Review: The Knock

Published March 26, 2020 by biggayhorrorfan

Knock

There’s nothing quite like getting woken up from a deep sleep by an unexpectedly loud voice in your building’s hallway, right? Although, I imagine a soft scratch at your door followed by a bedraggled whisper of your name would be even worse. Embarking on a more intense version of that last scenario, writer-director Zach Lorkiewicz’s latest horror short The Knock almost seems to be presciently made for these late night, isolationist times.

As with many Count the Clock Productions, the visual and sonic elements of this piece are top notch. Here Lorciewicz’s glossily acute style finds its match in Terence Yoon’s coloring and cinematography, Nathan Baldonado’s moody lighting and Catharine Yang’s jump start the march score. Meanwhile, Lauren Elyse Buckley’s committed acting performance is sure to put all viewers in the head space of their own corner of the eye midnight frights.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Joyce Sims

Published March 22, 2020 by biggayhorrorfan

Joyce Sims Main

With its Phantom of the Opera style opening, Joyce Sims’ Come Into My Life burned up the dance floors in the late ‘80s and seemed the perfect song to be featured in a horror film. A few years later the producers of Species did include the popular track in a significant scene with Natasha Henstridge’s deadly Sil.

Sims caressed the keyboards with such dance legends as Mantronix, who produced a number of her most popular tunes, and is still creating new music and performing at nostalgia fests. More information on her activity is available at https://www.joycesimsonline.com/.

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Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Va-Va-Villainess: Geraldine Fitzgerald

Published March 20, 2020 by biggayhorrorfan

Geraldine Fitzgerald Harry

Best known as Bette Davis’ sympathetic companion in the classic tearjerker Dark Victory, the supremely talented Geraldine Fitzgerald was also renowned to certain cinema goers for her humor filled appearances in such ‘80s comedies as Arthur and Easy Money. Nicely, for our purposes, she also brought a tart acidity to a duo of nasty ladies in successive films in 1940s’ gothic-noir cinema.

Not surprisingly, her Crystal Shackleford in Three Strangers (1946) was a deceptively strong counterpoint to the desperately manipulative Jerome Arbutny (the always masterful Sydney Greenstreet) and the drunkenly con minded Johnny West (the singular Peter Lorre). Able to turn her character’s sweet demeanor into a scalding sense of vengeance in a quick turn, Fitzgerald’s work here sears itself into the viewer’s brain. She proves herself to be as memorable a figure as both Greenstreet and Lorre, two of cinema’s most recognizable characters, with her flirtatiously venomous ways, taking focus as the ringleader of a financial caper that proves to be the downfall of all involved.Geraldine Three Strangers

A year before her committed performance in Three Strangers, she probed even more controversial depths as George Sander’s controlling sister in The Strange Affair of Uncle Harry. As Lettie Quincey, a desperate spinster with a pathological devotion to her brother, Fitzgerald fearlessly dives into the incestuous overtures of her role, never backing down from the intensity of her character’s emotions. Calmly and convincingly destroying the late blooming romance of Sanders’ Harry, Fitzgerald’s deadly sense of the saccharine works an evil magic, pulling cinema lovers into her toxic web with joyous abandon.

Geraldine Strange Affair poster


Horror Hall of Fame:

While both these works, directed by such supreme stylists as Robert Siodmak and Jean Negulesco, feature haunting visuals and elements that contain both the supernatural and the fantastical, Fitzgerald fully submerged herself into the horror genre with appearances in 1982’s Blood Link and 1986’s Poltergeist II: The Other Side. Geraldine Poltergeist


Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Joni James

Published March 15, 2020 by biggayhorrorfan

Joni Main 2

Possessing one of the clearest voices and sprightliest deliveries, singer Joni James has a special place in the sonic registries of many a confirmed music lover. When you meet a fan of hers, you are generally meeting someone who has a sophisticated, incredibly knowledgeable taste in those who record popular songs.

Proving her versatility, many a horror movie victim, particularly those in both versions of My Bloody Valentine, could certainly relate to one of her most popular songs, There Goes My Heart…and my left leg….and my arms…and my head….

Meanwhile, her site http://jonijames.com/ has information on how to join her fan club and other pertinent facts about her long standing, critically acclaimed career.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Joni 1

Unsung Heroines of Horror: June Havoc and Evelyn Keyes

Published March 12, 2020 by biggayhorrorfan

June and Evelyn A Return

Two years before infamously giving Bette Davis her last role in the horror comedy Wicked Stepmother, esteemed cult director Larry Cohen cast two other veteran beauties in 1987’s A Return to Salem’s Lot, his sequel to the Stephen King vampire story.

Here, Cohen gave June Havoc and Evelyn Keyes meaty roles as the matriarchs of a town filled with the blood sucking undead. Keyes, known for playing Vivian Leigh’s sister in Gone With the Wind and a series of femme fatales in noir flicks, was cast as the judge’s wife, lending not only her show business prestige to the proceedings, but a regal sense of bearing, as well.

Havoc, a Broadway legend and a vivacious presence in a series of Golden Age musicals and the acclaimed drama Gentleman’s Agreement, was cast as the former caretaker of the film’s lead, played by quirky Cohen regular Michael Moriarty. Tenderly trying to reconnect with the horrified Moriarty, Havoc is definitely given the more significant role here.

But both she and Keyes dive into the lurid circumstances at hand with glee. Tearing into their characters’ victims with malevolence, they also somehow keep their dignity intact. In fact, one of the funniest moments occurs as Havoc’s prim Aunt Clara takes time to adjust her lipstick after a particularly aggressive feeding.

June solo Return

Meanwhile, the film itself, containing dollops of Cohen’s odd sense of humor and strange plot structuring, was not well received by fans upon its release. But lovers of old school Hollywood should be charmed not only by the presence of Havoc and Keyes, but by maverick filmmaker Samuel Fuller (Shock Corridor, White Dog) who puts in a rascally appearance as a vampire hunter. Interestingly, singer-songwriter and A Nightmare on Elm Street star Ronee Blakley also turns in one of her last screen roles (as Moriarty’s ex-wife) while future terror regular and eternal media catastrophe Tara Reid commits to one of her first.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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June and Michael A Return

Dagger Cast with Corinne Halbert

Published March 11, 2020 by biggayhorrorfan

Corinne and NunsYou can keep your Vanessa Redgrave, your Florinda Balkan, your Bonnie Aarons. They’re all awesome, but none of them can hold a cloistered candle to Corinne Halbert! One of Chicagoland’s most important horror artists, Halbert joined us on the latest Dagger Cast to talk about her influences and how discovering a love for the macabre in your youth shapes you. Believe me, we can all relate, right?!? In particular we look at the nunsploitation genre, including such classics as The Devils and School of the Holy Beast, and how it has informed her work. ACID-NUN-Halbert

Also joining us this time around are the amazing Rhea D and Coye Vega – con regulars, cos players and generally awesome people.

https://soundcloud.com/daggercast/ep-205-corrine-halbert

You can also check out other examples of Corinne’s work (or even support her Patreon for as little as a $1 a month) at:

https://corinnehalbert.bigcartel.com/

https://corinnehalbert.com/home.html

https://www.patreon.com/corinnehalbert

DC Group Corinne

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: I Don’t Stand a Ghost of a Chance

Published March 8, 2020 by biggayhorrorfan

Alfred Hitchcock Music to be Murdered By

Just before my sophomore year of high school, I finally got my hair styled and my parents allowed me to get contact lenses. It felt like the whole world was opening up for me. Soon after that, I got the lead in the winter play, proof (I felt at the time) that change indeed was happening. As I was driven back and forth from rehearsals that late fall, Linda Ronstadt was continually, creamily crooning What’s New, the title track from her upcoming album of standards, on the car’s steadfast AM radio. I asked for the LP for Christmas that year.

MildredI lovingly remember playing that recording in my grandparents’ living room as the family sat around listening to it and chatting. In an often turbulent youth, filled with familial misunderstandings and the wisps of angst seemingly floating around the surface of many of my first tentative interactions, this is one of my favorite memories. Ronstadt’s version of I Don’t Stand a Ghost of a Chance was song that probably stood out the most for me then and now. Besides the supernatural element of the title, I always had the sneaking suspicion that romance would be elusive to me, that connecting with someone would perhaps be an awkward, unrealized proposition. It was also one of the tracks included on Jeff Alexander’s creepily arranged Alfred Hitchcock Presents album, Music to Be Murdered By.

While I adore Ronstadt’s moody treatment of the number, one of my favorite versions is a jazzier, breezier take by the incomparable Mildred Bailey. One of Bing Crosby’s favored colleagues, Bailey was a Native American jazz singer who made a stunning impression on the music industry. I wish she was more publicly acknowledged.

Of course,  I’ve heard ignoring your first could prove to have disastrous consequences, so…

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Thrift Store Find: Art Saves!

Published March 7, 2020 by biggayhorrorfan

Rolling Stone

I first got The Rolling Stone Illustrated History of Rock & Roll as a confirmation present from one of my uncles. For awhile I carried it with me everywhere. A day or so after that confirmation, my parents came to pick me up from some event. I had been confirmed with one of my mom’s students and he overheard some of the other kids saying that I was gay in the parking lot afterwards. He told my mother about this…and she was furious…with me.

“Why would they say that, Brian?!?” “What have you done to make them think that?!?” “Do you know how embarrassing this is for me?!? For my own student to come to me about something like this?!?” As she hammered away at me on the car ride home, I murmured soft responses back while burying myself in this book., wanting to disappear. But as I poured over epic black and white photos of Little Richard, David Bowie, a pre-fame Aretha Franklin, a pert Annette Funicello clinging to a properly attired Dick Clark… I suddenly knew that eventually everything would be okay…that the world was full of magnificence and unusual artistry and someday…it all would be mine!

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan

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Music to Make Horror Movies By: Syreeta

Published March 1, 2020 by biggayhorrorfan

Syreeta

Known for the celestial soar of her range, the singular Syreeta (Wright) was often regarded in terms of her associations with other musicians. She was briefly married to Stevie Wonder, who produced her second album, and her work with Billy Preston resulted in her best known recording, With You I’m Born Again. But she was much more than a muse to great men, often writing her own material and holding her own in the often unscrupulous dealings of the entertainment industry. Happy

Horror fans, meanwhile, are in eternal thrall of her distinctive vocals from the theme of Happy Birthday to Me. Wright, chillingly, captures the haunting dynamics of this classic slasher with her presentation here, proving that the best singers are often the best actors, as well.

Further adding to her appeal, her (out of print) 1983 album The Spell contained fun elements of pop, new wave and funk.

Dying from complications from cancer at far too young an age, Syreeta is rightfully held in high regard not only by lovers of the Motown Sound, but by appreciative music lovers of all varieties.

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Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Va-Va-Villainess: Margarita Cordova

Published March 1, 2020 by biggayhorrorfan

Margarita Main

Peter Gunn, the ultra cool private eye series created by Blake Edwards, definitely featured its share of shady ladies over its 3 often irresistible seasons (1958-1961). Of course, all of these women radiated spunk and beauty. But the most dynamic of those varied and capable performers has to be Margarita Cordova who, over the course of two episodes, skillfully danced, sang and played guitar along with the other expected prerequisites of her acting assignments. Margarita Dance

Granted, her last appearance in the show’s Cry Love, Cry Murder offering found her in more valiant territory, portraying a character that exposes the schemes of a cunning family member with a firm yet tear stained heart.

Her first runaround with Craig Stevens’ unflappable Gunn was a bit more insidious, though. As Elena, the mistress of a two timing scoundrel in the Mask of Murder offering, Cordova willing delivers the series’ titular hero to death’s door. Gunn, naturally, survives…as the alert Elena slinks off to presumably charm other suckers. Cordova fills this determined schemer with a strong survivor’s instinct mixed with a sly bit of seductive minx, providing for a most memorable villainess with plenty of (the above mentioned) va-va-voom to spare.

Margarita Mission ImpossibleDecades later, Cordova found her biggest fame as a regular on two NBC soap operas. As the matriarchal Rosa Andrade on Santa Barbara, she provided a noble sternness. She was given even more creative freedom, though, as Sunset Beach’s truly memorable Carmen Torres. Vengefully opposing the romantic union of her beloved (former priest) son with his brother’s ex-fiancée, Cordova took the mother in law from hell act to deliciously glorious heights.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Margarita Mail