gay actors

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As the Stab Burns: Another World’s Sin Stalker

Published June 14, 2026 by biggayhorrorfan

After years of playing proud and upstanding types on daytime dramas like The Doctors and Search for Tomorrow, well known gay, New York based actor David O’Brien got his Norman Bates on by playing Dr. Alan Glaser AKA “The Sin Stalker” on Another World throughout the spring and summer of 1987.

Famously, Glaser stalked popular country singer Crystal Gayle for singing lustful odes at Felicia Gallant’s (Linda Dano) top flight nightclub and even killed off established cast member Petronia Paley, who had played the notable Quinn Hardy for six years, in a particularly vicious attack.

Goaded on by the voice of his long dead mother, ’60s Hitchcock-style, Glaser soon became obsessed with the assumedly virginal Lisa Grady (Joanna Going), eventually determined to make the upstart heroine his (very reluctant) bride. Naturally, the fact that Lisa was a psychic, often receiving flashes of the Stalker’s evil actions, only added to the soapy intrigue.

Legacy character Donna Love, then played by Philece Sampler (of Days of our Lives and Rituals fame), didn’t fare so well with Glaser’s affections, though. Trapping her in a lighthouse tower, Glaser intended to put an end to Love and her often mischievous ways. A rescue attempt by John Hudson (David Forsythe), the frightened lass’s brother-in-law, resulted in an audience reveal of Alan as the formerly-mysterious killer and a highwire fall that left the heroic Hudson temporarily blinded.

Kindly doctor Jamie Frame (Laurance Lau) also felt the wraith of this twentieth century marauder. Its obvious that O’Brien is having a great time as he rises up from behind a garbage dispenser and, sneakily, attacks Frame in a parking garage.

In fact, it is his commitment and actorly-reveling here that helped make this story so memorable to passionate fans of the show. Of course, the week long appearance of Gayle as a potential victim, the noir-style lighting that decorated Gallant in several red herring sequences and the presence of Lisa’s supernatural abilities all added grand flourishes to this story, helping to bring it a significant notch or two above a standard psycho on the loose tale.

Pride Notes:

O’Brien, who died of AIDS in 1989, spent well over two decades in daytime television, making him a perfect (if previously unheralded) Pride Month subject. While his life was cut much too short, the amount of entertainment he was able to give throughout his career was paramount, making his impact on the genre one of long lasting significance. An honored member of our community, his impact should never be forgotten. 

Queer Actors in Horror: Mathews and Palillo

Published September 7, 2024 by biggayhorrorfan

The Thoughtful Moods of Mathews!

Kerwin Mathews:

Ker-winning! Best known as the swashbuckling Sinbad in the Ray Harryhausen epic, the handsome Kerwin Mathews spent the majority of his latter-day career doing television and lower budget B projects. He did provide some Hollywood glow to the early Hammer thriller Maniac and in Dan Curtis’ Dead of Night, as well. His professionalism also rose above such material as the notoriously bad Octaman, The Boy Who Cried Werewolf, and a true cheapie called Nightmare in Blood, his final credit. Much like George Nader, another similarly built gay actor, Mathews had a long-term relationship with a man named Tom Nicholl and died, hopefully very contentedly, at the age of 81 in 2007. 

The Finite Raptures of Palillo

Ron Palillo:

Love Shack. Beloved to ’70s kids as the dimwitted Horshack on Welcome Back, Kotter, actor Ron Palillo also had some significant horror action on his theater heavy resume. Most notably, he staked a sharp claim as Jason’s first graveside victim in Friday the 13th Part 6. A few years later, he was one of the leads in the direct-to-video Hellgate – a project best remembered, perhaps, for his booty baring love scene. Partnered for 41 years, in an amazing testament of devotion, to a fellow actor named Joseph Gramm, Palillo died from a heart attack at the all too young age of 63 in 2012. 

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Hopelessly Devoted To: George Nader

Published June 25, 2023 by biggayhorrorfan

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Often cast as chiseled heroes and stoic police detectives, George Nader’s talents as an actor were never fully exploited. Granted, rising to fame after playing the bare-chested lead in the execrably notorious Robot Monster could have had something to do with the lack of diversity in his roles. That the majority of his Hollywood films were with B-Movie factory Universal Pictures also might have helped seal his fate. 

But what stands out the most about his life to me is how long lived (and seemingly happy) it was compared to many of his other queer contemporaries. His relationship with former actor Mark Miller lasted 55 years, ending only with Nader’s death, at the age of 80, in 2002. A sense of resiliency also seems at play in his personality. When an injury made working on camera difficult, Nader, creatively, turned to writing. His novel Chrome was one of the first widely distributed science fiction novels to deal with homosexual themes. 

Ultimately, even his performances have a celebratory impact to them. Akin to (fellow expat sex symbol & equally well-regarded performer) Carroll Baker, he was embraced in Europe in the ‘60s, appearing as a stalwart FBI Agent named Jerry Cotton in a number of fun espionage features. Even the most ardent numerologist couldn’t resist such titles in his resume as The Million Eyes of Sumuru & House of 1,000 Dolls, as well. Nicely, both of those features have been re-released, in the last decade or so, as special editions, granting him a much-deserved celluloid legacy and the privilege of being thought of as a cinematic cult figure of note.

#georgenader #pridemonth #pride2023 #lgbtqia #family

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Shark Bait Retro Village (Pride Edition): Rock Hudson

Published June 21, 2022 by biggayhorrorfan

Immortalized as a romantic leading man, suavely surfacing in everything from frothy Doris Day gems to such lush, dramatic adventures as Giant, Rock Hudson, as many matinee types before him, grew a bit bolder as he aged. The lure of homogenized Hollywood behind him, he accepted darker roles in such projects as the 1971 comic slasher Pretty Maids All in a Row and 1976’s mad scientist inspired Embryo.

It was not these movies that deemed him worthy of immortalization as the subject of a television-film of the week, though. That distinction was due to the late-in-his-life revelation of his homosexuality and his subsequent death from AIDS shortly thereafter. This tragedy fully engaged the shocked public. This was perhaps the first widespread evidence of how blatantly the corporate dream machine could cover up the truth with fantasies and lies. It was also prime evidence of the diversity of the LGBTQIA community – yes, we were choreographers and costume designers, but we were also war heroes and construction workers…and masculine matinee idols. 

In consideration of that last occupation, the producers of 1990’s Rock Hudson definitely got their lead casting right. The handsome 6’ 5” Thomas Ian Griffith, who would go on to be a beloved part of the John Carpenter universe due to his powerfully villainous turn in Vampires, was cast as Hudson for the project. Genre fans are also sure to be thrilled with the presence of Andrew Robinson (Hellraiser, Child’s Play 3) as infamous agent Henry Willson and the ever-friendly Thom Mathews (Return of the Living Dead, Friday the 13th: Jason Lives) as Tim Murphy, an amalgamation of Hudson’s early career paramours. Of the three, Mathews, in particular, shines with an honest sensitivity and forthrightness.

The truest pleasures in this production may end there, though. The project itself follows the typical biopic beats – Rock overcoming an indifferent parent (a quirkily curt Diane Ladd), finding outrageous success and then experiencing a disheartening down curve in popularity. Even more blatantly irritating, though, are the scenes involving Phyllis Gates (Daphne Ashbrook), the woman the star married in 1955 to cover up his true orientation. Pretty much universally confirmed as nothing more than a tense business arrangement, the producers here spend many gauzy lensed moments detailing the relationship as a passionate romance. Griffith and Ashbrook flirt and cutely cavort, eventually making love in a tenderly glowing sequence. The actor’s same sex relationships definitely don’t get the same treatment here. Granted, the audience at the time may not have been able to accept the sight of a sweaty man-on-Mathews lip lock, but by playing it safe, this production suffers not only from a sense of falsehood but from a certain blandness, intimately familiar territory to we lovers of tele-films, as well.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Praising William Norris

Published December 24, 2021 by biggayhorrorfan

Known to decades of Chicago children as the ultimate Scrooge, due to his longstanding run in The Goodman Theatre’s A Christmas Carol, actor William Norris was a Midwest theatre mainstay. 

The openly gay performer also maintains a special place in horror film history. One of (terror legend) Stuart Gordon’s prime collaborators during his board bouncing days with the Organic Theater Company, Norris co-wrote the much sequel-ized contemporary terror classic Reanimator and made an authoritative supporting appearance, as the power bowing Dr. Huesos, in Full Moon’s extreme take on The Pit and the Pendulum, as well. 

Sadly, Norris, who helped train a multitude of stage actors with his honest and forthright teaching skills, died this past November due to lingering heart problems.  But his significant graveside legacy will be felt, forevermore. In particular, the LGBTQIA community will appreciate, beyond measure, the queer influence that he brought to one of the greatest cult horror offerings of all time.

Shine on, you rascally creator!

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Perks of the Trade: Mahogany

Published October 26, 2021 by biggayhorrorfan

Perks of the Trade will look at the varied filmography of Anthony Perkins, the queer performer forever associated with Alfred Hitchcock’s greatest onscreen psycho, Norman Bates..

While certainly a close cousin to the crazed Norman Bates, the role that immortalized him, Anthony Perkins’ take on Sean McAvoy, a tortured high fashion photographer, in 1975’s gloriously enjoyable Mahogany, is initially full of subtle traces of humor and a true sense of professional calm. Of course, as McAvoy’s obsession with Diana Ross’ upwardly climbing Tracey Chambers reaches its peak, Perkins commits to the character’s wild eyed bouts of frenzy with vigorous aplomb

This dedication to his craft is notable as Perkins, reportedly, was looking forward to playing a much more regulated persona and wanted to avoid any hysterical scare screen tactics when it came to the role. But a changing of the guard behind the scenes – director Tony Richardson was replaced by Motown founder & first time filmmaker Berry Gordy early on in the process – forced him to acquiesce to a more anticipated, Grand Guignol approach to the character. Decades later, fans of cinematic camp have to concede that Gordy’s desire to have the actor indulge in blearily erotic actions, such as wrestling a swarthy Billy Dee Williams for control of a pistol towards the film’s climax, surely enhanced the film’s long term cinematic viability – no matter how it might have hurt Perkins’ further career goals at the time.

Interestingly, for critics compelled to look at the real life personal dynamics involved, McAvoy also seems to represent some of Perkins’ personal struggles. Well known as a practicing (almost hedonistic) homosexual in entertainment circles since his summer stock days. Perkins had recently married and begun a life as a devoted father around the time of the filming of this project. Thus, his seemingly gay celluloid creation’s desire to possess Ross’ high fashion lass seems to have played a fitting, if murderously over-the-top, counterpoint to his own personal life.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Honoring Antonio Moreno

Published September 26, 2021 by biggayhorrorfan

Described as a rival to Rudolph Valentino, the dashing Antonio Moreno acted opposite many of the queens of the silent cinema – Gloria Swanson, Clara Bow and the Gish sisters. Unfortunately, the public wasn’t ready for a Spanish superstar once sound became cinema’s king. But by middle age, this consummate professional had developed a serious career in Hollywood as a character actor. The most important of his roles during that era, nicely, included outings in John Ford’s iconic The Searchers and the classic aqua-terror The Creature from the Black Lagoon.

The latter project, of course, has gained him decades of respect and admiration from generations of monster kids. There, still suave and commanding, he plays Carl Maia, the man ultimately responsible for discovering everyone’s favorite Gill-man…a fact that should fill every LGBTQIA genre fan’s heart with glee.

For, as specifically detailed in Clara E. Rodriguez‘s book Heroes, Lovers and Others (The Story of Latinos in Hollywood), outside of the glaring lights of show business, Moreno lived an openly gay existence. While one always wishes, in retrospect, that performers such as Moreno had been able to passionately embrace their true natures, publicly, it is also always an honor to discover them after the fact and celebrate the perspectives of their experience with a modern appreciation. Moreno, as with many of our gay and lesbian forebears, helped pave the way for the (still, unfortunately, tremulous) freedoms that we have today. That he did so while creating works of art with figures like Alfred Hitchcock (Notorious), Cary Grant (Crisis, along with fellow queer icon Ramon Navarro) and Gary Cooper (Dallas) only proves how worthy of recognition, within our community and outside of it, he really is.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Pride Month Hero: Peter Hooten

Published June 21, 2021 by biggayhorrorfan

With appearances in the original versions of Marvel’s Dr. Strange & Inglorious Bastards, the culturally athletic Peter Hooten had an acting career that has left an inspired mark on most genre fans. But this should-be icon, who also had lead roles in the whale-gone-wild epic Orca and the completely bonkers horror extravaganza Night Killer, made a significant mark on cultural life via his supporting, loving relationship with Pulitzer Prize winning poet James Merrill – a romance that lasted until Merrill’s death of AIDS related illnesses in 1995.

Interestingly, in the special features for Severin Film’s Blu-Ray release of Night Killer, director-writer Claudio Fragrasso notes that lead actress Tara Buckman had issues with Hooten’s sexuality, irrationally claiming that, because of his orientation, their love scenes weren’t reading as authentic. Indeed, the opposite is true. Hooten’s energy in the film is decidedly earthy, proving that he always gave solid, believable performances despite the incalculable prejudices of Hollywood and it’s flighty, often emotionally unstable denizens.

That fact alone should definitely make him a Pride Month Hero, 12 months of the year, in anyone (and everyone’s) book!

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Hopelessly Devoted To: James Mitchell

Published March 14, 2021 by biggayhorrorfan


Not only did the handsomely eclectic James Mitchell enact one of soap opera’s most hiss worthy villains for decades, but this lucky performer was also one of the cast of thousands, as that film’s tag line so boldly highlighted, to appear in the 1943 version of Phantom of the Opera. 


Granted, in Phantom, the always attention stealing Mitchell appears for mere moments as a reporter logging the details of the catastrophes that have haunted a local music hall. Thankfully, his turn as the diabolical Palmer Cortlandt on All My Children was a bit more substantial. There, his character continually made life hell for his often revolving spouses and judiciously tender offspring – all storyline subtext that Mitchell fully embraced, resulting in 7 Emmy nominations for the dedicated actor. 

Mitchell, who seemingly never hid his devotion to costume designer Albert Wolksy, his romantic partner for 39 years, also held dear his substantial pedigree as a theatrical artist. Humbly describing himself as an actor with strong movement skills, he actually was one of the Broadway stage’s most powerfully athletic dancers. Those who saw him perform never forgot it and his close collaborators included such mavericks as Agnes DeMille, Jerome Robbins and Gower Champion.

With DeMille, he famously essayed Dream Curly in the ballet sequence of 1955’s Oklahoma, where one of his partners was the beefy, animated character actor Rod Steiger. 

Thankfully, just like in that particular scenario, Mitchell always seemed to come off as unique and individualistic. So, while his one Gothic credit might only encompass a couple of minutes of screen time, the breadth of his career definitely speaks to the multiple achievements that one of our queer brothers could make – justifiably earning him a place in every gay horror lover’s heart forever. 

Until the next time, SWEET love and PINK Grue, Big Gay Horror Fan!

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In Remembrance: Christopher Bernau

Published October 30, 2020 by biggayhorrorfan

Christopher Bernau made me gay.

Well, he actually didn’t strap me down on some slick gurney and take me into some underground laboratory with lightening crackling overhead and test tubes exploding all around us… But I did come home one day from school — and there he was on Guiding Light, all shirtless and delivering his lines with a sadistic sneer as he ordered the distinctive and talented Sofia Landon Geier, the actress playing his employee-lover, around and…. Well – I got that special little tingle.

Years later, I discovered that some other handsome performer actually probably gave Bernau that exact same sensation when he was growing up. Living his life as openly gay as was possible in an era when that was frowned upon, he seemed like a hero to me. This isn’t surprising, though. He was definitely someone who made an impression on many folks – first as Phillip Todd on the gothic soap opera Dark Shadows and then, most famously, as the manipulative and occasionally cruel Alan Spaulding on the afore mentioned Guiding Light. There, the story of his illicit lover affair with the sweet Hope Bauer (the always honey-lit and eternally warm Elvera Roussel) raised many of the temperatures of the local ladies in my tiny neighborhood like few others did, before and after.

Nicely, in addition to his Dark Shadows experience, he also played a wildly seductive Count in the 1977 Off-Broadway production of The Passion of Dracula.

Unfortunately, Bernau, as with many of that era’s extraordinarily special creative types, was also stricken with AIDS. He ultimately died of the disease at the age of 49 on June 14th, 1989, leaving behind a legacy of amazing performances…and loads of stardust sprinkled inspiration for many a young small-town homosexual who dreamed of bigger and better (and, unfortunately, occasionally unfair) worlds.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan

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