Music

All posts in the Music category

Music to Make Horror Movies By: The Smiths

Published November 3, 2023 by biggayhorrorfan

Despite his reputation as the ultimate vegan curmudgeon, Morrissey must have developed a sense of fun somewhere along the line. This thought is most clearly laid out by the inclusion of Panic, a kinetic track from the dour troubadour’s classic The Smiths days, in the ecstatically rambunctious horror romp Demons 2.

Simon Boswell, the film’s composer and music coordinator, has recounted in interviews how his request to the illusive singer was framed around the film’s mild condemnation of media and consumerism. Still, as the project’s title so steadfastly reveals its true nature, one can certainly hope that this very British gentlemen is just as turned on by humor-stained gore as the rest of us.

Indeed, Boswell’s more gothic instincts gives the soundtrack, as a whole, a dark wave of jubilance. But none of the other cuts – including fun tracks by everyone from The Cult to Peter Murphy – quite give Sally’s birthday party, where the music here takes zombie-blooded root, the shot of adrenaline that is contained within this early take on social blandness from the one and only Master of Mope. 

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Lola Albright

Published August 24, 2023 by biggayhorrorfan

“Now, remember. I don’t want you to touch anything that you don’t recognize.” – Lola Albright, Ms. Barrett, The Monolith Monsters

Thankfully for the male persuasion, the smooth, eternally cool Lola Albright definitely didn’t need to heed her own warning.  The first cut from her debut album, Lola Wants You, certainly confirmed that she was worldly wise and definitely familiar with the opposite sex:

Often singing a sultry tune on the jazzy private eye show Peter Gunn, Albright also played into the lives of monster-kids everywhere. Her sympathetic school teacher in Universal’s (above mentioned) Atomic Age horror The Monolith Monsters made her a highlight for Scary Monsters readers everywhere. Nicely, Albright, who died at the age of 92 in 2017, also indulged in some mature suspense movement on several episodes of Alfred Hitchcock Presents and a long lost 1975 television film called The Nurse Killer.

Gay Magic: Colorfully, Lola began her career as a featured actress at MGM. Her credits include smaller roles in two Judy Garland films The Pirate and Easter Parade.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Mary Martin

Published July 19, 2023 by biggayhorrorfan

Often coming off as the epitome of refinement, regal Broadway enchantress Mary Martin actually erred toward the darkly mischievous as a creative type on occasion. For instance, she was the first to give voice to the saucy, sexually adventurous My Heart Belongs to Daddy in Cole Porter’s 1938 musical Leave it to Me! Her take on To Keep My Love Alive, Morgan le Fay’s smart confession of romantic murder making from Rodgers & Hart’s A Connecticut Yankee, is also loads of devilish, eye winking fun. 

On a lavender note, the witty lyrics comprising le Fay’s arch confessions are written by the truly unforgettable Lorenz Hart. Tortured by what he thought was his unfailing unattractiveness, the homosexual Hart drank himself to death by the early age of 48. Thankfully, loads of his insanely creative songs live on to this day. 

Martin, meanwhile, had her own sewing circle stories. She was long rumored to have carried on a decades-long affair with Academy Award winning actress Janet Gaynor. Reports from contemporaries, emerging after her death in 1990 at the age of 76, confirm this secret – allowing for a portrait of a performer who truly knew her way around complex dualities. Thus, we believe both her María, The Sound of Music’s heroic novice, and her much darker, horror movie ready le Fay.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Vivien Leigh

Published June 11, 2023 by biggayhorrorfan

Her brilliant, deluded Blanche Dubois set the gothic precursor for scores of questionably sane ladies in horror. Indeed, the strains of Vivien Leigh’s expert creation can be felt in everything from quieter projects like Let’s Scare Jessica to Death to the more bombastic strains of Whatever Happened to Baby Jane?

Of course, as an extreme go-getter and all around connoisseur of women on the fringe, Leigh returned to this grim psychological territory with (the latter day) Tennessee Williams’ piece The Roman Spring of Mrs. Stone. Here, her essaying of the title character concluded with the enacting of a love starved death wish, an even more extreme journey than the one the playwright eventually sent DuBois on. 

Unsurprisingly, as a woman of many talents, Leigh performed some of her most acclaimed work on the theatrical stages – even winning a Tony for her work in the 1963 musical Tovarich.

With footwork as skilled as her sense of dramatics, it’s no wonder the world mourned her tragic death at the age of 53 from tuberculosis.

Until the next time, SWEET love & pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: The Angels

Published March 12, 2023 by biggayhorrorfan

Since I can’t unwrap Tom Conti (circa 1977) as a present on my birthday this year, I’m going to settle for the next best thing – a video of the iconic The Angels singing My Boyfriend’s Back.

A long sought after title, The Haunting of Julia has recently undergone a 4K restoration and will soon be available in a variety of media offerings – all the better to appreciate that Farrow specialty -the woman on the verge in terror filled circumstances – and the youthful Conti’s every man appeal. Oh, yeah…and the soundtrack, including Colin Towns’ Tangerine Dream-like score, is pretty boss, as well.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Nik Kershaw

Published January 4, 2023 by biggayhorrorfan

Growing up in a small town, I often had to rely on acquaintances from bigger cities to introduce me to interesting music. One of the girls I met at a theater audition was from a nearby metropolis and, while I tried to emotionally navigate around the crush she had on me – compounded by my own mild confusion as to whether I was ever going to wake up one morning and discover that I liked both girls and boys, she filled me in on some of her favorite artists. Nik Kershaw was one of them – and within a year or two, I figured out that there was a reason why I would so often longingly gaze at his profile on his second LP, The Riddle. I wasn’t ever going to like any Becky…or, as in this particular case, any Camilla, as well. 

Cheekbones aside, I also really dug Wouldn’t It Be Good, perhaps Kershaw’s biggest hit. Driving that point home, it was included on both his first and second album, and has also been featured in many film & television projects. One of the more interesting uses was in a Body Snatchers style television film called The Annihilator. Featuring Catherine Mary Stewart as a flesh and blood reporter turned into a mindless, assassinating robot, Kershaw’s tune was definitely in good company in this project. The other featured song was David Bowie’s Ashes to Ashes.

Nicely, Kershaw, who is now working some silver daddy magic, is still creating music and performing live. More information is able at https://www.nikkershaw.net.

Music to Make Horror Movies By: Anne Murray

Published November 17, 2022 by biggayhorrorfan

I sometimes create imaginary cabaret shows in my head as I bike around the city of Chicago. Often, I will choose to wrap-up these dream acts with Anne Murray’s mellow classic I Just Fall in Love Again, utilizing it not as romantic ballad but as a peon of thanks to my nonexistent yet totally enthusiastic audience.  You see, I grew up in Murray country. ABBA, for example, means nothing to me. But Anne, the queen of soft rock and ultra-sophisticated country, was often crooning softly in the AM decorated background of my extremely formative years. 

Thus, the inclusion of her classic Could I Have This Dance in last fall’s Halloween Ends felt like a coming home moment for me. The fact that this song was used to emphatically capture the death scenes of the movie’s gay couple, Big John and Little John, made it even more impactive – the roots of my closeted youth and my loud ‘n proud adulthood finally shaking firm hands.

Bittersweetly for her long-term fans, Murray, who runs a charity outfit – https://annemurraycentre.com – has been retired from music for a while now. But her smokey tones & smooth delivery eternally live on – in Haddonfield and beyond!

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Freda Payne

Published October 9, 2022 by biggayhorrorfan

Surely inspiring the romantic fantasies of many a young lad throughout the ‘70s, the divine Freda Payne was just as dream worthy in the late ‘90s. That was when the singer-actress played the very kittenish Gran, a voodoo practicing conjurer, in Ragdoll, one of Full Moon’s popular puppet-based terror epics.  Ever dedicated, Payne even composed & sang the film’s fun theme song.

Of course, Payne, whose 1971 album Contact featured a gorgeous gatefold poster of her at her slinky dress wearing prime, is best known for the smash hit Band of Gold. She reprised this 1970 stomper, sixteen years later, as a fun duet with the equally chart worthy Belinda Carlisle. 

Unsurprisingly unstoppable, the still popular Payne is, happily, continuing to give her very glittery best at https://www.fredapayne.com

Until the next time, SWEET love & pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Karla DeVito

Published September 7, 2022 by biggayhorrorfan

The revelation of hidden truths often has a macabre connotation for those of us who grew up Catholic. But the exposure of our deepest desires can also have dark implications across the board – especially when it comes to matters of the heart. Case in point, the divine Karla DeVito definitely brings out her finest candle dripping Gothicism in the music video for Midnight Confession.

In addition to her passionate take on this classic rock song, DeVito’s credits include Broadway (The Pirates of Penzance) and film (Modern Love). Of course, genre fused rock ‘n roll mavericks probably know her best from her touring duties with Bat Out Of Hell era Meat Loaf. True lovers of ’80s pop, though, surely cherish her the most for her excellent underrated LPS, Is This A Cool World or What? and Wake ‘Em Up in Tokyo.

Nicely, DeVito is still working towards her eternal prime, duetting with both Robby Benson, her husband, and fellow Steinman protegee Ellen Foley. These recent releases are currently available for viewing at https://karladevito.com/.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Raquel Welch

Published July 26, 2022 by biggayhorrorfan

Whether she was fully intriguing the demented Richard Burton in the silly Euro horror Bluebeard or hunting down a homicidal twin as a prize-winning writer in the USA Network’s scientifically gonzo Tainted Blood, the glorious Raquel Welch has always proven herself to be something of a primetime thriller. 

Known for warbling a tune or two on Broadway (Woman of the Year) and television specials (including her own self-titled one), Welch also made a grab for pop stardom in 1987 with the gloriously fun single This Girl is Back in Town

Seemingly only appreciated in the sticky back rooms of gay bars, this track ultimately didn’t do well enough to produce a full album. Thankfully, though, it’s glorious Paul Jabara assisted rhythms live on online and in dusty used record bins everywhere! 

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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