Chicago

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Review: it’s been ten years…

Published April 3, 2025 by biggayhorrorfan

Move over, Regina George! It’s now Alexis Queen’s Betsy that may just be the most manipulative ex-schoolgirl to ever breathe, creatively. 

Indeed, this former cheerleader, one of the main characters in Cesario Tirado-Ortiz’s it’s been ten years since everyone died. a play about final girls is not only seductive, often destroying the hearts of her fellow survivors, but she just might be hiding one of the juiciest secrets to ever hit the stages, as well. 

To be specific, the stage in question here is the Open Space Arts in Chicago, where Ortiz’s deeply psychological, yet truly fun horror piece is running until April 6th. As directed by Teri Talo, Queen imbues this love letter to our magnificent heroines of terror with an edgy sweetness that always makes you wonder just exactly what Betsy is truly hiding.

With the show’s major plot points taking place at a deserted psychological retreat in the woods, – nothing bad is going to happen there, right?!? – Queen is, unsurprisingly, joined by a strong group of castmates – Julia Toney. Noah Hinton and Alex Marusich. Nicely, the majority of Ortiz’s remaining characters are nonbinary and transgender, giving the show a very DIY, LGBTQ+ energy. 

Naturally, our favored genre can only benefit from this type of exciting inclusivity and one hopes that there is more to come from Ortiz and their ilk.

For those living in or visiting the Midwest, be sure to check out https://openspacearts.org/ to find out more about this love letter to slashers and the powerful, sometimes deeply damaged women who make them so relatable.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

http://www.facebook.com/biggayhorrorfan

Music to Make Horror Movies By: Marital Streep

Published February 22, 2025 by biggayhorrorfan

“Fear is knowing the right answer while hoping it’s the wrong one…take the safety off the gun.” – Marital Streep

She, smartly, mixes the ’80s No-Wave Disco vocals of NYC’s Cristina with soundscapes that feel like driving, late at night, on Chicago’s Lake Shore Drive. Thus, musician Marital Streep is making music that deserves to decorate the soundtrack of your newest favorite movie.

Nicely, due to the wide range of her inspirations, the celluloid masterpiece she might potentially be underscoring could be a slick William Friedkin style action-fest or a visually kaleidoscopic modern horror piece.

Unconvinced? One listen to Violent by Consent, her recently released EP, will definitely change your mind.

Streaming on all major platforms, you can also support indie art by purchasing the tracks directly from her at:  Violent by Consent | Marital Streep.

More merchandise and info on Marital Streep is available at https://linktr.ee/maritalstreep, as well. 

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

http://www.facebook.com/biggayhorrorfan

Va-Va-Villainess: Mary Anne Bowman

Published February 16, 2025 by biggayhorrorfan

For those celluloid buffs who have never set foot into a black box theater and witnessed a play come to life, be plentifully assured, the theater world has seen many a scarlet diva scamper across its stages, as well. From Hamlet‘s Gertrude to The Little Foxes‘ Regina Giddens, wicked dames have been making the velvet curtains flow a bit more dramatically and the footlights glitter just a tad brighter for eons. 

Currently, Open Space Arts, one of the Chicago’s most intimate performance spaces, is providing a home to one of those delicious divas of emotional mayhem. The vehicle providing this bratty bossa nova is Mr. Parker, a critically acclaimed look at middle-aged love and grief from a queer perspective. But it is Midwest entertainment veteran Mary Anne Bowman who is bringing this occasionally manipulative, always dramatically spot on creature into glorious existence.

In fact, as Cassandra, the sister-in-law of the titular character, Bowman is giving a once in a lifetime performance. Whether deliciously eviscerating anyone who poses a threat to her carefully mapped out plans or, honestly and deep heartedly, confessing her deepest fears in the show’s penultimate moments, this skilled thespian fully gives playwright Michael McKeever’s words a brightly animated glow.

That audiences get to experience her doing this in a OSA’s almost churchlike 25 seat space only adds to the magical power of her glorious execution here.

Mr. Parker runs through March 2nd at Open Space Arts, 1411 W. Wilson in Chicago. More information is available at https://openspacearts.org/.

Fetish Film Forum 2025

Published December 28, 2024 by biggayhorrorfan

Sticky, submissive, manipulative and gay. If any of those words stimulate a modicum of vibratory satisfaction within your being, then the Midwest’s coolest movie series, now entering its third year, may be something that bears checking out.

Indeed, John McDevitt, the programmer for the Fetish Film Forum, just announced the titles for 2025 and it looks like this may be the best year for this flog ridden event yet. Based at Chicago’s iconic Leather Archives and Museum, the screenings throughout the year will include Knife and Heart, The Bitter Tears of Petra Van Kant, A Nightmare on Elm Street 2, which I will be co-presenting, and From Beyond,

To check out the rest of the program and to purchase single tickets or series passes, visit the link, below:

…and until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

http://www.facebook.com/biggayhorrorfan

Hellraiser at Leather Archives

Published October 18, 2024 by biggayhorrorfan

There Are No Limits!!! —- But ONLY for every sharp-faced Chicagoan who JOINS US this SATURDAY at the Leather Archives & Museum for the Hellraiser Double Feature!!! 

Attendees not only get to see 2 Clive Barker classics in the kinkiest body positive venue in town, but more surprises await them, as well – including a special Barker memorabilia exhibit & a between films visit from the doppelgänger of Kirsty Cotton herself! 

Intrigued? Then check out the link to the event, below!

Fetish Film Forum – Hellraiser (1987) and Hellbound: Hellraiser II (1988) Double Feature

Hope to see you there – and until the next time, SWEET love and pink GRUE,

Big Gay Horror Fan!

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Music to Make Horror Movies By: Cyndi Lauper

Published July 15, 2024 by biggayhorrorfan

The recent announcement of Cyndi Lauper’s final concerts sent me traveling down memory lane.

One summer day in 2002, I discovered that I had some time to kill. As I biked around Lincoln Park, I recalled that Lauper was doing an instore mini concert & signing at the (late, lamented) Tower Records on Clark in Chicago. I decided to fill up a bit of my morning by attending. 

Little did I know that side trip would turn into an all-day adventure. 

After purchasing her (then) new EP Shine – which served as my ticket into the show, I was sent outside to wait. Two hours later, we were led back into the building…and there she was on a hastily constructed stage! It was truly awesome to see her perform in such close proximity. She even broke down & shed tears of joy when some of her hard-core fans began singing along with her on latest ballad called Water’s Edge – probably one of my favorite concert moments of all time. 

We then were put in another long line to meet her. I, honestly, thought about leaving, but I figured I had already put in a lot of effort & time. When I got to her at last, she happily signed my CD….but just as we were about to take a photo, one of her handlers approached her & told her that she could no longer personalize the signatures as they had to leave soon for the United Center (where she was opening for Cher — coincidentally, for that icon’s own never-ending, inaccurately entitled goodbye tour.)

“Oh,” she cried, “I don’t want them to hate me! I have to let them know!” A very sweet notion – & a moment captured forever by the employee who was taking our picture. The first shot here is of her getting the news & the second is of her addressing the crowd. I suppose I could also look at the experience as a lesson in life’s eternal sense of balancing expectations. My photos with her are kind of funky…but I did get the last personally addressed CD!

One song that she did not sing that day, but one that ultimately served as the opener for her set in the 2007 True Colors shows, was Hole in my Heart (All the Way to China). Taken from the soundtrack to Vibes, the bizarre ’80s comedy that saw her playing an eccentric psychic opposite Jeff Goldblum’s equally odd clairvoyant, this number is an underground fan favorite. 

Of course, in this critically maligned offering that phenomenon was played for humor. It would be decades later before Lauper, playing a Broadway musical loving private detective, would fully enter the world of horror in the Sweeney Todd inspired The Horrors of Dolores Roach


A Land of Terror Tunes:

Additionally, Lauper’s quiet storm ballad All Through the Night was used to grand effect in the well-regarded Netflix spook show The Haunting of Bly Manor. Her almost 300 soundtrack credits also include spots on such horror adjacent television programs as Ghost Whisperer, Bones and Medium, as well. 


Review: Looky-loo

Published May 3, 2024 by biggayhorrorfan

I know not to make contact with the delirious, searching eyes of the unfortunates on my early morning train rides. Disaster assuredly lies there. It’s probably why I can’t stand watching true crime broadcasts. Something bad really can happen to me at any moment in time and I, for one, don’t want to dwell on my imminent demise unless I truly have to. 

In an artful way, Jason Zink’s Looky-loo takes us into the heart of this fear. A feature length travelogue of a serial killer’s journey throughout the neighborhoods of a city, done entirely through their point of view, this experimental exercise reminds viewers of how vulnerable they really are. What is especially interesting here is how Zink allows the everyday objects this stalker comes into contact with – a welcome mat, bathroom products, kitchen utensils – to really come to life here. The heightened colorization and savage utilization of these ordinary items really illustrates a true invasion of personal space, resulting in visual takes that remain in the consciousness long after the film ends.

Zink should also be commended for always taking risks with his art. While 2014’s Night Terrors celebrated more traditional horror. his 2019 feature Straight Edge Kegger was a gritty, punk infused exploitation flick. Looky-loo, which might be more at home in a museum of contemporary art than a movie theater, continues that determined evolution with varied, almost Warhol-ian results. 

Learn more about Zink and his work at https://www.facebook.com/weirdontoppictures.

Music to Make Horror Movies By: Anne Murray

Published November 17, 2022 by biggayhorrorfan

I sometimes create imaginary cabaret shows in my head as I bike around the city of Chicago. Often, I will choose to wrap-up these dream acts with Anne Murray’s mellow classic I Just Fall in Love Again, utilizing it not as romantic ballad but as a peon of thanks to my nonexistent yet totally enthusiastic audience.  You see, I grew up in Murray country. ABBA, for example, means nothing to me. But Anne, the queen of soft rock and ultra-sophisticated country, was often crooning softly in the AM decorated background of my extremely formative years. 

Thus, the inclusion of her classic Could I Have This Dance in last fall’s Halloween Ends felt like a coming home moment for me. The fact that this song was used to emphatically capture the death scenes of the movie’s gay couple, Big John and Little John, made it even more impactive – the roots of my closeted youth and my loud ‘n proud adulthood finally shaking firm hands.

Bittersweetly for her long-term fans, Murray, who runs a charity outfit – https://annemurraycentre.com – has been retired from music for a while now. But her smokey tones & smooth delivery eternally live on – in Haddonfield and beyond!

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

http://www.facebook.com/biggayhorrorfan

Ghosts – Winter Romance

Published December 24, 2020 by biggayhorrorfan

It is a time of despair and worry. The man at the socially distanced break room table is energetically talking with a female supervisor. Until recently he was an international sales director for a 5 Star Hotel, a position he frankly admits will never exist again. After decades of rising through the ranks, he now wipes down self-serve checkout counters and is grateful to her for the extra hours that she has allowed him to stay tonight. His dogs will miss him he jokes, but the security of another shift or two assures them of receiving the name brand kibble and chewy treats that they so expectantly crave. In the face of such inoperable, life altering changes, he is surprising resolute, upbeat…and I try to take my cues from him in the days that follow.

For despite it all, people are still celebrating. Our first pandemic dictated Christmas is coming soon and the lights and twinkly stars are disappearing from the shelves in the store’s seasonal boutique. I restock those aisles often, growing less and less surprised at everyone’s insistence on clinging to the predictable joys. I, too, start to take a distant comfort in the comical Santa’s and cheery cartoon elves that are popping up in window displays of the storefronts that I pass on my daily neighborhood jog. All those bright and glorious neon shades of red and green are comforting – but I can still feel something else lurking. Flickering shadows. Hazy specters. Seasonal ghosts.

,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,…………………………………………………………………………………………………………………………………………..

I am 19 and I am waiting for my boyfriend at his place. He gave me the keys to his apartment earlier and I bustled through the February frost to his one bedroom loft. Now, I am feeling suspiciously adult, like a big city mistress of some high-ranking business exec – although, I do legitimately belong here. I am not a secret. Everyone at work knows about us. They are aware that I am happily anticipating his presence as he finishes up his bartending shift. Anxious for our romantic evening to begin, I pore through his box of VHS tapes, trying to find something to distract myself. It is all porn videos. Well, porn videos and a bootleg copy of The Color Purple. But we have just recently watched that sterling Spielberg-ian example of Oscar bait…and I know better than to throw in a sex tape. I did that last week, and while I tried to resist jerking off to Jeff Stryker pounding some smooth curly haired model-type in an alley, I eventually couldn’t help myself. Thus, making for a less than receptive offering when AJ finally arrived home. I don’t want that to happen again. So, I turn on the television and settle on Saturday Night Live, already in progress. Just after the cast bow, he arrives. I greet him, happily. He receives my kisses mutely, situates himself on the couch, telling me that we have to talk. Valentine’s Day is a week and a half away and I am sure that he wants to make plans. This is the first year in what seems like an incredibly long life that I will have someone to celebrate with and I am thrilled. But instead, after a deep sigh, a Dear John monologue softly peters out of his lips.  Murmuring something about needing space and the strange curves of life and time, he breaks up with me. I am shocked, unexpectedly thrust from one extreme, anticipation…happiness. to a totally different one, shock…despair.

Of course, as I write this now, it dawns on me that this was an incredibly heartless way to break up with someone. There had been no clues, no warning shots fired before this moment. Everything had been kept close to the wrist. Therefore, he certainly could have told me in some other space…at some other time. Set a kinder rhythm, bought me coffee and a gourmet cookie as consolation prizes, taken me to some park, dark with leafless trees. The mood should fit the occasion, I believe. Obliterating a weekend dream state seems particularly cruel to me, especially in my secluded COVID state of mind now. Still, I find myself feeling a wispy sorrow for him, somehow, these days. In fact, it almost feels like maybe it is his sad face that wavers down alleys and across those amber corners as I wait for the light to change, walking to work.

I, honestly, don’t blame him for breaking up with me. I was silly, a devastatingly insecure child whose only concept for relationships was my parents frustrated, frequently violent union and soap opera romances. Once during our short time together, I “seductively” ignored him when I saw him unexpectedly at a bar. Our eyes met and I sharply turned away, dancing quickly into the arms of the female friend I was club hopping with. Purposefully calling him the next day, I innocently and insistently claimed that I hadn’t seen him the night before, a classic missed connection turned amusingly wrong. Another time, I pretended the managers at work were horribly upset about our dating, throwing him off balance for a moment until I confessed my senseless, idiotic ruse. Like my favorite daytime divas, I thought I always had to keep him slightly out of tune. To maintain his interest, I had to create drama…intrigue…social unrest.

Of course, I didn’t need to manufacture such moments. Tension was beating there, sharply, all along. There was an ex…another young, blue eyed blonde. We could have been brothers I ascertained, the one time that I saw him picking up his remaining belongings from AJ’s closet. It was unnerving. Months later, I would catch AJ in the restaurant’s staff bathroom, crying…not over me, but him. The other one. The original angel. The truly loved. My twin.

But there was one day. One gloriously perfect day. Its ectoplasmic embers float around me as I move throughout this month. January 1st, 1988. My roommates were still away on their holiday adventures. AJ and I lay in bed, recovering from a joyous night of public reveling, ignoring any burgeoning breakfast hunger pains. Instead, we pawed through my vinyl collection, taking turns deciding what to play. We talked and cuddled…slept…eventually heading down to the neighborhood greasy spoon. Returning with burgers that tasted inordinately of grease and that venue’s overused grill, we watched The Young and the Restless and The Bold and the Beautiful on someone’s tiny TV. Later, we trekked across town to catch The Running Man at one of the city’s notoriously chilly, ill kept second run theaters. We held hands as Richard Dawson taunted Arnold Schwarzenegger and Maria Conchita Alonso bravely plotted an escape.  We brought in that new year with fries and sex and Stephen King and it felt like a miracle, like the life I had dreamed about for so long was finally beginning. It was the first ideal afternoon I had ever experienced and it seemed to finally confirm my worth to the world. My importance to the universe seemed completely sure. In that moment. I would have never recognized myself as that soon-to-be tremulous lover who needed emotional games to feel in control. And for a moment, perhaps he too, thought his sorrow was over. My doppelganger banished from his mind in that still glittery seasonal glow as the world reset itself…bringing not only a new year, but a new sense of hope…a heart completely reborn.

So, maybe it is not only just his silvery outline that whispers to me slightly out of frame, as of late – but my own, as well. For that momentarily confident version of me belongs to this year, somehow, just as much as that unburdened version of him – though I have not regarded this past self seriously for decades. This year of hopes dashed so unreservedly, a year where light’s dearth has blinded us all, if only for smaller pockets of time, most assuredly would be the one to bring his essence back, unchecked – that past, very wishful, soon to be obliterated self. He worries me again beneath the piped-in carols…besieges me bittersweetly upon restlessly waking.

But perhaps he also teaches me that all this current sorrow, much like that old, old hurt, is survivable. He fills me with understanding, and most beautifully I think, compassion. Compassion for the person that I once was and, perhaps most importantly now, for the person that I am soon about to become.

Halloween Chills: Nicholas Pryor Remembering Damien

Published October 31, 2020 by biggayhorrorfan

For those growing up in the era of pre-technological ease, the most exciting thing in the world was being able to catch a horror flick on the Movie of the Week – say something like Damien: Omen II. While The Omen (at least the original) is regarded as a classic by many, Damien: Omen II was a fast paced gore fest (that even the often unreliable IMDB reviewers proclaim as “An excellent sequel to The Omen!”) that titillated many a thrill deprived youngster. Those at an impressionable age upon viewing will never forget the sight of Elizabeth Shepard being pecked to death by a pack of venomous crows, Meshach Taylor, a long way from Designing Women, enact a blood strewn death by plummeting elevator or the slow path of a one teen’s drowning beneath a pool of hard ice (perhaps one of the most hauntingly tense deaths captured on film). Neither will they forget the cold, stomach crunching demise of Dr. Charles Warren, director of the Thorn Museum, portrayed by celebrated actor Nicholas Pryor. The friendly and responsive Pryor, whose other genre-type credits include Brain Dead with Bill Paxton, the thriller Pacific Heights and comedy spoof Airplane!, upon hearing of my love for Damien, years ago, generously gave me a detailed account of his filming experience. Pryor’s kind, nostalgic gift to me is now mine to present to all film trivia buffs seeking an extra Halloween chill or two! Enjoy.

“Filming in Chicago – we did a good deal of Damien there! I think I will never forget the sequence in the train yards when Bill Holden and I were poking around in the boxcars before one of them grabbed me and squished me. When we shot, it was early in December of a usual Chicago winter – which put the temperatures in the train yards at about -20. I was running around in a light polo shirt and jacket because I wanted to be able to shake with fear, but I didn’t want to think about it or do it, and I figured if I was cold enough it would take care of itself. Well. It worked, but the catch was we were there for three days. The first day it was kind of cloudy and overcast, but that night it snowed. The next day was snow on the ground and bright blue sky, so what we shot the first day couldn’t match and we did the first day’s work over. Then finally finished the next day, our third, and by that time I had become aware of a little woman from the wardrobe department who was wrapped in so many layers of clothing she literally had no face, just kind of a slit in all her head scarves. She kept wondering up to me and peering at me, and finally I asked her what she was doing, and she said, “Just looking to see if you have frostbite yet.”

As a postscript to the file “Its Not All Tinsel and Make Believe”, while we were shooting my getting squished, I noticed the sound guys listening to their tapes and shaking their heads. I asked what was happening and they said the snow on the ground was soaking up all the noise of my screaming and I would probably have to loop it later. I did.

Four months later, I spent all afternoon in the basement of a recording facility at 20th Century Fox screaming my lungs out for a director who kept saying, “Let’s do another and see if you can make this one more helpless!”

(In his correspondence with me, Pryor signed one shot with his Port Charles’ character name as he thought the photo was more representative of the role than himself. Pretty remarkable difference, right?)

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

http://www.facebook.com/biggayhorrorfan