(Love it or hate it, the Carrie remake will be upon us in October – thus we celebrate the strong women in horror, science fiction and exploitation with Countdown to Carrie!)
Roarke: “How many women do you suppose make your kind of money?”
Angela: “Tell me something, Roarke. How many men do you suppose make my kind of money?”
Thought of as a purring sex kitten to some, due to her roles in such 60’s fare as Where the Boys Are and The Time Machine, gorgeous Yvette Mimieux decided to take control of her career in the mid-70’s and crafted a fun and powerful vehicle for herself with the television film, Hit Lady (1974).
As sharp shooting Angela deVries, Mimieux combines frivolity and feminism to grand effect here, all while dashing about in personalized Nolan Miller designs. Of course, by the time we meet Angela love has started to melt her cold heart and she finds herself unable to commit to her last kill-for-hire. Thus double crosses and frantic car chases decorate the last act of this quick moving vehicle. Add in a downbeat ending, more fitting for a European indie than a jaunty ABC production, and you have a fizzy cocktail decorated with a ferocious female at the lead.
Mimieux, no stranger to television terrors such as (beloved entries) Snowbeast and Devil Dog: Hound of Hell, is joined here by frequent genre personality Clu Gulager (Return of the Living Dead, Feast, Nightmare on Elm Street 2) who practically radiates slime as her duplicitous boss.
Even a queer fear angle is provided for via the participation of veteran actor Keenan Wynn (Piranha, The Dark, Hysterical) and the exquisitely handsome Dack Rambo (Nightmare Honeymoon, Good Against Evil) as the artist whom entrances de Vries. Many old school Hollywood biographies make note of Wynn’s bisexuality. In fact, it was rumored that Wynn divorced his wife, Evie, so that she could (happily, it is noted) marry his lover, screen idol Van Johnson.
Meanwhile, shortly before his tragic death in 1994 due to HIV complications, Rambo acknowledged his bisexuality in detailed, heartfelt interview with Soap Opera Weekly.
Thankfully, there are always (bittersweet) celluloid memories….
Until the next time SWEET love and pink GRUE, Big Gay Horror Fan – aka – www.facebook.com/biggayhorrorfan!
Seeing that publicity still of Yvette Mimieux in the clutches of a morlock form The Time Machine was one of the most profound moments of my life. I was about 8 years old, and some kids was carrying around a copy of Famous Monsters, which I had never heard of. He had it opened to that page. I looked over his shoulder, saw the beautiful woman and the cool looking monster, and that was it. Hooked.
Mimieux is just stunning, my man! She’s one that I would love to meet!