GLBT issues

All posts in the GLBT issues category

Music to Make Horror Movies By: Vivian Blaine

Published August 28, 2016 by biggayhorrorfan

vivian 1

She added a little sophistication and dignity to cheesy, fun monster fests such as 1979’s The Dark and to 1982’s Parasite, but the glorious Vivian Blaine was best known for her take on the ditzy Adelaide in the original Broadway and movie versions of Guys and Dolls. Most importantly, perhaps, Blaine was also one of the first celebrity advocates for the AIDS crisis, providing a very visible presence in a time when most public figures shunned the realities of the disease.

Blaine, who also acted and sang in multiple movie musicals with the likes of the vivacious Carmen Miranda and smooth crooner Perry Como, reprised Adelaide’s Lament, her most famous number from Guys and Dolls, on the 1971 Tony Awards, twenty years after her debut in the role. There, she proved, beyond a doubt, that no one could portray the little quirks and eccentricities of the character quite like she could.

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

vivian 2

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Viewing with Father Lou

Published August 20, 2016 by biggayhorrorfan

Priest

“Be faithful to me tonight,” he cooed, prettily, wrapping himself around my leg as I tried to retain my concentration on Traci Lords and her notoriously notable, legitimate acting debut in the remake of Not of This Earth.

It was the spring of 1988. I was home, on a quick break from college, and the “he” in question was my first horror movie buddy. He had a tendency to annoy me with such requests, over the years, as we watched such outrageous fare as Bloodsucking Freaks, Creepers and Friday the 13th, Part 4 together. I knew him as Father Lou and I think, despite our family’s closeness to him, that is what I always referred to him by. I can’t ever remember just calling him “Lou”. Due to my dad’s insistence, he gained a position as “favorite family uncle” during the latter part of my freshman year of high school. My father, a determined social achiever who was running a huge school district by the end of his career, was hot to make his way into the upper reaches of our local parish and a friendship with the new priest was a sure way to do it.

Father Lou endeared himself to us all, though, with his outrageous wit and sense of fun and cookie jars full of peanut M and M’s and red licorice. Most importantly, he embraced my love of all things terror related, something my parents thought made me a bit mentally unbalanced, and we were soon trading paperback novels with each other and, excitedly, rhapsodizing over our favorite films. While he made inappropriate comments, here or there, in my early teen years, it was once I hit 16 and he began to suspect that my friendships with other men in summer stock companies and various theater programs might be sexual in nature, that his efforts to seduce me tripled.

Once, I gave in.

Questionable teen hormones and pure frustration allowed me to grant him a quick rendezvous in which his smooth rotund stomach and firm yet stubby penis were the primary participants. Thankfully, he weakly ejaculated before I had to touch him much and then quickly pulled up his impossibly large tighty whities and ran upstairs to clean up before my parents arrived to indulge in church gossip with him. 

Honestly, I’ve never quite known where to place him on my personal sexual registry. Inappropriateness aside, I was already 17 and in my final year of high school by the time, worn down from repeated advances, I allowed him a first, furtive dalliance. In many ways, I suppose my experience with him is akin to the relations that I had with various men that I slept with, out of last call desperation, in my younger days in the city.  He’s just another example of bad, instantly regrettable sex – a bizarre and off color story of my youth. He haunts me only in these dusty nostalgic ramblings or in those midnight hours as I bike the city streets, worn out from a work shift at the rib joint, and recollections, distant at first and then furtively prying, such as this overtake me. Otherwise, therapy and distance have reduced his foothold in my life, long ago.CREEPERS

More than anything, as a fully fledged cine-maniac, what I am most thankful for, I realize as I devise this, is that these woeful encounters did not color my love for the films we viewed. Many of  them were indicative of the more sordid excesses of the genre – making the fact that my first viewing of them was with him all the more interesting, I suppose – and I still revel in that juicy freedom. Talk to an ardent fan of any type of media and oftentimes who they were with and the positivity that surrounded said creation are highly indicative of their devotion to it. Here, I am glad that sometimes celluloid itself is enough. That art, in whatever form it may arrive in, does indeed prevail.

I still adore Creepers (and Phenomena, its more legitimate rendering). It was my introduction to Italian horror cinema just as Bloodsucking Freaks was my first, very uncomfortable witnessing of an extreme form of grindhouse cinema. Both were bold and unconventional, aspects that I have wished for in my own life. These characteristics have, naturally, informed me more than anything else and I am fortified in the knowledge that they peek through at the most appropriate moments. Most especially, I hope, when recounting moments like this.

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Sal Mineo

Published July 4, 2016 by biggayhorrorfan

Who Killed Teddy 3

Its 2016 and there are still inherent risks to being a member of the LGBT community. Thus, it is even more admirable to look back at the openness of Sal Mineo, an Academy nominated performer and former teen heartthrob, who brought a sense of sensitivity and despair to the psycho killer genre in 1965’s gritty, underappreciated thriller Who Killed Teddy Bear?

According to many reports, Mineo, who was murdered in 1976 during a robbery attempt, never hid his attraction for men and this may have hurt his latter day career choices. Of course, director Nicholas Ray famously capitalized on Mineo’s budding sexuality in Rebel Without A Cause. As Plato, his most famous role, Mineo’s attraction for James Dean’s Jim Stark was touchingly apparent. Proof of this is definitely contained in this loving video homage which highlights Mineo, who scored several hit singles as a teen, and his take on the song Young As We Are.

 

Of course, others may appreciate Mineo’s more garage-y sound on Little Pigeon, a number that is sure to put certain readers in mind of his theater career, which included a couple of takes on the prison drama Fortune and Men’s Eyes.

 

https://www.youtube.com/watch?v=XrpOzmo9RmM

 

Meanwhile, Mineo’s most ardent fans keep the love flowing for him at www.salmineo.com, a beautiful website dedicated to this renaissance man and his career.

who killed teddy bear poster

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

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Review: Sacrament: The Film

Published June 25, 2016 by biggayhorrorfan

sacrament

One of my biggest dreams as a horror fan is to have a homosexual character at the center of one of those seemingly endless Friday the 13th reboots. But until some major studio comes to its senses – not likely, I suppose – I am grateful that the world has writer-director Shawn Ewert’s (very independent) Sacrament: The Film. This fun backwoods horror epic is particularly impactful due to its focus on Lee (Trey Ford) and Blake (Avery Pfeiffer), a young gay couple, and its look at the poisonous after effects of the violence caused by those belonging to the religious right.

Taking off on a traditional road trip, Lee and Blake and their friends soon find themselves sequestered in a small town for the night. Unfortunately for them, this burg’s residents believe in punishing any that they view as transgressors and, eventually, turning them into food for their ravenously faithful flock. Borrowing heavily from genre favorites like The Texas Chainsaw Massacre and more obscure flicks like Terror at Red Wolf Inn, Ewert still makes his mark here by focusing on the hypocrisy and anger of those who, supposedly, live a kind and sacred life. This is, obviously, a timely notion as we live in a climate where bathroom laws and hate bills are being promoted with maniacal zeal.marilyn burns sacrament

Nicely, Ewert, as a director, supplies multiple levels, though. It is almost possible to sympathize with the quiet town folk who are bombarded with the obnoxious activities of the film’s central youths – at first. He also pays homage to his influences by casting TTCM mainstays Marilyn Burns and Ed Guinn in smaller yet pertinent roles. Burns, in particular, brings a quiet yet seething intensity to her activities here, making her untimely passing in 2014 feel all the more tragic.

Meanwhile, the rest of the cast also handles itself deftly, a rarity in low budget projects, with Ford’s level headed Lee, Amanda Rebholz’s sensitive and playful Lorri and Joshua Cole Simmons’ understandingly frantic Brahm deserving special notice. Nicely, Ford and Pfeiffer gamely offer up their flesh to the masses as well, counterbalancing the preponderance of female nudity in projects such as this. Unfortunately, this still feels like a social or political act in a genre where bare femininity is the norm and the playing field is rarely leveled.Sacrament 2

Granted, there are minor disappointments here. Ewert builds a complex narrative. Thus, his ending could have benefited from some more high stakes escape techniques. It feels a bit abrupt after all that has come before. But, overall, this is a truly solid, admirable – and important effort. Sacrament: The Film offers up all the savage thrills of the tried and true slasher genre while also staking a claim as a statement against bigotry and hate. Bravo!

Sacrament: The Film is now available on iTunes, Amazon and Vudu.

https://www.facebook.com/SacramentFilm

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Harold Lloyd, Jr.

Published June 12, 2016 by biggayhorrorfan

Harold

Me and my shadow / Strolling down the avenue / Me and my shadow / Not a soul to tell our troubles to” – Rose, Dreyer, Jolson

It was easy to escape the influence of my forebears – a couple potions and a naked rendezvous or two with devilish types and I was as good as new. Harold Lloyd, Jr. (1931 – 1971) had a bit more difficult time. As the son of Harold Lloyd, one of cinematic comedy’s early kings, Lloyd struggled to make his way in show business…and life.

Still, the troubled man landed roles in a couple cult classics. He sensitively (if slightly exaggeratedly) paints a portrait of a kind yet conflicted youth in The Flaming Urge (1953), the story of an obsessed fire chaser who is accused of a series of arsons in a small town. He is probably best remembered, though, for his energy filled take on the extremely horny Don in the fun teen drive-in horror Frankenstein’s Daughter (1958).

Lloyd Jr. also pursued a singing career, releasing one album. His smooth delivery and easy tones work well with this version of Go Back to Him. Meanwhile, astute Hollywood followers may note this selection with some sense of irony as Lloyd Jr.’s homosexuality was a fairly well known secret in a time when such matters were less socially acceptable.

Unfortunately, this brave yet sensitive soul died from complications from a stroke, perhaps caused by his alcoholism, at age 40, long before reaching his full potential. Here’s hoping that posterity will, eventually, be kinder to him than he was to himself.

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

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In Appreciation of Sharon Stone

Published April 15, 2016 by biggayhorrorfan

Sharon Stone

Horror fans will always remember her as the luminously supportive Lana Marcus whose encounter with a spider was one of the most memorable parts of Wes Craven’s Deadly Blessing, one wild ride of a horror film. (For those who have not seen this combination of slasher, sexually ambiguous surprise and demonic Mennonite-style horror – get to watching!) But more importantly, the multi-faceted Sharon Stone has always been a warrior for the gay community, raising countless funds for AIDS organizations and being a much visible beacon of support for years now.

Thus, it was not surprising that Stone has recently halted plans to film a project in Mississippi, one of several states that have recently activated religious freedom laws that cause grievous discrimination to the GLBT community. Granted, threatened boycotts by artistic entities hastened the reversal of such a law in Georgia, recently, and performers like Bruce Springsteen and Ringo Starr have cancelled events in North Carolina, another hotbed for queer hatred.

But, roles in such projects as Scissors, Calendar Girl Murders, Sphere, Total Recall, Catwoman (and so many other delicious thriller and science fiction cult classics) along with her vibrant activist history truly make Stone one of our own and worthy of special praise and generous thanks!

So…Thank you, Ms. Stone!!! I guess an araneae in the mouth equals grand compassion!

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

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Jaden Smith, Fashion Hero!

Published April 11, 2015 by biggayhorrorfan

jaden
His science fiction films like After Earth and The Day the Earth Stood Still reimagining may not have shook the cosmos, but it looks like actor and celeb kid Jaden Smith’s fashion sense may just change the world.

Recently photographed wearing a dress, Smith has, naturally, caused a media sensation. But the fact that his actions are blurring the lines between male and female, gay and straight and, possibly, shine a light on what transgendered youths go through, on a daily basis, truly make this 16 year old a hero.

His tweet, “Went To TopShop To Buy Some Girl Clothes, I Mean ‘Clothes,'” earlier in the week, further solidifies the boundaries that this humanitarian is quickly bending and/or breaking.

So, thanks, Jaden! At such a young age, you’re a better, braver man than most!

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

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