If I had been an old Hollywood diva, I would have wanted the career of Virginia Bruce. An important figure in the world of Universal Horror due to her pert and powerful essaying of the leading role in The Invisible Woman, Bruce also worked with such notables as Jimmy Stewart, William Powell, James Cagney and Abbott and Costello.
Significantly, while trying to earnestly woo Stewart in Born to Dance, she also introduced the Cole Porter classic I’ve Got You Under My Skin.
Pretty much fading from the screen by the late ‘40s, this silver streaked celluloid wonder still left behind a legacy of dreamy magnificence, permanently drifting beneath the fantasies of old school movie lovers worldwide.
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Initially using him as a publicity ploy, James soon grows serious about Barker. This, nicely, gives Bruce a chance to add layers of soft pain to her characterization. This humanity doesn’t stop this character’s out of control anger issues, though. After destroying a hotel suite and getting Paige fired from her understudy job, James is decidedly left on the outskirts of the film’s grand and happy finish. 
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