gay performers

All posts tagged gay performers

As the Stab Burns: Another World’s Sin Stalker

Published June 14, 2026 by biggayhorrorfan

After years of playing proud and upstanding types on daytime dramas like The Doctors and Search for Tomorrow, well known gay, New York based actor David O’Brien got his Norman Bates on by playing Dr. Alan Glaser AKA “The Sin Stalker” on Another World throughout the spring and summer of 1987.

Famously, Glaser stalked popular country singer Crystal Gayle for singing lustful odes at Felicia Gallant’s (Linda Dano) top flight nightclub and even killed off established cast member Petronia Paley, who had played the notable Quinn Hardy for six years, in a particularly vicious attack.

Goaded on by the voice of his long dead mother, ’60s Hitchcock-style, Glaser soon became obsessed with the assumedly virginal Lisa Grady (Joanna Going), eventually determined to make the upstart heroine his (very reluctant) bride. Naturally, the fact that Lisa was a psychic, often receiving flashes of the Stalker’s evil actions, only added to the soapy intrigue.

Legacy character Donna Love, then played by Philece Sampler (of Days of our Lives and Rituals fame), didn’t fare so well with Glaser’s affections, though. Trapping her in a lighthouse tower, Glaser intended to put an end to Love and her often mischievous ways. A rescue attempt by John Hudson (David Forsythe), the frightened lass’s brother-in-law, resulted in an audience reveal of Alan as the formerly-mysterious killer and a highwire fall that left the heroic Hudson temporarily blinded.

Kindly doctor Jamie Frame (Laurance Lau) also felt the wraith of this twentieth century marauder. Its obvious that O’Brien is having a great time as he rises up from behind a garbage dispenser and, sneakily, attacks Frame in a parking garage.

In fact, it is his commitment and actorly-reveling here that helped make this story so memorable to passionate fans of the show. Of course, the week long appearance of Gayle as a potential victim, the noir-style lighting that decorated Gallant in several red herring sequences and the presence of Lisa’s supernatural abilities all added grand flourishes to this story, helping to bring it a significant notch or two above a standard psycho on the loose tale.


Pride Notes:

O’Brien, who died of AIDS in 1989, spent well over two decades in daytime television, making him a perfect (if previously unheralded) Pride Month subject. While his life was cut much too short, the amount of entertainment he was able to give throughout his career was paramount, making his impact on the genre one of long lasting significance. An honored member of our community, his impact should never be forgotten. 


In Remembrance: Tommy Kirk

Published October 12, 2021 by biggayhorrorfan

After gracing their lots for a wide variety of projects throughout the ‘50s, the exuberant Tommy Kirk was let go by Disney upon the discovery of his homosexuality. Thankfully, for genre fans, low budget studios like AIP were eager to bank on his childhood & teenage fame and cast him in a variety ‘60s cult projects. Indeed, titles like Village of the Giants, Mars Needs Women, Blood of Ghastly Horror and The Ghost in the Invisible Bikini have a special place in the hearts of genre lovers, worldwide.

Still, the fact that Kirk had to hide his true nature for a large part of his existence, akin to such contemporaries as Anthony Perkins, Tab Hunter & Tom Tryon, lent his death this past September a truly somber and bittersweet edge. Thankfully, though. Kirk got to see some changes during his lifetime. Openly gay (and bi-sexual) actors such as Peter Porte, Adam Huss. Matt Comer, Jim Parsons, Mike Manning & Luke Evans are often cast in projects, many of them often playing straight characters as well as gay.

In loving memory of Kirk, let’s hope this a trend that continues, ad infinitum.

Tommy Kirk – 1941 – 2021.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Unsung Heroines of Horror: Patsy Kelly

Published July 4, 2021 by biggayhorrorfan

Her teaming with the stunningly tragic Thelma Todd in a series of comedy shorts in the ’30s brought the zaftig Patsy Kelly fame and critical renown for her clowning abilities. But by the ’40s, her career had dried up. Hollywood was not ready to accept Kelly’s refusal to hide her lesbianism or to even downplay her preferences to the masses.

Unfortunately, this proud, unwavering stance forced her to live through some lean years. A friendship with the iconic Tallulah Bankhead (Die, Die, My Darling) carried her through the ’50s and ’60s. (Kelly worked both as a real life and on stage companion to that mercurial talent.) Thankfully, by the early ’70s (with many of the Tinsel Town executives who shunned her either forgotten or dead), Kelly found latter day success in a number of Broadway vehicles. These turns eventually found her gainful employment – of all places – in two Disney flicks, including Freaky Friday (with future notable Sapphic, Jodie Foster).

Thankfully, in 1968, this unforgettable performer (who also provided ample buffoonery to 1939’s The Gorilla with Bela Lugosi), also made a pit stop in Classic Terror Town with her affably odd performance of Laura-Louise in Rosemary’s Baby. Playing a character who is overly devoted to Rosemary’s demonic offspring, Kelly resonates most in her final moments of the film. But any time she is onscreen here, particularly when she is sharing space with fellow golden oldie Ruth Gordon, is a fine one – making this often overlooked entertainer, a true unsung heroine of horror!

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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