Music to Make Horror Movies By: Joni James

Published March 15, 2020 by biggayhorrorfan

Joni Main 2

Possessing one of the clearest voices and sprightliest deliveries, singer Joni James has a special place in the sonic registries of many a confirmed music lover. When you meet a fan of hers, you are generally meeting someone who has a sophisticated, incredibly knowledgeable taste in those who record popular songs.

Proving her versatility, many a horror movie victim, particularly those in both versions of My Bloody Valentine, could certainly relate to one of her most popular songs, There Goes My Heart…and my left leg….and my arms…and my head….

Meanwhile, her site http://jonijames.com/ has information on how to join her fan club and other pertinent facts about her long standing, critically acclaimed career.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Joni 1

Unsung Heroines of Horror: June Havoc and Evelyn Keyes

Published March 12, 2020 by biggayhorrorfan

June and Evelyn A Return

Two years before infamously giving Bette Davis her last role in the horror comedy Wicked Stepmother, esteemed cult director Larry Cohen cast two other veteran beauties in 1987’s A Return to Salem’s Lot, his sequel to the Stephen King vampire story.

Here, Cohen gave June Havoc and Evelyn Keyes meaty roles as the matriarchs of a town filled with the blood sucking undead. Keyes, known for playing Vivian Leigh’s sister in Gone With the Wind and a series of femme fatales in noir flicks, was cast as the judge’s wife, lending not only her show business prestige to the proceedings, but a regal sense of bearing, as well.

Havoc, a Broadway legend and a vivacious presence in a series of Golden Age musicals and the acclaimed drama Gentleman’s Agreement, was cast as the former caretaker of the film’s lead, played by quirky Cohen regular Michael Moriarty. Tenderly trying to reconnect with the horrified Moriarty, Havoc is definitely given the more significant role here.

But both she and Keyes dive into the lurid circumstances at hand with glee. Tearing into their characters’ victims with malevolence, they also somehow keep their dignity intact. In fact, one of the funniest moments occurs as Havoc’s prim Aunt Clara takes time to adjust her lipstick after a particularly aggressive feeding.

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Meanwhile, the film itself, containing dollops of Cohen’s odd sense of humor and strange plot structuring, was not well received by fans upon its release. But lovers of old school Hollywood should be charmed not only by the presence of Havoc and Keyes, but by maverick filmmaker Samuel Fuller (Shock Corridor, White Dog) who puts in a rascally appearance as a vampire hunter. Interestingly, singer-songwriter and A Nightmare on Elm Street star Ronee Blakley also turns in one of her last screen roles (as Moriarty’s ex-wife) while future terror regular and eternal media catastrophe Tara Reid commits to one of her first.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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June and Michael A Return

Dagger Cast with Corinne Halbert

Published March 11, 2020 by biggayhorrorfan

Corinne and NunsYou can keep your Vanessa Redgrave, your Florinda Balkan, your Bonnie Aarons. They’re all awesome, but none of them can hold a cloistered candle to Corinne Halbert! One of Chicagoland’s most important horror artists, Halbert joined us on the latest Dagger Cast to talk about her influences and how discovering a love for the macabre in your youth shapes you. Believe me, we can all relate, right?!? In particular we look at the nunsploitation genre, including such classics as The Devils and School of the Holy Beast, and how it has informed her work. ACID-NUN-Halbert

Also joining us this time around are the amazing Rhea D and Coye Vega – con regulars, cos players and generally awesome people.

https://soundcloud.com/daggercast/ep-205-corrine-halbert

You can also check out other examples of Corinne’s work (or even support her Patreon for as little as a $1 a month) at:

https://corinnehalbert.bigcartel.com/

https://corinnehalbert.com/home.html

https://www.patreon.com/corinnehalbert

DC Group Corinne

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: I Don’t Stand a Ghost of a Chance

Published March 8, 2020 by biggayhorrorfan

Alfred Hitchcock Music to be Murdered By

Just before my sophomore year of high school, I finally got my hair styled and my parents allowed me to get contact lenses. It felt like the whole world was opening up for me. Soon after that, I got the lead in the winter play, proof (I felt at the time) that change indeed was happening. As I was driven back and forth from rehearsals that late fall, Linda Ronstadt was continually, creamily crooning What’s New, the title track from her upcoming album of standards, on the car’s steadfast AM radio. I asked for the LP for Christmas that year.

MildredI lovingly remember playing that recording in my grandparents’ living room as the family sat around listening to it and chatting. In an often turbulent youth, filled with familial misunderstandings and the wisps of angst seemingly floating around the surface of many of my first tentative interactions, this is one of my favorite memories. Ronstadt’s version of I Don’t Stand a Ghost of a Chance was song that probably stood out the most for me then and now. Besides the supernatural element of the title, I always had the sneaking suspicion that romance would be elusive to me, that connecting with someone would perhaps be an awkward, unrealized proposition. It was also one of the tracks included on Jeff Alexander’s creepily arranged Alfred Hitchcock Presents album, Music to Be Murdered By.

While I adore Ronstadt’s moody treatment of the number, one of my favorite versions is a jazzier, breezier take by the incomparable Mildred Bailey. One of Bing Crosby’s favored colleagues, Bailey was a Native American jazz singer who made a stunning impression on the music industry. I wish she was more publicly acknowledged.

Of course,  I’ve heard ignoring your first could prove to have disastrous consequences, so…

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Thrift Store Find: Art Saves!

Published March 7, 2020 by biggayhorrorfan

Rolling Stone

I first got The Rolling Stone Illustrated History of Rock & Roll as a confirmation present from one of my uncles. For awhile I carried it with me everywhere. A day or so after that confirmation, my parents came to pick me up from some event. I had been confirmed with one of my mom’s students and he overheard some of the other kids saying that I was gay in the parking lot afterwards. He told my mother about this…and she was furious…with me.

“Why would they say that, Brian?!?” “What have you done to make them think that?!?” “Do you know how embarrassing this is for me?!? For my own student to come to me about something like this?!?” As she hammered away at me on the car ride home, I murmured soft responses back while burying myself in this book., wanting to disappear. But as I poured over epic black and white photos of Little Richard, David Bowie, a pre-fame Aretha Franklin, a pert Annette Funicello clinging to a properly attired Dick Clark… I suddenly knew that eventually everything would be okay…that the world was full of magnificence and unusual artistry and someday…it all would be mine!

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan

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Music to Make Horror Movies By: Syreeta

Published March 1, 2020 by biggayhorrorfan

Syreeta

Known for the celestial soar of her range, the singular Syreeta (Wright) was often regarded in terms of her associations with other musicians. She was briefly married to Stevie Wonder, who produced her second album, and her work with Billy Preston resulted in her best known recording, With You I’m Born Again. But she was much more than a muse to great men, often writing her own material and holding her own in the often unscrupulous dealings of the entertainment industry. Happy

Horror fans, meanwhile, are in eternal thrall of her distinctive vocals from the theme of Happy Birthday to Me. Wright, chillingly, captures the haunting dynamics of this classic slasher with her presentation here, proving that the best singers are often the best actors, as well.

Further adding to her appeal, her (out of print) 1983 album The Spell contained fun elements of pop, new wave and funk.

Dying from complications from cancer at far too young an age, Syreeta is rightfully held in high regard not only by lovers of the Motown Sound, but by appreciative music lovers of all varieties.

Syreeta 2

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Va-Va-Villainess: Margarita Cordova

Published March 1, 2020 by biggayhorrorfan

Margarita Main

Peter Gunn, the ultra cool private eye series created by Blake Edwards, definitely featured its share of shady ladies over its 3 often irresistible seasons (1958-1961). Of course, all of these women radiated spunk and beauty. But the most dynamic of those varied and capable performers has to be Margarita Cordova who, over the course of two episodes, skillfully danced, sang and played guitar along with the other expected prerequisites of her acting assignments. Margarita Dance

Granted, her last appearance in the show’s Cry Love, Cry Murder offering found her in more valiant territory, portraying a character that exposes the schemes of a cunning family member with a firm yet tear stained heart.

Her first runaround with Craig Stevens’ unflappable Gunn was a bit more insidious, though. As Elena, the mistress of a two timing scoundrel in the Mask of Murder offering, Cordova willing delivers the series’ titular hero to death’s door. Gunn, naturally, survives…as the alert Elena slinks off to presumably charm other suckers. Cordova fills this determined schemer with a strong survivor’s instinct mixed with a sly bit of seductive minx, providing for a most memorable villainess with plenty of (the above mentioned) va-va-voom to spare.

Margarita Mission ImpossibleDecades later, Cordova found her biggest fame as a regular on two NBC soap operas. As the matriarchal Rosa Andrade on Santa Barbara, she provided a noble sternness. She was given even more creative freedom, though, as Sunset Beach’s truly memorable Carmen Torres. Vengefully opposing the romantic union of her beloved (former priest) son with his brother’s ex-fiancée, Cordova took the mother in law from hell act to deliciously glorious heights.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Margarita Mail

Music to Make Horror Movies By: Sofia Shinas

Published February 23, 2020 by biggayhorrorfan

Sofia Shinas Crow

Best known for beautifully essaying the doomed love between her Shelly and Brandon Lee’s icon Eric Draven in The Crow, Sofia Shinas also added her unique mystique to such genre projects as The Outer Limits reboot and the sexually charged horror anthology series The Hunger.

Nicely, her talents extended into the world of pop artistry. Her fun debut recording produced its share of perky, love charged anthems including the earworm worthy One Last Kiss.

Fortunately, Shinas is still providing tuneful energy for music lovers and genre enthusiasts worldwide at https://www.facebook.com/Sofia-Shinas-fans-1421026704808949/.

Sofia One Last Kiss

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Sharkbait Retro Village: Night of Terror

Published February 23, 2020 by biggayhorrorfan

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When you a injure a limb, a reliable cast is sometimes necessary. But…when you watch an early 70s television film thriller, a really good cast is always a necessity.

Thankfully, 1972’s Night of Terror delivers with a creative team that glows as brightly as the greasy smile on costar Chuck Conners’ face. Though, I imagine there are a few out there who would rather break an arm then be forced to watch this almost 40 year old tribute to the virginal heroine in distress.

The plucky damsel here is played by television stalwart-nighttime soap opera icon Donna Mills. Before finding eternal fame as the manipulative Abby on Knots Landing, Mills was a prime time movie of the week regular. With credits including Haunts of the Very Rich and Play Misty for Me already under her belt, this blonde dynamo knew how to deliver up the surprise and anxiety that is the bread and butter of her role here. As a kindly art teacher accidentally caught in the crosshairs of Connors’ mob assassin, Mills’ Linda Daniel glows with dewy worry throughout the proceedings and the actress’s traditional Hollywood blondness is the perfect fit for this almost saintly character’s twisted trajectory. 

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Nicely, she is joined on her journey by many familiar faces, making this exercise in fraught dynamics a truly enjoyable one for lovers of the old school celeb estetic. Bewitched regulars Mary Grace Canfield and Agnes Moorehead show up as a friendly cleaning lady and the physical therapist who treats Daniel’s temporary emotional and physical paralysis, a plot point that shares similarities to such fare as The Spiral Staircase, Wait Until Dark and many other gothic shockers.

John Karlen, then best known for his work with Dan Curtis, meanwhile gives up a frantic appearance as Connors’ first victim. Other notables include esteemed character actor Martin Balsam, soap opera hunk William Gray Espy (AKA the first Snapper on The Young and the Restless) and what even appears to be Julie Kavner in a dialogue free exchange as a nurse attending to the distraught Mills.

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Perhaps most interestingly, the quirky and irreplaceable Catharine Burns shows up in the first act as Mills/Daniels’ doomed friend. Always a significantly enjoyable presence, Burns was best known for her devastating, Academy Award nominated work in Last Summer. Her success there, though, did not assure her a major career and she wound up doing smaller television work before fading away from the industry completely. Thus, her sudden death in 2019 was not discovered by the media for almost a year. Nicely, a quick YouTube search finds her here living forever young with all her special talents intact and ready for every agreeable viewer’s consumption.

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Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Virginia Bruce

Published February 17, 2020 by biggayhorrorfan

VB Invisible Woman

If I had been an old Hollywood diva, I would have wanted the career of Virginia Bruce. An important figure in the world of Universal Horror due to her pert and powerful essaying of the leading role in The Invisible Woman, Bruce also worked with such notables as Jimmy Stewart, William Powell, James Cagney and Abbott and Costello.

Significantly, while trying to earnestly woo Stewart in Born to Dance, she also introduced the Cole Porter classic I’ve Got You Under My Skin.

Pretty much fading from the screen by the late ‘40s, this silver streaked celluloid wonder still left behind a legacy of dreamy magnificence, permanently drifting beneath the fantasies of old school movie lovers worldwide.

Virigina Bruce

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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