Waving our rainbow flags proudly, the team at Dagger Cast celebrated Pride 2022 with two amazing guests – LGBTQIA historian Owen Keehnen and maverick storyteller Sarah Yeazel. Below are brief descriptions of each episode and links for viewing.
As if watched over by the incisive, kick-ass celluloid trio of Adrienne Barbeau, Karen Black & Lynda Day George, writer-historian (and consummate horror lover) Owen Keehnen has been one of Chicago’s most colorful and important chroniclers of the LGBTQIA experience for decades now. From his work with the iconic powerhouses of ACT UP in the ‘80s to his current passionate pursuit of chronicling the history of both the Belmont Rocks and Man’s Country, Keehnen is the very essence of Pride in action. Thus, Dagger Cast is thrilled to have him as our guest this June. Please join us as Owen regales us with tales of such iconic Midwest drag personas as Miss Tillie & The Bearded Lady and explains why Barbara Hershey is the perfect scary movie goddess for his (and every) generation!
…and if that wasn’t enough for your ears and eyes to take in…Dagger Cast is further honoring Pride Month by conducting a fun and informative chat with non-binary writer extraordinaire Sarah Yeazel. Yeazel is a great storyteller and their remembrances about coming out via Kathy Bates pin-ups & reflections on Shelley Winters’ bad lesbianism in What’s The Matter with Helen? are not to be missed!
Thanks for watching…and until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!
I’ve always considered this site to be an homage to the interests of the gay men who came up in the generations before me. By doing this, my work here also almost functions as an apology of sorts. I can’t tell you the number of times that I rolled my eyes, during my rebellious college years, while some martini sipping elder gushed to me about the wonders of Connie Francis’ phrasing or the dynamic flare in Joan Crawford’s eyes while playing one of the many ambitious, conflicted women that she excelled in bringing to celluloid reality. Clutching my Patti Smith t-shirts to me like rosary beads, I vowed I would never be that kind of a gay man. But as the decades swirled past, I found myself drawn to the moody gothic antics of Bette Davis and Linda Darnell in films like Deception and This is My Love – often more so than with any of the contemporary, gut spewing epics that burst across the film festival screens at events that I attended with like-minded friends. Thus, one of the main focuses of this blog was to highlight the oddly spooky credits of those established queens of cinema. Now, I find, even when watching something a bit more mundane, I am, internally, cataloging the terror credits of the participants. (You might even find this game could come in handy whenever your significant other forces you to sit through another rom-com or slow moving domestic drama.)
Therefore, I was surprisingly delighted this past Sunday afternoon. After throwing in a dollar copy of the 1995 television film The West Side Waltz, the cinematic treatment of a popular play about two middle-aged spinster types finding renewed life due to their involvement with a hearty homeless woman and a young Bronx vamp, I realized that all the headlining divas (Kathy Bates, Jennifer Grey, Shirley MacLaine and Liza Minnelli) had some connection to the worlds of horror. Grandest of them all, perhaps, is Bates, who won the Academy Award for her enthusiastic performance as Annie Wilkes in Misery. Meanwhile, fellow Oscar winner MacLaine starred in 1972’s authentically effective The Possession of Joel Delaney, a film that might have cost her the lead in The Exorcist due to the similarity of the two projects. Less distinguished than those projects, perhaps, was Grey’s leading turn in Ritual, a still fun film that mixes the steamy, old school jungle melodrama of I Walked with a Zombie with another mighty performance from the legendary Tim Curry. Minnelli’s connections to the field, meanwhile, are more musically related. Famously, she sang back-up for shock rock legend Alice Cooper on his Muscle of Love effort while offering up a totally recognizable solo on the track Mama from My Chemical Romance’s The Black Parade – proof of the power of her own Oscar winning status.
Meanwhile, true crime aficionados may find a connection with this particular title, as well. Co-star Robert Pastorelli, who brings the same kind of goofy energy here as he did with his popular long term role on the original Murphy Brown, was highlighted as a prime suspect in the suspicious (real life) gunshot death of his girlfriend in 1999. The reopening of the case in 2002 is rumored to be a possible reason why Pastorelli was found dead of a morphine overdose that year. Hmm…you just never know what you might find within the confines of a filmic adaptation of a Broadway play, right?!
Until the next time, SWEET love and pink GRUE. Big Gay Horror Fan
In one of the most memorable scenes from American Horror Story: Hotel, Kathy Bates’ morose Iris shows Dennis O’Hare’s irreplaceable Elizabeth Taylor a sentimental video that she has made to document her lifetime. Naturally, I Hope You Dance, country goddess Lee Ann Womack’s (most famous) wishful tune is the music she chooses to underscore her personalized tribute.
Of course, country fans in the know often prefer the velvet stung, more adult side of Womack’s artistry.
The sassier nature of some of her tunes, meanwhile, sits better with others.