –

Marlene: What?

Christian: Oh, mom. You always say you understand.

Marlene: I do.

Christian: But you couldn’t possibly. The things you brought up again with this quest….the twisted memories. I couldn’t sleep at night. They warped my mind. I wanted to send them back to the dark place, that land of vaporous, slightly out of reach nightmares. I needed to.

Marlene: Chris? What the hell are you telling me?

Christian: All those years of avoiding sidewalk cracks, ignoring neighborhood taunts about your eccentricities…I didn’t want to hurt you…then. But after these past months of your insistent questioning… this invasive preoccupation of yours… You had to know exactly what went on in the rectory, detail by brain curdling detail.

Marlene: It was the only way to get the courts to believe us.

Christian: No.

Marlene: Please! Besides, it had happened so long ago. It shouldn’t have affected you like this. Always flittering off on some artistic journey…it was important for you to man up and stick around, make sure all the new charges would stick.

Christian:  Don’t you see? No matter what good you were trying to do, all I wanted to do was get away from you. Then, after awhile, all I wanted was for it to take you away from me…take away the past, everything you dredged up. I wanted to be free of you, finally free.

Marlene: No.

(The Creeper circles ever closer and closer to Christian. They become more and more aware of each other.)

Christian: So, I called to it again…bled myself…offered up that wine you got from Italy last year…the cheese from that Amish farm in Pennsylvania. I gave it gifts, chanted in chalk circles, for hours, while you canvassed the suburbs and led rallies on street corners.

Marlene: But that’s just a myth. It’s just a myth, a legend. And…what do you mean? Called to it again!?

Christian: Haven’t you wondered why there have been so many sudden disappearances over the years? What about the other members of Finney’s gang? They weren’t scholars. They didn’t scamper off to high paying jobs and distinguished tenures at heady, far off universities.

Marlene: I just thought they caroused themselves to death. Hell, I thought maybe even the sicko that had pestered you had gotten to them, as well. Made ‘em sink ship and drown…and good riddance!

Christian: You can’t blame every tragedy on organized religion. Some things you have to blame on me. You see that don’t you?

(Marlene begins to sense the presence of The Creeper and begins to buy into Christian’s story.)

Marlene: Looking at you, now I do. Yes.

Christian: They hurt me, mom. Even after I thought I escaped. So, I had to make them disappear. It helped.

Marlene: Now, I’ve hurt you, right?

Christian: Yes.

Marlene: Damn you. (She contemplates the situation for a moment.) Fine!

(Marlene begins to gather up the newspapers and paper scraps and begins to throw them away.)

Christian: So, what are you doing?

Marlene: Throwing these out, forgetting this madness. Get your things together. Pack just what you need. We’ll go to the lake house, escape for a few days. We’ll call your aunt. She’s always messing around with those tarot cards, metaphysical yoga techniques…all that crap. We’ll figure out a way. She’ll help us.

Christian: It’s too late. I’ve been feeling it get closer and closer for days.

Marlene: So, we run…far, far away.

Christian: That won’t work. Look. Look at me.  It’s like I’m fading away. It’s invading me…filling my pores. It’d find me anywhere we went.

Marlene: No. I’ll protect us. I’ll really protect you this time. I’ll…I’ll go clean up that room. If I destroy the evidence, wipe away its connection to us, it’ll disappear. It’ll find someone else to haunt.

Christian: No. (Christian grabs Marlene and stops her.)  I thought it’d be drawn to you…to your overwhelming energy…all that grasping, desperate need. But I didn’t realize how much despair lived on in me. Marlene, I discovered the truth about myself…and I’m lost.

Marlene: No, you’re not. Creeping 3

Christian: I am. You’re not. But I am. My soul is a yawning pit of quivering tar and it wants to wallow in all that misery, that dank fear. It’s here for me. Not for you. It tricked me. Can’t you feel it…there at the door!

(The Creeper draws closer and closer to the two of them.)

Marlene: Yes. Yes, I can.

Christian: But, mother…

Marlene: What?

(Christian and The Creeper lock eyes. They move towards each other.)

Christian: I think it’s going to be okay. Maybe…just maybe…in time, it’ll suck everything away…coat my synapses with its sticky webs of neediness…and maybe, just maybe…when I’m tucked somewhere in its yawning grasp, I will finally…finally be able to forget. Wouldn’t that be good?

Marlene: What? What, Chris?

Chris: To let all of this go – to be finally able to forget.

(The Creeper reaches his hands out to Christian, beckoning. Christian nods and moves toward him as Marlene, helplessly, watches. The lights go black.)

The Creeping by Brian Kirst premiered at The UWWFest at The Goodman Theatre, in Chicago, on October 27th, 2018. Director: Davette Franklin. Marlene: Kathryn Berghoff.  Christian: Shane Malecha. The Creeper: Jade Lun.

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Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan.

www.facebook.com/biggayhorrorfan