Review: Lakeshore Drive

Published January 4, 2018 by biggayhorrorfan

lakeshore drive

We make certain choices when we’re drunk or dead tired…others come about from unexpected happiness or over excitement. In the tight mini noir Lakeshore Drive, Peter Bowse and Tyler Eden’s script finds hardened rideshare driver Roger (a cucumber cool Darren Smith) making one choice out of compassion. He then may be forced to make another more consequential one out of pure fear.

Naturally, like most of the flawed heroes in those ‘40s detective stories, one feels for Roger and the tight spot that he is put in. Viewers here, though, will probably walk away from this taut exercise feeling the most sympathy for Kim (a grittily honest Lila Star), Roger’s troubled transgendered passenger. Facing the violence that many marginalized people do, Kim decides to take matters into her own hands…and may end up facing the deadly realities that haunt all too many in the trans community.

Directed with a poetic yet very true sense of danger by Bowse, Lakeshore Drive also features an understated yet devious performance from Frank Ondorf as the man who just might control the destiny of both Roger and Kim. Bowse and all three of these performers are truly deserving of all the respect that they are sure to receive as this short piece enters the festival circuit.

Be sure to keep up with all the upcoming screenings at https://www.facebook.com/LakeshoreDrive2017/.

…and until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Chad Everett

Published December 31, 2017 by biggayhorrorfan

chad everett lp

His seven year stint on Medical Center assured him a place on the list of the world’s handsomest television doctors. But Chad Everett also supplied some grizzled atmospherics to the Alien-like television horror The Intruder Within. The role of businessman Tom Cassidy gave him an opportunity to add some roguish charm to Gus Van Sant’s much reviled Psycho reimagining, as well.

Not altogether surprisingly, as many heartthrobs before him, Everett also had a modest recording career in the ‘70s. Interestingly, the arrangement of his take on Nights on Broadway, off of his self titled release, gives that song a much more somber glow than the Bee Gees’ hit version.  Here, he continues that serious vibe with this version of Ain’t No Sunshine.

Everett, who died from cancer complications in 2012, gave genre enthusiasts further hope with appearances on Supernatural and David Lynch’s Mulholland Drive, as well.

May he rest where all bright things glow, forever!

chad psycho

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Now…That’s a Reveal! Chatting with Sleepaway Camp’s Felissa Rose!

Published December 30, 2017 by biggayhorrorfan

Felissa Alien

Felissa Rose, beloved by every true horror fan as Sleepaway Camp’s shy yet vengeful Angela, is a pure force of energy. Anyone who has been lucky enough to encounter her enthusiast presence at a con knows this for a fact.

Forever celebrating Sleepaway’s legacy, Rose made a number of stops in the Midwest in 2017. I was lucky enough to chat with her, on stage, about the film’s impact and her most memorable fan encounters at Chicago’s beloved 24 hour film festival The Massacre in October…

…and also spent some time talking with her about some more current projects like the highly anticipated Death House, as well.

You can keep up with all of the news about Death House at https://www.facebook.com/DeathHouseHorror and Felissa is always stalking the weird world of the web at www.felissarose.com, as well.

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Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Ghosts

Published December 26, 2017 by biggayhorrorfan

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Who am I to say? That might be my father, two tables over, staring out at me from behind that old man’s eyes, as I drink my iced coffee and try, unsuccessfully, to leaf through this mammoth brand new copy of Stephen King’s It.  I mean, we all have our ghosts…and as it is two weeks from Christmas, it would be in keeping with some kind of Dickensian sense of poetic justice, I suppose.

I just wish he wasn’t looking out at me…staring at me actually…with such directness…with so little warmth. There almost seems to be a sorrow there, a hurt. …and of course, ever analyzing, I could see how my father would think I had betrayed him, given the world a flawed impression. So, I sit here, guilt boiling, tears almost welling up in my eyes….and…

I think back to recent Facebook posts I’ve made to commemorate certain events – the anniversary of his death or his birthday. They’ve always been difficult for me to write, even though I’ve felt compelled to do them. I’ve never been able to compose simple, carefree posts about him. Our relationship was rocky at times and while I’ve tried balancing my ruminations with fairness, I’ve also tried to be honest. The wounds still run deep. But my dad was always someone who kept his council, his deepest thoughts and secrets were shadowed things…and I have made private things public, if even in a slightly masked way.

So, I begin to talk to my father in my head. I reassure him that I know he loves me. I tell him that I know he is looking out for me still. That I know, days ago, when I accidentally kicked the stuffed lion, that he gave me for a long ago birthday, out of my bed during the night, and it landed at the foot of my mattress in a protective pose, that he was watching out for me and that I felt comforted, protected. I tell him I love him and that I miss him, but that I also must tell the truth about the sad times, the frustrating times, the hurt.

…and this man continues to look me straight in the face, unmoved. …and still in his focused orbs, I see the exact replica of my father.  In reality, I know this stranger, who seems to be so wired to my presence, is probably not even aware of me. He is probably lost in some other place and time. He is probably not even there. Look…his female companion is crumbling his food up and feeding him, bite by bite. He accepts the nourishment, blankly, with no true sense of need or desire. But, I also (unreasonably, perhaps) believe this could make him the perfect vessel for my father. Would there be anything wrong with possessing someone who is totally unaware? Would there be any danger to someone’s soul then? I know I am actually not the one to seriously analyze these implications. I categorize myself as agnostic because I know that there is no way for me to truly guess at all the world’s mysteries. Who am I to say for sure that there is no god? Who am I to refuse to believe that a spirit could imbue the husk of some old soul… even momentarily?

I contemplate these things as I put on and zip up my hoodies and then throw on my coat. I ponder these mysteries even as I head to the garbage bins to throw away my plastic cup. And still he looks through me, unconvinced. And in turn, I keep looking back for some acknowledgment, some relief, as I walk away. I seek some understanding from him and there is none. And this could be because this really is just some poor lost man on his last wavelength of life. Or…this could be because it is two weeks before Christmas and, in some sense of Dickensian poetic justice, this really is the essence of my father pouring forth from this stranger’s intent gazes. He could be here to remind me to be very careful of what I reveal, to remind me that there are a million sides to every story and that he will never be appeased by any of my attempts at heart filled reasoning.

And who am I to say that this isn’t so? I know really nothing about god…about life…except that it is the holiday season and I could very well be seeing ghosts.
dad

Music to Make Horror Movies By: Sally Field

Published December 24, 2017 by biggayhorrorfan

sally field home

Before performing matriarchal duties on Sunday night melodramas…before the Academy Award wins, the diverse Sally Field logged in some final girl duties in the 1972 made for television Christmas horror Home for the Holidays. Here, Field was joined by a powerhouse cast – Julie Harris, Jill Haworth, Eleanor Parker and Jessica Walter – and, nicely, came out ahead of the curve against the film’s tempest tossed, pitchfork yielding maniac.sally field lp 2

Of course media fetishists know that, at the beginning of her career, Field essayed a couple short lived, yet iconic characters – Gidget and The Flying Nun. Interestingly, while playing the sky bound Sister Bertrille, she even released an album, Sally Field, Star of The Flying Nun. Supposedly aiming for the heights of Julie Andrews, this offering actually lands in that sweet, silly fun spot of most celebrity recordings. Although, wouldn’t be nice if it was true that we always got braver as our voices grew louder?

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Review: The Ball

Published December 22, 2017 by biggayhorrorfan

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Some prefer their witches with a Charmed imbued cuteness. Others enjoy theirs as a cackling spew against darkened cauldrons. Nicely, Count the Clock Productions has decided to present their succulent sorceresses with some Poe-like zest…as evidenced by their latest Gothic short, The Ball.

Filled with director Zach Lorkewicz’s expected visual flourishes, this rhyming exercise from the pen of Michael Coe, a truly unique approach for a horror entry, begins happily. An ebullient young lass named Pearlie (a personably subtle Avril Dominguez) prepares for the arrival of her beau for an elegant night on the town. But a ghost from her past soon threatens to mask the evening in revenge and tragedy. Pearlie, therefore, must summon up some persuasive powers to ensure that her night goes according to plan.

Enjoyably, Lorkewicz’s always unusual, highly developed artistic flair is accentuated here by a neat capper of an ending.

Meanwhile, be quick to avoid your own late night visitor by keeping track of Count the Clock Productions at https://www.facebook.com/counttheclock/.

Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Phoebe Snow

Published December 17, 2017 by biggayhorrorfan

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The dusky soulfulness of singer-songwriter Phoebe Snow seems far removed from the world of horror. This may be exactly why the producers of Ash Vs. Evil Dead decided to use her classic love ballad Poetry Man as the end title song for Confinement, a particularly gruesome second season episode. Amazing artistry can often be found in extreme contrasts.

…and, indeed, from the ‘70s until her untimely death at the age of 60 in 2011, Snow always provided the world with impeccable artistry.

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Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Review: I Said Yes to Everything

Published December 15, 2017 by biggayhorrorfan

lee grant bookDamien: Omen II. Visiting Hours. The Swarm. Airport 77. The Spell. The Cage. Academy award winning actress and acclaimed documentarian Lee Grant has appeared in more genre outings than even her most disciplined fans can often recall. Those interested in detailed accountings of such offerings, though, may be a bit disappointed by Grant’s emotionally complex, extremely well written 2014 memoir I Said Yes to Everything.

She gives only passing reference to many of these projects here – ignoring others outright – and sums up her experience working on them by saying that she eventually discovered that good acting work could be done in properties that often didn’t meet her qualifications of artistic merit.

Still, some glittering factoids do emerge. She, happily, recounts the tale of Michael Caine falling asleep, on camera, while filming The Swarm. Self deprecatingly, she also recalls consenting to do her own water stunts on the set of Airport 77 after witnessing the distinguished Olivia de Havilland, gleefully, taking a bath to make one of that film’s many scenes of destruction seem more realistic. Slasher Visiting Hours is also given a bit of notice as being the project that made the ever age conscious performer determine that her days as a leading lady were over and that it was time to devote her talents to behind the camera opportunities.lee grant damien

Nicely, Grant does major justice to the years she spent trying to regain her life after her complicated first marriage left her blacklisted by the House of Un-American Activities. The trauma of that relationship and her triumphant return to a career are definitely book highlights. Her honesty about her struggles to connect with an adopted daughter is also a revealing and intimate look at how hard parenthood and life, in general, can be.

Of course, all is not hardship and Grant’s tales of her loving, eccentric family and coming of age adventures lighten the atmosphere, giving readers a well rounded portrait of a woman who has successfully forged her own path despite all that life has thrown at her.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Music to Make Horror Movies By: Toto Coelo

Published December 10, 2017 by biggayhorrorfan

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While it seemed like artists like Alice Cooper, Ozzy Osbourne and Gary Numan covered all the bases on horror and science fiction themes in recording during the ‘80s, a close look at Man o’ War, the single album release from the colorful Toto Coelo, proves that there was another vibrant, less appreciated force at work.

Decorated with a sense of neon fun, this group’s biggest hit I Eat Cannibals is included here along with numbers such as (I May Commit) the Perfect Crime, the title track, Spy Vs. Spy and the stylish, dance influenced Dracula’s Tango (I’m a Sucker for Your Love). One just has to say “fangs” for a title like that, right?!?

https://www.youtube.com/watch?v=Y5wLEvFDOrs

Unable to replicate the success of Cannibals, and perhaps disappointed about the non-release of the horror sequel Grizzly 2 (In which they appeared in concert footage), the group disbanded in 1985. But lucky bargain bin hunters know that the electric joy and goofy gothic charms of Toto Coelo will never truly fade. Now, if only the folks at Stranger Things would take notice…

Toto Coelo

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Maid for Horror: Leila Bennett

Published December 8, 2017 by biggayhorrorfan

Leila Terror 1

With elastic eyes and a rubbery physique, Leila Bennett enlivened multiple Golden Age comedies, almost always playing domestics. On a controversial level, she even played a maid named Hattie, in black face, in both the stage and screen versions of a piece called The First Year. While this is a decision she probably would have neLeila Dr X 2ver made in a more enlightened time period, thankfully, she did make some correct assessments, career wise. For example, classic fright fans will forever benefit from her choice to appear in a number of fun, highly regarded gothic horrors.

In 1932’s Doctor X, Bennett’s often timid Mamie is forced to reenact the death throes of a serial killer’s victim through the investigative experiments of Lionel Atwill’s determined titular character. Nicely, when Mamie isn’t being terrified by Atwill, she is tending to Joanne, his supportive daughter who is played by the legendary Fay Wray. Coming to Joanne’s defense when Lee Tracy’s manipulative reporter tries to con her, Bennett is able to also display some feistiness here, giving her screen time a fine sense of fun and inventive balance. Leila Terror 2

In 1933’s lesser known Terror Aboard, Bennett displays an aggressiveness not seen in Doctor X. Here, as a maid named Lena, she pursues famed comedian Charles Ruggles’ frazzled steward, Blackie, with an ardent surety. Harassment as humor turns to horror, though, when Lena discovers that John Halliday’s smooth Maximilian, the owner of the ship on which this misadventure occurs, is the man responsible for all of the mayhem and bloodshed that the guests are experiencing. Bennett, nicely, applies a little coy navigation to her concern here, but her efforts to outwit Halliday end in failure. Thrown overboard by the villain, Bennett’s Lena joins the other victims in this Pre-Code slasher pre-curser. Mostly ignored upon its release, this piece’s interesting kills, including death by freezing and assisted suicide, have begun to give it a bit of recognition among gothic connoisseurs, as of late. This will, hopefully, help to put an end Bennett’s semi-obscurity, as well.

Leila Mark 11935’s Mark of the Vampire, dominated by Bela Lugosi’s haunting presence as Count Mora, is probably the most famous of this moldable pro’s terror offerings. But, Maria, her character, is, perhaps, the most pedestrian of the trio represented here. Put in charge of watching over Irina, the film’s heroine played by the regal Elizabeth Allan, Bennett is required to do little more than react in ever growing fright. Her presence, as in the other roles, is substantial and committed to with boundless energy, though. In fact, Bennett has more screen time than the mystical Carroll Borland, whose exotic nature and haunting composure have long made her one of this project’s most memorable features.

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Seemingly retiring from acting in 1936, Bennett died in New York City at the age of 72. But, forever young in celluloid, this engaging, unique performer is truly ripe for deserved rediscovery now.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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