
The forbidden thrill of being a small town 14 year old diving into epic novels like Stephen King’s The Shining and Salem’s Lot can never be replicated. But floating through Mats Strandberg’s Blood Cruise, as an adult, definitely brings back a wonderful sense memory of those exciting, long ago afternoons.
While, joyfully, reveling in the visceral antics of grand horror fiction, this fine book also offers up an intricate look at the emotional lives of a wide variety of vacationers whose quick boat trip in Sweden turns into an odyssey of terror. Nicely, many of these individuals are relatable to queer terror lovers who often feel like they are left on the outside of both mainstream and alternative culture.
The proceedings begin with an introduction to Marianne, a still attractive senior citizen who feels as if life has passed her by. Readers will definitely feel for her as she is courted by a charming rogue and recognize all the insecurities and fears that she experiences as she begins to open up her heart and live again.
Nicely, another primary focus here is Calle, a former employee of the cruise line on which all the action occurs. His marriage proposal to his handsome boyfriend gone awry, this despondent romantic soon finds himself in charge of a couple of frantic pre-teens and eventually discovers the hero that resides deep within him.
Throughout, while rotating a dozen or so primary characters and various plotlines, Strandberg skillfully paints a true picture of life’s often harsh complexities. Here frazzled family dynamics, self image issues, rivalries and bitter regrets color in the personalities of all his characters. It is not always a pretty picture, but it is an accurate one …and as some of each reader’s favorite participants are bound to meet their deaths in a variety of unpleasant ways, it nicely binds the characters to us, making their ends all the more tragic. As all well rounded creative types do, Strandberg even paints in some nice emotional layers to his toothy, vengeful villains, granting them have a degree of sympathy, as well.
The most enjoyable thing here, perhaps, though is discovering the ways in which beloved individuals orbit into each other’s stories. Equally as fun, are those moments when one realizes that one personality’s point of view about themselves is often very different from those that encounter him or her. These instances emphasize Strandberg’s talent for weaving not only a multi-faceted story but for inventing believable characters, as well.
A top ten seller across Europe, Blood Cruise, is available for purchase on www.amazon.com. Strandberg, whose book The Circle was turned into a hit movie by ABBA founder Benny Andersson, can be located on Instagram and Twitter @matsstranberg_ and online at www.matsstrandberg.se.
Until the next time, SWEET love and pink GRUE, Big Gay Horror Fan!
www.facebook.com/biggayhorrorfan









Coming on like Jane Russell for the midnight set, Strain has well over 100 movie credits including such mainstream fare as 
Her most amusing work, on the other hand, may have occurred in 

Flambo, as enacted by the multi-layered Judi Aronson, seems to be a poor, tortured soul when first encountered by series regular Doris Doreau (Anne Marie Martin), who is sent to rescue the young heiress. But (spoiler alert) when it is quickly discovered that Flambo was in on her own kidnapping, the young socialite’s attitude flips and soon Doreau finds her life on the line. 








Working against the grain, the straight yet incredibly inclusive Marcus, even found his way around studio tampering. An edict to add a more traditional camper-bloodbath sequence to his unconventional narrative inspired him to balance out the (frequently unfair) exploitation scales by adding extensive male nudity to the requested material. While 
Marcus’ provocative sense also extends to the relationship between Steven Freeman, the film’s hero as brought to life by 
