
She’s my favorite eclectic monstress, her work pitching from No Wave aggression to pop smoothness and back again. Her collaborators, ranging from the queenly Nona Hendryx to the sci-fi flecked Thomas Dolby, have also expanded her artistic reach, making Adele Bertei one of the most interesting figures in the ‘80s cultural landscape and beyond.
Not only has her art celebrated queer feministic contexts, but Little Lives, Big Love, the single from her unjustly underappreciated solo album on Chrysalis, also sent out a strong anti-apartheid message.
Thankfully, Bertei, who is also a writer and filmmaker, is still creating vast, rich cultural landscapes at https://www.adelebertei.com/ and https://www.facebook.com/AdeleBertei/.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!
www.facebook.com/biggayhorrorfan



In the skittering horror of 



Nicely, as an actress, Moore simply navigates her character’s growth from timid to uncontrollably lustful. There is no grand posing, but you truly believe that she has fallen under her supernatural partner’s spell. Meanwhile, Byron Minns, as the vein strewn reason for Moore’s down fall, makes one understand why she would tumble down this murderous rabbit hole, head first. 









