Horror

All posts in the Horror category

Jennifer Miro: An Appreciation

Published November 20, 2023 by biggayhorrorfan

On a daily basis, I can fall down endless media based rabbit holes. One article or show can send me on an all consuming spiral, but thankfully, the landing is usually sweet. Sometimes, it can even make me quite contemplative. 

A cursory examination of The Video Dead, an ’80s horror cheese fest, this past Sunday led me to reappreciate the stunning Jennifer Miro, a pioneer artist in the LA punk scene, who appears, briefly yet magnificently, in that film. The porcelain skinned Miro was the frontwoman for the many incarnations of The Nuns, a goth-punk outfit with notable achievements and a large fan base, who never quite crossed over into the mainstream. 

But Miro, who also doubled as a successful fetish model, probably never would have accepted the stereotypical molds that the major labels would have wanted her to exploit. She truly seemed at home in the world of indie exploitation, also appearing in projects like Nightmare in Blood, Dr. Caligari and Jungle Assault, and her live performances, particularly in her band’s final form, were reportedly highly sexualized affairs. 

Even in her death, she navigated a different course. Battling liver and breast cancer for years, she kept her diagnosis a private thing and rejected traditional therapy methods. Relying on the assistance of a kind next door neighbor, Miro faded away, at the age of 54, in December 2011. According to her obituary notices, it would be a month or so before her former colleagues and friends were even aware that she was gone. Thus, those final years seemed to be an exercise in independence – a closing performance for an audience of one.

Hence, my mindful state. As a single gay man in my fifties, dying while walking a solitary path is one of my biggest fears. But, perhaps, Miro found a grace in distancing herself and dealing with her illness without the emotional distractions of others. There might even be a sort of purity in that…a grace there that I can latch onto as I navigate my remaining years, presumably alone. 

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

http://www.facebook.com/biggayhorrorfan

Music to Make Horror Movies By: The Smiths

Published November 3, 2023 by biggayhorrorfan

Despite his reputation as the ultimate vegan curmudgeon, Morrissey must have developed a sense of fun somewhere along the line. This thought is most clearly laid out by the inclusion of Panic, a kinetic track from the dour troubadour’s classic The Smiths days, in the ecstatically rambunctious horror romp Demons 2.

Simon Boswell, the film’s composer and music coordinator, has recounted in interviews how his request to the illusive singer was framed around the film’s mild condemnation of media and consumerism. Still, as the project’s title so steadfastly reveals its true nature, one can certainly hope that this very British gentlemen is just as turned on by humor-stained gore as the rest of us.

Indeed, Boswell’s more gothic instincts gives the soundtrack, as a whole, a dark wave of jubilance. But none of the other cuts – including fun tracks by everyone from The Cult to Peter Murphy – quite give Sally’s birthday party, where the music here takes zombie-blooded root, the shot of adrenaline that is contained within this early take on social blandness from the one and only Master of Mope. 

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

http://www.facebook.com/biggayhorrorfan

Be My Bai-by: Mega Ape (2023)

Published October 27, 2023 by biggayhorrorfan

(A new column dedicated to the projects of the truly singular Bai Ling)

Much like the multi-layered Irwin Allen disaster flicks, Mega Ape‘s writer and director Dustin Ferguson introduces us to multiple characters and plot points in the quick 72-minute running time of this furry feature. (Amusingly, 10 minutes of that is actually devoted to the pre and post action credits – so you’ve got just a little over a television episode’s worth of stuff here.) To wit, briefly beheld, there are a group of animal activists, a hysterically gesticulating mad scientist (Ling), a woman scorned, a rambling duo of conspiracy theorists and multiple hikers in danger. 

Following the usual path of these things, our titular beast is unwittingly released by some overzealous puppy loving civil servants. Soon, ever growing and growing ever angrier, it is on the warpath. Death and mayhem, naturally, ensue. Interestingly, it seems that the power of this creature is also linked to the subconscious and soon the whole world may be one Empire State Building away from Kong-ing out.

As a creator, Ferguson is obviously having a blast here. Working with a visibly miniscule budget, technology, it seems, has finally allowed him to make one of his dream projects  –  an ambitious, leveled monster flick. Of course, the cheese and wacky humor practically ooze out of this celluloid sandwich – with our favored goddess being a huge part of that.

While it appears as if Ling’s scenes were all filmed in one spastic afternoon, her appearances are, thankfully, scattered out amongst the project’s complete length. As it stands, as Dr. Li, our heroine generally works only one emotion – mania. But I, for one, wouldn’t have it any other way. Her shining exuberance is the flowery bow on an already very colorful present. 

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

http://www.facebook.com/biggayhorrorfan

Who Ya’ Gonna Call?

Published September 6, 2023 by biggayhorrorfan

Sherry is coming back for a visit. There is another Clint Eastwood in the movie theaters and, as is their ritual, she and Lou have planned a weekend around attending it. I do suspect, though, that they are both upset that this is a western – Pale Rider – and not another sleazy Dirty Harry shoot ‘em up adventure. Lou’s enthusiasm for the visit is definitely not a potent as it has been for previous cinematic outings. He sighs a bit when he reminds me of the fact that, as usual, I will be required that Saturday. Still, despite any disappointment, like clockwork, she is here before I know it, with Stevie and Sammy, properly, in tow. These boys, her sons, have been my charges on nights like these for a few years now, and my best way to describe their behavior, over my past few babysitting stints, is a rambunctious if timid obsessiveness.

Two years apart, age wise, they clung to each other, steadfastly, as they learned a series of ghost stories at Camp Turner, the Catholic boys summer program, last July. These tales have seemingly filled their minds every waking moment since then. Their tandem brown heads skittle back and forth, bursting with the gory details of campfires past, all ripe for re-expression. But, as eager as they have been to share these learned audible horrors, each previous visit has brought a compulsive reason not to indulge in a ghastly re-telling – a good movie on TV, tiredness…even, on occasion, admitted fear. Indeed, they’ve definitely been much too frightened the last few times I have sat with them to get more than a couple sentences out. But, as it is June now…the beckoning summer temperatures seem to calm their fears.

Though, in some cruel, cosmic twist of fate, the weather contrarily belies such expected, warm forecasts. This whole weekend has had the air of chill about it. Wind whips through the dried husks of neighboring corn fields. The tarred roads shine from the intermittent rains and lonely branches skitter against the windows of all this lonely lane’s houses. It’s like Halloween has arrived six months ahead of time and I have to laugh that my already nervous puppies, through some weird emotional miscalculation. have decided they are finally ready to share their long-held grotesqueries, picking the perfect night for the macabre.

The house itself seems to swirl with squiggly energy as we go from room to room, leaving most of the lights we find there on. At each outlet, they debate for long moments about whether to turn all illumination off or if it is better, rather, to leave things slightly dimmed. Often, the switches remain untouched. We leave the dazzling orbs as we find them, at the full height of their dazzling luminescence. We finally settle into chairs in the living room, still ablaze with artificial sunshine. They are so jittery that they will not let me adjust the mood one bit more. Born into drama, I suggest turning off a lamp or two. I’d love to create a theatrical shadow for our creative outpourings. Their nerves, already shot, will not even allow me that simple cinematic virtue. I give up, deciding that the damp and dark evening, visible, if barely, through the windows in the kitchen, far off to the left, will have to do. Even before we begin, though, they are stalling, asking me about my school friend, Mary Ellen. They are consumed with gathering details about her as she is the girl that I took to the Homecoming dance. Somehow, in their minds, this has become a grand romance. In reality, Mary Ellen and I are probably much more like chums, sharing an easy relatability – a true joy in each other’s presence. I find this another one of their amusing quirks. The thought of having a girlfriend makes their faces scrunch in a sour squint pucker, but they are endlessly curious about relationships with the opposite sex and are always full of questions about the girls I claim, with a touch of elaborate fiction, to like. Finally, they allow me to begin a story – my earlier suggestion that they begin with one of the favorites having been shrugged aside with quick and firm protestations.

I start my take on The Furry Collar, the much-told urban legend about an escaped maniac & the resourceful roommate-narrator who goes to check on a late-night noise and who, ultimately, discovers that her housemate is missing her head after touching the ruff of her housecoat. I choose this one because its content is the closest to the slasher movies that I love and I can almost imagine myself in the place of the surprised friend, my final girl fantasies brought to some sort of verbally literary life. Unfortunately for all, such imaginings are quickly interrupted.

In the living room of the rectory, there is a pair of mini doors. They are firmly shut, closing off the way to the second floor where the bedrooms are located. Their tiny knobs are secured, tightly, with a shiny latch. When I am barely a minute or two into my story, a chill wind somehow gusts around our feet and the lights in the room suddenly let out a quick spasm. As if in response to these cosmic intrusions, the latch holding the two doors tautly, moves slowly, from its resting place. It dangles upwards, almost whimsically, in the air and then falls to the side. The doors then open at a deliberate pace, all by themselves, pausing to give us a good look at the stairwell contained beyond them. They then, determinedly, slam close once again. The boys have become one with the scratchy fabric of the couch that they are occupying. They chortle out gasps as the latch lifts itself, precisely and determinedly, into the air again and then re-attaches itself over the knobs. As if purposely building suspense, it waits a beat…then, once more, releases itself up into the atmosphere, eventually falling, limp, to the side of the door. The doors swing forth once more, again giving us another look at the flight of steps beckoning upwards. They then close once again. Almost immediately, the latch, as if held by ghostly hands, soars back into the air, hovers a predetermined second and then refastens itself one last time. The lights give off a hearty burp and then all is deafeningly still.

Moments, thick with wavy strands of shock, pass us by. My charges are pure white, their chins jut downward, swinging parallel to their tiny chests. I hop up, shouting loudly, “Who’s there?!?” – knowing, immediately, how nonsensical that question really was. No one is there. At least not physically. Still, I feel like I should check the upper level. If an intruder was really there…if anything was done to hurt these boys, I knew my guilty conscience would never let me sleep again. “Stay here,” I command them, as I jump up and head towards the doors, still vibrating with some sort of ghostly presence. “No!” they wail, clutching for my arms as I make my way forward. “Fine, fine,” I mutter, fright and curiosity mingling equally, “we’ll go up together.”

to be continued

http://www.facebook.com/biggayhorrorfan


Note: (My first horror movie buddy was a priest named Lou Hendricks. Several years ago, Hendricks was named by the Western New York Catholic diocese as one of their most unrepentant predators in the ’70s and ’80s. Thus, I grew up watching monster movies with a monster – a man who was like an uncle to our family. Over the next few months, I will be sharing some of my stories from that period of time.)


Music to Make Horror Movies By: Lola Albright

Published August 24, 2023 by biggayhorrorfan

“Now, remember. I don’t want you to touch anything that you don’t recognize.” – Lola Albright, Ms. Barrett, The Monolith Monsters

Thankfully for the male persuasion, the smooth, eternally cool Lola Albright definitely didn’t need to heed her own warning.  The first cut from her debut album, Lola Wants You, certainly confirmed that she was worldly wise and definitely familiar with the opposite sex:

Often singing a sultry tune on the jazzy private eye show Peter Gunn, Albright also played into the lives of monster-kids everywhere. Her sympathetic school teacher in Universal’s (above mentioned) Atomic Age horror The Monolith Monsters made her a highlight for Scary Monsters readers everywhere. Nicely, Albright, who died at the age of 92 in 2017, also indulged in some mature suspense movement on several episodes of Alfred Hitchcock Presents and a long lost 1975 television film called The Nurse Killer.

Gay Magic: Colorfully, Lola began her career as a featured actress at MGM. Her credits include smaller roles in two Judy Garland films The Pirate and Easter Parade.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

www.facebook.com/biggayhorrorfan

Breaking the “Psycho”: Jessica Walter

Published July 12, 2023 by biggayhorrorfan

In what may have been the delicious nadir of her career, the irreplaceable Jessica Walter appeared in episodes of both Joanie Loves Chachi & Matt Houston in 1982. Of course, Walter, who proved her artistic mettle to genre fans as the psychotic Evelyn in Play Misty for Me and the bitter Frederica in Home for the Holidays, added her truly unique je ne sais quoi to her portrayals in each quickly canceled project. ( Note: JLC lasted for 2 mini-seasons and MH was terminated after its third year.) 

Interestingly, on the former, Walter played a less homicidal variant of her Misty role. As a record executive determined to get Scott Baio’s virtually hairless Chachi into bed, she aggressively manipulates the young man. In a virtual recreation of Evelyn’s actions with Clint Eastwood’s Dave, she even appears unexpectedly at his home. After all this unnecessary lasciviousness, the script does give her a nice monologue about the hardships of being a woman in business – an almost conciliatory reaction to Joanie’s hurt & that character’s unshakable importance to her desired target’s life. 

This type of emotionality is also at work in her final moments as Glynnis, a personal secretary with multiple secrets on Matt Houston. Riding shotgun to the amusingly silly plot involving a cheery yet trigger happy robot, Walter gives her teary all as her deceptions are finally revealed. This is even more impressive as Walter spends next to no screen time with the performers playing her co-conspirators, ultimately showing off the true power of her imagination and the precision of her technical skills. 

Of course, sadly, due to her death in 2021 at the age of 80, there will be no more deliciously campy guest spots such as these for Walter. But with over 160 credits before her passing, her memory will proudly live on (in a variety of genres) throughout the decades to come.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

http://www.facebook.com/biggayhorrorfan

Unsung Heroines of Horror: Jessica Simpson

Published July 5, 2023 by biggayhorrorfan

I’ve always kind of dug Jessica Simpson. From the start, I liked her voice and look. Granted, her (decades ago) relationship with Nick Lachey may have been a bit publicly infantilizing, but I always admired that, in its aftermath, she seemed to come into her own and take control of her artistic narrative.

Then there is her acting career. While her contemporaries like Britney Spears and Christina Aguilera made appearances on Will and Grace & The Voice, Simpson truly went the distance and put in a chilling appearance in The Collection episode of the Forrest Whitaker hosted The Twilight Zone reimagining in 2003. Here, as a child psychology student named Miranda Evans. Simpson learns, without a doubt, that Mattel is madness and that the seemingly sweetest little girls are never to be trusted.

Indeed, after being assigned by an agency to babysit the angelic Danielle (Ashley Edner), Evans/Simpson soon discovers that the child’s dolls have a life of their own. But, as the vengeful toys surround her, she ultimately learns that the danger she faces might be a bit more lifelike than she at first realized.

Nicely, acting-wise, Simpson resonates with the cinematic energy of multiple ’80s final girls and it would have been nice to see her do more horror-related projects. Perhaps, the future may find her playing the matriarch in a haunted house story or enacting the travails of a forensic expert turned novelist facing down a clan of serial killers. —- Now that would be the sweetest sin!

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

www.facebook.com/biggayhorrorfan

First Time I Ever Saw Your (True) Face

Published June 1, 2023 by biggayhorrorfan

From the moment that Father Lou asked me, at one of our post-Sunday mass family get-togethers, to do some odd jobs around the parish, I knew exactly how I was going to spend the money I would earn. For weeks I’d been excitedly eyeing an 8-track player at the family run True Value hardware store near the expressway…and now, Dana Kimmell willing, it would be mine. Dana Kimmell, for all those who are unusually uninspired, is the heroine of Friday the 13th Part 3. I look to her as a savior of some sorts. If Chris, her resilient yet emotionally awkward heroine, could survive the strain of judgmental friendships & the onslaught of an unstoppable killer, then I can endure the realities of existing in such an unglamorous, excitement-less town as East Randolph, NY.

To Illustrate – our town has no stoplights or movie theaters. There is no work out facility or any name brand department store, as well. But in seeming deference to the farmers and factory workers that comprise the bulk of its population, there are two hardware stores. McNally’s Hardware in the heart of town has been the local favorite for decades – its friendly, rumpled owner always present there in a pair of faded gray bib overalls. He wanders among the never changing, dusky open-ended bins of nuts and bolts and practical tools, beaming whenever his assistance is requested. Famously always costumed in his downbeat attire of choice, he pays cash for everything – keeping a wad of green tucked inside the front pocket of his never altering outfit. My dad loves to tell the story of how a shiny brute of a salesperson almost turned McNally away from purchasing a new vehicle – until he noticed the indentation of cash and realized the unaccomplished gent in front of him was actually going to pay in full…and not with a check. The shinier True Value was a newer addition to our manure strewn burg – appealing to younger families and the truckers who veered off the highway for food and supplies. And while McNally would have never dreamed of carrying frivolous accessories, rows of comic and colorful lawn ornaments greeted you when entered the bright confines of this rivaled counterpart. And there, on a table towards the front, sat the greatly reduced item of my fascination. No surprise there. It is 1983 and the era of the cassette Walkman. Bins of sale priced 8-track tapes reside in hidden corners of any department store that you wander into. While most of my contemporaries would have properly scoffed at this totally uncool, completely uninvestigated bounty, to me it seems like a cornucopia of undiscovered music that I can commander on the cheap – if only I had the necessary equipment. I long to dive into the riches of the titles that I had already purchased for seeming pennies – Cher and Greg Allman’s Two the Hard Way, the critically reviled recorded culmination of this famous duo’s short and combustible cohabitation, Joan Armatrading’s Show Some Emotion and the film soundtrack recordings to Grease and Sgt Pepper’s Lonely Hearts Club Band – a perfect stew of funky, pre-teen sonic bedevilment. And now the time was at hand.

We don’t have many muggy days in our miniature municipality. Surrounded by shaded hills and rolling meadows, we are in the heart of ski country-and a good hour or two away from the moist atmospheres brought on by Lake Erie. But as I set out to clean out Lou’s garage and straighten out the parish lawn, it is bursting with warm heat. I walk down Main Street, the primary boulevard, past the Children’s Home, the town’s modest gas station, the high school and McNally’s Hardware. The winding strip also contains the rectory and St. Patrick’s Church, buildings that reside shoulder to shoulder, at one of its’ furthest tips. I arrive sweaty and Lou forces water on me. Like any 14-year-old, I would much prefer a glass of soda…even something of the generic variety. But that seems out of the question at this venture, especially considering his visibly parental concern over my well-being. So, I settle for the H20 and try to ingratiate myself to its restorative effects. When he is finally convinced that he has helped me avoid the degenerative onslaught of heat stroke, Lou gives me a cursory description of what he would like done. He then excuses himself for a nap, telling me to come wake him when I am through. He will drive me home. He decisively informs me, mama lion style, that am not walking back in this heat!

Labor-wise, it seems like I am through with the bulk of the chores before a half hour has even passed. Worrying that Lou will think I have rushed through things or that I perhaps have skipped over some important detail of the proceedings, I linger, moistly, over some minor activities – washing the windows of the garage, collecting the garbage strewn about the parking lot – I want it to appear that I have thoroughly committed myself to the tasks at hand.

Finally, it feels as if I can dawdle no longer and I enter the rectory through the kitchen door, making my way through the dimly lit living room and up the stairs to the bedroom. As I advance up the steps, it dawns on me how unusual this scenario is and a slow bead of fright starts to drip slowly into my consciousness. I am entering the bedroom of a man who has swiftly become like an uncle to me, a revered agent of god. In our simple familial theology there is not much difference between our local clergy and the president of the united states and something feels off about this. Perhaps, this is merely reality bursting forth, the oddness of his chosen vocation finally seeping through the walls of my budding sub consciousness. That spring I was shepherded together with a bunch of other teens to listen to a group of nuns talk about their lives, in the ever-springing hope that some of us would examine ourselves and perhaps, one day, join them in their calling. This career day for the sacramental arts seemed to misfire for all of us attending, though. We itched uncomfortably in our seats, mentally begging to be released from the unrelentingly suggested assault of such a life denying profession. For days afterward, I feared that, as they suggested, some spirit of devotion would overcome me and I would be compelled to join them on their religious journeys. Therefore, thoroughly embracing the muse of counter-activeness, I fearfully found myself masturbating every spare second that I could, sure that such willfully enforced horniness would turn sour any benevolent urges to pursue priesthood that suddenly might consume me. The fear of such entrapment still lingered with me that day – along with a tiny distrust, a worry for the strange path that could lead anyone, including our family’s beloved Father Lou, toward such a strict and solitary vocation. How sexless they must be.

Still, I enter his bedroom, rosy hued with the dimming afternoon sun. He lays crumpled on his right side, breathing heavily. Sheets and blankets are swirled around his heavy form, moving up and down to the sluggish atomic force of his jagged breathing.

“Father Lou,” I called out, hesitantly.

He stirs…wakes. Slowly rising and facing me, like a vine less Dick Durock emerging from the Swamp Thing‘s cinematic quagmire, he remains laying on his side – his torso arched towards me while his legs are still curled into the depths of his queen size mattress. He breaths deeply for a moment and takes me in, frozen in the doorway, unable to step further into what now feels like dangerous territory. He laughs lightly as he genre-hops, stylistically. Pouting his lips out now, like a heavily made-up nightclub chanteuse, he stretches out his lower leg, a rotund Marlene Dietrich lounging his body across some imaginary piano top. “Have you come to ravage me in my bed?” he sings out, girlishly.

The room shifts and I feel my body leave itself. It’s as if mother Mary herself has smacked me in the face. If anything, I was expecting him to brusquely rush me from his quarters…even thought I may have misunderstood his instructions and that he would scold me for invading his privacy…but not this. Seeing my shock, he rolls onto his back and wraps the blankets that have fallen away tightly around him. He laughs, dismissively, and tells me to meet him down in the kitchen. I should grab some licorice from the jar and a can of root beer from the fridge. Minutes later, he emerges into the bright light of the pantry – a check for me in one hand and his keys dangling from the fingers of the other.

He chatters, brightly, as he drives. I know that I will walk back this way later this afternoon. I will not be able to stop myself from collecting my bounty – I have 8 tracks to listen to, after all. I try to think of all the fun I will have tucked away in my room, my new toy spinning out sounds that I have waited months to hear. It is easier to concentrate on that hopeful future than to focus on what has just happened. It was a joke I tell myself, ignoring the salacious intent…the truth of perversion I had seen glinting in his eyes. It will, I assure myself, never happen again…


Note: (My first horror movie buddy was a priest named Lou Hendricks. Several years ago, Hendricks was named by the Western New York Catholic diocese as one of their most unrepentant predators in the ’70s and ’80s. Thus, I grew up watching monster movies with a monster – a man who was like an uncle to our family. Over the next few months, I will be sharing some of my stories from that period of time.)

Shark Bait Retro Village: Haunted by her Past

Published April 18, 2023 by biggayhorrorfan

If you’re going to decimate an evil, mirror dwelling sorceress, its best to do it in a hot red teddy! Just ask Susan Lucci! After a weekend of tortured nightmares and heated bodily possession, in the 1987 made for television fright fest Haunted By Her Past (AKA Secret Passions), that is exactly how daytime drama’s most famous diva eradicates the evil spirited temptress that has been torturing her character’s fragile psyche.

The character in question here is the usually mousy Karen Beckett. After taking a detour on her anniversary weekend with her devoted husband (John James) and her best friends (Marcia Strassman, Robin Thomas), Beckett winds up at a tiny inn that soon seems to tie into her violent (yet previous unknown) history. Beguiled into a closed off room at the establishment, she is captivated not only by its furnishings, but by the evil Megan (Finola Hughes), who resides in the wooden looking glass that dominates the space.

As often happens in the course of these potboilers, the more Karen falls under her spell, the stronger Megan grows. In one of the film’s most ludicrously fun moments, a poor manual laborer is sent flying to his death merely by the reflected menace of this century’s dead wraith.

This project also nicely glances back at film’s golden age by featuring the indomitable Madeleine Sherwood as the town historian. Best known as Sister Woman in Cat on a Hot Tin Roof, the veteran actress provides subtle nuances to this traditional role. As the provider of much needed backstory, she is a revelation of economic fun.

Horror buffs will also be happy to spot Page Fletcher as the cad who causes Megan’s downfall in the movie’s flashback sequences. Fletcher, of course, was the titular character in the terror anthology series The Hitchhiker. Interestingly, his first film appearance in the slasher semi-classic Humungous closely echoes his role here. There, in the opening moments, his character violates a young woman, ultimately helping to creating the havoc raising beast that serves as the film’s unstoppable backwoods killer.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

http://www.facebook.com/biggayhorrorfan