In 1972’s The Possession of Joel Delaney, eclectic hoofer Shirley MacLaine encountered a demonic presence that forever altered the life of Norah, the steadfast mother and sister that the actress gave passionate life to.
Thankfully, as a veteran of such musical comedies as Irma La Douce and Sweet Charity, MacLaine seems to be imbued with something much less sinister in reality…the Gypsy in Her Soul!
Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!
Reminiscent of such slow burning 70s pictures as John Hancock’s dreamy Let’s Scare Jessica to Death and (even) the Shirley MacLaine supernatural opus The Possession of Joel Delaney, writer-director Tonjia Atomic’s (55 minute) Claudia Qui is an intriguing, music laden adventure.
After discovering an ancient photo among her personal work files, photographer Claudia (a fine Barbara Burgio) soon begins to exhibit weird behavior. These occurrences are mild, at first, but soon begin to take over her life. As her concerned boyfriend (a very natural Don Ayers) fights to hold onto her, Claudia seems ready to dive, completely, into the characteristics of the mysterious persona that has been haunting her.
Filled with Josh Phenicie’s simple yet beautiful cinematography and some fine editing (including Derrick Carey’s opening and closing title sequences), Atomic allows us to amble through Claudia’s dreams (done with nice black and white photography) and somnambulant waking states. This, ultimately, creates an ending that surprises and compels viewers.
Imbued with an intimate knowledge of the arts scene and a meticulous background score of fine tunes, Claudia Qui is not a film for those who enthuse for the quick kill, but for those who like to dive into the psychological crevices of the very impressionable mind.