Indie

Over the past couple years, my brilliantly fun friend Wendi Freeman has began producing music as the delightfully monikered Marital Steep. In the months since her debut release, her electro clash rhythms have definitely brightened many a dance enthusiast’s ear buds. This is especially true with her latest offering, Hunting for a Beautiful Accident. On the eve of her performance at Bezazian Library’s Gay Fright Fest – because what self respecting queer doesn’t love a lively set from a self produced pop princess?!?! – Freeman took a moment to chat with me about the horror influences in her music and to let us know what she is currently listening to, as well.

Big Gay Horror Fan: What inspired you to create music as Marital Streep?

Marital Streep: Marital Streep sprung from a desire to be allowed to dance. I had been playing drums in punk bands for so many years and wanted to just admit to myself that I like classic 80s synth pop.

BGH: I love the cinematic nature of your sound. Is that something you’ve worked purposefully towards?

MS: I’ve always loved artists like Tangerine Dream, and how horror films specifically use synth scores, like John Carpenter. I aspire to that level of versatility to construct a mood.

In the song, Diagetic I play with how I wish my music could be something a character pops on in the background. I want someone to tune in a radio or put in a cassette and you hear my song in the background. That’s one of my favorite tropes- when a character puts a song on and it’s tinny and distorted and then they pop it in as the main soundtrack and you suddenly hear it clearly.

BGHF: You recently released a new EP, Hunting for a Beautiful Accident. Is there a song on that new collection that you found was truly exhilarating to work on?

MS: This entire ep was exciting to work on because I really learned new skills about chopping and sampling. I’d find a glockenspiel loop and get excited to distort and warp it.

BGHF: That is so cool! What Marital Streep song do you think would fit perfectly in one of your favorite horror films?

MS: I want to be the musical act at a prom! I want someone getting killed or bullied while I’m singing something bright and bubbly like Used to Dance.

BGHF: You’d be like EG Daily meets Devo!! As a huge music fan yourself, what current dance acts have been getting your pulse to race to the BPM?

MS: This year in particular has been a great time for women producing their own music. I’m inspired by Ninajirachi and Pink Pantheress creating their own beats and my favorite album recently has been underscores’ U.

Be sure to find Marital Streep on all your favorite streaming devices. You can also follow her at http://www.maritalstreep.bandcamp.com and http://www.facebook.com/p/maritalstreep-61574760700991/.

Marital Streep will be performing at Gay Fright Fest at the Bezazian Library branch, 1226 W Ainslie, in Chicago on Saturday, October 24th at 1PM. It’s a free event with candy, prizes, screenings and (obviously!!) great tunes…so please join us!

https://chicagolocalevents.com/events/gay-fright-fest-2026-10-24-bezazian

Perianova’s Snowgirl

For film enthusiasts living in Chicago, the historic Music Box Theatre has been a defining color in the many shades of their film going experiences. On Saturday March 4^th, Otherworld Theatre added to this celluloid kaleidoscope, masterfully, with The 5^th Annual Juggernaut Film Festival. Wisely curated by the company, which is devoted to performing works of science fiction and fantasy, this event proved, beyond a doubt, that the short film can be a complete and satisfying experience unto itself. Ranging in style, these short works were often visually stunning, and whether you had a preference for the ridiculous or the mystical, you were sure to find a winner here.

For example, the comic Illegal Aliens, written and directed by Justin and Kristin Schaack, was a prescient look at contemporary politics in the guise of a silly space debate. Similar in tone, Steve Gast’s Monsters Anonymous provided a glance into a therapy session with some classic Universal creatures as they, vainly, make their attempts to fit into the 9 to 5 world.

Fonte’s Roadside Assistance

Roadside Assistance, one of the festival’s best entries, meanwhile, took a surprising look at how women can be treated in this current, often very scary climate. Of course, this revenge thriller turned the tables on surface expectations quickly. Brilliantly paced by writer-director Bears Fonte, it is soon obvious here that every beautiful blonde hitchhiker may not be as helpless as she seems.

Fairy tales, of course, have often produced nightmarish concepts, but their more bittersweet and magical properties were explored in Ilina Perianova’s stunning Snowgirl. A gorgeous look at a lonely couple who adopt a mysterious young girl, Perianova, a Baltic creator, works with a sense of wonder and sadness here, making this another highlight of the 25 works featured . The parents soon discover their daughter is made of some unknown arctic properties and as they eventually lose her to a new love and the dangers of the outside world, the audience soon discovers that new beginnings are always possible.

Of course, to keep discovering the endless possibilities of Otherworld Theatre, and to be kept in the loop about next year’s festival, be sure to follow them at https://www.facebook.com/OtherworldTheatre/ and www.otherworldtheatre.org.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

Big Gay Horror Fan

All posts tagged Indie

Take Five with Marital Streep

Review: Juggernaut Film Festival 2017