(Hell of a Gal explores the films of the powerful, ever luscious Euro Vixen Helga Liné.)
Jealous looks good on Helga Liné. Of course, it should be noted, that almost everything looks absolutely fabulous on this devilish wonder. But most fans would probably agree that her dual role in the classic Nightmare Castle shows her off best of all.
As Solange, the devoted companion to the crazed Dr. Stephen Arrowsmith (Paul Muller), Liné makes her first appearance in this black and white gothic adventure as a withered crone. But, when we see her next, this gorgeous creature’s true beauty is shining through. (Hmmm…I just had to work a Melanie Griffith title into the proceedings, didn’t I?) It seems that Arrowsmith’s experiments have given the aged Solange the glow of youth…and a bit of possessiveness, as well. Solange is definitely not happy with the arrival of Jenny, played by the irreplaceable Barbara Steele. Jenny is the exact replica of Arrowsmith’s late wife and although she may hold the key to their fortune, Solange would, from all appearances, like her dispatched as quickly as possible.
Of course, all does not go according to plan in the world of villainy and the arrival of Jenny’s handsome and kindly doctor (Marino Mase) and a couple of vengeful ghosts soon spell doom for Arrowsmith and Solange.
But despite the corrosiveness of her character, Steele and director Mario Caiano have nothing but praise for Line’s beauty and talent on the special features of Severin’s beautifully restored copy of the film. Indeed, Liné is, nicely, given more range to play here than is normally required of her and while Ms. Steele, rightfully, has claimed the top spot in my many terror lovers’ hearts, Line’s take on Solange here proves that, in a fair world, she would be right up there with her.
Those interested in the restored version of this film should definitely check it out at https://severin-films.com.
Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan
As Mrs. Russo, the anguished mother of the film’s first victim, 
Granted, the world probably didn’t need another sleazy film about underage prostitutes being done in by sweaty superiors, but the sight of the exquisite 
But by the time the two rival clubs are competing against each other in the film’s climatic, unconvincingly strenuous National Aerobithon, Marlene reveals a bulging pair of maternal instincts and urges her flesh and blood onto victory, despite her own business interests. 
What is, perhaps, most notable about this entry, though, is director Tonino Valerii’s hard boiled take. He provides a slightly more realistic edge to the film’s outrageous acts of violence and twisted turns of plot, setting 
Another ludicrously fun slab of cheap Euro horror, 
Full of obviously fake, but very bloody attacks (including several shots of beating hearts being ripped from chests) courtesy of Loreley’s alter-ego, a scaly green monster, this cheesy time capsule is enjoyable not only due to Line’s compelling attitude but because of its innate ludicrousness. While Kendall’s swarthy handsomeness is a plus, the character of Sirgurd has to be one of the densest Euro horror heroes ever. After being filled in by a local musician and a determined scientist about Loreley’s deadly origins, he still can’t figure out that she is the mysterious woman that he has encountered – even after she practically confesses to him during their initial seduction scene. Tortosa’s Elke is almost equally insipid. Despite the evidence of several brutal outdoor attacks, she is constantly sneaking out at night to confront Sigrud – often ending up being targeted by her slimy nemesis.
Missing out on the action for a good half of the film, Line also definitely makes up for lost time by showing off her glorious body (in often very chilly looking scenarios) with grand efficiency. In fact, her presence and professionalism here assure that she far outshines all of her feminine competition in the film – of which there is a great deal of – and makes one wish that she had been restituted for 
Big Gay Horror Fan 