One of show business’ most interesting figures, matinee idol handsome Jack Cassidy was an award-winning actor of stage and screen. Known, widely, to the public as the devoted husband of the Oscar winning Shirley Jones, in private, Cassidy was a sexual provocateur who also enjoyed multiple affairs with men. This is primarily worth noting as Cassidy seemed to genuinely embrace his fluidities (n a world which still often misunderstands such subtleties) and seemed to have the understanding and support of those around him, as well.
Most importantly, for old school horror devotees, Cassidy put in a stunningly sensitive dual role performance in the 1974 television film The Phantom of Hollywood. This low budget Phantom of the Opera take-off, highlighting the grim fade-out of the old studio system, is definitely made all the richer for his layered work as a John Barrymore style performer turned shadowy monster due to an unfortunate accident.
Unfortunately, Cassidy tragically died at the too young age of 49, leaving many in his world to feel the emotions that he so, lovingly and longingly, puts into this Lerner and Loewe ballad from Brigadoon:
Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!
Not only did the handsomely eclectic James Mitchell enact one of soap opera’s most hiss worthy villains for decades, but this lucky performer was also one of the cast of thousands, as that film’s tag line so boldly highlighted, to appear in the 1943 version of Phantom of the Opera.
Granted, in Phantom, the always attention stealing Mitchell appears for mere moments as a reporter logging the details of the catastrophes that have haunted a local music hall. Thankfully, his turn as the diabolical Palmer Cortlandt on All My Children was a bit more substantial. There, his character continually made life hell for his often revolving spouses and judiciously tender offspring – all storyline subtext that Mitchell fully embraced, resulting in 7 Emmy nominations for the dedicated actor.
Mitchell, who seemingly never hid his devotion to costume designer Albert Wolksy, his romantic partner for 39 years, also held dear his substantial pedigree as a theatrical artist. Humbly describing himself as an actor with strong movement skills, he actually was one of the Broadway stage’s most powerfully athletic dancers. Those who saw him perform never forgot it and his close collaborators included such mavericks as Agnes DeMille, Jerome Robbins and Gower Champion.
With DeMille, he famously essayed Dream Curly in the ballet sequence of 1955’s Oklahoma, where one of his partners was the beefy, animated character actor Rod Steiger.
Thankfully, just like in that particular scenario, Mitchell always seemed to come off as unique and individualistic. So, while his one Gothic credit might only encompass a couple of minutes of screen time, the breadth of his career definitely speaks to the multiple achievements that one of our queer brothers could make – justifiably earning him a place in every gay horror lover’s heart forever.
Until the next time, SWEET love and PINK Grue, Big Gay Horror Fan!