Sucking on Mother’s Milk!

Published November 12, 2013 by biggayhorrorfan

mothersmilk
The coolest vampires on the block know that they can’t survive by hemophilic virgin blood alone – they must have some maternal sustenance, as well.

Extraordinary femme filmmaking duo, Beatrice Hunter and Kacie Stetson, know this to be true, as well. Their outline for a gruesomely awesome horror flick called Mother’s Milk is one of the top contenders in New Zealand’s Make My Horror Movie contest. Awesome! Right??!!??

So, if you want their story about a female archeologist who unleashes a vile illness, while investigating the graves of ancient missionaries, to get made – please check out their page and LIKE this project at the link, below.

http://www.makemymovie.co.nz/2013/finalist/mothers-milk/

So – keep wishing for more powerful women behind the cinematic lenses of terror – and until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

http://www.facebook.com/biggayhorrorfan

The Backside of Horror: Carl Crew, Blood Diner (1987)

Published November 12, 2013 by biggayhorrorfan

Delightfully zany Carl Crew as George in "Blood Diner"

Delightfully zany Carl Crew as George in “Blood Diner”


Let’s face it, half the fun of horror and exploitation is seeing some hot bodies frolicking around in the buff. And while I worship the female form, I believe exploitation definitely veers into the exploitive when only gorgeous women are on display while their male counterparts remain chastely buttoned up. Therefore, The Backside of Horror salutes the filmmakers and actors whom even up the score a bit by gracing us with instances of hot and juicy male flesh in their bloody celluloid fantasies.

Herschell Gordon Lewis may not rule the world (which really is a pity) but — his classic 60s grue-piece Blood Feast was most definitely the inspiration for gonzo director Jackie Kong’s Blood Diner in 1987.

This tale of two demented brothers, played by Rich Burks and Carl Crew, determined to carry out their long deceased uncle’s murderous plans, contains plenty of limb chomping, flesh thirsty Egyptian Goddess craziness.

As the guys hack their way through a steady stream of bad girls as ultimate sacrifices, Kong provides the viewers with wall to-wall boobs of plenty!

Crew's best ASSets!

Crew’s best ASSets!


Thankfully, she gives silicone workers everywhere a bit of a break with a comic moment, towards the film’s final act, when Crew’s frenzied George flashes his butt at an exotic police detective, on a dinner break, in her car!

Viva la (mummified) man flesh, everyone!!!

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

http://www.facebook.com/biggayhorrorfan

Music to Make Horror Movies By: Guitar Goddess Lita Ford!

Published November 10, 2013 by biggayhorrorfan

lita-ford-dancing
Deadly spider on my wall, how did you get on the cover of the magnificent Lita Ford’s 1984 LP Dancin’ on the Edge? Perhaps, Professor Arachnida was trying to illustrate the correlation between rock ‘n’ roll and horror. Indeed, this slamming effort from our favorite goddess of leather-graced thrashing is inundated with titles such as Dressed to Kill and Lady Killer.

Ford, whose 1988 Lita is a must hear pop masterpiece, entered further reaches of darkness with her biggest hit, Close My Eyes Forever, a duet with Ozzy Osbourne. Indeed, with lyrics stating “Like a dagger, you stick me in the heart and taste the blood from my blade. And when we sleep, would you shelter me in your warm and darkened grave?” this song is a commandingly hardcore look at velvet terror.

Ford, whose scare credibility is further enhanced by a saucy appearance in 1991 horror-comedy Highway to Hell, will be appearing the weekend of November 15th, 2013 at the Chicago faction of the Days of the Dead convention. http://www.daysofthedead.net/chicago/.

Sounds like a perfect time to get out your guitar string codpieces and head on Back to the Cave, no?

Lita Hell

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan

http://www.facebook.com/biggayhorrorfan

Review: Profile of a Killer

Published November 9, 2013 by biggayhorrorfan

profileofakiller2
How I still shudder when I remember the days I spent as a captive of the Perpetual Lords of Homogenized Mediocrity! I never want to see another episode of Friends again!!!

Saul, the serial killer profiler at the heart of director-writer Caspian Tredwell-Owen’s darkly entertaining Profile of a Killer (2012), knows exactly how I feel. Called in to help an old friend crack a puzzling rash of local murders, Saul soon finds himself kidnapped and at the mercy of the very killer that he is trying to identify.

That David, the vicious murderer, is a troubled teen brings out both Saul’s horrified decency and his fathering instincts. While Rachel, a determined agent with secrets of her own, races to find Saul, the cracks in David’s armor begin to show. Abandoning his methodical methods, David begins lashing out with youthful rage – and Saul may eventually pay the ultimate price.

As the piece’s imaginative creator, Treadwell-Owen definitely embraces the bloodthirstiness of the tale. A sequence involving a young prostitute, in particular, is ruthlessly chilling. But, he, wisely, makes Profile of a Killer a character driven piece – even eking out some audience sympathy for the obviously confused, occasionally child-like David. In particular, he gives the kind Saul and the conflicted Rachel powerful backstories that engage the viewer and make the duo’s deadly conflicts all the more intriguing.

Indeed, those who relish in the limb spewing antics of CSI and Criminal Minds will find much to enjoy, here, especially in the well crafted, naturally believable performances of Gabriele Angieri (Saul), Joey Pollari (David) and Emily Franderburgh (Rachel).

Be sure to keep up-to-date with the film at https://www.facebook.com/ProfileOfAKiller.

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan

http://www.facebook.com/biggayhorrorfan

Jamie Greco and “M is for Mammary”

Published November 8, 2013 by biggayhorrorfan


As I toss in bed at night, counting my collection of dead prisoners’ body parts, I wonder how the queer community has gotten so homogenized. Gay marriage, adoption…what would Klaus Nomi say???!!!

Thankfully, director/performer Jamie Greco (Poultrygeist, Tales from the Crapper, PDA Massacre, Shadow: Dead Riot) has come up with a subversive, nasty wonder with the M is for Mammary entry for the ABC’s of Death 2 26th Director contest.

You can view (and vote for) this bloody, milky wonder, below, until November 14th, 2013!:

http://26th.abcsofdeathpart2.com/entry/m-is-for-mammary/

Meanwhile, Big Gay Horror Fan is always torturing single mothers at http://www.facebook.com/biggayhorrorfan, as well!

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

Forgotten Queens of Scream: Catacomb’s Laura Schaefer

Published November 7, 2013 by biggayhorrorfan

CATACOMB
Working with a hesitant ivory quality, model Laura Schaefer imbued a couple of late 1980s Full Moon ventures and a 1989 episode of Freddy’s Nightmares with soft understatement. Her range wasn’t huge but (like early era Maria Ford), she enlivened the screen with a sensitive creaminess – and it would have been interesting to see what she could have done had she continued her career past her final bit roles in 1991.

CATACOMB2As Elizabeth in 1988’s Catacombs (recently released on DVD by Scream Factory – but known for years, on VHS, as Curse IV: The Ultimate Sacrifice), Schaefer seems far too beautiful and soft natured to fully inhabit the role of a research loving, elementary school teacher. But her lightness strikes a nice balance against the cantankerous layers of the accomplished character actors, all playing distinguished monks. She, also, quite ably personifies the demonic qualities invested in her character once Elizabeth is possessed by the demon, the old (not so) holy men have been hiding in the monastery’s basement jail for centuries. Of course, things eventually end well for Elizabeth and the young priest, the story’s platonic romantic interest, ably portrayed by Class of 84’s Timothy Van Patten.

003The same can’t be said for Etta, the blacksmith’s daughter Schaefer portrays, in Ghost Town (also 1988). Haunted for years by a ravaged, demonically powerful gun man, Schaefer’s hesitant lass soon attaches herself to a contemporary officer of the law, played by swarthy Frank Luz, when he finds himself hijacked in her misty, spirit ridden town. Graduating from almost mute silence, Schaefer/Etta eventually persuades Luz to help her “feel again” – providing viewers with a bit of female flesh and Luz’s character with the first dialogue cue that all is not as it appears to be. Etta’s loyalty to her white knight does cause her downfall, though, and Schaefer’s quiet quality makes her character’s outcome all the more potent. (Especially as Jimmie F. Skaggs is so supernaturally vile as the evil outlaw.)
018
The 1989 Art of Death episode of Freddy’s Nightmares gave Schaefer her most eclectic role of the trio. As Joan, a popular college student, she undergoes a terrifying transformation after being kidnapped by the cartoon creation of an ardent admirer. Shaky, and eventually hallucinating an attack from a handsome fellow student (menacingly played by Deadly Friend’s Andrew Roperto), Schaefer believably pulls off the character’s shocked hysteria. This is the last major role of her career and, thankfully, it ends on a tremblingly high note.019

So, until the next time – may the spirits of horror’s forgotten femmes be with you always — and SWEET love and pink GRUE — Big Gay Horror Fan!

Getting Communal with “M is for…”!

Published November 6, 2013 by biggayhorrorfan

tiffanyshepis-NIGHTMARE MAN
My favorite memories of nursery school were when my fellow classmates and I gathered around the mud pit and sacrificed the latest substitute teacher. Such communal joy!

Its kind of like the current “M is for…” contest for the upcoming ABC’s of Death 2. A bunch of inspired filmmakers are joining together to make some ghoulish mini-masterpieces. Granted, only one can ultimately win (voting ends on November 14th, 2013) – but the community spirit going on with this project is positively infectious!

Here are a couple shorts to check out – with voting options at each link:

The goddess knows, I can live by Scream Queen, alone! Sean Tretta’s creative, well acted M is for Matchmaker is one of my favorites in this contest and features such genre icons as Tiffany Shepis and Sleepaway Camp‘s Felissa Rose. Horror Heaven!!

http://26th.abcsofdeathpart2.com/entry/m-is-for-matchmaker/

Meanwhile, Tony Wash from Scotchworthy Productions is one of the best independent horror filmmaking savants. You can check out his gooey, flesh baring entry M is for Muck, here:

http://26th.abcsofdeathpart2.com/entry/m-is-for-muck/

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

http://www.facebook.com/biggayhorrorfan

Review: TerrorTales. 2013 (VHS)

Published November 6, 2013 by biggayhorrorfan

TT
Possessed, soul zapping guitar strings…Dog kicking mummies!

Yes, Screaming Like Banshees’ VHS based anthology wonder is delightfully gritty, oft times inventive NO BUDGET Wisconsin terror FUN!!! The mini-mini shorts, here, come off like humorous experiments between friends (Let’s see what this make-up looks like on film! Cool!!) -BUT the Flesh Eating Fog segment is hilariously gory and extremely creative while The Christmas Mummy sequence is plain brilliance with a smart beginning, hysterically nasty middle and a haunting, mist shrouded ending.

Carolyn Baker and crew are doing some truly awesome “Lets Put on a Show” stuff, here, and Mickey ‘n Judy are bloody jealous, yo!!!

Check it at http://www.screaminglikebanshees.com!

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

http://www.facebook.com/biggayhorrorfan

Music to Make Horror Movies By: Sissy Spacek, “Hanging Up My Heart”

Published November 3, 2013 by biggayhorrorfan

sissy
Oh, Divine Sissy, how we have done you wrong! Your iconic horror role, Carrie = recast, remade (but never equaled) and your solid 1983 recording Hanging Up My Heart can be found for $2.99 on vinyl at the local record shop! For shame!

Yes, after the Oscar winning success of Coal Miner’s Daughter, Madame Spacek, whose other terror efforts include The Ring 2 (2005), An American Haunting (2005) and such gothic stained efforts as Badlands (1973) and 3 Women (1977), released a country tinged recording in 1983. What surprised many about the effort, though, was its level of competence and the impressive talent involved behind-the-scenes (including such musical stalwarts as Rodney Crowell, Roseanne Cash, Vince Gill and KT Oslin).

The project even resulted in several modest hits and the effervescent title track featured, below:

And, if you ask me, that’s almost as cool as watching twenty-something actors (playing teenagers) exploding, bloodily, at the prom, any day of the week!

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

http://www.facebook.com/biggayhorrorfan

Review: All Girl Frankenstein

Published November 3, 2013 by biggayhorrorfan

allgirl2
Hilda, one of the lesbian prostitute nuns who raised me, was going to name her first son, Igor. I think it was because of the bolt in the side of his neck. But one night, Igor simply up and disappeared among the pages of Hilda’s Child Rearing for Dummies book. Better luck next time, Hilda!

Thankfully, Bob Fisher, the founder and main force behind the brilliant (Chicago based) The Chicago Mammals is much better than Hilda where bringing things, creatively, to life is concerned. The Mammals current production, All Girl Frankenstein, written and directed by Fisher, is a sexually ghoulish, forever entertaining delight.

AllGirlFrankensteinFeaturing one of the best professional casts currently performing, All Girl Frankenstein takes the basic plot of Mary Shelley’s Frankenstein and mixes it with the sordidly scandalous milieu of her personal life. Thus the Frankenstein matriarch (vibrant Julie Cowden) presented here, with a constant paddle at the ready for punishment purposes, seems to be the feminine personification of Shelley’s sternly loving father, the man who raised her after her mother’s untimely death. Bloody infanticide and sexual energy, also, swirl throughout this production – seemingly keeping time with Shelley’s own free love philosophy and the anguish she felt over the loss of multiple children.

Whether it is the unrequited love that childhood friend Henry Clerval (the scene stealing Erin Elizabeth Orr) has for Victor (the passionate Erin Myers) or the blow job that Clerval offers the Creature (a physically astounding Amy E. Harmon) upon their first meeting, Fisher and crew play, magnificently, between the lines of homosexuality and unique gender play, here, as well.

Always fascinating, this is a production for horror fans, lovers of literature and collectors of unique experiences of every sort.

All Girl Frankenstein runs through November 30th, 2013 at the Zoo Studios, 4001 N. Ravenswood in Chicago. Tickets are $25. Further information can be found at http://www.chicagomammals.com and https://www.facebook.com/chicagomammals.

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

http://www.facebook.com/biggayhorrorfan