
Before she began a healthy run of horror and science fiction roles with 1983’s Videodrome, the incomparable Debbie Harry flirted with spacey themes via her 1981 solo recording debut Koo Koo. Featuring cover art from Alien‘s HR Giger and futuristic production work from Chic’s Nile Rogers and Bernard Edwards, this LP continued the artist’s eclectic pursuit of musical exploration, but was considered a critical and financial failure upon its initial release.
The passage of time, of course, has led many fans to reconsider this incredibly varied and truly interesting work from a group of creative individuals in the prime of their careers.
Harry, whose other genre credits include the anthology features Tales from the Darkside: The Movie and Body Bags, continues to dive into new sonic adventures to this day. You can keep up with her always noteworthy journeys at www.blondie.net.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!


In her final moments she even shares the screen with ‘80s era action hunks David Hasselhoff and Randolph Mantooth, giving those (then) famous youngsters a crash course in how to handle a scene!




Here Bingham, best known to terror enthusiasts as the kind Ms. Van Deusen in 
She possesses one of the most unique and powerful voices in pop and New Wave music. Thankfully, The Motels’ irreplaceable Martha Davis also lent her talents to
Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!
Many may assume that is Liza Minnelli and Dionne Warwick who provide the diva power in 1987’s ridiculously fun crime caper
The two here play a classic dance of cat and mouse with one of their more evocative sequences occurring when Masur’s Roger confronts a sweaty, post workout Dancer. In this moment, Masur’s affable every man contrasts perfectly with Remar’s more mysterious qualities.





