Television

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Music to Make Horror Movies By: Lillias White

Published January 28, 2025 by biggayhorrorfan

She’s won acclaim for her legendary stage work, sung background for Madonna in that icon’s heyday and now, with her scintillating appearance on Grotesquerie, she’s finally entered Ryan Murphy’s stable of talented femmes. Naturally, I can only be writing of the divine Lillias White. 

Since the beginning, with her portrayal of Dorothy on the original tour of The Wiz, White has been a force. Proof of this power came with a Tony Award for her performance in The Life and a resume filled with consistent hits has followed that prime acknowledgement in the many years since.

Her versatility is also impeachable. While Glorious McKall, her character in Murphy’s latest horror piece, is definitely of the gun blazingly criminally minded, her first solo recording Get Yourself Some Happy is all about joy, and the tunes featured include one of the songs that (our high priestess) Judy Garland brought to celluloid heights at her home studio, MGM.

More information on Lillias and her spectacularly upbeat recording can be found at http://www.lilliaswhite.com.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Boom-Bastic: Elizabeth Taylor

Published December 14, 2024 by biggayhorrorfan

Radically individualistic, Hollywood goddess Elizabeth Taylor consistently chose latter day celluloid projects that probably boggled the minds of those who had grown accustomed to her charms via such mainstream heart warmers as National Velvet and Father of the Bride.

Portraying characters drawn to acting out twisted facsimiles of familial relations or those haunted by specters of overwhelming death, Taylor’s roles in her thirties and forties often contained hysterical and delusional elements – traits commonly found in many of our most popular horror heroines. 

Disney villainesses, the hysterically hobbled, unseen diva in Argento’s Opera and the matriarchal forces in such modern fright offerings as You’re Next & Ready or Not, for instance, definitely find themselves embedded in the emotional lifelines of Flora Goforth, her character in 1968’s incredibly wacked out Boom! A mean-spirited mansion dweller, Goforth is one of Tennessee Williams’ most indulgent characters. Cruel to all around her, she seems to both long for the escape of the grave while desperately and cravenly clinging to her seemingly very miserable mortality.

Enter Richard Burton as the enigmatic Christopher Flanders. Viewers soon realize, after some lustful thespian volleying, back and forth, of very cryptic dialogue that Flanders, who has descended upon Goforth’s remote paradise, is the Angel of Death and that Goforth’s time on earth is going to be very limited. After Noel Coward’s arch appearance as (of all things) The Witch of Capri, the dialogue between Taylor and Burton gets even more inscrutable. 

This delirious denseness, even though Williams, perhaps in as doth protest too much moment, listed this as his favorite filmed adaptation of his work, resulted in a critical and financial failure upon release. Still peach ripe and filmed through a lusty lens, Taylor’s glitter edged work here does lend itself to camp, though. This has allowed uber-fans like John Waters to sing the project’s many awkward praises as the decades have passed.

Interestingly, the piece is also very reminiscent, in an orgiastic, oversaturated manner, of Nothing in the Dark, the 1962 The Twilight Zone episode in which a very young, almost achingly lovely Robert Redford plays the male equivalent of the grim reaper. 

That Redford, in this author’s opinion, surely bests Burton as a figurehead of muddy mortality, does nothing to take away from Taylor’s power in Boom! The prototypical movie star, she also provides enough essence to feed the minds of genre critics for decades to come.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Va-Va-Villainess: Carrick Glenn

Published November 9, 2024 by biggayhorrorfan

Before she played quirkily luscious victims in a duo of slasher flicks of varying pedigrees, actress Carrick Glenn paid an interesting visit to psycho street. 

In an effort to boost ratings, The Doctors, a once popular, long running soap opera, began to embrace natural disasters, mad science and unhinged divas in the late ’70s and early ’80s. To that effect, Glenn joined the show as a short-lived character with diminishing mental returns. As Laura Young, a disgraced nursing student, she spent the winter of 1980 terrorizing the program’s longstanding heroine Dr. Maggie Powers (Lydia Bruce). Kidnapping Powers after a tornado wreaked havoc onscreen, Young was determined to prove to the powerful medical administrator that her chops as a caregiver were as keen as her clear-cut fashion sense.

Thus, labored scenes of a perspiring Powers, growing ever nearer to death, pleading with a resolute and ever more delusional Young were a staple that long January. Once discovered by Powers’ concerned friends and family, Laura went the way of most sympathetic nut jobs – the psycho ward. 

Glenn, herself, went onto to delight many a horror fan as Sally in The Burning and Kathy in Girls Nite Out. Girls Nite Out, of course, is an enjoyable romp, where Glenn energetically enacts a typical coed college casualty. The Burning, on the other hand, due to Tom Savini’s special effects and several interesting cinematic angles (including Brian Matthews’ Final Guy), has become something of a modern classic in the genre. Glenn also gives her character discrete depth. Torn between wanting to maintain her virtue while also finding herself intrigued by the thuggish Glazer (Larry Joshua) and his efforts to bed her, Glenn practically vibrates with lusty indecisiveness. Her interactions are always charmingly honest, adding real life layers to an exploitive extravaganza.

Girls, though, turned out to be Glenn’s last major credit. (A short film, according to IMDB, marked her last onscreen appearance) While I managed to track down a pre-The Doctors wedding announcement, surprisingly little other information is available about her online. That several of her major roles are readily available for consumption may be the one saving grace of that tiny mystery. *

*Glenn’s The Doctors episodes are available for viewing at It’s Real Good TV. 

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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The Last of Connie

Published October 19, 2024 by biggayhorrorfan

Leave it to Jada (Elia Cantu). She finally got a couple of clues and realized it might be uber-perky Connie (Julie Dove) that was behind all the disappearances and deaths that had been happening in Salem all summer long. Of course, for drama’s sake, Days of our Lives‘ finest detective was always a step or two behind everyone’s favorite, truly demented personal assistant. 

As a capper to her previous crimes, which included murdering Bobby (Blake Berris) and stabbing Rafe (Galen Gering), Connie deposited Melinda (Tina Huang), her long held hostage, in the lower-level vaults of the DiMera Mansion. After confronting Gabi (Cherie Jimenez), her mortal enemy, in that estate’s ostentatious living room, she added her to the cobweb strewn larder. Ever the amateur explosives enthusiast, she then tried to blow both of her captives up with a homemade bomb. 

It was then onto the Brady Pub to eliminate Ava (Tamara Braun). With that bloodthirsty deed ultimately interrupted by the heroic Stefan (Brandon Barash), the demented damsel was finally intercepted by (the now exhausted) Jada and soon sent packing to the luxuriously padded walls of Bay View. 

Overall, a fun, months-long jaunt, accentuated by Dove’s compelling eccentricity, this story’s long-lasting effects seem like they will be centered on the romantic contingent. Gabi now appears to be drawn to EJ (Dan Feuerriegel), the former business rival who saved her from the blast’s deadly effects. This puts Stefan, Gabi’s formerly ardent husband, into the orbit of Ava, the woman he protected and, much to Gabi’s chagrin, previously bedded.

It seems that Connie, whose truest aim was to permanently upend the lives of Gabi and Stefan, achieved her heart torn victory, after all.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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My Sweet Psycho: B & B’s Luna

Published September 14, 2024 by biggayhorrorfan

In the last month or so, the crazily unstoppable Connie (Julie Dove) has murdered Everett/Bobby (Blake Berris) and kidnapped Melinda (Tina Huang) on Days of our Lives. Her reign of terror in Salem, the show’s homebase, has now stretched across the many weeks of summer – and with Rafe (Galen Gering), one of her first victims since returning to the canvas, still recovering from the effects of a coma, it looks like she may be sticking around for a while longer.

In a surprise move, The Bold and the Beautiful entered into the psycho femme sweepstakes at the cliffhanger-end of their Friday, August 23rd episode, as well.  Then, the impossibly sweet Luna (Lisa Yamada) was not only revealed to be a twisted schemer, but a murderous one, as well. Upon discovering Luna kissing Bill (Don Diamont), a man who was assumed to be the young woman’s father for months, the show’s popular anti-heroine Steffy (Jaqueline MacInnes Woods) confronted her — and found herself drugged and locked in a cage. Many viewers, understandably, assumed that they were going to be treated to months of Luna furtively keeping Steffy hostage.

Surprisingly, the Bold scribes worked quickly here. Almost immediately, during her macabre conversations with the desperate Steffy, Luna revealed that she had murdered two men – crimes that she had pinned on her wayward mother Poppy (Romy Park). She was now planning to let Steffy die in the condemned building that she had trapped her in & then eventually convince the macho Bill to marry her. 

Steffy’s devoted husband Finn (Tanner Novlan) proved to have some previously undiscovered Columbo in his blood, though. Almost instantaneously, he figured out what was up and had rescued his bone dry, mighty bedraggled wife within days. After a facedown with her angry Aunt Li (Naomi Matsuda), Luna was arrested and confessed all to her very teary, totally shocked mother. 

Of course, Bold has made a practice of stretching out the storylines of the equally psychotic Sheila over the years. But sadly, weekly previews seem to indicate that Luna may be off the canvas for a while now. Still, the fun of watching Yamada, Matsuda and Park go for broke will linger in fans’ minds for many years to come. The powers-that-be should also be sent notes of appreciation for focusing, so dramatically, on their Asian cast members. It is still a very white, homogenized world on the soap opera format, and it was nice to see a little much needed diversity at play during this very fun, juicily gothic romp.

Let’s hope that there are more such stories on the horizon…and soon!

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Queer Actors in Horror: Mathews and Palillo

Published September 7, 2024 by biggayhorrorfan

The Thoughtful Moods of Mathews!

Kerwin Mathews:

Ker-winning! Best known as the swashbuckling Sinbad in the Ray Harryhausen epic, the handsome Kerwin Mathews spent the majority of his latter-day career doing television and lower budget B projects. He did provide some Hollywood glow to the early Hammer thriller Maniac and in Dan Curtis’ Dead of Night, as well. His professionalism also rose above such material as the notoriously bad Octaman, The Boy Who Cried Werewolf, and a true cheapie called Nightmare in Blood, his final credit. Much like George Nader, another similarly built gay actor, Mathews had a long-term relationship with a man named Tom Nicholl and died, hopefully very contentedly, at the age of 81 in 2007. 

The Finite Raptures of Palillo

Ron Palillo:

Love Shack. Beloved to ’70s kids as the dimwitted Horshack on Welcome Back, Kotter, actor Ron Palillo also had some significant horror action on his theater heavy resume. Most notably, he staked a sharp claim as Jason’s first graveside victim in Friday the 13th Part 6. A few years later, he was one of the leads in the direct-to-video Hellgate – a project best remembered, perhaps, for his booty baring love scene. Partnered for 41 years, in an amazing testament of devotion, to a fellow actor named Joseph Gramm, Palillo died from a heart attack at the all too young age of 63 in 2012. 

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Jaclyn Smith’s Diva Vu

Published August 28, 2024 by biggayhorrorfan

If the marketers back in the day had any sense, 1985’s Déjà Vu would have been renamed Diva Vu and they would have circulated ads for it in all of that era’s top gay magazines.  For this is the rare film that features (extremely complicated) acting legend Shelley Winters locking lips with a bewigged Jaclyn Smith, fairly fresh off her 5-year run as the glamourous, self-sufficient Kelly Garrett on Charlie’s Angels. Throw in a regal Claire Bloom, costumed with refined elegance and dripping with purely evil joie de veuve, & you have a minor gothic horror that is a perfect fit for those of a certain age and a particular preference. 

Plotwise here, we find a successful novelist named Michael (Nigel Terry) becoming fascinated by a long dead ballerina named Maggie (Smith). While doing research on her, he becomes convinced that he and Brooke (also Smith), his American actress fiancée, are the reincarnated versions of Maggie and her lover.   His encounters with a Russian psychic/hypnotist named Olga (Winters), an eccentric woman who claims to have known Maggie well, seem to reinforce this belief. But when Michael begins receiving threatening letters and spooky answering machine messages from Eleanor (Bloom), Maggie’s decades-deceased mother, he knows he is either losing his mind or that something sinister is afoot. Of course, when Brooke surprises him with a visit, during a break in filming her latest project, his deadliest fears become reality, and a fiery showdown is assured for all involved.

Lushly directed by Anthony B. Richmond, the cinematographer of such modern classics as Don’t Look Down and The Man Who Fell to Earth, the project’s biggest flaws seem to reside in it’s editing. There are times when the characters’ odd actions, specifically with Winters’ Olga, are not fully addressed, resulting in some awkward storyline issues. As the film reaches it’s end, it almost feels as if scenes are missing, as well, especially in reference to the deadly transformation of Smith’s Brooke. Otherwise, in one particularly amusing moment, a very naked Terry suddenly grows a pair of bright blue speedo-underwear — without even lifting a leg!!

But the true joy here is watching the leading ladies tear up the scenery. Smith, whose speaking voice already feels like a knife on velvet, is especially effective as Brooke descends into pure evil. Meanwhile, Winters and Bloom are simply dreamy in whatever situation that the trio of screenwriters slip them into. Whether Winters is demanding a vodka from an unwilling host or Bloom is coolly accessing a rival, their screentime is pure, queer heart capturing gold.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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The Supreme Reign of Batty Connie

Published July 31, 2024 by biggayhorrorfan

Nothing makes me happier than a femme identifying slasher as the primary character in some ghoul stained epic. Horror has a number of them – with Pamela Voorhees from the original Friday the 13th, naturally, leading the top of the list. More recent additions include the titular subjects in projects like Lisa Frankenstein, Abigail and MaXXXine. These cinematic vixens have been completely unafraid to shed a little blood to get exactly what they want. 

Nicely, soaps have also given us a few of their own twisted ovarian baddies over the past couple years. 

Currently, the legendary Colleen Zenk has been careening her way across Genoa City on The Young and the Restless. After burning down a prison and pushing a recovering alcoholic (played by talented soap hopper Brian Gaskill) into the path of a moving vehicle, her demented Aunt Jordan has wound up with a huge casualty list. On that other network, Alley Mills deservedly won an Emmy for enacting Heather Webber’s latest reign of terror on General Hospital. As the poison wielding The Hook, she carved her way through both day and contract players alike with a Michael Myers sized abandon. 

Days of our Lives has not been idle either. In 2023, comedienne Kim Coles threw a dramatic twist into her resume by playing the murderously delusional Whitley King. King kidnapped the show’s longstanding hero Abe Carver (James Reynolds), nearly killing him and his beloved daughter (Sal Stowers) before she was apprehended. This summer, meanwhile, Julie Dove’s zany Connie Viniski is striking fear into the hearts of male Salemites, in and out of Horton Square. While Connie had made a couple minor appearances previously, recent surprise plot revelations have placed her squarely behind the knife that killed the suave Li (Remington Hoffman) over six months ago. 

Joyfully, her reign of terror has just begun. In order to keep her dastardly secret, Viniski recently stabbed the show’s (hopefully) resilient police commissioner Rafe (Galen Gering) in the back. That this crime took place over an open grave in a cemetery only added to it’s delightful macabre intensity. Now Connie seems to also be targeting Robert Stein (Blake Berris), her wicked co-conspirator, and Gabi (Cherie Jimenez), Rafe’s manipulative businesswoman sister. Of course, Connie is sure to talk over any plans she might make with her favorite conjured entity. The ghost-like apparition of Li is now a permanent resident at her breakfast table.

Importantly, despite her often-delusionary actions, Dove has added an almost chirpy innocence to Connie’s increasingly malevolent personality here. This little something extra has certainly endeared her to audiences – even as the character cuts a swath through the heart of their favored city. In fact, if Dove continues to add this sense of quirky charm to the role, Viniski will certainly become one of the show’s most memorable modern-day villainesses.  

At the very least, the weeks ahead are sure to be sparkly, bloody fun – particularly for those, like me, who relate to the subtle flourishes of insecurity that percolate throughout Viniski’s vengeful exterior!

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Rhonda in the Beyond

Published July 22, 2024 by biggayhorrorfan

My boyfriend in Chicago in the early ’90s was best friends & occasional roommates with a talented actress named Rhonda Reynolds. Rhonda and I weren’t incredibly close…horror films made her physically squirm in discomfort…but she once acted in a short play that I wrote, and we had many of the same musical likes. In fact, I still have the L7 shirt that she got for me when she saw them open for The Beastie Boys in Chicago. Her future husband Robb was also a talented bassist. Robb and I spent one Saturday evening, in the Wicker Park apartment that I shared with Kelly – the afore mentioned boyfriend, pouring through my CDs and cassette tapes, listening to the latest Fugazi and other alt-rock/punk gems.

In 1994, Wreck, Robb’s band, released an LP on C/Z Records and they went on tour. I went to the kick off show with Kelly and Rhonda – procuring another band shirt that I had for decades. Rhonda, herself, soon took off for Los Angeles, landing a prominent gig opposite Lloyd Bridges in a sexy TV film about a small-town scandal called Secret Sins of the Father.

Going the way of many first relationships, Kelly and I broke up that fall. We did keep in touch for a handful of years after that, though, and I learned through him that Rhonda was landing other nighttime gigs, here and there. But my ears really perked up when I found out that she secured a job playing a ghost on an episode of Beyond Belief: Fact or Fiction, a syndicated anthology series that was many a young genre fan’s entree into the macabre. I never could figure out when her episode was airing, though, and as the years passed, it became just one of the many interesting factoids that decorated the background of my existence.

Of course, as I age, nostalgia is ever nipping at my heels and, in a flush of newfound determination, I recently found her segment online. As you can see from the photos alone, she played her character, an apparition warning a family against impending dangers, with an ethereal potence. Of course, my viewing was amplified by my experience with her in my theater salad days and my sincere gratitude for having lived a life surrounded by so many uniquely creative individuals. But you can judge for yourself at….

A Spirited Update:

All these years later, Robb and Rhonda are still continuing their artistic journeys  — this time through the culinary arts. Their restaurant Masa, a celebration of Chicago style Deep Dish pizza, in East-Central Los Angeles is a smashing success with both locals and the city’s many visitors. 

https://www.masaofechopark.com/

Va-Va-Villainess: Jayne Meadows

Published June 24, 2024 by biggayhorrorfan

Often revered for her comic antics, the surprisingly creative Jayne Meadows was also a decorated feminist. She often played creative thinkers like Margaret Sanger and Elizabeth Barrett Browning on PBS’ Meeting of the Minds, which was created by her husband Steve Allen, exposing society to important female historical figures. MS Magazine even paid special tribute to her upon her death (at the age 95) in 2015.

The other surprising side to the eternally glamourous Meadows has to be the aptitude she had for playing characters who embraced the underside of society. Emphasizing her youth and looks, many of her first film roles in the ’40s found her playing spoiled society types. There, she threatened the happiness of such stalwart cases as Katherine Hepburn (in Vincente Minnelli’s moody and gothic Undercurrent) and Anne Baxter (in the more lighthearted The Luck of the Irish). The whimsical Enchantment (1948) was a nice detour in that more seductive course. This feature allowed her to play a stern, uncompromising type against David Niven, the project’s charming lead.

A veteran of 6 Broadway shows before her screen debut in 1946, one of her most highly praised early roles, though, was in the inventive noir Lady in the Lake (from that same year). Here, her dexterity with language was revealed, as she often cut away at her dialogue with a clipped antagonism. Her character here was also more of a deadly construct. While her other roles hinted at the possibility of evil deeds, this project found her committing them with vigor and resolve.

Nicely, her latter-day work contained certain diabolical elements, as well. While her kindhearted madame on an episode of Matt Houston (1983’s The Beverly Woods Social Club) was merely rouged a bit around the jawline, her self-involved cosmetics queen on Murder, She Wrote (1986’s Murder by Appointment Only) allowed her to employ her way with a quip and an arched eyebrow. Catty and demanding, she simply steals the show out from under such experienced performers as Robert Culp and even series star Angela Lansbury, herself.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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