Maureen O’Hara

All posts tagged Maureen O’Hara

Music to Make Horror Movies By: Maureen O’Hara

Published May 6, 2018 by biggayhorrorfan

Maureen

As many Hollywood legends before her, the exquisite Maureen O’Hara released an album of love songs and warbled her way through many a scenario in the films that she made in her heyday.

In the early ‘70s, this multi-talented glamour queen, who made her mark starring in such gothic enterprises as Jamaica Inn and The Hunchback of Notre Dame, made a number of singing appearances on shows hosted by Andy Williams and others.

Perhaps best known to modern audiences for playing John Candy’s overbearing mother in 1991’s Only the Lonely, O’Hara continued to make sporadic appearances in projects before her death in at the age of 95 in 2015.

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Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Horror Mash-up: Maureen O’Hara and Maria Ouspenskaya

Published April 28, 2018 by biggayhorrorfan

Dance 3

The scarlet streaked Maureen O’Hara began her career in such gothic offerings as Jamaica Inn, directed by Alfred Hitchcock, and the classic The Hunchback of Notre Dame, both featuring her mentor Charles Laughton. Famed as an acting teacher, the luminescent Maria Ouspenskaya is best remembered for the spooky warnings that she gave to the unfortunate Lon Chaney, Jr. in the original The Wolf Man. Reprising that favored role in Frankenstein Meets the Wolfman, Ouspenskaya also gave a humorously vibrant performance in the Universal shocker The Mystery of Marie RogetDance 2

Thankfully, these two dynamic forces met face-to-face in the 1940 romantic-comedy musical Dance, Girl, Dance. Here, O’Hara is the strong willed Judy O’Brien. Longing for a career as a professional dancer, O’Brien’s extreme pride finds her turning a blind eye to true offers of help while establishing herself as a joke act in burlesque – setting up her rival, Bubbles, played with sharp intent by Lucille Ball, for applause.

Ouspenskaya, meanwhile, plays O’Hara’s loving movement mentor, Madame Lydia Basilova. They two have a tender and affectionate relationship, one that is cut short when tragedy removes Basilova from the scene…just as she is about to help launch O’Brien on a true artistic journey.

lucille danceDirected by Dorothy Arzner, one of the few female directors working in Hollywood’s Golden Age, this truly enjoyable outing, nicely, has several moments of feminist intent. The last act, in particular, features a truly fiery O’Hara, excelling as O’Brien blasts society’s double standards with pointed fervor.

But, overall, this is simply just a fun romp wherein,  unsurprisingly, Ball nearly steals the show here with her snappy demeanor. But , importantly, it is O’Hara and Ouspenskaya  who decorate it with visual significance and real heart.

Dance 1

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

www.facebook.com/biggayhorrorfan