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Queer Horror: The Slumber Party Massacre (1982)

Published October 5, 2024 by biggayhorrorfan

After a 9-year publishing odyssey, Queer Horror: A Film Guide is finally a reality. For a variety of reasons, not all of my pieces made the final cut. I will share some of those unpublished essays here, from time to time. A link to purchase the book is featured, below, as well.

The Slumber Party Massacre (1982)

Writer: Rita Mae Browne, Amy Holden Jones (uncredited)

Director: Amy Holden Jones

Cast: Michelle Michaels, Robin Stille, Michael Villella, Debra De Liso, Andre Honore, Joseph Alan Johnson, Pamela Roylance, Brinke Stevens, Pamela Canzano

Beginning life as a script entitled Don’t Open the Door, director Jones heavily reconfigured writer Browne’s original work while still retaining that legendary lesbian author’s humorous, feministic intent here.

The plot, unsurprisingly, is typical ‘80s slasher fare. A notorious killer (Villella) escapes from the psycho ward, descending upon a group of momentarily parentless teens who are imbibing beer and pot while indulging in sexual antics. Yielding his drill like a phallus, the killer makes his way through the hard-partying population until the final act when the very pretty, very unpopular girl next door (Stille) puts a decisive end to his days of murderous marauding.

Low budget even by typical grindhouse standards, this film ingratiates itself by smartly emphasizing the real-life fear of losing one’s virginity with almost every death sequence and by broadening the perspectives of its feminine protagonists. Led by the subtly assured De Liso as Kim, the female teens here are more knowledgeable about sports stats than their male counterparts and gender stereotypes are subverted with all of the film’s maintenance support staff being played, nonchalantly, by women, as well.

Despite Browne’s involvement, the Sapphic action is ultimately understated here. Reversing expectations once again, the girls’ kindly coach (Roylance) is decidedly soft spoken. Only Canzano in her short scene as a carpenter gives off a decidedly gay vibe with her fun, efficient characterization.