Social Commentary

All posts in the Social Commentary category

Ash Wednesday

Published March 5, 2026 by biggayhorrorfan

Ash Wednesday was really triggering this year.

The parade of people still celebrating the rites of the Catholic Church astonished me. Everywhere I turned, there were smudged foreheads, often accompanied by beatific, seemingly superior smiles. 

“What is up with all this pompous pretentiousness? Do you not know the stats of the children abused by your institution??”, I indignantly wondered. 

“Its sure to be millions. Several million even!”

But then a thought, as they always seem to do, crept up on me. I didn’t really know the exact stats myself.

So, I dug in and, after a few hours, here’s what I discovered 

Between 1950 – 2020, there were 330,000 confirmed cases of child sexual abuse committed by priests in the Catholic Church in the United States. Further investigating revealed that there have also been thousands of cases reported in other countries. Ireland, the UK, the Philippines, Germany, Australia, France (and others) have reported significant abuses. Some of those areas have actually confirmed over 4000 incidents throughout a period of years.

These numbers, of course, do not include the unreported and the claims denied upon “investigation”. There is nothing concrete about the decades before 1950 either.. 

But, I would hope that only those in deep denial would think there weren’t massive wrongdoings happening in the many decades before that starting off point. 

So, if we assume that from 1880 to 1950 that there were also 330,000 cases and that from 1810 to 1880 that there were 333,000 more, that already puts us at a million.

But even if we keep our focus solely on the calculated facts – 330,000 cases, in of of themselves, should be more than enough for any truly humane person of faith to turn their back on the Catholic Church.

Lest we forget, all those cases involved lies and cover-ups from the church, They involved nuns walking in on their students being raped and doing nothing. 

The fish rots from the head down and if you still believe that there is any sort of true shine in that festering crown, then you are just as culpable as those who have gone to their graves with the mark of pedophile upon them.

So, let’s all burn the Catholic Church to the ground! 

That’s the kind of smoky stain that I could truly get behind.

Buddy Cole’s Gift

Published August 22, 2021 by biggayhorrorfan

Talking with a reporter for The Buffalo News last summer, I found myself navigating through some of the murkier dynamics of sexual abuse. I was 16 the first time an official from the Catholic Church touched me (This, of course, was after years of verbal grooming). That was the age when my hormones, like those of many other young men, were starting to blaze into perpetual existence. I remember watching, sometimes in sad disbelief. as the boys and the girls in my high school found their way to each other, often times in the most unlikely couplings. This left me eagerly vulnerable to any homosexual advances – even the passionately unwanted ones. Therefore, it felt like I was lifting a murkily illuminated rock off of one of my darkest secrets when I revealed during that conversation that, on occasion, I relented without protest and sometimes with the barest whiff of desire when one of those often corpulent officers of Christ beckoned to me, lustily. To my surprise, the journalist, who had been covering this type of subject matter for decades. seemed unfazed by this admission. “Even the youngest and straightest of male victims have often admitted to feeling pleasure of some sort during these encounters,” he admitted. “It’s one of the many realities that makes the whole issue so insidious.”

As influenced as we are by cultural suggestion, it seems that the dearth of this kind of complex representation in film might also contribute to our silence on such an emotionally complicated issue, as well. In fact, the only film that I have ever seen approach this psychological tragedy is 2000’s back woods gothic genre-piece The Gift. Written by Billy Bob Thornton & Tom Epperson, one of the plot points of Sam Raimi’s acclaimed film deals with the relationship of a small town psychic (Cate Blanchett’s sensitively rendered Annie Wilson) and one of her supremely damaged clients, a young garage mechanic (Giovanni Ribisi’s Buddy Cole).

Obsessed with his father and mentally unraveling, it is pretty obvious from the outset that Cole, as emphatically and almost beyond realistically played by Ribisi, has been sexually abused by his paterfamilias. But taking the circumstances to an interesting extreme, Thornton and Epperson reveal just how deviant the effects of this violation can be. Desperate and at the end of a rapidly eroding grip on his violent tendencies, Buddy finally confesses to Annie, “I’ve been thinking about my daddy and I’ve been touching myself. Why do I do that?” Naturally with the set-up of Cole’s fist pounding, explosive personality, when the truth ultimately reveals itself to him, it is met with a fiery, understandably criminal retribution.

Despite this distinctly celluloid resolution, as most real life victims actually take to therapy or the courtroom to deal with their damaged upbringings, the creatives here still need to be applauded. By digging deep into a seemingly never before acknowledged aspect of abuse – the recipient’s own conflicted carnality – they offer a representation that is meaningful to the many, including myself, who deal with the repercussions of such abuses on a daily basis.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Shark Bait Retro Village: Crawlspace

Published February 28, 2021 by biggayhorrorfan

“You took him to your bosom in some crazy menopausal fantasy!” – Arthur Kennedy (Albert Graves), Crawlspace

Years after dealing with the suave menace of Joseph Cotton’s worldly Uncle Charlie in Alfred Hitchcock’s acclaimed thriller Shadow of a Doubt, the underrated Teresa Wright encountered another malevolent presence in the 1972 Movie-of-the-Week Crawlspace

Here, the evil finds its walking form in Tom Happer’s destructively childlike Richard Atlee. Discovered hiding in the titular crawlspace of the home of Wright’s Alice Graves, Atlee soon provides the childless woman with a much wanted maternal outlet. The youth is similarly embraced by her husband, played by the compassionate Arthur Kennedy, and before long the trio starts to tentatively form a loving, if slightly awkward, family unit. 

But Atlee’s infantile anger issues ultimately reach an uncontrollable level when some bullying locals don’t take kindly to his odd demeanor and try to run him out of town. As things unravel, Wright’s expressive face and eyes tell a full story – one of sorrow and lost dreams…and one full of anger and fear once things begin to cataclysmically unravel.

Although, it is often noted on database lists as one of the top early ‘70s television terror efforts, Crawlspace is ultimately more of a dramatic study of intolerance – with the uncompromising townsfolk here most probably drawing comparisons to the unrelenting MAGA rioters for contemporary viewers. 

Golden age movie fans may also want to look for this occasionally twisted exploration of loneliness, currently available on a number of free streaming services, for Wright’s truly sympathetic portrayal, as well. 

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Hamish Downie’s Silence

Published October 31, 2020 by biggayhorrorfan

He’s an Australian living in Japan, but that isn’t the most interesting thing about Hamish Downie. As talented filmmaker, he’s combined high art and horror for years now.

The press release for one of his most poignant creations has just been released…

“TAIPEI (October 2020), Gagaoolala announced today that it acquired the global rights to Hamish Downie’s SILENCE. Written and Directed by Downie (upcoming feature film “Matcha & Vanilla”), inspired by the Director’s real life, the short film has screened around the world at festivals such as Filmfest homochrom (Germany) and the Queersicht Film Festival (Switzerland), and received honorable mentions at Just Before Midnight Film Festival, and Let’s All Be Free Film Festival. It received encore screenings at Lake Champlain International Film Festival, and is set to be re-screened this year as part of online events put on by Tag! Queer Shorts Film Festival (formally Corvallis Queer Film Festival).

Hamish Downie’s Lynchesque/Homage to Film Noir and Atmospheric Horror short film follows the story of a woman (Tomoko Hayakawa) who must survive the night with her abusive girlfriend (Qyoko Kudo), after being discovered trying to escape.”

…and the teaser trailer has recently been given a lot of attention, as well.

Please follow https://www.facebook.com/hamishdowniewriter for more information and…

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan

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Music to Make Horror Movies By: Scott Free

Published September 6, 2020 by biggayhorrorfan

On the rare moments when one is able twist a thought or two away from the many social disasters that are plaguing us, it’s easy to remember that the world is actually populated with a ton of cool people. Sometimes, if you’re lucky, you got to associate with one or two of them. LGBTQIA musician and activist Scott Free has been a longstanding voice for queer artists in Chicago, hosting a decades long performance showcase called Homolatte and being a very loud reminder to queer festival organizers that actually booking gay acts is a necessity for their events to be a true source of pride and awareness.

A few years ago, we spent a lot of time together working on a show called Zombie Bathhouse: A Rock Musical. To this day, friends still tell me how his lyrics for that project totally nailed aspects of their own lives, a true testament to his empathy and talent. His latest work, The Last Revolution, is a social call to arms that has deservedly gotten tons of praise and attention and, as with the majority of his work, really raises an eye on the tremulous circumstances that we are now facing as a nation.

Obviously, it almost goes without saying, that It’s truly been my honor to know Scott as a collaborator and friend and it’s truly my pleasure to welcome you to visit more of his fine output at http://www.scottfree.net/ and http://www.zombiebathhouse.net/.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!www.facebook.com/biggayhorrorfan

Review: A Stranger Among the Living

Published May 29, 2020 by biggayhorrorfan

A Stranger Among the Living

I think the true social importance of horror films is how we often readily identify with the characters at the heart of a story’s bloody crisis. It would have been much more difficult me for to survive my rural, often un-fabulous childhood without Halloween’s Laurie and Friday the 13th Part 3’s Chris filling me with determination and hope. Similarly, the gateway into openly gay writer-director Chris Moore’s moody chiller A Stranger Among the Living is how much we sympathize and relate to Henry Lyle, the film’s sensitive lead who finds his life thrown off balance after a violent crime occurs at his place of work.

A struggling actor with an emotionally suffocating mother, Lyle finds himself shadowed here by mysterious figures after he switches assignments with a fellow teacher in order to attend an audition. When his coworker expires in a school shooting, he soon realizes, much like Carnival of Souls’ Mary Henry or Final Destination’s Alex Browning, that death isn’t quite through with him yet.

Played with quiet conviction by the talented Jake Milton, Lyle is already burdened by the time we meet him. Unfulfilled with his career path, he is seemingly afraid to commit too fully to any life choice less he be disappointed. He is uninterested in romance, making him perhaps the first asexual protagonist in a genre project. But even the virgin as final girl/guy trope may not save him as his friends and family soon begin to disappear or meet mysterious fates.

A Stranger Among the Living 2That Moore makes those supporting contemporaries an often sympathetic and aggregable bunch is another of this film’s strengths. Even as she tries to strangle the few tremulous ambitions that Henry retains, actress Victoria Posey brings a soft vulnerability to Patsy, Lyle’s needy, traumatized mother. Moore, himself, brings a ray of fun and energy into the film’s world with his take on the flamboyant Jarvis Coker, a zany addict who ingratiates himself into Henry’s life after they meet at a support group.

As with his previous films, including Blessed Are the Children and Triggered, Moore applies a bit of political consciousness here, as well. But, most importantly, with Henry he presents us with a character that reflects the insecurities and indecisions that we all so often face in a world that seems odder and more hostile with every passing moment.

More information on Stranger, including screening events and links, is available at https://www.facebook.com/astrangeramongtheliving/.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Book Review: Testament

Published April 2, 2020 by biggayhorrorfan

Testament-f

At the midway point of Testament, queer horror writer Jose Nateras’ debut novel, the protagonist is speaking with an experienced LGBTQIA historian about the gothic happenings that are occurring in his life. As I read, I began remembering all the amazing journalistic mentors I’ve had in my career – Ralph P. Gernhardt, co-founder of Gay Chicago Magazine…Louis Weisberg and Larry Bommer of Chicago Free Press, all leaders in queer publishing and community reporting. The ability to have this personal connection to a piece of literature is ultimately why Nateras’ book is so important. It is so rare to have a complicated, sympathetic gay narrator as our guide throughout a genuine work of terror fiction.

The narrator in question here is Gabe Espinosa, an emotionally devastated Latinx man. Still recovering from a hasty suicide attempt due to romantic misadventure, he soon finds himself the target of an entity that seemingly wants to destroy him not only for his sexuality, but for his racial background, as well. This plot point is another of the significant pleasures of this quick moving 195 page tome. Nateras imbues Gabe with many of the concerns and conflicts facing minorities residing in an already marginalized culture. Fetishism, invisibility and lack of status and opportunity are all explored here with taut emotion and sensitive reasoning.

Nicely, there are magnified scenes of shock and intrigue here, as well. A frenzied mob attack on the CTA in Chicago is almost heart stopping in intensity while the film’s penultimate encounter is also viciously rendered. In fact, one almost wishes Nateras had utilized more descriptiveness in closing out these supernatural details. A longer climax may have actually benefited this already exciting and relatable story, allowing readers to truly grasp the combative nature that Gabe must employ to fight back against what is haunting him.

The fact that Nateras writes such compelling characters also comes in to play here, as well. It is easy to fall in love with Gabe and his friends, especially his ne’er do well, bisexual roommate Bryan, and to have had the pleasure of their company for a moment or two longer would have truly been a gift. Thus, Nateras should be proud of this spooky, culturally valuable work and I can’t wait to read his next efforts in genre writing.

https://ninestarpress.com/product/testament/

https://www.amazon.com/Testament-Jose-Nateras/dp/1951880153/

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

http://www.facebook.com/biggayhorrorfan

 

ReQueered Tales Presents Steam

Published June 1, 2019 by biggayhorrorfan

steam new coverIt is perhaps any artist’s worst fear that their work will be forgotten as the decades spin in their unrestrained progression. Nicely, the folks at ReQueered Tales are focusing on re-releasing the important works of previous generations of queer horror and science fiction writers. Now these creative giants can be discovered and celebrated by a new millennium of readers.

Excitingly, one of their first major entries for renewed and (hopefully enthusiastic) consumption is Jay B. Laws’ Steam. Celebrated in his brief career for his plays and novels, Laws’ Steam takes the horrors of the AIDS epidemic and gives them a fictionally horrific facade. The author, who died of the disease soon after the book was published, would surely be thrilled that his work was being given a big push in this time of morally reprehensible politics. His words, surely, ring just as true now as they did almost 30 years ago.

Steam, highlighted by beautiful new cover art, can be purchased at

https://www.amazon.com/dp/B07RJL2SPM

Be sure to also follow ReQueered Tales at https://www.facebook.com/ReQueeredTales/ to learn about the important reissues that they will be emphasizing in the future.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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steam 1

Steam’s Original Cover Art

Spinsters of Horror

Published May 2, 2019 by biggayhorrorfan

Spinsters of Horror

Social media has its drawbacks. But if you’re lucky, you can also discover the coolest people, including many who live many miles away.

Speaking to that point, I’ve recently stumbled upon two amazing women, Kelly and Jessica. They are true horror lovers, exciting podcasters and they, sparkle bewitchingly, with a true sense of fun. I really think you need to check them out.

Nicely, not only do they, as the (Ontario based) Spinsters of Horror, produce podcasts that are gleeful, but they also look at gender and other social constructs in the genre with a serious eye and a spot on analytic expertise.

Be sure to find out about everything these two goddesses of cinematic mayhem at

https://www.spinstersofhorror.com/ and

https://www.facebook.com/spinstersofhorror/.

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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Absolutely Not’s Glitch

Published March 6, 2019 by biggayhorrorfan

glitch.jpg

There are gods and goddesses of rock that are known, worldwide. Others carry a local beat. Case in point: Donnie Moore, the gay ringleader of punk pop auteurs Absolutely Not, and Lindsey Charles, the dynamic force behind art rock provocateurs The Cell Phones, are Midwest sensations that deserve to conquer the universe as a whole.

Nicely, both of these amazing talents have a love for horror. Moore’s concept for Glitch, AN’s latest single, features a Trump masked serial killer and Charles as an industrious black final girl, something the entertainment world truly needs more of. By that I mean, of course, women of color kicking ass and not obnoxious sociopaths bringing us evermore teetering to the point of disaster!

Be sure to keep up with Absolutely Not, who just released their second full length album, at https://www.facebook.com/AbsolutelyNotMusic. The Cell Phones, meanwhile, are consistently making all things seem possible at https://www.facebook.com/cellphonesband/.

dual band

Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!

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