Carrie

All posts tagged Carrie

Peek-A-Boo

Published March 1, 2023 by biggayhorrorfan

I had made up my mind that it was never going to happen.

But Channel 59 was playing a Saturday October afternoon marathon of neutered horror flicks – Halloween 2, A Nightmare on Elm Street and Carrie – all interrupted, periodically, with brightly announced ads for local car dealerships along with speaker exploding reminders about the playtimes of long cancelled network shows and newly produced syndicated sitcoms. “See Mama’s Family every Saturday night at 7:30!” and – “Go back to a simpler time every afternoon from 3 to 4 with the Ingalls Family and Little House on the Prairie! Unsurprisingly, that Little House time slot was a favorite at Eden Heights, the old folk’s home that I volunteered at every Wednesday afternoon with several other eager, socially minded classmates. One of the beleaguered yet incredibly feisty residents – she once spat at a visiting Bishop and threw the rosary that he offered her back into his mighty, quickly reddening face – was a particular fan of the show. Every time that I entered the home with my fellow ambassadors of conscientiousness, I could hear her bellowing from her bed, “1,2,3, 4! The kids are here! The kids are here! I’m gonna kiss ‘em then I’m going kill ‘em. I’m gonna kiss ‘em then I’m gonna kill ‘em. Then, 1-2-3-4, I am gonna make ‘em sit ‘n watch Little House on the Prair-r-r-ie!” She, quite simply, was my heroine. 

Her outrageousness seemed on the same Zen-like plane as Patti Smith, a squawky voiced punk priestess whose LPs I had begun discovering in cut out bins, after school, at mid-range department stores like Fisher’s Big Wheel. Most recently, I had found her 1976 recording Radio Ethiopia shoved into a tightly packed, impulse buy side rack at a grocery store checkout lane in Salamanca, New York.  I loved the incongruity of finding an LP that featured a song called Pissing in a River, which I was surprised to discover was a fairly mournful ballad about the fading embers of youth, in a supermarket that catered to grade school moms and the hopeful, soon to be tenured teachers at the nearby academy of higher learning. 

That afternoon, unsurprisingly, Lou also had his own ideas about further education- in this case, my own. Gathered together in his living room to watch the previously described, mostly bloodless terror-thon, he nestled against me, leaning his head on my shoulder, breathing words of hysterically inept seduction. 

“You can take me like Rod takes Tina, stud,” he whispered in my ear, referencing A Nightmare on Elm Street’s doomed couple.

I chuckle nervously.

“That didn’t end so well, Lou.”

“True.” Beat.  “You’re no fun,” he purrs with a cattish pout. He’s a round, bald bastardization of Ann Margret in Bye, Bye Birdie, a film that my brother and sister and I have recently watched in this very room while my parents were visiting, gossiping about church business into the long hours of a small town Saturday night. Now, on a kittenish roll, he begins rubbing at my crotch in long, incredibly cloying circles. I shift away from him, decidedly uncomfortable, a fact that he just as decidedly ignores. 

“Take me now, Brian, and I’ll buy you a flower and bring you to the prom like Tommy did with Carrie.” His eyes twinkle, a comic counterpoint to a statement that is not only desperately silly, but almost unknowingly cruel. It hits too closely upon desires that I have long harbored in secret. I would love for some handsome young athlete to proudly escort me to a school dance. Often I have longingly stared at schoolmates driving off from Homecoming mixers in cars with their college age sweethearts. How, I wonder each time, did they pull off such a seeming impossible, totally desirable coup? Even my dreams at night are filled with images of me on dinner dates with ripped n ready soap opera studs…and the fact that Lou so assuredly crowns himself as being superior to them in desirability pushes at me with a fiery force. 

“Fine,” I say. “Let’s do it!!”

“What?”

“Show me what you got!”

For the first time ever, I grab at his pants. Leering my fingers at his belt, I jerk at it with awkward revulsion…pawing at him, almost claw-like, the way my mother must do with certain objects. I have watched her make the motions I am now making 1000s of times. Her right hand withered by a childhood bout with polio, I have had to help her open cans, latch the buttons of her girdle, reach for out of place objects since the early days of my childhood. Now, I am, momentarily, afflicted like her, the physical cause of my distress not some relentless virus, but the seemingly unstoppable sexual overtures of Lou. 

For the first time, Lou seems a bit nervous, if agreeable.

“Let me do it,” he squeaks. Then, in what is probably mere seconds, but feels like a film-roll eternity, his black tweed pants are down and bunched at his thighs. I almost laugh at what their unbuttoning reveals. Lou’s underwear is luminously grandfatherly – large, white cotton briefs with majestic give. Standing there, momentarily knock-kneed, he hardly represents the “underflair” highlighted in actor-model Jack Scalia’s highly provocative ads for Eminence briefs. 

Still, pent up annoyance rallying me forth, I reach for their elastic band below Lou’s smooth, rounded gut. Maybe he has an amazing cock? It almost might make this worth it, but…

No.

It is stubby and short – a thin 4 and a half inches. But I’ve started this and, as with the other awkward encounters I’ve had with older summer stock actors, I believe I’ve begun this, so I have to see it through. I don’t want to suck it, though, so I cup my palm around it – squeeze it once, twice, three times. Lou gasps as tiny drools of ejaculate start to leak from the tip.

Suddenly, a car door slams and the sound of crunching gravel echoes closer and closer to the back entrance of the rectory. It is my father coming to pick me up. 

Lou’s eyes flare with mortified adrenaline. He hikes forward, dragging his pants up his nearly hairless legs, hitching his fingers into his underwear and pulling them towards his belly almost simultaneously. Boisterously calling out “Hello,” my father enters through the kitchen, as Lou scatters up the stairs to change. 

I wipe my thankfully clean hands down the sides of my jeans as I turn towards the television. Jamie Lee Curtis, clad only in a hospital nightgown & what I can only assume is a very bad wig, hobbles down a long & winding corridor – a dankly lit path that does not seem to end. I sigh, as my father swings his head into the room and waves at me. I nod, my thoughts elsewhere. I am concentrating on Jamie and the path she jaggedly weaves down. I think that if she can make it out alive, maybe so can I.


Note: (My first horror movie buddy was a priest named Lou Hendricks. Several years ago, Hendricks was named by the Western New York Catholic diocese as one of their most unrepentant predators in the ’70s and ’80s. Thus, I grew up watching monster movies with a monster – a man who was like an uncle to our family. Over the next few months, I will be sharing some of my stories from that period of time.)

Forever Carrie

Published September 5, 2021 by biggayhorrorfan

The handsome thirty something guy, who I’ve seen out and about as a popular and charismatic force in the gay community for years, boldly and dismissively ignores me when I happily nod a good morning to him at the bike racks out in front of the gym. Instinctively, I know that there could be a multitude of reasons for that rudeness – lack of caffeine, a problematic day that, now that his work out his over with, is weighing heavily before him, a head that is overwhelmingly lost in some ear worm tune that he can’t, frustratingly, eradicate from his consciousness. Or, and most likely of all, he is simply an attitude graffitied queen who perpetually wears his asshole-ness as the flavor du jour. Understandably, all of these options are analytical reflections of him. None of them, I know, personally, should affect me, yet….

….immediately I’m thrust, emotionally, back to those decades disappeared high school days. Those four years spent doused in the perfume of being lacking in what so many of the others around me determined was worthy seem so long ago – and they were – yet they are ever present. 

It is why at 53, horror films still hold such a sway over me. As a young man, dealing with the daily rigors of rejection, I connected fully with the genre’s glorious outsiders – Carrie, Halloween’s Laurie Strode, Friday the 13th Part 3’s Chris…even The Wizard of Oz’s Dorothy, my first love, was definitely a stranger in a strange land. Those characters helped me understand that there was power in my otherness. They proved that there were benefits to not being the king of the pride – surviving the night being primary among them.

And over the years, I have done more than just survive the night. I’ve thrived. Yet, a simple gesture can take me back there – to that feeling of not being deserving, of feeling unequal, ashamed. So, on that recent day, as that old familiar awfulness overpowered the pit of my stomach, I defiantly loaded weights off and on the racks and bars…while giving silent thanks to those celluloid entities that I not only recognize myself in, but who also gave and gloriously continue to give me hope. The Carrie’s, the May’s, they are lifesavers and proof why the horror genre, which is often given a less than reputable rap in film society circles, is ever so vital and so, so very important.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

http://www.facebook.com/biggayhorrorfan

Music to Make Horror Movies By: Betty Buckley

Published May 27, 2018 by biggayhorrorfan

Betty Carrie

She’s one of Broadway’s reigning divas. Fans of Carrie and Split also claim her as their own. But there are probably few as singular and solitary minded as the exquisitely talented Betty Buckley.

Interestingly (and in a twist of fate as unusual as herself), Buckley who played the kindly Miss Collins in Brian DePalma’s classic adaptation of Stephen King’s novel also played Carrie’s deluded mother Margaret in the widely panned, short lived Broadway adaptation of this beloved horror shocker.

Recent reexamination has given this work a renewed appreciation. But, as evidenced in the video below, Buckley always seemed to know the piece’s worth. Her performance here is deliberate, delicate and captivating.

Buckley, meanwhile, who is releasing a new recording called Hope in June, is always bringing heart and soul to www.facebook.com/BettyBuckley/ and www.bettybuckley.com.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Amy Irving

Published February 12, 2017 by biggayhorrorfan

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Amy Irving regretted picking on Carrie and lived to tell the tale. Of course, as everyone knows, any wickedness in the world of horror is eventually compensated for. Therefore, Irving’s Sue Snell did eventually pay the ultimate price for her past misdeeds in 1999’s highly contested sequel The Rage: Carrie 2.

Perhaps, she could have taken some advice from Jessica Rabbit, the character she voiced/sang in 1988’s modern classic Who Framed Roger Rabbit.

Irving, who also provided some sweet tunefulness in (the Willie Nelson starring) Honeysuckle Rose, famously sent John Cassavetes’ evil Ben Childress to a fiery grave in Brian DePalma’s The Fury, as well. Now, that’s a nice record!

amy-irving-the-fury

Until the next (semi-explosive) time – SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Martha Reeves and the Vandellas

Published January 22, 2017 by biggayhorrorfan

martha-reeves_vandellas_bandstand

She was one of Motown’s reigning divas and, along with her famed backup group the Vandellas, Martha Reeves also provided one of the most prescient songs on the 1976 Carrie soundtrack.

carrie-1976-19-seductive-chrisAs the evil minded Chris (Nancy Allen) and Billy (John Travolta) cruise around, conspiring revenge and destruction, Heat Wave, one of Reeves’ most iconic numbers, plays on the car radio. With all the fiery prom night action that occurs soon after, this song proves to be a wise choice, full of dark, foreshadowing measures.

Reeves, who has also worked as a journalist and politician, still performs around the world, often in benefit concerts. More information on her astounding career and activities is available at http://www.missmarthareeves.com/.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

www.facebook.com/biggayhorrorfan

 

Review: Split

Published January 19, 2017 by biggayhorrorfan

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Don’t Breathe. Lights Out. Occulus. Insidious 2. The Conjuring. Those are just some of the recent horror films that, off handedly, paint their maternal characters, in lead or supporting roles, in a bad light. Perhaps, the fact that these women are failing their children due to emotional issues (Don’t Breathe, Lights Out, Insidious 2) or from a form of supernatural possession (Occulus, The Conjuring) does raise the dramatic stakes for some. But, upon reading that James McAvoy’s character in M. Night Shyamalan’s Split was suffering from dissociative identity disorder due to the severe abuse he suffered at the hands of his mother, I was truly tremulous about another round of matriarchal bashing, celluloid style.

Nicely, despite some issues in tone and pacing, Shyamalan does balance things out in this, his second low budget horror outing since his return-to-form with 2015’s highly recommended The Visit.  By the final moments he is able to show that oppression and violence, unfortunately, exist across all spectrums of parental guidance. The emotional fate of Casey, his young heroine, thoughtfully and quietly played by The Witch’s Anya Taylor-Joy, therefore resonates, profoundly, long after the director-writer provides the audience with his form of a Marvel movie nod as the film moves into its somber credit sequence.

split-annaCasey, as sharpened movie fans know, is one of three girls kidnapped by McAvoy’s Kevin, whose twenty-three personalities are beginning to shift with the more mischievous and violent of them gaining control over the others. Despite their fear, the girls find ways to fight back as Kevin’s various alters warn them about the coming of something referred to as The Beast. (In particular, it is nice to see such a strong reaction from female characters who, in another universe, would be caricaturized as insecure and indecisive victims.) Meanwhile, Karen Fletcher, Kevin’s therapist, who is working on an academic theory that her patients’ severe traumas have actually shaped them into something far outside of the ordinary, begins to suspect that something is not right with Kevin and begins to investigate.

Definitely vibing on Hitchcock by way of DePalma, everything from Spellbound to Psycho to Dressed to Kill might come to mind here, Shyamalan crafts some wonderfully tense set-ups.  Even when things go deliciously astray, he occasionally evokes the fun rhythms of DePalma’s (less well received) Raising Cain. This is in large part due to McAvoy’s enthusiastic mastery. Whether he is embodying the peculiar Hedwig, a nine year old who thinks kissing leads to pregnancy, or the primly efficient Patricia, he supplies the project with nervy energy and a strange, much needed sense of black humor.split-betty

Meanwhile, it is nice to see the divine Betty Buckley with a prominent role in a horror feature, forty years after her film debut as the sympathetic Miss Collins in Carrie. Calm yet passionate, her Dr. Fletcher often floats past in soft, curvy waves, accentuated by large necklaces and gesticulating, jeweled fingers. She is the smart, revolutionary aunt that young feminists (of every sex) would love to claim as their own. Unfortunately, Shyamalan doesn’t quite find a way to balance her scenes with those of the young women in peril. Therefore, momentum is lost and the tension flags.

Still, there are enough wildly eccentric ideas on display, including some the mental health industry might find questionable, and enough of Shyamalan’s astute artistry here to qualify this picture as a particular success. The last look at Taylor-Joy’s haunted eyes might also find a significant entryway into your soul, as well.

https://www.facebook.com/SplitMovie  https://twitter.com/splitmovie

  Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

 www.facebook.com/biggayhorrorfan

Kaye Ballard’s Fine Sense of Pandemonium!

Published November 6, 2014 by biggayhorrorfan

kaye 2
Move over, Nana! Best known for her comic cabaret acts, appearances on Broadway (The Golden Apple, Pirates of Penzance) and television comedies (The Mothers-In-Law, The Doris Day Show), the stellar Kaye Ballard, also, added some silly flair to the 1982 horror parody Pandemonium.

Featuring ridiculous references to everything from Carrie (enacted by Carol Kane and Eileen Brennan) to the traditional slasher epics like Friday the 13th and Halloween, Pandemonium was built around that era’s sudden horror craze. Preceded by 1981’s Student Bodies (featuring a bevy of unknowns), this production upped the ante by adding such name performers as Ballard, (her The Mothers-In-Law co-star) Eve Arden, Donald O’Conner, Pat Ast, Tommy Smothers, Tab Hunter , Sydney Lassick, Laverne & Shirley’s David L. Landers, Mary Hartman’s Debralee Scott and Superman’s Marc McClure. (It, also, had the good fortune to have the talents of soon-to-be-big names like Paul Reubens, Judge Reinhold, Edie McClurg and Phil Hartman involved, as well.)pandemonium

As expected, this tale of a killer stalking a cheerleading camp is full of (small moments of) smart satire and (plenty of) bone stupid stunts. Ballard, playing the mother of one of the potential victims (a very blonde Reinhold), gamely manages to survive both, here.

Her warning to Reinhold not to touch himself, while away for the summer, prompts the arrival of O’Connor as the family’s very blind patriarch. (Get it?!?) This fairly juvenile, yet strangely fun incident is followed by a much more obvious bit of humor (which the film contains a lot of). The family’s black sheep…turns out to be a black sheep.

kaye 1Pretty obviously just a job done for a paycheck, Ballard’s energy and professionalism is still in full force here and her focus reminds one of every over-passionate Italian mama. Besides, it is truly a joy for fans of theater offerings and horror to see her here.

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

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Holy Bloody Confetti! Chatting with the Chicago Cast of Carrie, The Musical!

Published June 11, 2014 by biggayhorrorfan

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I left my prom dress at home – but the kind cast of Bailiwick Chicago’s production of Carrie, The Musical still allowed me to chat with them after a recent show.

Carrie, the Musical runs through July 12th, 2014 in Chicago at the Victory Gardens Theatre, 2433 N. Lincoln Avenue. Further information is available at http://www.bailiwickchicago.com.

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

http://www.facebook.com/biggayhorrorfan