
YouTube has become a treasure trove for the cinema enthusiast. Full genre movies abound for free viewing on the service. This gift gives genre devotees an avenue to discover how certain entertainers have bypassed boundaries – working in the worlds of horror, European exploitation and comedy (among many others) throughout different phases of their careers.
https://www.youtube.com/watch?v=lBrMondc_GY
The recent discovery of God’s Gun, a unique Italian-Israeli western featuring an eclectic cast (Lee Van Cleef, Sybil Danning, Jack Palance, and Leif Garrett) is proof of this theory. All of these performers have worked in a number of categories. Danning, in particular, has worked in everything from Giallo projects (The Red Queen Kills Seven Times) to thrillers (Bluebeard, Nightkill) to big budget comedy (How to Beat the High Cost of Living) and action adventure franchises (The Three Musketeers, The Concorde…Airport ‘79). Nicely, I was lucky enough to have this eclectic performer share remembrances of her cinema adventures with me in an invaluable interview in this past winter’s edition of Shock Cinema magazine (http://shockcinemamagazine.com/ ). Anyone interested in what it was like to create in a world where Michael and Ilya Salkind hosted huge cast parties and also revels in discovering what it was like to manage life on faraway locations with ever dwindling funds will truly appreciate the celluloid memories that Danning shares in this seven and a half page feature. Back issues can be purchased at http://shockcinemamagazine.com/backissues.html.

Her website is always active at http://www.sybildanning,net, as well…and until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

As Mrs. Russo, the anguished mother of the film’s first victim,
Granted, the world probably didn’t need another sleazy film about underage prostitutes being done in by sweaty superiors, but the sight of the exquisite 

But by the time the two rival clubs are competing against each other in the film’s climatic, unconvincingly strenuous National Aerobithon, Marlene reveals a bulging pair of maternal instincts and urges her flesh and blood onto victory, despite her own business interests. 


