As The Stab Burns: Kim Coles

Published August 2, 2023 by biggayhorrorfan

Proving that the tears of the clown do run the deepest, comedienne Kim Coles’ (Living Single, In Living Color) recent run as Nurse Whitley on Days of our Lives was decorated with both tragedy and laughter…with a good ole dash of psychotic fury thrown in for good measure, as well. 

After Abe (James Reynolds), the show’s mayor and a legacy character extraordinaire, was hospitalized, he discovered one major post-surgery complication – Coles’ overly friendly, extremely deluded healthcare practitioner. Convincing him that she was Paulina (Jackee Harry), his powerful and loving wife, Whitley kidnapped him and held him captive in her apartment – one strewn with colorful stuffed cat plushes and overly cheery paraphernalia. As the confused Abe grew ever leery of her story, Whitley conceived scheme upon scheme to keep him in the dark and by her side. 

With definitive echos of Stephen King’s Misery, the increasingly desperate caregiver even began drugging Abe, eventually finding a way to convince his family that he was dead. Of course, all that begins badly generally ends happily in the world of daytime and, after one last ditch effort to erase herself & her captive from existence, Whitley was caught and brought to justice.

Besides proving that King’s tales should provide more fodder for soap opera stories, this saga gave Coles a delightful way to expand her talent palette. Alternately vibrating with tenderness, confusion and menace, she made the most of this unusual opportunity, ensuring this story was a fun…& historic ride. *

(* – This tale was one of few in the show’s many decades that revolved around and utilized a Black cast almost exclusively.)

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan

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Shark Bait Retro Village: Hardcastle and McCormick

Published July 28, 2023 by biggayhorrorfan

Each week the gang on Friday the 13th: The Series tangled with the discovery of yet another destructive, escaped object from their antique store. Similarly, every Sunday night for three years, Hardcastle & McCormick were trafficking in lost items of their own. Of course, this duo’s artifacts were of the human variety – felons and bail jumpers. Sometimes, they even had a special guest or two to help them out.

Inquisitive senior citizens have long played a part in horror – From Olivia de Havilland’s shattered matriarch in The Screaming Lady to the overwhelmed & curious residents of the more recent Bingo Hell. Unsurprisingly, the quirkily divine Mildred Natwick was often found playing investigative elders. In the early ‘70s, she, along with the legendary Helen Hayes, was one of the crime solving The Snoop Sisters. Then in 1985, on the detective show Hardcastle & McCormick, she returned to that familiar territory. This time her co-star was the equally renowned Mary Martin, who joined her as one of the gruff Hardcastle’s (Brian Keith) aunts on the (unsurprisingly titled) Hardcastle, Hardcastle and McCormick episode. 

Ever quick to accuse an innocent gardener of burying bodies, May (Narwick) and Zora (Martin) have a hard time convincing their nephew and Mark McCormick, his ex-con ward (Daniel Hugh Kelly), that they have overheard a murder plot when wrapping up their stay with them. Forcing the reluctant Mark into action, they soon find the intended victim floating in his pool. Of course, this planned one shot kill hits a snag as the curious women uncover more and more and find themselves in the line of the murderer’s fire.

As expected, these seasoned pros – Natwick was nominated twice for a Tony Award while Martin won three – have great chemistry with Kelly, who nicely mixes exasperation and affection when dealing with the overreaching arms of their characters’ curiosity. The ladies, of course, eventually make it out of these dangerous circumstances alive, ending their visit on a note of humor. As both women leave, they affirm that Hardcastle’s promise to come stay with them soon is met on deaf ears – he is way too unpredictable and hard to control for a drawn-out vacation with them! Thus, as Martin’s last acting credit ends, one is filled with a true sense of fun if not artistic significance.


Horror Hall of Fame:

Most of Martin’s work was done on the stage while (series regular) Brian Keith made an appearance in a 1982 television film adaptation of John Saul’s Cry for the Strangers. Natwick, meanwhile, made many appearances on such classic genre anthology shows as Alfred Hitchcock Presents, The Evil Touch and Suspense. Kelly, whose major motion picture debut film was as the cuckolded husband in Cujo, also has multiple terror credits (The Monkey’s Paw, Devil May Call, Mischief Night).


Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Mary Martin

Published July 19, 2023 by biggayhorrorfan

Often coming off as the epitome of refinement, regal Broadway enchantress Mary Martin actually erred toward the darkly mischievous as a creative type on occasion. For instance, she was the first to give voice to the saucy, sexually adventurous My Heart Belongs to Daddy in Cole Porter’s 1938 musical Leave it to Me! Her take on To Keep My Love Alive, Morgan le Fay’s smart confession of romantic murder making from Rodgers & Hart’s A Connecticut Yankee, is also loads of devilish, eye winking fun. 

On a lavender note, the witty lyrics comprising le Fay’s arch confessions are written by the truly unforgettable Lorenz Hart. Tortured by what he thought was his unfailing unattractiveness, the homosexual Hart drank himself to death by the early age of 48. Thankfully, loads of his insanely creative songs live on to this day. 

Martin, meanwhile, had her own sewing circle stories. She was long rumored to have carried on a decades-long affair with Academy Award winning actress Janet Gaynor. Reports from contemporaries, emerging after her death in 1990 at the age of 76, confirm this secret – allowing for a portrait of a performer who truly knew her way around complex dualities. Thus, we believe both her María, The Sound of Music’s heroic novice, and her much darker, horror movie ready le Fay.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Breaking the “Psycho”: Jessica Walter

Published July 12, 2023 by biggayhorrorfan

In what may have been the delicious nadir of her career, the irreplaceable Jessica Walter appeared in episodes of both Joanie Loves Chachi & Matt Houston in 1982. Of course, Walter, who proved her artistic mettle to genre fans as the psychotic Evelyn in Play Misty for Me and the bitter Frederica in Home for the Holidays, added her truly unique je ne sais quoi to her portrayals in each quickly canceled project. ( Note: JLC lasted for 2 mini-seasons and MH was terminated after its third year.) 

Interestingly, on the former, Walter played a less homicidal variant of her Misty role. As a record executive determined to get Scott Baio’s virtually hairless Chachi into bed, she aggressively manipulates the young man. In a virtual recreation of Evelyn’s actions with Clint Eastwood’s Dave, she even appears unexpectedly at his home. After all this unnecessary lasciviousness, the script does give her a nice monologue about the hardships of being a woman in business – an almost conciliatory reaction to Joanie’s hurt & that character’s unshakable importance to her desired target’s life. 

This type of emotionality is also at work in her final moments as Glynnis, a personal secretary with multiple secrets on Matt Houston. Riding shotgun to the amusingly silly plot involving a cheery yet trigger happy robot, Walter gives her teary all as her deceptions are finally revealed. This is even more impressive as Walter spends next to no screen time with the performers playing her co-conspirators, ultimately showing off the true power of her imagination and the precision of her technical skills. 

Of course, sadly, due to her death in 2021 at the age of 80, there will be no more deliciously campy guest spots such as these for Walter. But with over 160 credits before her passing, her memory will proudly live on (in a variety of genres) throughout the decades to come.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Unsung Heroines of Horror: Jessica Simpson

Published July 5, 2023 by biggayhorrorfan

I’ve always kind of dug Jessica Simpson. From the start, I liked her voice and look. Granted, her (decades ago) relationship with Nick Lachey may have been a bit publicly infantilizing, but I always admired that, in its aftermath, she seemed to come into her own and take control of her artistic narrative.

Then there is her acting career. While her contemporaries like Britney Spears and Christina Aguilera made appearances on Will and Grace & The Voice, Simpson truly went the distance and put in a chilling appearance in The Collection episode of the Forrest Whitaker hosted The Twilight Zone reimagining in 2003. Here, as a child psychology student named Miranda Evans. Simpson learns, without a doubt, that Mattel is madness and that the seemingly sweetest little girls are never to be trusted.

Indeed, after being assigned by an agency to babysit the angelic Danielle (Ashley Edner), Evans/Simpson soon discovers that the child’s dolls have a life of their own. But, as the vengeful toys surround her, she ultimately learns that the danger she faces might be a bit more lifelike than she at first realized.

Nicely, acting-wise, Simpson resonates with the cinematic energy of multiple ’80s final girls and it would have been nice to see her do more horror-related projects. Perhaps, the future may find her playing the matriarch in a haunted house story or enacting the travails of a forensic expert turned novelist facing down a clan of serial killers. —- Now that would be the sweetest sin!

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Hopelessly Devoted To: George Nader

Published June 25, 2023 by biggayhorrorfan

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Often cast as chiseled heroes and stoic police detectives, George Nader’s talents as an actor were never fully exploited. Granted, rising to fame after playing the bare-chested lead in the execrably notorious Robot Monster could have had something to do with the lack of diversity in his roles. That the majority of his Hollywood films were with B-Movie factory Universal Pictures also might have helped seal his fate. 

But what stands out the most about his life to me is how long lived (and seemingly happy) it was compared to many of his other queer contemporaries. His relationship with former actor Mark Miller lasted 55 years, ending only with Nader’s death, at the age of 80, in 2002. A sense of resiliency also seems at play in his personality. When an injury made working on camera difficult, Nader, creatively, turned to writing. His novel Chrome was one of the first widely distributed science fiction novels to deal with homosexual themes. 

Ultimately, even his performances have a celebratory impact to them. Akin to (fellow expat sex symbol & equally well-regarded performer) Carroll Baker, he was embraced in Europe in the ‘60s, appearing as a stalwart FBI Agent named Jerry Cotton in a number of fun espionage features. Even the most ardent numerologist couldn’t resist such titles in his resume as The Million Eyes of Sumuru & House of 1,000 Dolls, as well. Nicely, both of those features have been re-released, in the last decade or so, as special editions, granting him a much-deserved celluloid legacy and the privilege of being thought of as a cinematic cult figure of note.

#georgenader #pridemonth #pride2023 #lgbtqia #family

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Va-Va-Villainess: Monica Lewis

Published June 18, 2023 by biggayhorrorfan

Sybil Meriden. If you guessed that might be the name of a cinematic troublemaker – then you’d be correct! As enacted by vivacious singer-actress Monica Lewis in the 1952 MGM musical Everything I Have is Yours, Sybil was definitely the type of woman that no self-aware wife would trust. Vixenish to the extreme, this slinky contender not only gladly eclipsed Marge Champion’s devoted Pamela professionally, but she decided she also wanted her husband, played by Marge’s real life spouse Grover, as well. Naturally, as in all feel good entertainment, her plans were vanquished by the final sequence. Lewis, herself, soon realized that Metro, to whom she was signed, wasn’t going to promote her adequately. Thus by 1953, much like Meriden, she took the proverbial A-Train, hightailing it back to the glamourous nightclubs of NYC.

Nicely, decades later, Lewis would regain her celluloid grounding by appearing in number of the disaster flicks being produced by the legendary Jennings Lang, her husband. The most popular of those appearances include Earthquake, where her resolute secretary is lowered from a destroyed building via her own pantyhose, and Airport ’79. In the latter, she essentially played herself, a successful jazz singer traveling with her famed accompanist, played by Good Times’ popular Jimmy Walker.

Remaining active until her death at the age of 93 in 2015, Lewis’ eclectic career is properly memorialized at https://truecompassdesigns.com/monica-lewis/.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Vivien Leigh

Published June 11, 2023 by biggayhorrorfan

Her brilliant, deluded Blanche Dubois set the gothic precursor for scores of questionably sane ladies in horror. Indeed, the strains of Vivien Leigh’s expert creation can be felt in everything from quieter projects like Let’s Scare Jessica to Death to the more bombastic strains of Whatever Happened to Baby Jane?

Of course, as an extreme go-getter and all around connoisseur of women on the fringe, Leigh returned to this grim psychological territory with (the latter day) Tennessee Williams’ piece The Roman Spring of Mrs. Stone. Here, her essaying of the title character concluded with the enacting of a love starved death wish, an even more extreme journey than the one the playwright eventually sent DuBois on. 

Unsurprisingly, as a woman of many talents, Leigh performed some of her most acclaimed work on the theatrical stages – even winning a Tony for her work in the 1963 musical Tovarich.

With footwork as skilled as her sense of dramatics, it’s no wonder the world mourned her tragic death at the age of 53 from tuberculosis.

Until the next time, SWEET love & pink GRUE, Big Gay Horror Fan!

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First Time I Ever Saw Your (True) Face

Published June 1, 2023 by biggayhorrorfan

From the moment that Father Lou asked me, at one of our post-Sunday mass family get-togethers, to do some odd jobs around the parish, I knew exactly how I was going to spend the money I would earn. For weeks I’d been excitedly eyeing an 8-track player at the family run True Value hardware store near the expressway…and now, Dana Kimmell willing, it would be mine. Dana Kimmell, for all those who are unusually uninspired, is the heroine of Friday the 13th Part 3. I look to her as a savior of some sorts. If Chris, her resilient yet emotionally awkward heroine, could survive the strain of judgmental friendships & the onslaught of an unstoppable killer, then I can endure the realities of existing in such an unglamorous, excitement-less town as East Randolph, NY.

To Illustrate – our town has no stoplights or movie theaters. There is no work out facility or any name brand department store, as well. But in seeming deference to the farmers and factory workers that comprise the bulk of its population, there are two hardware stores. McNally’s Hardware in the heart of town has been the local favorite for decades – its friendly, rumpled owner always present there in a pair of faded gray bib overalls. He wanders among the never changing, dusky open-ended bins of nuts and bolts and practical tools, beaming whenever his assistance is requested. Famously always costumed in his downbeat attire of choice, he pays cash for everything – keeping a wad of green tucked inside the front pocket of his never altering outfit. My dad loves to tell the story of how a shiny brute of a salesperson almost turned McNally away from purchasing a new vehicle – until he noticed the indentation of cash and realized the unaccomplished gent in front of him was actually going to pay in full…and not with a check. The shinier True Value was a newer addition to our manure strewn burg – appealing to younger families and the truckers who veered off the highway for food and supplies. And while McNally would have never dreamed of carrying frivolous accessories, rows of comic and colorful lawn ornaments greeted you when entered the bright confines of this rivaled counterpart. And there, on a table towards the front, sat the greatly reduced item of my fascination. No surprise there. It is 1983 and the era of the cassette Walkman. Bins of sale priced 8-track tapes reside in hidden corners of any department store that you wander into. While most of my contemporaries would have properly scoffed at this totally uncool, completely uninvestigated bounty, to me it seems like a cornucopia of undiscovered music that I can commander on the cheap – if only I had the necessary equipment. I long to dive into the riches of the titles that I had already purchased for seeming pennies – Cher and Greg Allman’s Two the Hard Way, the critically reviled recorded culmination of this famous duo’s short and combustible cohabitation, Joan Armatrading’s Show Some Emotion and the film soundtrack recordings to Grease and Sgt Pepper’s Lonely Hearts Club Band – a perfect stew of funky, pre-teen sonic bedevilment. And now the time was at hand.

We don’t have many muggy days in our miniature municipality. Surrounded by shaded hills and rolling meadows, we are in the heart of ski country-and a good hour or two away from the moist atmospheres brought on by Lake Erie. But as I set out to clean out Lou’s garage and straighten out the parish lawn, it is bursting with warm heat. I walk down Main Street, the primary boulevard, past the Children’s Home, the town’s modest gas station, the high school and McNally’s Hardware. The winding strip also contains the rectory and St. Patrick’s Church, buildings that reside shoulder to shoulder, at one of its’ furthest tips. I arrive sweaty and Lou forces water on me. Like any 14-year-old, I would much prefer a glass of soda…even something of the generic variety. But that seems out of the question at this venture, especially considering his visibly parental concern over my well-being. So, I settle for the H20 and try to ingratiate myself to its restorative effects. When he is finally convinced that he has helped me avoid the degenerative onslaught of heat stroke, Lou gives me a cursory description of what he would like done. He then excuses himself for a nap, telling me to come wake him when I am through. He will drive me home. He decisively informs me, mama lion style, that am not walking back in this heat!

Labor-wise, it seems like I am through with the bulk of the chores before a half hour has even passed. Worrying that Lou will think I have rushed through things or that I perhaps have skipped over some important detail of the proceedings, I linger, moistly, over some minor activities – washing the windows of the garage, collecting the garbage strewn about the parking lot – I want it to appear that I have thoroughly committed myself to the tasks at hand.

Finally, it feels as if I can dawdle no longer and I enter the rectory through the kitchen door, making my way through the dimly lit living room and up the stairs to the bedroom. As I advance up the steps, it dawns on me how unusual this scenario is and a slow bead of fright starts to drip slowly into my consciousness. I am entering the bedroom of a man who has swiftly become like an uncle to me, a revered agent of god. In our simple familial theology there is not much difference between our local clergy and the president of the united states and something feels off about this. Perhaps, this is merely reality bursting forth, the oddness of his chosen vocation finally seeping through the walls of my budding sub consciousness. That spring I was shepherded together with a bunch of other teens to listen to a group of nuns talk about their lives, in the ever-springing hope that some of us would examine ourselves and perhaps, one day, join them in their calling. This career day for the sacramental arts seemed to misfire for all of us attending, though. We itched uncomfortably in our seats, mentally begging to be released from the unrelentingly suggested assault of such a life denying profession. For days afterward, I feared that, as they suggested, some spirit of devotion would overcome me and I would be compelled to join them on their religious journeys. Therefore, thoroughly embracing the muse of counter-activeness, I fearfully found myself masturbating every spare second that I could, sure that such willfully enforced horniness would turn sour any benevolent urges to pursue priesthood that suddenly might consume me. The fear of such entrapment still lingered with me that day – along with a tiny distrust, a worry for the strange path that could lead anyone, including our family’s beloved Father Lou, toward such a strict and solitary vocation. How sexless they must be.

Still, I enter his bedroom, rosy hued with the dimming afternoon sun. He lays crumpled on his right side, breathing heavily. Sheets and blankets are swirled around his heavy form, moving up and down to the sluggish atomic force of his jagged breathing.

“Father Lou,” I called out, hesitantly.

He stirs…wakes. Slowly rising and facing me, like a vine less Dick Durock emerging from the Swamp Thing‘s cinematic quagmire, he remains laying on his side – his torso arched towards me while his legs are still curled into the depths of his queen size mattress. He breaths deeply for a moment and takes me in, frozen in the doorway, unable to step further into what now feels like dangerous territory. He laughs lightly as he genre-hops, stylistically. Pouting his lips out now, like a heavily made-up nightclub chanteuse, he stretches out his lower leg, a rotund Marlene Dietrich lounging his body across some imaginary piano top. “Have you come to ravage me in my bed?” he sings out, girlishly.

The room shifts and I feel my body leave itself. It’s as if mother Mary herself has smacked me in the face. If anything, I was expecting him to brusquely rush me from his quarters…even thought I may have misunderstood his instructions and that he would scold me for invading his privacy…but not this. Seeing my shock, he rolls onto his back and wraps the blankets that have fallen away tightly around him. He laughs, dismissively, and tells me to meet him down in the kitchen. I should grab some licorice from the jar and a can of root beer from the fridge. Minutes later, he emerges into the bright light of the pantry – a check for me in one hand and his keys dangling from the fingers of the other.

He chatters, brightly, as he drives. I know that I will walk back this way later this afternoon. I will not be able to stop myself from collecting my bounty – I have 8 tracks to listen to, after all. I try to think of all the fun I will have tucked away in my room, my new toy spinning out sounds that I have waited months to hear. It is easier to concentrate on that hopeful future than to focus on what has just happened. It was a joke I tell myself, ignoring the salacious intent…the truth of perversion I had seen glinting in his eyes. It will, I assure myself, never happen again…


Note: (My first horror movie buddy was a priest named Lou Hendricks. Several years ago, Hendricks was named by the Western New York Catholic diocese as one of their most unrepentant predators in the ’70s and ’80s. Thus, I grew up watching monster movies with a monster – a man who was like an uncle to our family. Over the next few months, I will be sharing some of my stories from that period of time.)