Capitol Records

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Music to Make Horror Movies By – Keely Smith

Published April 8, 2024 by biggayhorrorfan

Has there ever been a voice as elegantly smooth as the one that poured out of the divine Keely Smith? I think not.

In fact, Smith’s was the one instrument that broke up my continued playback of Nine Inch Nails, The Crow soundtrack, Nirvana and Liz Phair one summer. The months encapsulated by those early ’90s heat waves were dominated by those indie rock forces and the Capitol Records Spotlight On compilation of Smith’s greatest work. Indeed, I found her take on Fools Rush In to be simply grand. Even more so, her commanding performance of Sweet and Lovely was almost indescribably beautiful to me. 

Nicely, in recent years, even the horror and creature community has discovered this irreplaceable songstress. Her tunes have been used in the reimagining of Stephen King’s The Stand and Marvel’s Venom: Let There Be Carnage

All I can say is…better late than never…and let’s hear some more!

Fun Facts:

Smith co-starred with Robert Mitchum in Thunder Road, one of the first films to embrace an outlaw, rock ‘n roll spirit. Also after years of playing the professional straight man to Las Vegas dynamo Louis Prima, Smith defiantly took control of her career, determinedly performing her music in the style and vein that she appreciated and preferred for the remaining decades of her career.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

http://www.facebook.com/biggayhorrorfan

Music to Make Horror Films By: Les Baxter, “The Beast Within”

Published June 2, 2014 by biggayhorrorfan

the beast within
Known for such florid Capitol Records titles as Ritual of the Savage, Tamboo! and Jewels of the Sea, brilliantly eclectic composter Les Baxter truly got a case of green exotica with his final film score for 1982’s quirkily violent exploration of growing pains, The Beast Within.

Baxter, who helped create strange moods for such genre flicks as Frogs, Black Sunday, Hell’s Belles and 1970’s The Dunwich Horror (with Sandra Dee), here used (anticipated) moments of orchestral majesty along with modern electronic flourishes to create a sharp and dissonant audio landscape. These textured sonic shifts perfectly matched the onscreen horror as a sensitive teen discovers the deadly reality of the monster that truly lives inside him.

The brilliance of Baxter’s evocative score was given a much deserved tribute in 2010 by the (beyond smart) INTRADA Records (www.intrada.com) who released the score in a special limited edition.

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

http://www.facebook.com/biggayhorrorfan