Dark House

All posts tagged Dark House

Retro Sharkbait Village: Scream, Pretty Peggy

Published June 14, 2019 by biggayhorrorfan

Scream Pretty Peggy Main

Folks, just listen to Bette Davis. Okay? She’s lived and she knows a lot of shit and she really means it when she tells you to go away! There’s a reason at work there.

Of course, if Sian Barbara Allen’s determined Peggy had listened to Davis’ abrupt Mrs. Elliot in the 1973 ABC Suspense Movie Scream, Pretty Peggy, we would have lost about 60 minutes of film time…and that ridiculous ending carved from the static of Robert Bloch’s mind would have been lost forever, as well! So there is that to say for not listening to a wise traveler’s advice. Scream Pretty Peggy Bette

Indeed, this creepy mansion based time warp, bred from the same cloth as William Castle’s Homicidal and Bloch’s Psycho, may not fly, politically, today. But Allen offers a very determined heroine and while the character’s reckless stupidity is paramount, the enthusiasm with which the actress attacks the role almost verges on making Peggy a feministic heroine. Doubtless, this character’s strong willed nature was surely what drew this busy actress, who also enacted the rites of fear in the psycho-chiller You’ll Like My Mother, to the role. Well, that and the pay check, of course!

Scream Pretty Peggy SianMoodily directed by Gordon Hessler (Scream and Scream Again, The Oblong Box, Cry of the Banshee), this sadistic potboiler, focusing on Peggy playing housekeeper to a distinguished yet mysterious artist and his secretive family, is obvious enhanced by Davis’ presence. But eagle eyed partiers will also recognize Tovah Feldshuh (as the first victim here) and Claude Rains’ daughter Jessica as an snarky employment agency worker.

Readily available on YouTube, this twist back in time is definitely worth a rainy afternoon (or morning) of any happy nostalgia buff’s time.

Until the next offering, SWEET love and pink GRUE, Big Gay Horror Fan!

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Get Out: A Femme Appreciation

Published March 2, 2017 by biggayhorrorfan

 

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Catherine Keener (right) in Get Out

Maniacal and brimming with steely intent, Diane Salinger’s Mrs. Darrode in 2009’s Dark House, an entry in the short lived Fangoria Fright Fest series, is truly a compelling horror villainess. In fact, the well trained Salinger, who began her career with 1985’s Creature, commands with such intensity that Darrode would have been a worthy character to build a series around. Yet, disappointingly, the character, itself, is another in a long line of bad mother archetypes seen so frequently in genre films. Here, a foster mother who murders almost all of her charges in a fit of religious ecstasy, the unstoppable Darrode returns, as the film progresses, to get at the one girl who escaped her bloody crusade.

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Salinger in Dark House

 

Nicely, the damaging expedition that the primary female characters in director-writer Jordan Peele’s brilliant horror satire Get Out engage in has nothing to do with lousy parenting or with romantic obsession, another common femme terror archetype, but with a more sinister agenda. It ties in with the film’s brilliant look at race and culture in society and is also a refreshing change to the nasty lady ghosts and vicious spirits that have inhabited such films as Ouija, Lights Out and many others, as of late. Granted, a strong feminine antagonist is always appreciated, but here it is nice to have them in the flesh and blood, slowly stirring the plot and keeping you guessing as to their true intents.

get_out_2017_posterTherefore, Peele, who is justifiably being praised for bringing a strong sense of social commentary and compelling, layered minority characters to a genre that doesn’t necessarily always welcome them – except, so often, as Victim #1 – has also done right by his female characters, as well. It’s a profound achievement and, while these fictional women may not go down in the terror history books like Betsy Palmer’s magnificently protective Mrs. Voorhees (Friday the 13th) or Clare Higgins’ love possessed Julia (Hellraiser), they are the contemporary anti-heroines that we truly need in this period of time. Let’s hope there is more like them on the way.

Get Out is currently playing in movie theaters, nationwide.

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Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

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