
She was England’s answer to Marilyn Monroe, but the glorious Diana Dors soon proved she was her own very unique creature. Almost immediately, she lit up a bevy of British noir films and, by the late ‘60s and early ‘70s, was giving honest and heartfelt performances in a variety of horror films including Berserk (with Joan Crawford), the Vincent Price classic Theater of Blood, the anthology From Beyond the Grave and Nothing But the Night (with Peter Cushing and Christopher Lee).
Dors was also an accomplished vocalist. Her album Swinging Dors, a fan favorite, features peppy versions of a number of standards, but she also knew how to rock ‘n roll. Her sensuality and common sense were put to great use with the one off single, So Little Time.
Move over, Presley!

Dors in the “Children of the Full Moon” episode of Hammer House of Horrors
Until the next time – SWEET love and pink GRUE, Big Gay Horror Fan!




Here as the clairvoyant Cassandra, Wilson tries to warn Morton Downey, Jr.’s obnoxious Ray Bright about impending danger. Of course, Bright treats Cassandra with nothing but skeptism and scorn. Despite this hateful onslaught, Wilson allows her character to maintain the cool regality that made her a wonder of the song set and establishes Cassandra as someone with both compassion and a rigid will. Naturally, Bright’s cynicism eventually relegates him to the clutches of a Dick Smith inspired creature in the episode’s penultimate awakening. Still, the finest moments here, for terror freaks who like the horror mixed with a cup of class, belong to Wilson. 












